| This Revolution | |
|---|---|
 | |
| Directed by | Stephen Marshall |
| Written by | Stephen Marshall |
| Produced by | Guerrilla News Network |
| Starring | Rosario Dawson Nathan Crooker Amy Redford Brett DelBuono Brendan Sexton III Immortal Technique |
| Distributed by | Universal Studios |
Release date |
|
Running time | 95 minutes |
| Country | United States |
| Language | English |
This Revolution is a 2005 political film directed by Stephen Marshall and starring Rosario Dawson. [1]
Jake Cassevetes (Nathan Crooker) is a world-renowned cameraman who has just arrived back from being embedded during the U.S. invasion of Iraq. Jake does not buy into the theory of a corporate-controlled press. Though, after having much of his best footage in Iraq censored by the network, Jake is growing disillusioned with his corporate masters. During this, Jake befriends a boy (Brett DelBuono) and in time meets his mother, Tina Santiago (Rosario Dawson), a pretty young widow whose husband died while serving in Iraq, with whom he forms a close bond.
Jake gets an assignment to shoot on the streets of the Republican National Convention protests. There he meets Seven, one of the young leaders of a masked anarchist Black Bloc. Jake quickly wins the trust of the group and is allowed to shadow them as they move through the demonstration. Later that night, after shooting Seven with her mask down describing the Bloc's militant objectives, the videotape is returned to the network with the rest of his footage by Jake's girlfriend and co-worker Chloe (Amy Redford), without Jake's permission. When he goes to retrieve the tape, he is told the network made a deal with the Department of Homeland Security to review all footage to look for potential terror suspects. It is in fact being used to compile a database of activists. Realizing the danger he has brought to Seven and the Black Bloc, Jake decides to use his skills and access at the network to jam the government-controlled corporate media and broadcast the truth of the protests and the message of a new generation of activists.
A black bloc is a tactic used by protesters who wear black clothing, ski masks, scarves, sunglasses, motorcycle helmets with padding or other face-concealing and face-protecting items. The clothing is used to conceal wearers' identities and hinder criminal prosecution by making it difficult to distinguish between participants. It is also used to protect their faces and eyes from pepper spray, which is used by police during protests or civil unrest. The tactic also allows the group to appear as one large unified mass. Black bloc participants are often associated with anarchism, anarcho-communism, communism, libertarian socialism and the anti-globalization movement.
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Rosario Isabel Dawson is an American actress and film producer. She made her feature-film debut in the 1995 independent drama Kids. Her subsequent film roles include He Got Game (1998), Josie and the Pussycats (2001), Men in Black II (2002), Rent (2005), Sin City (2005), Clerks II (2006), Death Proof (2007), Seven Pounds (2008), Percy Jackson & the Olympians: The Lightning Thief (2010), Unstoppable (2010), Zookeeper (2011), Trance (2013), Top Five (2014), and Zombieland: Double Tap (2019). Dawson has also provided voice-over work for Disney/Marvel, Warner Bros./DC Comics, and ViacomCBS's Nickelodeon unit.
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Black Lives Matter (BLM) is a decentralized political and social movement that seeks to highlight racism, discrimination, and racial inequality experienced by black people. Its primary concerns are incidents of police brutality and racially motivated violence against black people. It started following the killings of Trayvon Martin, Michael Brown, Eric Garner, and Rekia Boyd, among others. The movement and its related organizations typically advocate for various policy changes considered to be related to black liberation. While there are specific organizations that label themselves simply as "Black Lives Matter," such as the Black Lives Matter Global Network, the overall movement is a decentralized network of people and organizations with no formal hierarchy. The slogan "Black Lives Matter" itself remains untrademarked by any group. Despite being characterized by some as a violent movement, the overwhelming majority of its public demonstrations have been peaceful.
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The Newsreel, most frequently called Newsreel, was an American filmmaking collective founded in New York City in late 1967. In keeping with the radical student/youth, antiwar and Black power movements of the time, the group explicitly described its purpose as using "films and other propaganda in aiding the revolutionary movement." The organization quickly established other chapters in San Francisco, Boston, Washington, DC, Atlanta, Detroit, Chicago, Los Angeles, Washington, DC and Puerto Rico, and soon claimed "150 full time activists in its 9 regional offices." Co-founder Robert Kramer called for "films that unnerve, that shake people's assumptions…[that] explode like grenades in people’s faces, or open minds like a good can opener." Their film's production logo was a flashing graphic of The Newsreel moving in and out violently in cadence with the staccato sounds of a machine gun. A contemporary issue of Film Quarterly described it as "the cinematic equivalent of Leroi Jones's line 'I want poems that can shoot bullets.'" The films produced by Newsreel soon became regular viewing at leftwing political gatherings during the late 1960s and early 1970s, seen in parks, church basements, on the walls of buildings, in union halls, even at Woodstock." This history has been largely ignored by film and academic historians causing the academic Nathan Rosenberger to remark: "it is curious that Newsreel only occasionally shows up in historical studies of the decade."
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