The survival film is a film genre in which one or more characters make an effort at physical survival. [1] The genre focuses on characters' life-or-death struggles, often set against perilous circumstances. Survival films explore the human will to live, individual motivations, and personal desires, prompting audiences to reflect on broader aspects of humanity and personal values. They balance realism and believability with slow-burning suspense to maintain a sense of urgency. While some survival films may have epic scopes and lengthy running times, their effectiveness lies in creating an atmosphere where every moment poses a passive threat to the protagonist's existence. [2]
The genre often overlaps with other film genres. It is a subgenre of the adventure film, along with swashbuckler films, war films, and safari films. [1] Survival films are darker than most other adventure films and usually focus their storyline on a single character, usually the protagonist. The films tend to be "located primarily in a contemporary context", so film audiences are familiar with the setting, and the characters' activities are less romanticized. [3]
In a 1988 book, Thomas Sobchack compared the survival film to romance film: "They both emphasize the heroic triumph over obstacles which threaten social order and the reaffirmation of predominant social values such as fair play and respect for merit and cooperation." [3] The author said survival films "identify and isolate a microcosm of society", such as the surviving group from the plane crash in The Flight of the Phoenix (1965) or those on the overturned ocean liner in The Poseidon Adventure (1972). Sobchack explained, "Most of the time in a survival film is spent depicting the process whereby the group, cut off from the securities and certainties of the ordinary support networks of civilized life, forms itself into a functioning, effective unit." The group often varies in types of characters, sometimes to the point of caricature. While women have historically been stereotyped in such films, they "often play a decisive role in the success or failure of the group." [4]
The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Goeff King stated they allow the scenes of spectacle to be attuned to story telling. Action films are often hybrid with other genres, mixing into various forms ranging to comedies, science fiction films, and horror films.
Resident Evil, or Biohazard in Japan and parts of Southeast Asia, is a Japanese horror game series and media franchise created by Capcom. It consists of survival horror, third-person shooter and first-person shooter games, with players typically surviving in environments inhabited by zombies and other frightening creatures. The franchise has expanded into other media, including a live-action film series, animated films, television series, comic books, novels, audio dramas and merchandise. Resident Evil is the highest-grossing horror franchise.
Survival horror is a subgenre of horror games. Although combat can be part of the gameplay, the player is made to feel less in control than in typical action games through limited ammunition or weapons, health, speed, and vision, or through various obstructions of the player's interaction with the game mechanics. The player is also challenged to find items that unlock the path to new areas and solve puzzles to proceed in the game. Games make use of strong horror themes, such as dark mazelike environments and unexpected attacks from enemies.
George Andrew Romero Jr. was an American-Canadian film director, writer, editor and actor. His Night of the Living Dead series of films about a zombie apocalypse began with the original Night of the Living Dead (1968) and is considered a major contributor to the image of the zombie in modern culture. Other films in the series include Dawn of the Dead (1978) and Day of the Dead (1985).
A hybrid genre is a literary or film genre that blends themes and elements from two or more different genres. Works in hybrid genres are also referred to as cross-genre, multi-genre, mixed genre, or fusion genre. The Dictionary of Media and Communication describes hybrid genre as "the combination of two or more genres", which may combine elements of more than one genre and/or which may "cut across categories such as fact and fiction". Some such sub-genres have acquired their own specialised names, such as comedy drama, romantic comedy ("rom-com"), horror Western, and docudrama.
An action-adventure game is a video game hybrid genre that combines core elements from both the action game and adventure game genres.
The buddy film is a subgenre of romantic comedy, a combination of the romance, adventure and comedy film in which two people, bonded through some kind of affection or love for each other, go on an adventure, mission, or road trip. The two typically are males with contrasting personalities. The contrast is sometimes accentuated by an ethnic difference between the two. The buddy film is commonplace in Western cinema; unlike some other film genres, it endured through the 20th century with different pairings and different themes.
Psychological thriller is a genre combining the thriller and psychological fiction genres. It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting.
Korean horror films have been around since the early years of Korean cinema, however, it was not until the late 1990s that the genre began to experience a renewal. Many of the Korean horror films tend to focus on the suffering and the anguish of characters rather than focus on the explicit "blood and guts" aspect of horror. Korean horror features many of the same motifs, themes, and imagery as Japanese horror.
Zombie apocalypse is a subgenre of apocalyptic and post-apocalyptic fiction in which society collapses due to overwhelming swarms of zombies. Typically only a few individuals or small bands of survivors are left living. In some versions, the reason the dead rise and attack humans is unknown, in others, a parasite or infection is the cause, framing events much like a plague. Some stories have every corpse rise, regardless of the cause of death, whereas others require exposure to the infection.
Survival games are a subgenre of action games which are often set in hostile, intense, open-world environments. Players generally start with minimal equipment and are required to survive as long as possible by finding the resources necessary to manage hunger, thirst, disease and/or mental state. Many survival games are based on randomly or procedurally generated persistent environments; more recently, survival games are often playable online, allowing players to interact in a single world. Survival games are generally open-ended with no set goals and often closely related to the survival horror genre, where the player must survive within a supernatural setting, such as a zombie apocalypse.
In film and television, drama is a category or genre of narrative fiction intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.
Mad Max: Fury Road is a 2015 Australian post-apocalyptic action film co-written, co-produced, and directed by George Miller. Miller collaborated with Brendan McCarthy and Nico Lathouris on the screenplay. The fourth instalment in the Mad Max franchise, it was produced by Village Roadshow Pictures, RatPac-Dune Entertainment and Kennedy Miller Mitchell, and distributed by Roadshow Entertainment in Australia and by Warner Bros. Pictures internationally. The film stars Tom Hardy and Charlize Theron, with Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Riley Keough, Zoë Kravitz, Abbey Lee, and Courtney Eaton in supporting roles. Set in a post-apocalyptic desert wasteland where petrol and water are scarce commodities, Fury Road follows Max Rockatansky (Hardy), who joins forces with Imperator Furiosa (Theron) against cult leader Immortan Joe (Keays-Byrne) and his army, leading to a lengthy road battle.
Survival or survivorship, the act of surviving, is the propensity of something to continue existing, particularly when this is done despite conditions that might kill or destroy it. The concept can be applied to humans and other living things, to physical object, and to abstract things such as beliefs or ideas. Living things generally have a self-preservation instinct to survive, while objects intended for use in harsh conditions are designed for survivability.
Depictions of race in horror films has been the subject of commentary. Critics have discussed the representation of race in horror films in relation to the presence of racist ideas, stereotypes and tropes within them. The horror genre has conversely also been used to explore social issues including race, particularly following popularization of social thrillers in the 2010s.
A horror game is a video game genre centered on horror fiction and typically designed to scare the player. The term may also be used to describe tabletop games with horror fiction elements.
Art horror or arthouse horror is a sub-genre of both horror films and art-films. It explores and experiments with the artistic uses of horror.