Toyol

Last updated

A toyol or tuyul is an undead infant in Indonesian and Malay folklore. [1] [2] It also appears in the various other mythologies of Southeast Asia and is typically invoked as a helper by shamans (dukun, pawang, or bomoh) by means of black magic. [2] [3] A common use for the toyol includes using it for financial gain, where the creature robs people of their riches, [2] making it similar to the Babi ngepet, a boar demon in Indonesian mythology, and the Hantu Raya, a familiar spirit in Malay folklore. As such, the toyol is popularly known to bring good luck to its host, but mishap to those who are unfortunate to encounter them. [4]

Contents

Alleged Origins

There is a distinct lack of research, information, and academic sources that trace the history of the toyol. Yet, according to some blogs, the late academic Mohd Taib Osman suggested that the origins of owning a toyol dates as far back as pre-Islamic Arab society. Some have linked this to the prevalence of infanticide that took place during that time.[ citation needed ]

Names

The toyol is known by different names across Southeast Asia. [2] The Malay word toyol is tuyul in Indonesian, [2] [5] thuyul in Javanese, and kecit in Sundanese. [6] It is also known as cohen kroh [7] in Khmer, and kwee kia [8] in Hokkien. In Thai, the male is called kuman-thong while the female is named kuman-lay. [2] [9] [10] A similar creature exists in Philippine mythology which is known as tiyanak . [2]

Appearance and Behaviour

The toyol is traditionally and commonly described as looking no different from a near-naked toddler. [2] [11] However, regional differences can account for variation in appearance and characteristics; the toyol is claimed to look like a normal child with the exception of sharp teeth and red eyes, but the Indonesian tuyul has the addition of green skin and pointed ears. [2] The tuyul has the ability to scale walls and climb roofs. [2] Modern depictions often give the toyol a goblin-like appearance with green or grey skin, pointed ears, and clouded eyes. [12]

The toyol's behaviour and personality is typically said to be similar to that of a playful child, where it enjoys sweets, toys, and clothes. [2] Its small size and childish tendencies are said to render it harmless. [13] Although, behavioural characteristics can also differ according to region. For instance, the kuman-thong and kuman-lay are said to be more benevolent, and unlike the toyol whose owner has to tame, these Thai spirits do not need sacrifices nor rituals to be done in order to invoke their services. [2] The toyol is also said to only steal half of a person's valuable belongings. [13] While widely known to help its guardian pilfer, the toyol carries out other mischievous acts when commanded. [14]

Interpretation and Symbolism

The belief in the toyol - and by extension, child supernatural creatures - has links to the common Asiatic belief that every being consists of a soul, including that of babies. [2] The many similarities between Southeast Asian countries have also been remarked to be a sign of the nations' close cultural ties. [2]

Aside from the belief in the supernatural, the toyol serves a range of social functions, including acting as a disciplinary tool, to assist in maintaining social hierarchy, and to ward off perceived outsiders away from the community. [2]

It is not an uncommon occurrence for people to associate those with wealth and success to having used a toyol, and this negative association is extended to even government officials. [15] These stories of corruption and amorality have been theorised to be a method of negating dissonance, where through associating social status with the supernatural, it allows for the people to believe and accept that the matter is beyond their control. [15] On the other hand, such accusations can simply be a way of expressing one's resentment. [16]

The toyol remains widely used in a variety of ways and through various mediums, including via games, literature, and television. These point to a society and community that continues to hold sustained belief in the existence of toyols and other supernatural entities, [17] where to them, such folklore contributes a part of their lived reality. [2]

Modern Encounters and Usage

In 2006, a fisherman from Kuala Pahang, Malaysia reported finding a toyol that had been enclosed in a bottle on coastal shores. The toyol was handed over to the local state museum where the director noted its red eyes and black clothing. [18]

The toyol has also been used in theft crimes - though not in the supernatural sense - through the exploitation of people's belief in the creature. In 2009, a 77-year-old woman living in Bukit Bandaraya, Malaysia was tricked into believing that her valuables were being targeted by a toyol through an anonymous phone call. She was advised to hide them following specific instructions but soon found them to be stolen. Her resulting loss amounted to RM700,000. [19]

In 2016, a Malaysian local online newspaper reported a villager having physically encountered a green-skinned toyol after assuming his and other residents' missing money had been the work of a thief. [20]

As recently as 2019, it was reported that residents living in the Mengwi subdistrict of Badung Regency in Bali, Indonesia believed that a tuyul was the reason for why one resident had mysteriously lost IDR1.4 million. This was attributed to the discovery of seemingly child-like footprints found on the victim's car. In response to the incident, local police cautioned that the culprit was likely to be intentionally attempting to mislead them. [21]

Similar Entities Beyond Southeast Asia

Spirits of children are not limited to Southeast Asia. In Japanese folklore, the zashiki-warashi shares some similarity to the toyol where they are believed to bring good fortune to their owners. The zashiki-warashi are also mischievous in nature and enjoy sweets and toys, but they differ from the toyol in numerous ways. Rather than appearing as an infant, the zashiki-warashi are said to look like a young child or adolescent. [22]

Film

Literature

Music

Television

Video Game

Other

See also

Related Research Articles

<span class="mw-page-title-main">Kuntilanak</span> Mythological creature

The Kuntilanak, also called Pontianak, or Yakshi in Hinduism/ Hindu mythology is a mythological creature in Indonesia, Malaysia and Singapore. It is similar to Langsuir in other Southeast Asia regions. The Pontianak usually takes the form of a pregnant woman who is unable to give birth to a child. Alternatively, it is often described as a vampiric, vengeful female spirit. Another form of the Pontianak refers to the ghost or white lady of Southeast Asian folklore.

Hantu may refer to:

Zashiki-warashi, sometimes also called zashiki bokko, are spirit-like beings told about mostly in the Iwate Prefecture. They are said to be yokai that live in parlors or storage rooms, and that perform pranks, and that people who see one would be visited with good fortune. There are also legends of how they would bring fortune to families. They are also known from Kunio Yanagita's Tōno Monogatari, Ishigami Mondō, and stories about them appear in the 17th and 18th chapters of the Tōno Monogatari and the 87th chapter titled "Zashiki-warashi" of the Tōno Monogatari Shūi. In the 17th chapter, it is written "families with whom this spirit dwells become prosperous". In recent years, television programs and magazines have reported about various Iwate Prefecture ryokan where it is said to be possible to see a zashiki-warashi.

<span class="mw-page-title-main">Hantu (supernatural creature)</span> Malay and Indonesian word for spirit or ghost

Hantu is the Malay and Indonesian word for spirit or ghost. In modern usage it generally means spirits of the dead but has also come to refer to any legendary invisible being, such as demons. In its traditional context the term also referred to animistic nature spirits or ancestral souls. The word is derived from Proto-Malayo-Polynesian *qanitu and Proto-Austronesian *qaNiCu. Cognates in other Austronesian languages include the Micronesian aniti, Lio language nitu, Yami anito, Taivoan alid, Seediq and Atayal utux, Bunun hanitu or hanidu, Polynesian aitu or atua, and Tsou hicu among the Formosan languages. In terms of concept and place in traditional folklore, it is most similar to the Filipino anito.

The penanggalan or penanggal is a nocturnal vampiric entity from Malay ghost myths. It takes the form of a floating disembodied woman's head, with its organs and entrails trailing from its neck. From afar, the penanggalan is said to twinkle like a ball of flame, similar to the will-o'-the-wisp phenomenon.

<span class="mw-page-title-main">Ghosts in Malay culture</span>

There are many Malay ghost myths, remnants of old animist beliefs that have been shaped by Hindu-Buddhist cosmology and later Muslim influences, in the modern states of Brunei, Indonesia, Malaysia, and Singapore and among the Malay diaspora in neighbouring Southeast Asian countries. The general word for ghost is hantu, of which there exist a wide variety. Some ghost concepts such as the female vampires pontianak and penanggal are shared throughout the region. While traditional belief does not consider all ghosts as necessarily evil, Malaysian popular culture tends to categorise them all as types of evil djinn.

A jenglot is a small creature of Indonesian culture and mythology. It has the appearance of a deformed humanoid doll and whose size is up to 12 centimetres (4.7 in) in length. They have long hair which grows sparse and stiff through the legs, and long nails. The doll itself does nothing, but when imbued with black magic, is said to provide protection to its master, takes revenge on an enemy or works as a good luck charm. It can fetch thousands of ringgit or millions of rupiah when sold.

Pelesit is a type of familiar spirit in Malay folklore. It is generally a cricket, or occasionally a grasshopper. The term literally means "buzzer" from the root word lesit meaning to buzz or whizz, as an insect does. They are also called Palasik.

The polong is a type of familiar spirit in Malay folklore. It has the appearance of a miniature woman, the size of the first joint of the finger.

Hantu Air, Puaka Air or Mambang Air is the Malay translation for Spirit of the Water or Water Ghost, which according to animist traditions in Maritime Southeast Asia, is the unseen inhabitant of watery places such as rivers, lakes, seas, swamps and even ditches. Communication between humans and Hantu Air occur in situations based on the well-being of an environment and can be positive or negative. Water spirits are called on and communicated with through ceremonies, rituals, incantations, and in extreme cases exorcisms. Hantu Air is associated with bad things happening to people including missing persons, drowning, flooding and many other incidents.

The Hantu Raya is a type of familiar spirit in Malay folklore that acts as a double for black magic practitioners. Roughly meaning "great ghost", it is supposed to bestow great power onto its master. Its true form according to folktale is humanoid form with black hairy body except the facial area, rough grey skin, long sharp teeth and with red eyes.

<i>Pocong</i> Javanese ghost from folklore

Pocong is a ghost that looked like person who is wrapped in a funeral cloth. In Islamic funeral, a shroud called a "kain kafan" used to wrap the body of the dead person. The dead body is covered in white fabric tied over the head, under the feet, and on the neck, and the shroud is firmly tied at multiple junctures to maintain its position during the journey to the grave site. Upon placement into the grave, it is believed that the knots must be undone or the corpse will animate and be known as a Pocong. Pocong is also known in Malaysia as Hantu Bungkus.

<span class="mw-page-title-main">Wewe Gombel</span> Female ghost in Javanese mythology

Wewe Gombel is a female supernatural being or vengeful ghost in Javanese mythology. It is said that she kidnaps children.

<span class="mw-page-title-main">Malay folklore</span>

Malay folklore refers to a series of knowledge, traditions and taboos that have been passed down through many generations in oral, written and symbolic forms among the indigenous populations of Maritime Southeast Asia (Nusantara). They include among others, themes and subject matter related to the indigenous knowledge of the ethnic Malays and related ethnic groups within the region.

Hantu Tinggi is a being similar to 'Hantu Raya' or 'genderuwo' but so tall its body from the waist up is hidden by clouds. It only exists in the Western and Eastern regions of Malaysia. In Thailand, Hantu Tinggi likely resembles a closer myth called Preta.

<span class="mw-page-title-main">Langsuyar</span>

The langsuyar, also lang suir or langsuir, is a female revenant in Malay and other mythologies in the Malay archipelago. The word is derived from the Malay word for eagle.

In the culture of the Bunun of Taiwan, a hanitu or qanitu is a spirit. The concept does not exactly equate with similar myths from other cultures.

<i>Roh</i> (film) 2020 Malaysian Malay-language horror film

Roh, or known as Soul, is a 2019 Malaysian Malay-language independent folk horror film directed by Emir Ezwan in his directorial debut. Set in the past, a family living in a forest is visited by a strange little girl, who comes with a frightening prediction.

<i>The House Spirit Tatami-chan</i> 2020 Japanese original net animation

The House Spirit Tatami-chan a Japanese original net animation series produced Zero-G. The series aired online in Japan between April 10, 2020 to June 26, 2020.

References

  1. ↑ Cunningham, Clark E.; Aragon, Lorraine V.; Russell, Susan Diana (1999). Structuralism's Transformations: Order and Revision in Indonesian and Malaysian Societies : Papers Written in Honor of Clark E. Cunningham. Arizona State University. p. 310. ISBN   9781881044215.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Laranjo, Ronel; Martinez-Erbite, Kristina; Santos, Zarina Joy (2013). "Intersection of Asian supernatural beings in Asian folk literature: A pan-Asian identity". Proceedings of the Asian Conference on Asian Studies 2013. Osaka, Japan: 20–23. doi:10.22492/2187-4735.20130102 (inactive 31 January 2024).{{cite journal}}: CS1 maint: DOI inactive as of January 2024 (link)
  3. ↑ Mayberry, Kate (15 Jun 2019). CultureShock! Malaysia. Malaysia: Marshall Cavendish International Asia Pte Ltd. ISBN   978-9814868020 . Retrieved 25 December 2021.
  4. ↑ Ain Nur Iman Abd Rahman and Zainor Izat Zainal, “HUMAN AND GHOST ATTACHMENT IN HANNA ALKAF’S THE GIRL AND THE GHOST,” Platform: A Journal of Management and Humanities 5, no. 1 (2022): 4.
  5. ↑ Khairunnisa, Aulia; Wardhaningsih, Mira. A Book of Indonesian Ghosts. StoryTale Studios. ISBN   6239476730 . Retrieved 25 December 2021.
  6. ↑ Supriatna, Nanang (2023-02-16). "Carita Jurig dina Sastra Sunda, Ditaratas ku Moh Ambri, Sastrawan Sunda Klasik" (in Sundanese). Pikiran Rakyat . Retrieved 2024-02-04.
  7. ↑ Day, David (17 Oct 2019). A Dictionary of Sources of Tolkien. Hachette UK. ISBN   978-0753734063 . Retrieved 25 December 2021.
  8. ↑ Singapore Literature in English: An Annotated Bibliography. National Library Board Singapore and Centre for Liberal Arts and Social Sciences, Nanyang Technological University. 2008. p. 78. ISBN   978-9810700607 . Retrieved 25 December 2021.
  9. ↑ McDaniel, Justin Thomas (1 Dec 2013). The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand. Columbia University Press. p. 172. ISBN   978-0231153775.
  10. ↑ Sikora, Jack; Westin, Larry (2003). Batcats: The United States Air Force 553rd Reconnaissance Wing in Southeast Asia. iUniverse. p. 85. ISBN   0595300812.
  11. ↑ Chua, Liana (2012). Southeast Asian Perspectives on Power. Routledge. p. 59. ISBN   9780415683456.
  12. ↑ Estep, Richard (25 Jan 2016). The World's Most Haunted Hospitals. Red Wheel/Weiser. ISBN   978-1632659729 . Retrieved 25 December 2021.
  13. 1 2 Nicholas & Ganapathy, p. 173.
  14. ↑ Fairuz and Ng, “A Malaysian Folklore Game Design,” 198.
  15. 1 2 Nicholas & Ganapathy, p. 174.
  16. ↑ Ong, Aihwa (1988). "The Production of Possession: Spirits and the Multinational Corporation in Malaysia". American Ethnologist. 15 (1): 28–42. doi:10.1525/ae.1988.15.1.02a00030. ISSN   0094-0496. JSTOR   645484. S2CID   30121345.
  17. ↑ Dahlan Bin Abdul Ghani, “Upin & Ipin: Promoting malaysian culture values through animation,” Historia y Comunicación Social 20, no. 1 (2015): 253.
  18. ↑ Mohd Fairuz bin Ali and Ng Perng Jeu, “A Malaysian Folklore Game Design As A Tool Of Culture Preservation and Entertainment: Toyol,” Advances in Social Science, Education and Humanities Research 207 (2018): 198.
  19. ↑ KUMAR, M. "'Toyol' scam leaves elderly woman RM700,000 poorer". The Star. Retrieved 2023-02-27.
  20. ↑ Fairuz and Ng, “A Malaysian Folklore Game Design,” 199.
  21. ↑ "'Tuyul' footprints found at scene of alleged theft, police say thief might be human after all | Coconuts". 15 December 2019. Retrieved 2023-02-27.
  22. ↑ Irene H. Lin, “Child Guardian Spirits (Gohō Dōji) in the Medieval Japanese Imaginaire,” Pacific World Journal Third Series, no. 6 (2004): 168-70.
  23. ↑ "Yang gui zi". IMDB. Retrieved 25 December 2021.
  24. ↑ "Crazy Spirit Reviews". TV Guide. Retrieved 25 December 2021.
  25. ↑ "Alamak... Toyol!". IMDB. Retrieved 25 December 2021.
  26. ↑ Siregar, Lisa (2016-03-04). "Indonesian Horror Movie 'Tuyul' Returns to Cinemas This Weekend". Jakarta Globe. Retrieved 2021-12-27.
  27. ↑ "Winter Film Awards 2016 Winner - Best Horror Feature Film". Winter Film Awards. 2016. Retrieved 2021-12-27.
  28. ↑ Lee, Nicole (2010). "Toyol". World Literature Today. 84 (5): 34–36. doi:10.1353/wlt.2010.0127. ISSN   1945-8134. S2CID   245665024.
  29. ↑ Alfian Sa'at (2012). Malay sketches. Shahril Nizam. Singapore. ISBN   978-981-07-1801-5. OCLC   780426637.{{cite book}}: CS1 maint: location missing publisher (link)
  30. ↑ "Toyol (Malaysia)". IMDB. Retrieved 25 December 2021.
  31. ↑ "How Pamali: Indonesian Folklore Horror Upends the Conventions of Horror Game Design". pastemagazine.com. 2020-01-27. Retrieved 2023-02-27.
  32. ↑ “Nightmare (INCUBO),” Indie Games, Steam, accessed February 24, 2023, https://store.steampowered.com/app/992330/Nightmare_Incubo/ .
  33. ↑ “Tuyul Gundul,” Google Play, accessed February 24, 2023, https://play.google.com/store/apps/details?id=com.pologames16.tuyul&hl=en_SG&gl=US .
  34. ↑ M. F. Bin Ali, N. Perng Jeu and C. H. Teeng, "Enriching Malaysian Cultural and Folklore through Mobile Game Learning Development: Wau & Toyol," 2020 IEEE Graphics and Multimedia (GAME), Kota Kinabalu, Malaysia, 2020, pp. 1-6, doi : 10.1109/GAME50158.2020.9315081
  35. ↑ "Delivery Drivers Are Using Grey Market Apps to Make Their Jobs Suck Less". www.vice.com. 27 April 2021.
  36. ↑ John A. Lent, “Of “Kampung Boy,” “Tok Guru” and Other Zany Characters: Cartooning in Malaysia,” Jurnal Komunikasi 10 (1994): 55.

Works cited

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.