The Belle of New York (musical)

Last updated
The Belle of New York
The Belle of New York Vocal Score.jpg
Vocal score
Music Gustave Kerker
Lyrics Hugh Morton
Book Hugh Morton
Productions1897 Broadway
1898 West End

The Belle of New York is a musical comedy in two acts, with book and lyrics by Hugh Morton and music by Gustave Kerker, about a Salvation Army girl who reforms a spendthrift, makes a great sacrifice and finds true love.

Contents

Opening on Broadway at the Casino Theatre on 28 September 1897, it ran for only 64 performances. It subsequently transferred to London at what was then called the Shaftesbury Theatre in 1898, where it was a major success, running for an almost unprecedented 674 performances, and became the first American musical to run for over a year in the West End. [1] The Standard stated that the entire Broadway cast "numbering sixty-three persons" was brought over to London, "the largest stage troupe from the other side of the Atlantic that has ever professionally visited this country." [2]

The show starred Edna May, whose performance as Violet made her a star in New York and London. Postcards of her in costume became ubiquitous; more photographs of her were sold in London than of any other actress in 1898. [3] In London, the piece opened on 12 April 1898, produced by J. C. Williamson and George Musgrove. [3] The composer conducted at the opening night. [4] Painter Ernest Albert designed the production's sets. [5] The work had stiff competition in London in 1898, as other successful openings included A Greek Slave and A Runaway Girl . [1]

Long runs in Paris and Berlin followed, and there were nine West End revivals over the next four decades. The musical was also produced regularly by amateur groups from 1920 until about 1975. [6] Two film versions were made, in 1919 with Marion Davies, Etienne Girardot and L. Rogers Lytton, and in 1952 with Fred Astaire, Vera-Ellen, Marjorie Main and Keenan Wynn that replaced the original songs with a score by Johnny Mercer and Harry Warren. [7] [8] [9] [10]

In 1921, a rewritten version of the musical called The Whirl of New York premiered on Broadway.

Synopsis

EMayBellea.jpg
Postcard of Edna May as Violet in The Belle of New York
Edna May in The Belle of New York by John Lavery (1856 - 1941).jpg
Portrait of Edna May as Violet by John Lavery
Act 1

Ichabod Bronson is a wealthy hypocrite who preaches virtue to the young, so as to leave more scope for dissipation among the old. His son, Harry, is a feather-brained spendthrift, engaged to Cora Angelique, the Queen of Comic Opera. After a riotous stag night, Harry ends up with Fifi, the daughter of Fricot the confectioner. Ichabod discovers them together and disinherits Harry. Deserted by all but Fifi, Harry wanders into Chinatown in New York, where his fickle fancy is taken by a young Salvation Army woman, Violet Gray. She finds her vocation difficult because, though she tries to persuade men to follow her blameless ways, they persist in following her blameless figure. Ichabod discovers that Violet is the daughter of an old friend and announces his intention to leave his huge fortune to her.

Act 2

Harry has taken a job as a salesman in a candy store on Broadway. Violet and her Salvationist colleagues enter the shop, all decked out in short skirts. She knows that Harry is engaged to Cora and wants the couple to be happy. She tells Harry that she is going to change Ichabod's mind about leaving his money to her. On the beach at Narragansett Casino, she sings a risqué French song, scandalising an audience including Ichabod. The effort of performing the song causes her to faint. Matters are further complicated by the persistent attempts of a German lunatic to kill people, particularly Ichabod, and by the quarrels of Portuguese twins, who keep trying to fight duels with one another. Harry has indeed been much influenced by Violet's virtue and has fallen for her. He explains to his father why Violet has behaved so uncharacteristically, and Ichabod forgives him his earlier sins on condition that he marries Violet, which he is now happy to do.

Roles and cast

J. E. Sullivan as Karl von Pumpernick Sullivan-belle-of-new-york.jpg
J. E. Sullivan as Karl von Pumpernick

According to London press reports, the West End cast (listed below) [11] was identical to the New York original. [2] [12]

Musical numbers

Sheet music cover from The Belle of New York The-Belle-of-New-York-FC.jpg
Sheet music cover from The Belle of New York
Act 1
Act 2

Critical reception

After the New York premiere, The New York Times wrote, "The new burlesque, or extravaganza, at the Casino is as big and showy, as frank and noisy, as highly colored, glittering, and audacious as the best of its predecessors." It found the libretto "with no great attempt at original wit in the prose dialogue, but with a few characteristically happy turns in the lyrics," and the music "reminiscent of Offenbach and Lecocq and Vasseur and Sullivan and David Braham but it is always Kerkeresque." [12]

The London press was welcoming but nonplussed by the piece. The leading theatrical paper The Era wrote, "The Belle of New York is best described as bizarre. It is like nothing we have ever seen here, and it is composed of the oddest incongruities. … The music is decidedly above the average of musical play scores … it is the brightest, smartest, and cleverest entertainment of its kind that has been seen in London for a long time." [11] The Standard also thought the music "much above the average" and "distinctly Offenbachian in melody and orchestration." The paper praised all the performers, particularly "the unctuous humour of Mr. Dan Daly as the elder Bronson, the adroitness of Mr. Harry Davenport as his scapegrace son, the chic of Miss Phyllis Rankin as the Parisian soubrette, and the sweet voice of Miss Edna May as the Salvation maiden." [2]

Related Research Articles

<i>Anyone Can Whistle</i> Musical by Stephen Sondheim and Arthur Laurents

Anyone Can Whistle is a musical with music and lyrics by Stephen Sondheim, and a book by Arthur Laurents. Described as "a satire on conformity and the insanity of the so-called sane," the show tells a story of an economically depressed town whose corrupt mayor decides to create a fake miracle in order to attract tourists. The phony miracle draws the attention of an emotionally inhibited nurse, a crowd of inmates from a local asylum, and a doctor with secrets of his own.

<i>Florodora</i> Edwardian musical comedy by Owen Hall, Leslie Stuart, et al.

Florodora is an Edwardian musical comedy. After its long run in London, it became one of the first successful Broadway musicals of the 20th century. The book was written by Jimmy Davis under the pseudonym Owen Hall, the music was by Leslie Stuart with additional songs by Paul Rubens, and the lyrics were by Edward Boyd-Jones, George Arthurs and Rubens.

<span class="mw-page-title-main">Harry B. Smith</span> American writer, lyricist and composer

Harry Bache Smith was a writer, lyricist and composer. The most prolific of all American stage writers, he is said to have written over 300 librettos and more than 6000 lyrics. Some of his best-known works were librettos for the composers Victor Herbert and Reginald De Koven. He also wrote the book or lyrics for several versions of the Ziegfeld Follies.

<i>A Runaway Girl</i> Edwardian musical comedy by Seymour Hicks and Harry Nicholls

A Runaway Girl is an Edwardian musical comedy in two acts written in 1898 by Seymour Hicks and Harry Nicholls. The composer was Ivan Caryll, with additional music by Lionel Monckton and lyrics by Aubrey Hopwood and Harry Greenbank. It was produced by George Edwardes at the Gaiety Theatre, London, opening on 21 May 1898 and ran for a very successful 593 performances. It starred Hicks's wife, Ellaline Terriss and the comic actor Edmund Payne.

<i>The Toreador</i> Edwardian musical comedy

The Toreador is an Edwardian musical comedy in two acts by James T. Tanner and Harry Nicholls, with lyrics by Adrian Ross and Percy Greenbank and music by Ivan Caryll and Lionel Monckton. It opened at the Gaiety Theatre in London, managed by George Edwardes, on 17 June 1901 and ran for an extremely successful 675 performances. It starred Marie Studholme, Gertie Millar, Harry Grattan, Edmund Payne, George Grossmith, Jr. and the young Sidney Bracy. Gabrielle Ray later joined the cast. The show also enjoyed Broadway runs in 1902 and 1904 and toured internationally.

<i>The Shop Girl</i> Musical comedy by Ivan Caryll and H. J. W. Dam

The Shop Girl was an Edwardian musical comedy in two acts written by Henry J. W. Dam, with lyrics by Dam and Adrian Ross and music by Ivan Caryll, and additional numbers by Lionel Monckton and Ross. It premiered at the Gaiety Theatre in London in 1894 and ran for an extremely successful 546 performances. Its cast included Seymour Hicks, George Grossmith, Jr., Arthur Williams, Edmund Payne, and Ellaline Terriss. It soon played in New York and was successfully revived in London in 1920.

<i>The Orchid</i> Edwardian musical comedy

The Orchid is an Edwardian musical comedy in two acts with music by Ivan Caryll and Lionel Monckton, a book by James T. Tanner, lyrics by Adrian Ross and Percy Greenbank, and additional numbers by Paul Rubens. The story concerns marital mix-ups and the quest of a wealthy man for a $2,000 Peruvian orchid to be sent to France. When foul play keeps the flower from reaching its destination, it is discovered that a nearly identical orchid is growing in the garden of the horticultural college.

<i>The School Girl</i> Edwardian musical comedy composed by Leslie Stuart

The School Girl is an Edwardian musical comedy, in two acts, composed by Leslie Stuart with a book by Henry Hamilton and Paul M. Potter, and lyrics by Charles H. Taylor and others. It concerns a French school girl from a convent, who goes to Paris to help her lovesick friend. Through mistaken identity, she learns secrets that help her at the Paris stock exchange and ends up at a students' ball in the Latin Quarter. All ends happily.

<span class="mw-page-title-main">Edna May</span> American actress and singer

Edna May Pettie, known on stage as Edna May, was an American actress and singer. A popular postcard beauty, May was famous for her leading roles in Edwardian musical comedies.

<i>Three Little Maids</i>

Three Little Maids is an English musical by Paul Rubens with additional songs by Percy Greenbank and Howard Talbot. The story concerns three simple curate's daughters who go to London to earn their livings serving tea in a Bond Street tea shop. They become the romantic rivals of three ladies of fashion but succeed because of their freshness.

<i>The Catch of the Season</i> Musical by Seymour Hicks and others

The Catch of the Season is an Edwardian musical comedy by Seymour Hicks and Cosmo Hamilton, with music by Herbert Haines and Evelyn Baker and lyrics by Charles H. Taylor, based on the fairy tale Cinderella. A debutante is engaged to a young aristocrat but loves a page.

<i>The Girl from Kays</i>

The Girl from Kays is a musical comedy in three acts, with music by Ivan Caryll and book and lyrics by Owen Hall. Additional songs were by Paul Rubens, Howard Talbot, Adrian Ross, Percy Greenbank and others. The farcical story concerns a misguided kiss.

<span class="mw-page-title-main">Phyllis Rankin</span> American actress and singer

Phyllis McKee Rankin was a Broadway actress and singer from the 1880s to the 1920s.

<span class="mw-page-title-main">Casino Theatre (New York City)</span> Former theatre in Manhattan, New York

The Casino Theatre was a Broadway theatre located at 1404 Broadway and West 39th Street in New York City. Built in 1882, it was a leading presenter of mostly musicals and operettas until it closed in 1930.

<span class="mw-page-title-main">Edna Goodrich</span> American actress (1883–1971)

Edna Goodrich was an American Broadway actress, Florodora girl, author, and media sensation during the early 1900s. At one point, she was known as one of America's wealthiest and best dressed performers. She was married to Edwin Stacey of Cincinnati, Ohio, and later Nat C. Goodwin.

<i>The Whirl of New York</i>

The Whirl of New York is a Broadway musical that premiered at Winter Garden Theatre on June 13, 1921. It was an expanded and substantially re-worked version of The Belle of New York. The show was billed not as a revival but as "founded on The Belle of New York.". The new version had music by Gustave Kerker, Al Goodman and Lew Pollack; book and lyrics by Hugh Morton and Edgar Smith; additional music by Leo Edwards; and additional lyrics by Sidney D Mitchell, Cyrus Wood and Cliff Friend. It opened to favourable reviews and ran for 124 performances.

<span class="mw-page-title-main">Marie Dainton</span>

Marie Dainton was an actress of the Victorian and Edwardian eras who appeared regularly in both music halls and in dramatic theatre.

<span class="mw-page-title-main">Alice Delysia</span>

Alice Henriette Lapize, better known by her stage name, Alice Delysia and sometimes Elise Delisia, was a French actress and singer who made her career in English musical theatre. After performing in the chorus at the Moulin Rouge and other theatres in Paris from the age of 14, she became a chorus girl in Edwardian musical comedies, briefly on Broadway in 1905, then in London for several years and back in Paris in 1912.

<span class="mw-page-title-main">Paula Edwardes</span> Actor

Paula A. Edwardes was an American stage performer in musical comedies and vaudeville.

<i>The Belle of Brittany</i> Edwardian musical comedy

The Belle of Brittany is an Edwardian musical comedy in two acts set in 'Daffodil Time' in rustic 18th-century Brittany. It premiered at the Queen's Theatre in London on 24 October 1908. The music is by Howard Talbot and Marie Horne, to a book by Leedham Bantock and P. J. Barrow, with lyrics by Percy Greenbank. A Broadway production opened at Daly's Theatre in New York in November 1909 and ran for 72 performances. It featured Josephine Brandell and Margaret Dumont in early roles.

References

  1. 1 2 Gillan, Don. Longest running plays in London and New York. Stage Beauty, 2007, accessed 31 March 2011
  2. 1 2 3 The Standard, 13 April 1989, p. 3
  3. 1 2 "Flashes from the Footlights", English Illustrated Magazine, February 1899, p. 509
  4. "Shaftesbury Theatre", Monthly Music Record, May 1898, p. 112
  5. Ken Bloom (1996). "The Belle of New York". American Song: A-S. Schirmer Books. p. 90. ISBN   9780028645735.
  6. Bond, Ian. "Rarely Produced Shows" Archived 2011-07-16 at the Wayback Machine . St. David's Players, accessed 22 July 2010
  7. Munsey's Magazine, Volume 343 (Google Books)
  8. The Belle of New York, Internet Broadway Database
  9. The Belle of New York (1919) Internet Movie Database
  10. The Belle of New York (1952), Internet Movie Database
  11. 1 2 The Era, 16 April 1898, p. 13
  12. 1 2 "The Belle of New York", The New York Times, 29 September 1897
  13. 1 2 "At Play", Judy, or the London serio-comic journal, April 1899, p. 164

Sources