"A Girl Like You" | ||||
---|---|---|---|---|
![]() | ||||
Single by Edwyn Collins | ||||
from the album Gorgeous George | ||||
B-side | "If You Could Love Me" | |||
Released | 5 December 1994 | |||
Genre | Alternative rock [1] | |||
Length | 3:59 | |||
Label | Setanta | |||
Songwriter(s) | Edwyn Collins | |||
Producer(s) | Edwyn Collins | |||
Edwyn Collins singles chronology | ||||
| ||||
Music video | ||||
"A Girl Like You" on YouTube |
"A Girl Like You" is a song by Scottish singer-songwriter Edwyn Collins from his third solo studio album, Gorgeous George (1994). The song samples the drum track of Len Barry's single "1-2-3" (1965). [2] It was released as a single in December 1994 by Setanta Records and became a worldwide hit, reaching number one in Flanders and Iceland and peaking within the top 10 in several countries, including Australia, France, Germany and the United Kingdom. In North America, "A Girl Like You" reached number 16 on Canada's RPM 100 Hit Tracks chart, number 32 on the US Billboard Hot 100 and number 28 on the US Cash Box Top 100. There were different versions of the music video made for the song, directed by John Flansburgh and Gavin Evans. NME ranked "A Girl Like You" number 38 in their list of "NME Writers' Top 50 Singles of 1995". [3]
Collins said the song was about a "mystical girl". [4] The Sex Pistols drummer Paul Cook performed on the recording. [5] The song had started out as "a more thrashy kind of guitar thing" and there had been a suggestion that Iggy Pop might record a version for the US market but before that could happen Collins' version was gaining airplay. [6]
Steve Baltin from Cash Box felt that Collins "has one of the year’s more surprising hits with this very Bowie-esque song that’s been all over Modern Rock for the past month." He added, "Slightly funky and very catchy, “A Girl Like You” is a track that will get under your skin." [7] In his weekly UK chart commentary, James Masterton declared it as "magical", noting that here "hardcore Northern Soul meets the 1990s to delicious effect." [8] Cathi Unsworth from Melody Maker viewed it as a "John Barry-spiked thriller" and a "little mystery", where "Collins sings with demonic relish over creepy jazz piano and fretful guitars. Overtly cool." [9] A reviewer from Music Week gave it four out of five, commenting, "Ignored by the UK last November but scoring throughout the rest of Europe, the white-soul-swinging track gets a timely re-release." [10] Keith Cameron from NME called it a "flared nostril Motown-patented stomp". [11]
Another NME editor, Mark Sutherland, wrote, "So while, to us, the chart success of "A Girl Like You" may seem but a curious sideshow to the whole Britpop fandango, to Edwyn it must surely be glorious vindication: proof positive that the world will listen. Even if Belgium, where "A Girl Like You" reached Number One FIRST time around, has to lead the way." Sutherland also felt that its "mix of pop classicism and indie off-kilterness is a great deal more at home in a Top 40 where something as bonkers as Robson & Jerome rules the roost." [12] Charles Aaron from Spin commented that here, Collins "opens his throat (and maybe even his heart), crooning with what sounds like aching conviction, "You've made me acknowledge the devil in me / I hope to God I'm talkin' metaphorically." The production is irresistibly off-beat with Spectorish drums, tinkling vibes, laconically searing fuzz guitar and squishy faux-turntable scratches. Plus, I love the way he pronounces "protest singers" (rhymes with "Miss Otis lingers")." [13]
|
|
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [39] | Gold | 35,000^ |
France (SNEP) [51] | Silver | 125,000* |
Germany (BVMI) [52] | Gold | 250,000^ |
United Kingdom (BPI) [53] | Gold | 400,000‡ |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
Australia | 5 December 1994 | CD: CD1 |
| [54] |
12 December 1994 | CD: CD2 | [55] | ||
United Kingdom | 5 June 1995 |
| Setanta | [56] |
Japan | 6 December 1995 | CD | Rail | [57] |
The song appeared on the soundtrack of the 1995 film Empire Records [58] and on that of 2003 film Charlie's Angels: Full Throttle. [59] It was featured in season 1, episode 5 of Lucifer ("Sweet Kicks"), [60] and in the 2022 horror film Goodnight Mommy . It plays over the end credits in season 5, episode 7 of The Crown . [61] Sabrina Spellman and her date Chad Corey Dylan dance to this song in season 1, episode 5 of Sabrina, the Teenage Witch ("Dream Date" [62] ) as well as Ted Lasso in Season 3.
"You Can't Hurry Love" is a 1966 song originally recorded by the Supremes on the Motown label. It was released on July 25 of 1966 as the second single from their studio album The Supremes A' Go-Go (1966).
"Stayin' Alive" is a song written and performed by the Bee Gees from the Saturday Night Fever motion picture soundtrack. The song was released in December 1977 by RSO Records as the second single from the Saturday Night Fever soundtrack. The band co-produced the song with Albhy Galuten and Karl Richardson. It is one of the Bee Gees' signature songs. In 2004, "Stayin' Alive" was placed at No. 189 by Rolling Stone on their list of the 500 Greatest Songs of All Time. The 2021 updated Rolling Stone list of 500 Greatest Songs placed "Stayin' Alive" at No. 99. In 2004, it ranked No. 9 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. In a UK television poll on ITV in December 2011 it was voted fifth in The Nation's Favourite Bee Gees Song.
"Have You Ever Really Loved a Woman?" is a song written by Canadian musician Bryan Adams, Michael Kamen and Robert John "Mutt" Lange, and recorded by Adams for the 1995 film Don Juan DeMarco, starring Marlon Brando, Johnny Depp and Faye Dunaway. The melody is used as a musical motif through the film, and the song is featured three times in the movie, twice performed by other artists in Spanish, and finally performed by Adams himself during the closing credits. The Adams version of the song, which features flamenco guitarist Paco de Lucia, is featured on the soundtrack album and also on the album 18 til I Die, which was released over a year later.
"Back for Good" is a song by English band Take That from their third studio album, Nobody Else (1995). Released on March 27, 1995 by RCA and Arista, it was written by lead singer Gary Barlow, who also co-produced it with Chris Porter. The song topped the UK Singles Chart whilst also charting at number one in 31 countries, as well as reaching the top 10 in many others. Vaughan Arnell and Anthea Benton directed the song's music video. At the 1996 Brit Awards, "Back for Good" won the Brit Award for British Single of the Year. In 2003, Q Magazine ranked the song at number 910 in their list of the "1001 Best Songs Ever" and in a UK poll in 2012, it was voted number 11 on the ITV special The Nation's Favourite Number One Single.
"Girls & Boys" is a song by English rock band Blur, released in March 1994 by Food Records as the lead single from the group's third studio album, Parklife (1994). The frontman of Blur, Damon Albarn wrote the song's lyrics with bandmembers Graham Coxon, Alex James and Dave Rowntree, while Stephen Street produced it.
"Miss You" is a song by the English rock band the Rolling Stones, released on Rolling Stones Records in May 1978. It was released as the first single one month in advance of their album Some Girls. "Miss You" was written by Mick Jagger and Keith Richards.
"Hold Me, Thrill Me, Kiss Me, Kill Me" is a song by Irish rock band U2. It was released as a single from the soundtrack album for the film Batman Forever on 5 June 1995 by Atlantic and Island. A number-one single in their home country of Ireland, as well as in seven other countries, it reached number two on the UK Singles Chart, number sixteen on the US Billboard Hot 100, and number one on the Billboard Album Rock Tracks and Modern Rock Tracks charts. The song received Grammy Award nominations for Best Rock Performance by a Duo or Group with Vocal and Best Rock Song. The song is included on the compilation album The Best of 1990–2000 and the live album From the Ground Up: Edge's Picks from U2360°. Its music video was directed by Kevin Godley and Maurice Linnane.
"Ring My Bell" is a 1979 disco song written by Frederick Knight. The song was originally written for eleven-year-old Stacy Lattisaw as a teenybopper song about children talking on the telephone. When Lattisaw signed with a different label, American singer and musician Anita Ward was asked to sing it instead, and it became her only major hit.
"You Got It" is a song from American singer Roy Orbison's 22nd studio album, Mystery Girl (1989). The song was released posthumously on January 3, 1989, after Orbison's death from a heart attack on December 6, 1988. The song was issued with "The Only One" as the B-side and was later released with "Crying". The single reached number nine on the US Billboard Hot 100 and number one on the Adult Contemporary chart, returning Orbison to the top 10 for the first time in 25 years. "You Got It" also reached number three on the UK Singles Chart and entered the top five in 10 other countries. Although it is an Orbison solo single, Orbison's fellow Traveling Wilburys bandmates Tom Petty and Jeff Lynne co-wrote the song and played instruments on the record.
"Need You Tonight" is a song by the Australian rock band INXS, released as the first single from their 1987 album, Kick, as well as the fourth song on the album. It is the only INXS single to reach No. 1 on the Billboard Hot 100. It also achieved their highest charting position in the United Kingdom, where the song reached number two on the UK Singles Chart; however, this peak was only reached after a re-release of the single in November 1988. On its first run on the UK charts in October 1987, it stalled at No. 58. It was one of the last songs recorded for the album, yet it would arguably become the band's signature song.
"Unbelievable" is a song written and recorded by British band EMF, originally appearing on their debut album, Schubert Dip (1991). It was released as a single in the UK in October 1990 by Parlophone, peaking at number three on the UK Singles Chart on 1 December 1990. It was the 30th-best-selling single of 1990 in the UK, and a top 10 hit also in Belgium, Germany, Ireland, the Netherlands, Norway, Spain and Sweden. In the United States, "Unbelievable" hit number one on the Billboard Hot 100 and Cash Box Top 100 in 1991. The song was produced by Ralph Jezzard, and contains samples of US comedian Andrew Dice Clay and a Black Panther Party member shouting "What the fuck?" Its music video was directed by Josh Taft.
"Missing" is a song by English musical duo Everything but the Girl, taken from their eighth studio album, Amplified Heart (1994). It was written by the two band members, Tracey Thorn and Ben Watt, and was produced by Watt and John Coxon. It was taken as the second single off the album on 8 August 1994 by Blanco y Negro Records in the United Kingdom and by Atlantic Records in the United States. It initially did not achieve much success until it was remixed by Todd Terry and re-released in 1995, resulting in worldwide success, peaking at or near the top of the charts in many countries. The release of the remixed version of "Missing" gave an indication of the band's future experimentation with more electronic dance music on subsequent albums.
"Fool to Cry" is a ballad by English rock band the Rolling Stones from their 1976 album Black and Blue.
"This Ain't a Love Song" is the lead single from American rock band Bon Jovi's sixth studio album, These Days (1995). The rock ballad is an example of the strong rhythm and blues influence that Jon Bon Jovi and Richie Sambora wanted the album to have. Released in May 1995 by Mercury, it reached number 14 on the US Billboard Hot 100, number two on the Canadian RPM 100 Hit Tracks chart, number six on the UK Singles Chart, and number one on the Finnish Singles Chart.
"Hold On Tight" is a song written and performed by Electric Light Orchestra (ELO). The song is track twelve on the band's 1981 album Time and was the first song released as a single. The song went top ten in most countries, hitting the top spot in Spain and Switzerland, number two in Germany, number four in the UK, and number ten on the US Billboard Hot 100, becoming the band's seventh and last top 10 hit, as well as number two on the US Billboard Top Tracks chart the week of 12 September 1981. A verse sung in French, which is a reprise of the first verse, translates as "Hold on to your dream, Hold on to your dream, When you see your ship leaving, When you feel your heart breaking, Hold on to your dream".
Canadian singer Celine Dion has released 137 singles in both English and French discography as a lead artist. According to Billboard magazine, Dion is the world's best-selling contemporary female artist of all time. As of 2021, she has reportedly sold around 200 to 250 million records worldwide. Referred to as the "Queen of Power Ballads", Dion has released a string of worldwide hits, with "My Heart Will Go On" being her career's biggest hit, with estimated physical sales of over 18 million worldwide, making it the 2nd best-selling physical single by a woman in history. It reached over 117 million radio impressions during its peak, becoming the most-played radio hit in history and became the best-selling single of 1998 worldwide. "Because You Loved Me" is her biggest hit on the US Billboard Hot 100, spending six weeks atop the chart and selling six million copies in its first six months of availability worldwide. "Pour que tu m'aimes encore" was the 4th biggest hit of the 1990s in France and has sold over four million copies worldwide.
"Two Princes" is a song by American rock group Spin Doctors, released in 1992 by Epic Records as the second single from the group's debut album, Pocket Full of Kryptonite (1991). The song peaked at number seven on the US Billboard Hot 100 and number three on the Cash Box Top 100. Outside of the US, it topped the charts in Iceland and Sweden, and peaked within the top 10 of the charts in Australia, Canada, Germany, the Netherlands, Ireland, and the United Kingdom. The song earned them a Grammy Award nomination for Best Rock Performance by a Duo or Group. The group filmed two different music videos for "Two Princes"; one of them was in black-and-white. One of the videos was directed by Richard Murray and premiered in February 1992.
"Baby Don't Forget My Number" is a song by German dance-pop group Milli Vanilli. The track was released in December 1988 as the second single from their debut album, All or Nothing (1988), as well as its American counterpart, Girl You Know It's True (1989). It became the first of their three number-one hits on the US Billboard Hot 100 chart in 1989, earning a gold certification from the Recording Industry Association of America (RIAA). Worldwide, the single reached the top 10 in seven other countries and was certified gold in Australia, where it charted for 36 weeks.
"I've Got a Little Something for You" is a song by British R&B group MN8. It was released on 23 January 1995 by Columbia and 1st Avenue as the lead single from their debut album, To the Next Level (1995). The song was written by Mark Taylor and was produced by Dennis Charles and Ronnie Wilson. It peaked at number two on the UK Singles Chart, reached number three in France and New Zealand, and charted within the top 10 in eight other territories, including Australia, Ireland, Norway, and the Wallonia region of Belgium.
"Both Sides of the Story" is a song performed by English singer-songwriter, drummer, actor and lead singer of English rock band Genesis, Phil Collins. The song was released in October 1993 by Virgin, WEA and Atlantic as the lead single from his fifth album, Both Sides (1993). The song reached number seven on the UK Singles Chart, and numbers 25 and 20 on the US Billboard Hot 100 and Cash Box Top 100. It charted the highest in Canada, peaking at number two on the RPM Top Singles chart. The single's B-sides vary, as copies of the single include either "Always" or "Rad Dudeski".