Uta Barth is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame. Her work is as much about vision and perception as it is about the failure to see, the faith humans place in the mechanics of perception, and the precarious nature of perceptual habits. Barth's says this about her art practice: “The question for me always is how can I make you aware of your own looking, instead of losing your attention to thoughts about what it is that you are looking at." She has been honored with two National Endowments of the Arts fellowships, was a recipient of the John Simon Guggenheim Fellowship in 2004‑05, and was a 2012 MacArthur Fellow. Barth lives and works in Los Angeles, California.
Art in General was a non-profit contemporary art exhibition space known for its vibrant and ground-breaking projects as a formidable and longstanding New York City alternative space, focused on giving meaningful resources and opportunities to artists early on in their careers. Founded in 1981 by artists Martin Weinstein and Teresa Liszka and originally located in the General Hardware building in New York City — hence the organization's name, Art in General — the institution produced and presented distinctive programs and exhibitions featuring new work by local and international artists.
Glenn Ligon is an American conceptual artist whose work explores race, language, desire, sexuality, and identity. Based in New York City, Ligon's work often draws on 20th century literature and speech of 20th century cultural figures such as James Baldwin, Zora Neale Hurston, Gertrude Stein, Jean Genet, and Richard Pryor. He is noted as one of the originators of the term Post-Blackness.
Martha Rosler is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, and performance, as well as writing about art and culture. Rosler's work is centered on everyday life and the public sphere, often with an eye to women's experience. Recurrent concerns are the media and war, as well as architecture and the built environment, from housing and homelessness to places of passage and systems of transport.
Cynthia Morris Sherman is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.
The Istanbul Biennial is a contemporary art exhibition that has been held biennially in Istanbul, Turkey, since 1987. The Biennial has been organised by the Istanbul Foundation for Culture and Arts (IKSV) since its inception.
The Way Things Go is a 1987 16 mm art film by the Swiss artist duo Peter Fischli and David Weiss. It documents a long causal chain assembled of everyday objects and industrial materials in the manner of a Rube Goldberg machine, though without the trope of accomplishing a relatively mundane task at the end.
Lucy Rowland Lippard is an American writer, art critic, activist, and curator. Lippard was among the first writers to argue for the "dematerialization" at work in conceptual art and was an early champion of feminist art. She is the author of 21 books on contemporary art and has received numerous awards and accolades from literary critics and art associations.
Vasif Kortun is a curator, writer and educator in the field of contemporary art, its institutions, and exhibition practices. Kortun served as the founding director of several international institutions, including SALT, Platform Garanti Contemporary Art Center, Proje4L, and the Museum of the Center for Curatorial Studies, Bard College. In 2006, he received the Award for Curatorial Excellence from the Center for Curatorial Studies for his "experimental approach and openness to new ideas to challenge the contemporary art world and push its parameters beyond national or international, local or global developments." Kortun has written extensively on contemporary art and visual culture in Turkey for publications and periodicals internationally. He currently lives in Ayvalık, a seaside town on the northwestern Aegean coast of Turkey.
Charles Esche is a museum director, curator and writer. His focus is on art and how it reflects, provokes and influences changes in society. He lives between Edinburgh and Eindhoven.
Mark Lewis is a Canadian artist, best known for his film installations. He represented Canada at the 2009 Venice Biennale.
The Vera List Center for Art and Politics is an American nonprofit research organization and public forum for art, culture, and politics, established in 1992. Vera List was an American art collector and philanthropist.
The four nominees for the Tate gallery's 2009 Turner Prize were Enrico David, Roger Hiorns, Lucy Skaer and Richard Wright. The award went to Richard Wright on 7 December 2009 winning him the £25,000 prize. The Turner jury said in a statement that they "admired the profound originality and beauty of Wright's work." The other shortlisted nominees each won £5,000.
Peter Osborne is a British philosophy teacher who is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy (CRMEP), Kingston University, London. He is a former editor of the journal Radical Philosophy.
Carolyn Christov-Bakargiev is an Italian-American writer, art historian and exhibition maker who served as the Director of Castello di Rivoli Museo d'Arte Contemporanea in Turin in 2009 and from 2016 to 2023. She was also the founding Director of Fondazione Francesco Federico Cerruti from 2017 to 2023. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013-2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence. She is currently Honorary Guest Professor at FHNW University of Applied Sciences and Arts Northwestern, Switzerland. She has lectured widely at art and educational institutions and Universities for the Arts, including the Goethe University, Frankfurt; Harvard University, Cambridge; MIT, Boston; Jawaharlal Nehru University, New Dehli; Cooper Union, New York; The Courtauld Institute of Art, London; Monash University, Melbourne; Di Tella University, Buenos Aires; Northwestern University, Chicago, and UNITO, Università di Torino, Turin.
Sarah Lowndes is a writer and curator based in Norwich. Lowndes is Director of Kunsthalle Cromer and previously contributed to the Public Programme of the Sainsbury Centre at the University of East Anglia. Lowndes's research focusses upon artist-led projects, interdisciplinary and performance-related practice and contemporary art. A lecturer at Glasgow School of Art between 2002 and 2015, Lowndes has written extensively on post-war art, music and politics in Glasgow in publications including Studio 58: Women Artists in Glasgow Since World War II, Social Sculpture: The Rise of the Glasgow Art Scene and "The Glasgow Scene", The History of British Art, Volume III. Other single author books authored by Lowndes include All Art is Political: Writings on Performative Art (2014), The DIY Movement in Art, Music and Publishing: Subjugated Knowledges (2016), Contemporary Artists Working Outside the City: Creative Retreat (2018) and Crowds, Community and Contagion in Contemporary Britain (2022). Lowndes co-edited Actions: The Image of the World Can Be Different, with Andrew Nairne (2018) and edited Like the Sea I Think: New Marine Writing from East Anglia (2019) and Field Work: New Nature Writing from East Anglia (2020).
e-flux is a publishing platform and archive, artist project, curatorial platform, and e-mail service founded in 1998. The arts news digests, events, exhibitions, schools, journal, books, and art projects produced and/or disseminated by e-flux describe strains of critical discourse surrounding contemporary art, culture, and theory internationally. Its monthly publication, e-flux journal, has produced essays commissioned since 2008 about cultural, political, and structural paradigms that inform contemporary artistic production.
David Campany is a British writer, curator, artist and educator, working mainly with photography. He has written and edited books; contributed essays and reviews to other books, journals, magazines and websites; curated photography exhibitions; given public lectures, talks and conference papers; had exhibitions of his own work; and been a jury member for photography awards. He has taught photographic theory and practice at the University of Westminster, London. Campany is Managing Director of Programs at the International Center of Photography in New York City.
Alex Farquharson is a British curator and art critic who was appointed Director, Tate Britain in Summer 2015. As Director, Tate Britain he is Chair of the Turner Prize.
Paul Goodwin is a British independent curator, urban theorist, academic and researcher, whose projects particularly focus on black and diaspora artists and visual cultures. He is Director at the Research Centre for Transnational Art, Identity and Nation (TrAIN), University of the Arts London.
