Tom Thumb is a character of English folklore. The History of Tom Thumb was published in 1621 and was the first fairy tale printed in English. Tom is no bigger than his father's thumb, and his adventures include being swallowed by a cow, tangling with giants, and becoming a favourite of King Arthur. The earliest allusions to Tom occur in various 16th-century works such as Reginald Scot's Discovery of Witchcraft (1584), where Tom is cited as one of the supernatural folk employed by servant maids to frighten children. Tattershall in Lincolnshire, England, reputedly has the home and grave of Tom Thumb.[1]
In the mid-18th century, books began to be published specifically for children (some with their authorship attributed to "Tommy Thumb"), and by the mid-19th century, Tom was a fixture of the nursery library. The tale took on moral overtones and some writers, such as Charlotte Mary Yonge, cleansed questionable passages. Dinah Mulock, however, refrained from scrubbing the tale of its vulgarities. Tom Thumb's story has been adapted into several films.
Tom Thumb may have been a real person born around 1519, as there is a grave purporting to be his. It is set into the floor adjacent to the font of the main chapel in Holy Trinity Church at Tattershall, Lincolnshire, UK. The inscription reads: "T. THUMB, Aged 101 Died 1620". The grave measures just 16" (40cm) in length.
The earliest surviving text is a 40-page booklet printed in London for Thomas Langley in 1621 entitled The History of Tom Thumbe, the Little, for his small stature surnamed, King Arthur's Dwarfe: whose Life and adventures containe many strange and wonderfull accidents, published for the delight of merry Time-spenders. The author is presumed to be Londoner Richard Johnson (1579–1659?) because his initials appear on the last page. The only known copy is in the Morgan Library & Museum, New York.[2]
Tom was already a traditional folk character when the booklet was printed, and it is likely that printed materials circulated prior to Johnson's.[3] It is not known how much Johnson contributed to Tom's character or his adventures. William Fulke referred to Tom in 1579 in Heskins Parleament Repealed, and Thomas Nashe referred to him in 1592 in his prose satire on the vices of the age Pierce Penniless, His Supplication to the Divell. Reginald Scot listed Tom in his Discoverie of Witchcraft (1584) as one of the creatures used by servant maids to frighten children, along with witches, dwarfs, elves, fairies, giants, and other supernatural folk.[2]
Title page Coryat's Crudities
Tom was mentioned by James Field in Coryat's Crudities (1611): "Tom Thumbe is dumbe, until the pudding creepe, in which he was intomb'd, then out doth peepe." The incident of the pudding was the most popular in connection with the character. It is alluded to in Ben Jonson's masque of the Fortunate Isles: "Thomas Thumb in a pudding fat, with Doctor Rat."[3]
Richard Johnson's History may have been in circulation as early as this date because the title page woodblock in the 1621 edition shows great wear. Johnson himself makes it clear in the preface that Tom was long known by "old and young... Bachelors and Maids... and Shepheard and the young Plow boy".[2]
The tale belongs to the swallow cycle. Tom is swallowed by a cow, a giant, a fish, and by a miller and a salmon in some extensions to Johnson's tale. In this respect, the tale shows little imaginative development. Tom is delivered from such predicaments rather crudely, but editors of later dates found ways to make his deliverance more seemly and he rarely passed beyond the mouth.[2]
Tom's tale was reprinted countless times in Britain, and was being sold in America as early as 1686. A metrical version was published in 1630 entitled Tom Thumbe, His Life and Death: Wherein is declared many Maruailous Acts of Manhood, full of wonder, and strange merriments: Which little Knight liued in King Arthurs time, and famous in the Court of Great Brittaine. The book was reprinted many times, and two more parts were added to the first around 1700. The three parts were reprinted many times.[3]
In 1711, William Wagstaffe published A Comment upon The History of Tom Thumbe. In 1730, English dramatistHenry Fielding used Tom Thumb as the central figure of a play by that name, which he rewrote in 1731 as the farceThe Tragedy of Tragedies, or the History of Tom Thumb the Great. The play is filled with 18th-century political and literary satire and is intended as a parody of heroic tragedies. The title of "The Great" may be intended as a reference to politician Sir Robert Walpole who was often called "The Great."
Henry Fielding's tragedy Tom Thumb was the basis for an opera constructed by Kane O'Hara. Fielding's Tom is cast as a mighty warrior and a conqueror of giants, despite his stature, as well as the object of desire for many of the ladies at court. The plot is largely concerned with the various love triangles amongst the characters, who include Princess Huncamunca, giantess Glumdalca, and Queen Dollalolla (Arthur's wife in this version). Matters are complicated when Arthur awards Tom the hand of Huncamunca in marriage which results in Dollalolla and the jealous Grizzle seeking revenge. Eventually, Tom dies when swallowed by a cow, but his ghost returns. At the conclusion, Tom's ghost is killed by Grizzle and most of the cast kill each other in duels or take their own lives in grief.
Fielding's play was later adapted into a spoof on opera conventions called The Opera of Operas; or Tom Thumb the Great by playwrights Eliza Haywood and William Hatchett. This version includes a happy ending in which Tom is spat back out by the cow and the others are resurrected by Merlin's magic. This is considered to be a satirical comment on the unlikely and tacked-on nature of many happy endings in literature and drama.
Children's edition, 1888
In the mid-18th century, books began appearing specifically for children, and Tom was cited as the author of titles such as Tommy Thumb's Song Book (1744) and Tommy Thumb's Little Story Book (c. 1760). In 1791, Joseph Ritson remarked that Tom's popularity was known far and wide: "Every city, town, village, shop, stall, man, woman, and child, in the kingdom, can bear witness to it."[2]
Tom's story was originally intended for adults, but it was relegated to the nursery by the mid-19th century. Vulgar episodes were sanitized, and moralizing colored the tale. In Charlotte Mary Yonge's 1856 adaptation, Tom resists his natural urges to play impish pranks, renounces his ties to Fairyland, and pronounces himself a Christian. As Mordred's rebellion wears on in the last days of Arthur's reign, Tom refuses to return to Fairyland, preferring to die as an honorable Christian.[4]
In 1863, Dinah Maria Craik Mulock refused to cleanse the tale's questionable passages and let the story speak for itself. She adds material, and Tom has adventures that again involve being swallowed by a miller and a salmon, being imprisoned in a mousetrap, angering King Thunston and his queen, and finally dying from the poisonous breath of a spider. Tom's tale has since been adapted to all sorts of children's books with new material added and existing material reworked, but his mischievous nature and his bravery remain undiminished.[4]
Richard Johnson's The History of Tom Thumbe of 1621 tells that in the days of King Arthur, old Thomas of the Mountain, a plowman and a member of the King's Council, wants nothing more than a son, even if he is no bigger than his thumb. He sends his wife to consult with Merlin. In three months' time, she gives birth to the diminutive Tom Thumb. The "Queene of Fayres" and her attendants act as midwives. She provides Tom with an oak leaf hat, a shirt of cobweb, a doublet of thistledown, stockings of apple rind, and shoes of mouse's skin.
Tom cheats at games with other boys and because of his many tricks, the boys will not associate with him. Tom retaliates by using magic to hang his mother's pots and glasses from a sunbeam. When his fellows try the same, their pots and glasses fall and are broken. Thereafter, Tom stays home under his mother's supervision. At Christmas, she makes puddings, but Tom falls into the batter and is boiled into one of them. When a tinker comes begging, Tom's mother inadvertently gives him the pudding containing her son.
His mother thereafter keeps a closer watch upon him. One day, he accompanies her to the field to milk the cows. He sits under a thistle, but a red cow swallows him. The cow is given a laxative and Tom passes from her in a "cow pat". He is taken home and cleaned. Another day, he accompanies his father for the seed sowing and rides in the horse's ear. Tom is set down in the field to play the scarecrow, but a raven carries him away. His parents search for him, but are unable to find him.
The raven drops Tom at the castle of a giant. The cruel giant swallows the tiny boy like a pill. Tom thrashes about so much in the giant's stomach that he is vomited into the sea. There, he is eaten once more by a fish which is caught for King Arthur's supper. The cook is astonished to see the little man emerge from the fish. Tom then becomes King Arthur's Dwarf.
Tom becomes a favorite at King Arthur's royal court, especially among the ladies. There is revelry; Tom joins the jousting and dances in the palm of a Maid of Honour. He goes home briefly to see his parents, taking some money from the treasury with the king's permission, then returns to court. The Queene of Fayres finds him asleep on a rose and leaves him several gifts: an enchanted hat of knowledge, a ring of invisibility, a shape-changing girdle, and shoes to take him anywhere in a moment.
Tom falls seriously ill when a lady blows her nose, but is cured by the physician to King Twaddell of the Pygmies. He takes a ride in his walnut shell coach and meets Garagantua. Each boasts of his many powers. When Garagantua threatens to harm Tom, he is cast under an enchantment and Tom hurries home to safety. King Arthur listens with amazement to Tom's many adventures.
Richard Johnson's 1621 narrative ends here, but he promised his readers a sequel that has never been found, if published at all. In 1630, a metrical version in three parts was published that continues Tom's adventures.
Later narratives
Other versions paint a different picture to Tom's end. Dinah Mulock continued the tale and noted that Tom exhausted himself with jousting but recovered in Fairyland. When he returned to Arthur's court, he accidentally landed in a bowl of the king's frumenty. Tom enrages the cook and is threatened with beheading. He seeks refuge in the mouth of a passing slack-jawed miller. Sensing tiny voices and movements within him, the man believes he is possessed. He yawns and Tom emerges, but the Miller is so angry he tosses Tom into a river where he is swallowed by a salmon. The fish is caught, taken to the King's kitchen, and Tom is found and kept in a mousetrap until King Arthur forgives him.
The court goes hunting and Tom joins them upon his steed, a mouse. A cat catches the mouse and Tom is injured. He is carried to Fairyland where he recovers and dwells for several years. When he returns to court, King Thunston now reigns. Charmed by the little man, the king gives Tom a tiny coach pulled by six mice. This makes the queen jealous as she received no such gifts and she frames Tom with being insolent to her. Tom attempts to escape on a passing butterfly, but is caught and imprisoned in a mousetrap. He is freed by a curious cat and once more wins back the favor of King Thunston. Sadly, he does not live to enjoy it as he is killed by a spider's bite. Tom is laid to rest beneath rosebush and a marble monument is raised to his memory with the epitaph:
In 1958, George Pal directed a live action musical, tom thumb (rendered in lowercase to denote the character's small size) starring Russ Tamblyn, based on the Brothers Grimm's story Thumbling.
Also in 1958, although not released in the U.S. until 1967 in a dubbed version, a Mexican version of Tom Thumb (originally titled Pulgarcito) was made based loosely on Charles Perrault's "Le petit Poucet".
Text stories and later comic strips based on the Tom Thumb character appeared in the anthology comic The Beano from the first issue in 1938 until the late fifties.[5]
Similar tales and characters
There are many thumb-sized characters around the world: Le petit poucet (France), Der kleine Däumling (Germany), Tommelise (Denmark), Little One Inch/Issun-bōshi (Japan), Si Kelingking (Indonesia), Thumbikin (Norway), Garbancito and Pulgarcito (Spain), Pollicino (Italy), Piñoncito (Chile), Липунюшка (Lipunyushka or No-Bigger-Than-A-Finger) (Russia),[6][7] Palčić (Serbia), Patufet (Catalonia), The Hazel-nut Child (Bukovina), Klein Duimpje and Pinkeltje (Netherlands), Hüvelyk Matyi (Hungary), Ko Ko Nga Latt Ma (Myanmar), দেড় আঙ্গুলে (Dēṛa āṅgulē) (Bengal), Sprīdītis (Latvia) and others.[8]
An ogre is a legendary monster depicted as a large, hideous, man-like being that eats ordinary human beings, especially infants and children. Ogres frequently feature in mythology, folklore, and fiction throughout the world. They appear in many classic works of literature, and are most often associated in fairy tales and legend.
"Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore, Breton mythology and Welsh Bardic lore. Some parallels to elements and incidents in Norse mythology have been detected in the tale, and the trappings of Jack's last adventure with the Giant Galigantus suggest parallels with French and Breton fairy tales such as Bluebeard. Jack's belt is similar to the belt in "The Valiant Little Tailor", and his magical sword, shoes, cap, and cloak are similar to those owned by Tom Thumb or those found in Welsh and Norse mythology.
Tom a Lincoln is a romance by the English writer Richard Johnson, published in two parts in 1599 and 1607. The principal character, Tom, is a bastard son of King Arthur and a girl named Angellica. He is the father of two other important characters, the Black Knight and the Faerie Knight.
Welsh mythology consists of both folk traditions developed in Wales, and traditions developed by the Celtic Britons elsewhere before the end of the first millennium. As in most of the predominantly oral societies Celtic mythology and history were recorded orally by specialists such as druids. This oral record has been lost or altered as a result of outside contact and invasion over the years. Much of this altered mythology and history is preserved in medieval Welsh manuscripts, which include the Red Book of Hergest, the White Book of Rhydderch, the Book of Aneirin and the Book of Taliesin. Other works connected to Welsh mythology include the ninth-century Latin historical compilation Historia Brittonum and Geoffrey of Monmouth's twelfth-century Latin chronicle Historia Regum Britanniae, as well as later folklore, such as the materials collected in The Welsh Fairy Book by William Jenkyn Thomas (1908).
Charles Sherwood Stratton, better known by his stage name "General Tom Thumb", was an American with dwarfism who achieved great fame as a performer under circus pioneer P. T. Barnum.
Thumbelina is a literary novel bedtime story fairy tale written by the famous Danish author Hans Christian Andersen. It was first published by C. A. Reitzel on 16 December 1835 in Copenhagen, Denmark, with "The Naughty Boy" and "The Travelling Companion" in the second installment of Fairy Tales Told for Children. Thumbelina is about a tiny girl and her adventures with marriage-minded toads, moles, and cockchafers. She successfully avoids their intentions before falling in love with a flower-fairy prince just her size.
Tom Thumb is a diminutive hero of English folklore.
Hop-o'-My-Thumb (Hop-on-My-Thumb), or Hop o' My Thumb, also known as Little Thumbling, Little Thumb, or Little Poucet, is one of the eight fairytales published by Charles Perrault in Histoires ou Contes du temps passé (1697), now world-renowned. It is Aarne-Thompson type 327B. The small boy defeats the ogre. This type of fairytale, in the French oral tradition, is often combined with motifs from the type 327A, similar to Hansel and Gretel; one such tale is The Lost Children.
The Langs' Fairy Books are a series of 25 collections of true and fictional stories for children published between 1889 and 1913 by Andrew Lang and his wife, Leonora Blanche Alleyne. The best known books of the series are the 12 collections of fairy tales also known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many Colors. In all, the volumes feature 798 stories, besides the 153 poems in The Blue Poetry Book.
Three Blind Mice and Other Stories is a collection of short stories written by Agatha Christie, first published in the US by Dodd, Mead and Company in 1950. The first edition retailed at $2.50.
The Adventures of Tom Thumb and Thumbelina is a 2002 American animated fantasy film directed by Glenn Chaika and starring Jennifer Love Hewitt, Elijah Wood, Peter Gallagher, and Jon Stewart. Produced by Hyperion Animation, the film was distributed by Buena Vista Home Entertainment under the Miramax Home Entertainment label.
"Thumbling," published in German as "Daumesdick" is a German fairy tale collected by the Brothers Grimm in Grimm's Fairy Tales in 1819. The Grimms included another, similar story, "Thumbling's Travels." Both stories are related to the English Tom Thumb and often share its title when translated into English.
Tom Thumb is a play written by Henry Fielding as an addition to The Author's Farce. It was added on 24 April 1730 at Haymarket. It is a low tragedy about a character who is small in both size and status who is granted the hand of a princess in marriage. This infuriates the queen and a member of the court and the play chronicles their attempts to ruin the marriage.
The Tragedy of Tragedies, also known as The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great, is a play by Henry Fielding. It is an expanded and reworked version of one of his earlier plays, Tom Thumb, and tells the story of a character who is small in stature and status, yet is granted the hand of a princess in marriage; the infuriated queen and another member of the court subsequently attempt to destroy the marriage.
Erkenek is a character of Turkish / Turkic folklore. Erkenek is no bigger than a thumb. His adventures mostly include tangling with giants. Erkenek is a traditional folk character. In Azerbaijan folklore besides his name is Cırtdan. In Anatolia also known as Parmak Çocuk.
Tom and Jerry's Giant Adventure is a 2013 animated fantasy comedy direct-to-video film starring Tom and Jerry, produced by Warner Bros. Animation. Tom and Jerry are the faithful servants of Jack, son of the founder of a struggling storybook amusement park that gets a much-needed boost thanks to some mysterious magical beans.
"Thumbelina" is a show tune from the 1952 film Hans Christian Andersen written by American songwriter Frank Loesser and performed by Danny Kaye. It was nominated for the Academy Award for Best Original Song at the 25th Academy Awards.
"Thumbling's Travels" is a German fairy tale collected by the Brothers Grimm in Grimm's Fairy Tales in 1812. The original German name for the character is "Daumerling," not to be confused with the similar tale "Daumesdick" or KHM 37, which was added in 1819. Both tales are frequently translated into English as "Tom Thumb" or "Thumbling" and are categorized as Aarne-Thompson type 700.
References
Halliwell, J. O. (1860). The Metrical History of Tom Thumb the Little. Chiswick Press.
Green, Thomas. “Tom Thumb and Jack the Giant-Killer: Two Arthurian Fairytales?” In: Folklore 118 (2007): 123–140. DOI:10.1080/00155870701337296
Merceron, Jacques E. «Naître l’âme en pet: le conte du Pouçot (AT 700), la Vieille et la Vache cosmique». In: Françoise Clier-Colombani et Martine Genevois (dir.). Patrimoine légendaire et culture populaire: le Gai Savoir de Claude Gaignebet. Paris, Éditions L’Harmattan. 2019. pp.425–458.
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