Rush was a Canadian rock band that primarily comprised Geddy Lee, Alex Lifeson (guitar), and Neil Peart. The band formed in Toronto in 1968 with Lifeson, drummer John Rutsey, and bass guitarist/vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through several line-ups before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up remained intact for the remainder of the band's career.
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.
Fly by Night is the second studio album by the Canadian rock band Rush, released on February 14, 1975, by Mercury Records. It was the first Rush album to showcase elements of progressive rock for which the band has become known. It was also the first to feature lyricist and drummer Neil Peart, who replaced original drummer John Rutsey the previous summer just prior to the band's first North American tour. Peart took over as Rush's primary lyricist, and the abundance of fantastical and philosophical themes in his compositions contrasted greatly with the simpler hard rock of the band's debut album.
Caress of Steel is the third studio album by Canadian rock band Rush, released on September 24, 1975, by Mercury Records. It marked a development in the group's sound, moving from the blues-based hard rock style of their debut towards progressive rock. The shift proved to be a commercial and critical nadir for Rush, however, as the album's darker sound and fantastical compositions initially failed to find an audience and confused some of the band's peers, while poor sales put the band in danger of being dropped by Mercury. Despite being more positively viewed by the band's fans in retrospect, Ultimate Classic Rock noted that the album is still considered "the black sheep of their catalog".
Vapor Trails is the seventeenth studio album by Canadian rock band Rush. It was released on May 14, 2002, on Anthem Records, and was their first studio release since Test for Echo (1996), the longest gap between two Rush albums. After the Test For Echo tour finished in July 1997, drummer and lyricist Neil Peart suffered the loss of his daughter and then his wife in separate tragedies. As a result, the group entered an extended hiatus during which it was not certain they would continue. They eventually reunited in January 2001 to rehearse material for a new album; recording would take place until November. For the first and only time since Caress of Steel (1975), the group did not use any keyboards or synthesizers in their music, incorporating many layers of guitar, bass and drums instead.
All the World's a Stage is a double live album by Canadian rock band Rush, released in 1976. The album was recorded at Massey Hall in Toronto on June 11, 12, and 13, 1976, during the band's breakthrough 2112 tour. The title of the album alludes to William Shakespeare's play As You Like It, which would again be referenced by Rush in the 1981 song "Limelight".
Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto.
Moving Pictures is the eighth studio album by Canadian rock band Rush, released on February 12, 1981 by Anthem Records. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with longtime co-producer Terry Brown. They continued to write songs with a more radio-friendly sound, featuring tighter and shorter song structures compared with their earlier albums.
Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 18, 1980, through Anthem Records. After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up in July 1979. This material showed a shift in the group's sound towards more concise arrangements and radio-friendly songs, though their progressive rock blueprint is still evident on "Jacob's Ladder" and the nine-minute closer "Natural Science." Bassist/vocalist Geddy Lee also employed a more restrained vocal delivery compared to previous albums. Permanent Waves was recorded at Le Studio in Morin-Heights, Quebec with production handled by the group and Terry Brown.
Grace Under Pressure is the tenth studio album by Canadian rock band Rush, released April 12, 1984 on Anthem Records. After touring for the band's previous album, Signals (1982), came to an end in mid-1983, Rush started work on a follow-up in August. The band had decided to not work with longtime producer Terry Brown, who had collaborated with Rush since 1974. The new material accentuated the group's change in direction towards a synthesizer-oriented sound like its previous album. After some difficulty finding a suitable producer who could commit, the album was recorded with Peter Henderson.
Exit... Stage Left is the second live album by the Canadian rock band Rush, released as a double album in October 1981 by Anthem Records. After touring in support of their eighth studio album Moving Pictures (1981), the band gathered recordings made over the previous two years and constructed a live release from them with producer Terry Brown. The album features recordings from June 1980 on their Permanent Waves (1980) tour, and from March 1981 on their Moving Pictures tour.
Power Windows is the eleventh studio album by Canadian rock band Rush, released on October 11, 1985 by Anthem Records. After touring in support of their previous album, Grace Under Pressure (1984), the band took a break and reconvened in early 1985 to begin work on a follow-up. The material continued to display the band's exploration of synthesizer-oriented music, this time with the addition of sampling, electronic drums, a string section, and choir, with power being a running lyrical theme. Power Windows was recorded in Montserrat and England with Peter Collins as co-producer and Andy Richards on additional keyboards.
Rush in Rio is a three-disc live album by Canadian band Rush, released on October 21, 2003. The album is also available as a two DVD set. With the exception of the last two tracks on the third disc, the album was recorded at Maracanã Stadium in Rio de Janeiro on the final night of the Vapor Trails Tour. The other two tracks were taken from previous shows on the same tour. "Between Sun & Moon" was recorded at the Cricket Wireless Pavilion, Phoenix, Arizona, on September 27, 2002, and "Vital Signs" was recorded at the Colisée Pepsi, Quebec City, Quebec, on October 19, 2002.
Hold Your Fire is the twelfth studio album by Canadian rock band Rush, released on September 8, 1987. It was recorded at The Manor Studio in Oxfordshire, Ridge Farm Studio in Surrey, Air Studios in Montserrat and McClear Place in Toronto. Hold Your Fire was the last Rush studio album released outside Canada by PolyGram/Mercury. 'Til Tuesday bassist and vocalist Aimee Mann contributed vocals to "Time Stand Still" and appeared in the Zbigniew Rybczyński-directed video.
Presto is the thirteenth studio album by Canadian rock band Rush. It was released November 21, 1989 by Anthem Records and was the band's first album released internationally by Atlantic Records following the group's departure from Mercury. After the Hold Your Fire (1987) tour ended in 1988, the group members reconvened in December to decide their next step and agreed to take six months off before starting on a new album. Presto marked another change in Rush's sound, with guitar taking a more dominant role in the writing and a reduction in synthesizers and a return towards more guitar-driven arrangements.
Counterparts is the fifteenth studio album by Canadian rock band Rush, released October 19, 1993, on Anthem Records. After the band finished touring its previous album Roll the Bones (1991) in mid-1992, the members took a break before starting work on a follow-up.
Test for Echo is the sixteenth studio album by the Canadian rock band Rush, released on 10 September 1996 on Anthem Records. It was the final Rush album to be co-produced by Peter Collins. The band supported the album with a world tour in 1996 and 1997, after which they went on a five-year hiatus following the deaths of drummer Neil Peart's daughter and wife, and would not record again until 2001.
Feedback is an EP by Canadian rock band Rush, released in 2004. The record features eight covers of songs that were influential for the band members during the 1960s. The outing marked the 30th anniversary of the release of Rush's debut album, which featured the original lineup of Geddy Lee, Alex Lifeson and John Rutsey. The tour in support of the Feedback album was called the R30: 30th Anniversary Tour. The record was remastered and reissued in 2013 as a part of the box set The Studio Albums 1989–2007. In 2016 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.
Snakes & Arrows Live is a live double CD and DVD by Canadian band Rush. The CD was released on April 14, 2008, in the UK and on April 15, 2008, around the world. It was also released on DVD and Blu-ray on November 24, 2008. The material was taken from two performances during the first leg of the Snakes & Arrows Tour, recorded at the Ahoy Arena in Rotterdam, Netherlands on October 16 and 17, 2007. The album features nine of its 27 tracks drawn from Snakes & Arrows.
"Marathon" is the fourth track on Canadian rock band Rush's 1985 album Power Windows.
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