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Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cybernetics, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Feminist science fiction is a subgenre of science fiction focused on theories that include feminist themes including but not limited to gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Hard science fiction is a category of science fiction characterized by concern for scientific accuracy and logic. The term was first used in print in 1957 by P. Schuyler Miller in a review of John W. Campbell's Islands of Space in the November issue of Astounding Science Fiction. The complementary term soft science fiction, formed by analogy to hard science fiction, first appeared in the late 1970s. The term is formed by analogy to the popular distinction between the "hard" (natural) and "soft" (social) sciences, although there are examples generally considered as "hard" SF, such as Isaac Asimov's Foundation series, built on mathematical sociology. Science fiction critic Gary Westfahl argues that neither term is part of a rigorous taxonomy; instead they are approximate ways of characterizing stories that reviewers and commentators have found useful.
Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. It became the most popular celestial object in fiction in the late 1800s as the Moon was evidently lifeless. At the time, the predominant genre depicting Mars was utopian fiction. Contemporaneously, the mistaken belief that there are canals on Mars emerged and made its way into fiction. The War of the Worlds, H. G. Wells' story of an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a large influence on the science fiction genre.
Science fiction is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, extraterrestrial life, sentient artificial intelligence, cybernetics, certain forms of immortality, and the singularity. Science fiction predicted several existing inventions, such as the atomic bomb, robots, and borazon, whose names entirely match their fictional predecessors. In addition, science fiction might serve as an outlet to facilitate future scientific and technological innovations.
The New Wave was a science fiction (SF) style of the 1960s and 1970s, characterized by a great degree of experimentation with the form and content of stories, greater imitation of the styles of trendy non-science fiction literature, and an emphasis on the psychological and social sciences as opposed to the physical sciences. New Wave authors often considered themselves as part of the modernist tradition of fiction, and the New Wave was conceived as a deliberate change from the traditions of the science fiction characteristic of pulp magazines, which many of the writers involved considered irrelevant or unambitious.
Glen David Brin is an American scientist and author of science fiction. He has won the Hugo, Locus, Campbell and Nebula Awards. His novel The Postman was adapted into a 1997 feature film starring Kevin Costner.
Speculative fiction is a term that has been used with a variety of meanings. The broadest interpretation is as a category of fiction encompassing genres with elements that do not exist in reality, recorded history, nature, or the present universe. Such fiction covers various themes in the context of supernatural, futuristic, and other imaginative realms. The genres under this umbrella category include, but are not limited to, science fiction, fantasy, horror, superhero fiction, alternate history, utopian and dystopian fiction, and supernatural fiction, as well as combinations thereof.
LGBT themes in speculative fiction include lesbian, gay, bisexual, or transgender (LGBT) themes in science fiction, fantasy, horror fiction and related genres. Such elements may include an LGBT character as the protagonist or a major character, or explorations of sexuality or gender that deviate from the heteronormative.
Literary fiction, mainstream fiction, non-genre fiction or serious fiction is a label that, in the book trade, refers to market novels that do not fit neatly into an established genre ; or, otherwise, refers to novels that are character-driven rather than plot-driven, examine the human condition, use language in an experimental or poetic fashion, or are simply considered serious art.
Science fiction is an important genre of modern Japanese literature that has strongly influenced aspects of contemporary Japanese pop culture, including anime, manga, video games, tokusatsu, and cinema.
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
Gender has been an important theme explored in speculative fiction. The genres that make up speculative fiction (SF), science fiction, fantasy, supernatural fiction, horror, superhero fiction, science fantasy and related genres, have always offered the opportunity for writers to explore social conventions, including gender, gender roles, and beliefs about gender. Like all literary forms, the science fiction genre reflects the popular perceptions of the eras in which individual creators were writing; and those creators' responses to gender stereotypes and gender roles.
Science fiction studies is the common name for the academic discipline that studies and researches the history, culture, and works of science fiction and, more broadly, speculative fiction.
Immortality is a common theme in fiction. The concept has been depicted since the Epic of Gilgamesh, the oldest known work of fiction. Originally appearing in the domain of mythology, it has later become a recurring element in the genres of horror, science fiction, and fantasy. For most of literary history, the dominant perspective has been that the desire for immortality is misguided, albeit strong; among the posited drawbacks are ennui, loneliness, and social stagnation. This view was challenged in the 20th century by writers such as George Bernard Shaw and Roger Zelazny. Immortality is commonly obtained either from supernatural entities or objects such as the Fountain of Youth or through biological or technological means such as brain transplants.
Soft science fiction, or soft SF, is a category of science fiction with two different definitions, defined in contrast to hard science fiction. It can refer to science fiction that explores the "soft" sciences, as opposed to hard science fiction, which explores the "hard" sciences. It can also refer to science fiction which prioritizes human emotions over the scientific accuracy or plausibility of hard science fiction.
Space opera is a subgenre of science fiction that emphasizes space warfare, with use of melodramatic, risk-taking space adventures, relationships, and chivalric romance. Set mainly or entirely in outer space, it features technological and social advancements in faster-than-light travel, futuristic weapons, and sophisticated technology, on a backdrop of galactic empires and interstellar wars with fictional aliens, often in fictional galaxies. The term has no relation to opera music, but is instead a play on the terms "soap opera", a melodramatic television series, and "horse opera", which was coined during the 1930s to indicate a clichéd and formulaic Western film. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, video games and board games.
The far future has been used as a setting in many works of science fiction. The far future setting arose in the late 19th century, as earlier writers had little understanding of concepts such as deep time and its implications for the nature of humankind. Classic examples of this genre include works such as H.G. Wells' The Time Machine (1895) or Olaf Stapledon's Last and First Men (1930). Recurring themes include themes such as Utopias, eschatology or the ultimate fate of the universe. Many works also overlap with other genres such as space opera, science fantasy or apocalyptic and post-apocalyptic fiction.
The near future has been used as a setting in many works, usually but not limited to the genre of science fiction. It has become increasingly common in works from the 18th century onward, with some of the classic works in the genre being Jules Verne's Journey to the Centre of the Earth (1864) and H. G. Wells' The War of the Worlds (1898). 20th century saw works such as George Orwell's Nineteen Eighty-Four (1949) or the novels of William Gibson, the latter representing the emergence of the popular cyberpunk genre. While some, particularly early, works of this genre are optimistic showcases of technological and societal progress, many others are discussing emergent social problems such as environmental problems, overpopulation, oppressive political regimes or the possibility of a nuclear holocaust.
Space travel, or space flight is a classic science-fiction theme that has captivated the public and is almost archetypal for science fiction. Space travel, interplanetary or interstellar, is usually performed in space ships, and spacecraft propulsion in various works ranges from the scientifically plausible to the totally fictitious.
References
- 1 2 3 4 5 "SFE: Technology". sf-encyclopedia.com. Retrieved 2022-12-02.
- 1 2 3 Blackford, Russell (2005). "Technology". In Westfahl, Gary (ed.). The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders. Vol. 2. Greenwood Publishing Group. p. 795. ISBN 978-0-313-32952-4.
- ↑ Stableford, Brian M. (2006). Science Fact and Science Fiction: An Encyclopedia. Taylor & Francis. pp. 515–516. ISBN 978-0-415-97460-8.
- ↑ Benson, Michael (2019-07-20). "Opinion | Science Fiction Sent Man to the Moon". The New York Times. ISSN 0362-4331 . Retrieved 2022-12-02.
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