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Stefano da Ferrara | |
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 Madonna del Pilastro, Basilica of Saint Anthony of Padua | |
| Born | Stefano Di Benedetto |
| Nationality | Italian |
| Known for | Fresco |
Stefano da Ferrara was an Italian painter from Ferrara who active in the latter half of the 15th century.
The dates of his birth and death are uncertain. He traveled to Treviso with his brother around 1339, later moving on to Padua, where his Madonna del Pilastro is located in the Basilica of Saint Anthony of Padua. [1] It is in the style of the Byzantine icons of Eleousa, mother of Mercy. Additional frescoes in the Chapel of the Ark were lost due to neglect and humidity, [2] and destroyed in 1500 during the renovation of the building by Andrea Briosco.
He is described by Vasari as having been the friend of Mantegna. In the Pinacoteca di Brera are two Madonnas with Saints that are assigned to him; in San Giovanni in Monte in Bologna is a Madonna and Child, with two Angels considered to be by this artist. [3] he worked on the frescoes in the Palazzo della Ragione, Padua. [4]
Recent studies have identified Stefano Di Benedetto as Stefano da Ferrara. [5] In these studies, the art historian Miklós Boskovits has plausibly attributed the frescos of casa Minerbi - Del Sale to Stefano di Benedetto da Ferrara (not to be confused with his Quattrocento homonym). [6]
Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Pisanello, born Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time, who compared him to such illustrious names as Cimabue, Phidias and Praxiteles.
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Bernardino Luini was a north Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov.
Benvenuto Tisi was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, Garofalo, may derive from his habit of signing some works with a picture of a carnation.
The Palazzo della Ragione is a medieval market hall, town hall and palace of justice building in Padua, in the Veneto region of Italy. The upper floor was dedicated to the town and justice administration; while the ground floor still hosts the historical covered market of the city. The palace separates the two market squares of Piazza delle Erbe from Piazza dei Frutti. It is popularly called "il Salone" . It is part of the UNESCO World Heritage Site of Padua's 14th-century fresco cycles.
Cosmê Tura, also known as Il Cosmè or Cosimo Tura, was an Italian early-Renaissance painter and considered one of the founders of the School of Ferrara.
Antonio di Benedetto Aquilo degli Aquili, known as Antoniazzo Romano, was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor", in particular by very often using the gold ground style, which was unusual by this period.
Palazzo Schifanoia is a Renaissance palace in Ferrara, Emilia-Romagna (Italy) built for the Este family. The name "Schifanoia" is thought to originate from "schifare la noia" meaning literally to "escape from boredom" which describes accurately the original intention of the palazzo and the other villas in close proximity where the Este court relaxed. The highlights of its decorations are the allegorical frescoes with details in tempera by or after Francesco del Cossa and Cosmè Tura, executed ca 1469–70, a unique survival of their time.
Sant'Anna dei Lombardi,, and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.
Palazzo dei Diamanti is a Renaissance palace located on Corso Ercole I d'Este 21 in Ferrara, region of Emilia Romagna, Italy. The main floor of the Palace houses the Pinacoteca Nazionale di Ferrara.
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Lorenzo Leonbruno, also known as Lorenzo de Leombeni, was an Italian painter during the early Renaissance period. He was born in Mantua (Mantova), an Italian commune in Lombardy, Italy. Leonbruno is most well known for being commissioned by the court of Francesco Gonzaga, Marquis of Mantua, and his wife Isabella d'Este. The patronage continued with their eldest son Federico II Gonzaga, who was the fifth Marquis of Mantua. Leonbruno was the court painter for the Gonzaga family from 1506–24.
The decade of the 1490s in art involved some significant events.
The decade of the 1460s in art involved some significant events.
The decade of the 1450s in art involved many significant events, especially in sculpture.
The decade of the 1440s in art involved some significant events.
Giovanni Nicolò Miretto was an Italian painter active in Padua, region of the Veneto.
This article incorporates text from a publication now in the public domain : Bryan, Michael (1886). "Ferrara, Stefano da". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.
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