Alexander Yaroslavich Nevsky was Prince of Novgorod, Grand Prince of Kiev (1246–1263) and Grand Prince of Vladimir (1252–1263).
The Holy Lance, also known as the Lance of Longinus, the Spear of Destiny, or the Holy Spear, is the lance that is alleged to have pierced the side of Jesus as he hung on the cross during his crucifixion. As with other instruments of the Passion, the lance is only briefly mentioned in the Christian Bible, but later became the subject of extrabiblical traditions in the medieval church. Relics purported to be the lance began to appear as early as the 6th century, originally in Jerusalem. By the Late Middle Ages, relics identified as the spearhead of the Holy Lance had been described throughout Europe. Several of these artifacts are still preserved to this day.
According to Christian tradition, the Image of Edessa was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus had been imprinted—the first icon ("image"). The image is also known as the Mandylion, in Eastern Orthodoxy, it is also known as Acheiropoieton, or "icon not made by hand".
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward.
Macarius of the Yellow Water Lake and the Unzha, the Miracle Worker (1349–1444) is a Russian Orthodox saint. He is credited with the founding of four monasteries in the Middle and Upper Volga regions of Russia.
Zosimas of Palestine, is commemorated as a Palestinian saint. His feast day is on 4 April.
The Column of Justinian was a Roman triumphal column erected in Constantinople by the Byzantine emperor Justinian I in honour of his victories in 543. It stood in the western side of the great square of the Augustaeum, between the Hagia Sophia and the Great Palace, and survived until 1509, its demolition by the Great earthquake of Constantinople which affected other historical places as well.
Pimen was the Metropolitan of Kiev and all Rus' from June 1380 until he was deposed in 1384. At the same time, Cyprian, Metropolitan of Kiev was alive and claimed the same title.
The Chalke Gate, was the main ceremonial entrance (vestibule) to the Great Palace of Constantinople in the Byzantine period. The name, which means "the Bronze Gate", was given to it either because of the bronze portals or from the gilded bronze tiles used in its roof. The interior was lavishly decorated with marble and mosaics, and the exterior façade featured a number of statues. Most prominent was an icon of Christ which became a major iconodule symbol during the Byzantine Iconoclasm, and a chapel dedicated to the Christ Chalkites was erected in the 10th century next to the gate. The gate itself seems to have been demolished in the 13th century, but the chapel survived until the early 19th century.
Daniel the Traveller, known also as Daniel the Pilgrim, Daniel of Kiev, or Abbot Daniel, was the first travel writer from the Kievan Rus. He is known for travelling to the Holy Land in the aftermath of the First Crusade and his descriptions are important records of the region during that time. Some have identified him with a certain Daniel, bishop of Yuryev between 1115 and 1122.
Kievan Rus', also known as Kyivan Rus', was a state and later an amalgam of principalities in Eastern and Northern Europe from the late 9th to the mid-13th century. The name was coined by Russian historians in the 19th century. Encompassing a variety of polities and peoples, including East Slavic, Norse, and Finnic, it was ruled by the Rurik dynasty, founded by the Varangian prince Rurik. The modern nations of Belarus, Russia, and Ukraine all claim Kievan Rus' as their cultural ancestor, with Belarus and Russia deriving their names from it, and the name Kievan Rus' derived from what is now the capital of Ukraine. At its greatest extent in the mid-11th century, Kievan Rus' stretched from the White Sea in the north to the Black Sea in the south and from the headwaters of the Vistula in the west to the Taman Peninsula in the east, uniting the East Slavic tribes.
Parastaseis syntomoi chronikai is an eighth- to ninth-century Byzantine text that concentrates on brief commentary connected to the topography of Constantinople and its monuments, notably its Classical Greek sculpture, for which it has been mined by art historians.
The Metropolis of Lithuania was a metropolis of the Ecumenical Patriarchate of Constantinople in the Eastern Orthodox Church. It was erected on the territory of the Grand Duchy of Lithuania between 1315 and 1317. It was disestablished in 1371. The seat (cathedra) of the metropolis was initially in Navahrudak. It had only two metropolitan bishops. The establishment took place in the aftermath of the Mongol invasion of Kievan Rus' which was exploited by the rulers of Lithuania to greatly expand their territory. To help legitimize their annexations and to bind their new subjects more closely to the state, the royal powers favoured the erection of a metropolis for the inhabitants of the Grand Principality. To avert the possibility of the state going over to the Holy See, the hierarchs based in Moscow latterly supported the erection of the metropolis as the lesser of two evils. Throughout the existence of the metropolis, the metropolitans struggled for religious control of the Rus' eparchies with the secular and religious powers in the Kingdom of Galicia–Volhynia, the Principality of Tver, and the Grand Duchy of Moscow.
The Church of the Virgin of the Pharos was a Byzantine chapel built in the southern part of the Great Palace of Constantinople, and named after the tower of the lighthouse (pharos) that stood next to it. It housed one of the most important collections of Christian relics in the city, and functioned as the chief palatine chapel of the Byzantine emperors.
Paraskeva of the Balkans was an ascetic female saint of the 10th century. She was born in Epivates, near present-day Istanbul, and had visions of the Virgin Mary. After living in Chalcedon and Heraclea Pontica, she settled in a convent in the desert near the Jordan River, where she died at the age of 27. The cult of Saint Paraskeva began to spread in the 14th century from Bulgaria into the Danubian Principalities of Wallachia and Moldavia. There was confusion over her identity and attributes because her Greek name "paraskevi" means "Friday," and translations in other languages, such as Romanian and Serbian, were "Saint Friday". Her cult continues to be celebrated in many Orthodox countries, and her feast day is commemorated on October 14 in the Eastern Orthodox Church.
Saint Stephen the Younger was a Byzantine monk from Constantinople who became one of the leading opponents of the iconoclastic policies of Emperor Constantine V. He was executed in 764, and became the most prominent iconodule martyr. His feast day is celebrated annually on 28 November. His hagiography, the Life of St. Stephen the Younger, is an important historical source.
Anthony of Novgorod was a archbishop and saint.
This is a timeline of the presence of Eastern Orthodoxy in Greece from 717 to 1204. The history of Greece traditionally encompasses the study of the Greek people, the areas they ruled historically, as well as the territory now composing the modern state of Greece.
The Trier Adventus Ivory or the Translation of Relics Ivory is an artwork in the Trier Cathedral Treasury in Trier, Germany. The 4th-century relief is a piece of ivory carving from the Byzantine Empire. It was acquired by the Cathedral of Trier in 1844. The work is considered to be an "enigma of Early Byzantine art" and scholars have debated over the ivory's date of manufacture, its original location, and who is depicted. The panel is relatively intact aside from minimal damage to the top right and bottom left corners and some figures having lost their heads.