The New Yorker is an American magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues covering two-week spans. Although its reviews and events listings often focus on the cultural life of New York City, The New Yorker also produces long-form journalism and shorter articles and commentary on a variety of topics, has a wide audience outside New York, and is read internationally.
Ramparts was a glossy illustrated American political and literary magazine, published from 1962 to 1975 and closely associated with the New Left political movement. Unlike most of the radical magazines of the day, Ramparts was expensively produced and graphically sophisticated.
Ziauddin Sardar is a British-Pakistani scholar, award-winning writer, cultural critic and public intellectual who specialises in Muslim thought, the future of Islam, futurology and science and cultural relations. He wrote or edited more than 50 books Prospect magazine named him as one of Britain's top 100 public intellectuals and The Independent newspaper called him: 'Britain's own Muslim polymath'.
Eerie was an American magazine of horror comics introduced in 1966 by Warren Publishing. Like Mad, it was a black-and-white magazine intended for newsstand distribution and did not submit its stories to the comic book industry's voluntary Comics Code Authority. Each issue's stories were introduced by the host character, Cousin Eerie. Its sister publications were Creepy and Vampirella.
Film Quarterly, a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. Film Quarterly brings timely critical and intersectional approaches to criticism and analyses of visual culture.
n+1 is a New York–based American literary magazine that publishes social criticism, political commentary, essays, art, poetry, book reviews, and short fiction. It is published in print three times annually with regular articles being published online. Each print issue averages around 200 pages in length.
Aubrey Williams was a Guyanese artist. He was best known for his large, oil-on-canvas paintings, which combine elements of abstract expressionism with forms, images and symbols inspired by the pre-Columbian art of indigenous peoples of the Americas.
Rasheed Araeen is a Karachi-born, London-based conceptual artist, sculptor, painter, writer, and curator. He graduated in civil engineering from the NED University of Engineering and Technology in 1962, and has been working as a visual artist bridging life, art and activism since his arrival in London from Pakistan in 1964.
The Shit Creek Review is an online literary and art magazine (e-zine). Its content is mostly related to poetry. It draws on various online poetry forums, such as Eratosphere and The Gazebo.
British Vogue is a British fashion magazine based in London and first published in 1916. It is the British edition of the American magazine Vogue and is owned and distributed by Condé Nast. Currently edited by Edward Enninful, British Vogue is said to link fashion to high society and class, teaching its readers how to 'assume a distinctively chic and modern appearance'.
The Arden Shakespeare is a long-running series of scholarly editions of the works of William Shakespeare. It presents fully edited modern-spelling editions of the plays and poems, with lengthy introductions and full commentaries. There have been three distinct series of The Arden Shakespeare over the past century, with the third series commencing in 1995 and concluding in January 2020. The fourth series is scheduled to commence publication in 2025.
Contemporary African art is commonly understood to be art made by artists in Africa and the African diaspora in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category [sic]" are problematic in themselves: What exactly is "contemporary", what makes art "African", and when are we talking about art and not any other kind of creative expression?
Philosophy & Rhetoric is a quarterly peer-reviewed academic journal covering rhetorical theory, ethics, continental philosophy, informal logic, argumentation theory, critical social theory, and political theory. It is published by Penn State University Press and was established in 1968. The editor-in-chief is Erik Doxtader. The journal was established in 1968 by Henry Johnstone Jr. and Carroll Arnold, who saw a need for a journal that would, among other things, investigate "rhetoric as a philosophical concept".
The Dakar Biennale, or Dak'Art - Biennale de l'Art Africain Contemporain, is a major contemporary art exhibition that takes place once every two years in Dakar, Senegal. Dak'Art's focus has been on Contemporary African Art since 1996.
Errol Lloyd is a Jamaican-born artist, writer, art critic, editor and arts administrator. Since the 1960s he has been based in London, to which he originally travelled to study law. Now well known as a book illustrator, he was runner-up for the Kate Greenaway Medal in 1973 for his work on My Brother Sean by Petronella Breinburg.
Uzo Egonu was a Nigerian-born artist who settled in Britain in the 1940s, only once returning to his homeland for two days in the 1970s, although he remained concerned with African political struggles. According to Rasheed Araeen, Egonu was "perhaps the first person from Africa, Asia or the Caribbean to come to Britain after the War with the sole intention of becoming an artist." According to critic Molara Wood, "Egonu's work merged European and Igbo traditions but more significantly, placed Africa as the touchstone of modernism. In combining the visual languages of Western and African art, he helped redefine the boundaries of modernism, thereby challenging the European myth of the naïve, primitive African artist."
The Signpost is the Wikimedia movement's online newspaper. Managed by the volunteer community, it is published online with contributions from Wikimedia editors. The newspaper's scope includes the Wikimedia community and events related to Wikipedia, including Arbitration Committee rulings, Wikimedia Foundation issues, and other Wikipedia-related projects. It was founded in January 2005 by Wikipedian Michael Snow, who continued as a contributor until his February 2008 appointment to the Wikimedia Foundation's Board of Trustees.
Avinash Chandra was an Indian painter, who lived and worked in the United Kingdom.
The Other Story was an exhibition held from 29 November 1989 to 4 February 1990 at the Hayward Gallery in London. The exhibition brought together the art of "Asian, African and Caribbean artists in post war Britain", as indicated in the original title. It is celebrated as a landmark initiative for reflecting on the colonial legacy of Britain and for establishing the work of overlooked artists of African, Caribbean, and Asian ancestry. Curated by artist, writer, and editor Rasheed Araeen, The Other Story was a response to the "racism, inequality, and ignorance of other cultures" that was pervasive in the late-Thatcher Britain in the late 1980s. The legacy of the exhibition is significant in the museum field, as many of the artists are currently part of Tate's collections. The exhibition received more than 24,000 visitors and a version of the exhibition travelled to Wolverhampton Art Gallery, 10 March to 22 April 1990; and Manchester City Art Gallery and Cornerhouse, 5 May to 10 June 1990.
Guy Anthony Baliol Brett (1942–2021) was an English art critic, writer and curator. He was noted for a personal vision, particularly of cultural production of an experimental character. He is known for the promotion of Latin American artists, and for drawing attention to kinetic art during the 1960s in Europe and Latin America.
