The Atlantics

Last updated

The Atlantics
The Atlantics 2013.jpg
The Atlantics in 2013
Background information
Origin Sydney, Australia
Genres
Years active1961–present
Labels CBS Records
MembersJim Skiathitis
Bosco Bosanac
Martin Cilia
Jacob Cook
Past membersPeter Hood
Theo Penglis
Johnny Rebb
Eddie Matzenik
Brian Burns
Michael Smith
Paul Greene
Website The Atlantics Web Site

The Atlantics are an Australian surf band founded in 1961. Initially, the band line-up consisted of drummer Peter Hood, bassist Bosco Bosanac, Theo Penglis on lead and rhythm guitar, and guitarist Eddy Matzenik. Matzenik was replaced by Jim Skaithitis while the band was still in its earliest stages, long before the band recorded or released albums. [1] The band's claim to fame was as Australia's most successful of the genre. Most well known for their classic hit, "Bombora", their later recordings such as "Come On" are examples of 1960s garage rock. They were the first Australian rock band to write their own hits. In 2000 the group reformed with three of the original members, and continue to release new material and perform in concert. In 2013 the group celebrated the 50th Anniversary of their first album, Bombora and the eponymous single that was their first to chart. A European tour was organised to mark the occasion.

Contents

'Bombora' was added to the National Film and Sound Archive's Sounds of Australia registry in 2013. [2]

Note: There was a rock band in the Boston, Massachusetts area also called the Atlantics in the mid-1970s and early 1980s; songs of theirs included "Weekend", "When You're Young", and "Lonelyhearts". They had an album on ABC Records called Big City Rock.

History

Formed in the southern beachside suburbs of Sydney, Australia in 1961, the group began performing locally, and soon gained a following. [3] Contrary to the accepted surfing connotations of their name they actually took their name from a local brand of petrol, Atlantic. [1] In early 1962 they appeared on a local television talent show New Faces , where they were voted "Most Promising Group of 1962." They signed a deal with booking agent Joan King, who convinced the members to quit their day jobs and produce a demo, which she shopped to a variety of record labels. After several rejections, they were signed to CBS Records in 1963. The A&R representative for CBS, Sven Libaek, was especially impressed by the group's original compositions. Most Australian instrumental rock bands at the time merely aped and covered material from The Shadows or, to a lesser extent, The Ventures. [3] The Atlantics had the advantage of having twin lead guitarists, both highly proficient on solo work and both capable of pushing the band along with a driving rhythm. It was this, together with the band members' European cultural influences (largely Greek with some Yugoslav and Hungarian - all members came to Australia as child migrants) that gave their music that passionate edge over other local bands of their day.

In February 1963, CBS released the first single, "Moon Man" b/w "Dark Eyes". "Moon Man" was an original song written by Peter Hood, and "Dark Eyes" was a traditional tune reinterpreted by the band. While the single was not a hit, it did gain enough attention for CBS to agree to continue to support the group.

Riding the surf music wave

By this time the surfing music craze had reached Australia's shores and a host of local bands such as The Statesmen, Jimmy D & the Starlighters (a.k.a. Jimmy D & the Jaguars), The Midnighters, The Telstars, Dave Bridge Trio, The Joy Boys and The Denvermen were all releasing surfing titled instrumental tracks, and in particular, The Denvermen's evocative ballad "Surfside", which had topped Australia's charts in February 1963.

In July 1963, The Atlantics released the single that would become their biggest hit, most well-known song and one which remains a classic of its genre to this day. "Bombora" was written by Hood and Skiathitis, [3] and was named after an Aboriginal term for large waves breaking over submerged rock shelves. The B-side was the old traditional English song "Greensleeves". By September 1963, "Bombora" had climbed the Australian charts to reach No 1. [3] It was released in Japan, Italy, Netherlands, UK and New Zealand and in South America. It was nominated as record of the week by US Cashbox magazine and reached No 2 on the Italian charts (where there was even a vocal version released). As well the song was covered by a number of overseas bands. This overseas success made The Atlantics Australia's first internationally recognised rock act. October 1963 saw the release of their first LP album, Bombora. [3] They released three more albums from 1963 to 1965. [3] On stage the band maintained their reputation at concerts and beachside surf clubs with an exciting, pounding sound combined with a stage act that included them all playing their guitars behind their heads and Penglis and Skiathitis on opposite sides of the stage swapping lead lines with one another.

In November 1963, they released the follow-up, another similar thundering surf instrumental, "The Crusher" which, while not quite as successful as "Bombora", still made a respectable dent in the Australian charts.

Their fourth single, "War of the Worlds" however was a total break with the surf sound. Released in March 1964, it was unlike any other of their tracks, or indeed any other instrumentals of the day. A bold and ambitious attempt at a mini Sci-Fi space opera, it had a dramatic build-up intro, tempo changes and dynamic changes. It was way ahead of its time. It featured a battle in space using echo and guitar effects, the like of which would not be heard until Hendrix came along some years later. Disappointingly for the band, many DJ's refused to play it and it failed to make most charts.

By this time The Beatles and the Merseybeat sound had arrived and instrumentals were becoming rather passé. The Atlantics continued to release a number of instrumental singles with titles such as "Rumble and Run" and "Giant" until July 1965. [3] However none of these achieved any commercial success, and did not chart. [3] Their record contract with CBS ended. During 1965 they undertook a far-Eastern tour including Japan.

New image and style

In 1965, the band members reinvented themselves. They set up their own production company JRA productions. [3] They exchanged their suits and thin ties for casual shirts, T-shirts and jeans and grew their hair long, guitarist Theo Penglis switched to keyboards and they added a vocalist, Johnny Rebb. Johnny Rebb had been a rock star in Australia in his own right in the late 1950s. Indeed, he had at one time been known as the "Gentleman of Rock". With Johnny on vocals they proceeded to release a number of tough sounding singles starting with a hard rockin' revival of Little Richard's "The Girl Can't Help It" and Bo Diddley's, R 'n B, "You Can't Judge A Book By Its Cover". They recorded songs with a variety of styles between 1965 and 1970 including a cover of The Beau Brummels' top 40 hit "You Tell Me Why" with 12 string guitar hook & harmonies, and an instrumental, "Take A Trip," under the pseudonym band name as The Gift of Love. However they only succeeded chart-wise with a version of Screaming Jay Hawkins "I Put A Spell on You", which reached No. 29 on the Sydney chart in 1966. In 1967 they put out the song that is now widely regarded as a classic punk/garage track, Peter Hood's "Come On". During this time Johnny Rebb continued to release a number of singles under his own name with The Atlantics backing him. They also provided backing on a string of singles for Russ Kruger, Johnny Rebb's brother, and female singer Kelly Green. It was during this time that The Atlantics started their own independent label, Ramrod. They were one of the first Australian bands to set up their own independent label. From September 1967 all their recordings and all those for the above artists were released on their Ramrod label. As well they put out recordings by other bands such as The Motivation.

More changes after 1970

The Atlantics in 2007. The Atlantics.jpg
The Atlantics in 2007.

Around 1970 the "classic" lineup ceased to regularly perform live. They started their own recording studio, Atlantic studio (no connection with the U.S. company Atlantic Records), in the Sydney suburb of Earlwood. Run by Peter Hood, this studio was to operate continuously right through into the 1990s, recording a wide variety of music from advertising jingles to country music to heavy metal bands and at one point even produced a single there for visiting Hollywood actress, Brooke Shields. Bosco Bosanac went into country music and switched to pedal steel guitar. He formed a band with Anglo-American country singer Mike Fox and produced two albums for him. Fox won a Golden Guitar as the best new talent award for 1978 at Australia's annual prestigious Tamworth Country Music Festival for his song "If Nobody Loves You", which came from his first album. Theo Penglis played lead guitar and piano on this track. Bosco then went to form country rock band Shotgun. Theo Penglis is currently playing piano with Fifties Rock and Roll Band "Rave On". Robert "Bob" Haanstra also played lead guitar in both Mike Fox & The Tennessee Ramblers and Shotgun. Bob now resides in southern NSW and teaches guitar, whilst Bosco Bosanac now performs around Australia in a Johnny Cash Review.

The Flight of the Surf Guitar

Over the years The Atlantics have re-emerged sporadically. In 1986–1988, Skiathitis, Hood, and Bosanac went on tour with replacement guitarist Brian Burns and drummer Paul Greene. In 1999 the three reformed on a more permanent basis with guitarist Martin Cilia. They have since released three albums, beginning with The Flight of the Surf Guitar. They are in the forefront of a new interest in the surf rock music instrumental genre. They have done a number of tours including appearing on Australia's Long Way to the Top 1950s and 1960s rock revival shows, ABC-TV show Studio 22, and "Bombora" was used in the closing ceremony at the 2000 Summer Olympics in Sydney. They continue to perform live. On 2 December 2006 they appeared live, playing "Bombora" on the ABC Television show Delightful Rain, a celebration of four decades of Australian surf rock music. Bosanac had left the band in May that year, just weeks before The Atlantics were invited by Bombora Creative MD David Minear to be a part of the Delightful Rain project, with Michael Smith, the former bass player for Adelaide band Scandal and writer and editor for Drum Media magazine, replacing him. In November 2009, Bombora Creative released a DVD, The Atlantics Live at Freshwater, of an impromptu performance the band did at the end of their recording sessions for Delightful Rain.

Members

Current

Former

Discography

Albums

Compilations

Related Research Articles

Instrumental rock is rock music that emphasizes instrumental performance and features very little or no singing. Examples of instrumental music in rock can be found in practically every subgenre of the style. Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals. Jeff Beck also recorded two instrumental albums in the 1970s. Progressive rock and art rock performers of the late 1960s and early 1970s did many virtuosic instrumental performances.

<i>Head Injuries</i> 1979 studio album by Midnight Oil

Head Injuries is the second studio album by Australian rock band Midnight Oil, released in October 1979 on their own Powderworks label and distributed by Columbia Records. The album was produced by Leszek J. Karski, recorded at 'Trafalgar Studios' in Sydney. It was the last Midnight Oil album to feature founding bass guitarist Andrew James, who quit the band due to illness. It peaked at No. 36 on the Australian Kent Music Report and by mid-1980 had achieved gold status in Australia.

Surf music is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys.

<span class="mw-page-title-main">The Ventures</span> American instrumental band

The Ventures are an American instrumental rock band formed in Tacoma, Washington, in 1958, by Don Wilson and Bob Bogle. The band, which was a quartet for most of its existence, helped to popularize the electric guitar across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially revered in Japan, where they have toured regularly. The classic lineup of the band consisted of Wilson, Bogle, Nokie Edwards, and Mel Taylor (drums).

Billy Thorpe and the Aztecs were an Australian rock band formed in Sydney in 1963. They were active in two incarnations, the first as a beat band from 1963–1967, and as a hard rock band from 1968–1973. They emerged in 1964 with their cover of "Poison Ivy", which kept The Beatles from the top spot of the Sydney charts during the latter's Australian tour. They enjoyed further success through 1965 when the original members quit after a financial dispute.

The Bomboras are an American all-instrumental surf band from Los Angeles, California, United States. The band was formed in the summer of 1994, sharing a love of 1960s surf and garage music such as The Ventures, Booker T, and The Sonics.

<span class="mw-page-title-main">Billy Thorpe</span> Australian singer-songwriter from New South Wales

William Richard Thorpe AM was an English-born Australian singer-songwriter, and record producer. As lead singer of his band Billy Thorpe & the Aztecs, he had success in the 1960s with "Blue Day", "Poison Ivy", "Over the Rainbow", "Sick and Tired", "Baby, Hold Me Close" and "Mashed Potato"; and in the 1970s with "Most People I Know Think That I'm Crazy". Featuring in concerts at Sunbury Pop Festivals and Myer Music Bowl in the early 1970s, the Aztecs also developed the pub rock scene and were one of the loudest groups in Australia.

The Sydney Symphony is internationally renowned and regularly performs in the Concert Hall of the Sydney Opera House under Chief Conductor Vladimir Ashkenazy. City Recital Hall is dedicated mainly to chamber music and chamber orchestra concerts, featuring many famous international artists as well as concert series by fine local groups such as the renowned Australian Chamber Orchestra and Sydney's foremost Baroque orchestra, the Australian Brandenburg Orchestra.

Barry John Stanton was an English-Australian rock and roll musician. He performed on pop music programs, Six O'Clock Rock, Bandstand, Johnny O'Keefe Show, Sing Sing Sing, Saturday Date, and Woody's Teen Time. He issued a compilation album, A Tribute to the King Rare Songs 1957-1965, in 1988.

Bombora is an indigenous Australian term for an area of large sea waves breaking over a shallow area such as a submerged rock shelf, reef, or sand bank that is located some distance from the shoreline and beach surf break. In slang, it is also called a bommie.

The Strangers were an Australian rock band formed in 1961 and existed until 1975. The band started out playing instrumental songs in a style similar to The Shadows, with influences from Cliff Richard. The original line-up was Laurie Arthur, Peter Robinson (bass), Graeme "Garth" Thompson (drums) and Fred Wieland. Robinson had previously played with a local band The Thunderbirds and went on to replace Athol Guy in the Seekers in the late 1970s.

<span class="mw-page-title-main">Martin Cilia</span> Musical artist

Martin Cilia is an Australian musician. Cilia is best known for his songwriting skills, and his membership in The Atlantics, where he performs on the guitar. Cilia played his first gig in a school hall in Morley High in 1972 with fellow students. He remembered playing songs by The Shadows, The Monkees, The Beatles, and Cat Stevens.

Sven Erik Libaek is a Norwegian-Australian composer, record producer and musician. He composes film and TV soundtrack music and, as the staff producer for the Australian division of CBS Records, influenced the Australian popular music scene in the mid-1960s. In 1982, an album titled Endless Love peaked at number 71 in Australia; his only top 100 charting release.

<span class="mw-page-title-main">The Delltones</span> Australian rock n roll band formed in 1958

The Delltones were an Australian rock 'n' roll band, which formed in 1958. They started as a doo-wop, harmony quartet with Warren Lucas, Brian Perkins, Noel Widerberg and Ian "Peewee" Wilson. In July 1962 Noel Widerberg died in a car accident in Brighton-le-Sands in Sydney, and three weeks later the group's single, "Get a Little Dirt on Your Hands", reached the top five on the local charts. Widerberg's position was filled by Col Loughnan. The group disbanded in 1973.

Johnny Rebb, born Donald James Delbridge, was an Australian singer.

Jerald Edward Kolbrak, known professionally as Jerry Cole, was an American guitarist who recorded under his own name, under various budget album pseudonyms and as an uncredited session musician.

<span class="mw-page-title-main">The Original Surfaris</span> American band

The (Original) Surfaris were a surf music band from California. They were active from the early to mid 1960s and had singles released on various labels which included Del-Fi, Northridge, and Reprise.

<span class="mw-page-title-main">The Rockin' Ramrods</span> American garage rock band

The Rockin’ Ramrods were an American garage rock band from Boston, Massachusetts, who were active in the 1960s and early 1970s. Along with the Barbarians, the Remains and the Lost, they were one of the most popular acts in the Boston area. While they did not achieve national success, their work is today well-regarded by garage rock collectors and enthusiasts. They are perhaps best remembered for the 1964 protopunk anthem "She Lied." Though best known as the Rockin’ Ramrods, they recorded under other names. They recorded one single as the GTO's.

The Black Diamonds were an Australian garage rock band from Lithgow, New South Wales, which were active under different names from 1959 to 1971. By 1965 the line-up consisted of Glenn Bland on vocals and harmonica, Allen Keogh on bass guitar, Colin McAuley on drums, Alan "Olly" Oloman on lead guitar and vocals, and his younger brother Neil Oloman on rhythm guitar. They signed with Festival Records, where they released two singles. The better-known B-side track, "I Want, Need, Love You", appeared on their first single in 1966 and became a regional hit. It features an pleading vocal over a driving rhythm section and fast guitar breaks. The band toured in support of the Easybeats. In 1967 their second single, "Outside Looking In", was a hit in the Sydney area. In 1968 the group changed their name to Tymepiece and evolved into a more eclectic and progressive style. Briefly changing their name to Love Machine they released a cover version of the Tokens' single, "Lion Sleeps Tonight" (1968). They reverted to Tymepiece and issued an album, Sweet Release, in February 1971 but broke up soon after. According to Australian musicologist, Ian McFarlane, "[they] will be remembered as one of the most ferocious garage/punk outfits Australia ever produced in the 1960s."

The Gamblers were an American surf rock band formed in Los Angeles, California, in 1959. Distinguished by their vocal harmonies and early instrumental surf songs, the Gamblers are one of the first influential musical acts that recorded surf music, a genre popularized initially in Southern California. The group, led by primary songwriter Derry Weaver, recorded the "Moon Dawg!" single in late 1959, acknowledged as one of the earliest known surf records, and covered by West Coast groups such as the Beach Boys. In 1961, the group disbanded but its members, including Elliot Ingber, Larry Taylor, Bruce Johnston, and Sandy Nelson, went on to have successful music careers of their own.

References

  1. 1 2 "Long Way to the Top Stories of Australian Rock and Roll". The Australian Broadcasting Corporation's Gateway to Arts and Culture. ABC.net.au. 2001. Retrieved 12 May 2013.
  2. National Film and Sound Archive: Sounds of Australia.
  3. 1 2 3 4 5 6 7 8 9 Colin Larkin, ed. (1992). The Guinness Encyclopedia of Popular Music (First ed.). Guinness Publishing. p. 124. ISBN   0-85112-939-0.

Notes