Ali Abdolrezaei | |
---|---|
![]() | |
Native name | علی عبدالرضایی |
Born | Langerud, Iran | April 10, 1969
Occupation | Poet, writer, literary theorist, political analyst |
Language | Persian - English |
Nationality | British |
Education | Literary Theory, Mechanical Engineering |
Alma mater | King's College London; Khajeh Nasir Toosi University of Technology |
Literary movement | Postmodernism and New Modernism |
Years active | 1986 to present |
Website | |
iranarchism |
Ali Abdolrezaei is an Iranian-British prolific poet, writer, literary theorist and political analyst with over 70 books. [1] Before leaving Iran in 2001 he was known as one of the most innovative poets of the contemporary Persian literature and poetry. [1] He is also the leader of the Iranarchist party, a movement in Iran fighting against the Islamic Republic. [2] Abdolrezaei is also known by Mouta, the "wise teacher" in old Persian.
Ali Abdolrezaei (Persian: علی عبدالرضایی ) was born on 10 April 1969 into a middle class farming and merchant family in the northern city of Langerud, Iran. When he was five, Abdolrezaei's newborn sister died unexpectedly. This overwhelming cogitation during her funeral led to a mini stroke resulting in his loss of speech. After a few months, Abdolrezaei regained speech, but it was newly characterized by a severe stammer. By age of 16 after undergoing speech therapy he fully overcame the impediment. [3]
After finishing high school in Langerude, Abdolrezaei attended the Khajeh Nasir Toosi University in Tehran, where he studied mechanical engineering. [1]
Abdolrezaei's career as a poet began in 1986. [4] Not long after, he was banned from teaching and from public speaking in Iran. [4] In 1996 when the Iranian president Khatami eased censorship, Abdolrezaei's new book "Paris in Renault" was published in Iran. [1] [5] It received much attention for its avant-garde views concerning language and postmodernism. [4] [6] [7] He received many invitations to lecture on poetry, but only accepted those extended by universities. He thus became known as the “University Poet.” [4] [6] [7] As his ideas gained more traction in Iran, the Islamic Republic of Iran (IRI) heightened its scrutiny and surveillance of Abdolrezaei. Censorship of his writings also intensified. In his books "So Sermon of Society" and "Shinema," Abdolrezaei criticized Khatami and other political reformers. The Iranian government interdicted his writings after the publication of “Shinema” and banned him from teaching and public speaking. [4] [6] [7]
Abdolrezaei began considering invitations from foreign publishing companies, scholarly societies, and individuals to give lectures and read poetry outside of Iran. He, therefore, left Iran in 2001, first to France, then to Germany and since 2005 taking up residence in England. [4] Once established in England, he began holding poetry workshops, and later from 2014 to 2016 he was elected the chairperson of the United Kingdom's Exiled Writers Ink. [1]
In 2014, he founded College-e Sher (College of Poetry) for enthusiasts to learn poetry and writing. Around 90% of the over 17,000 students who studied there were from inside Iran and 10% from abroad; they were all connected via Telegram. [7]
In December 2017, when a large group of Iranians who were the victims of the IRI's embezzlements went onto the street to protest in over 150 cities, the students of College of Sher joined them. [8]
In light of this uprising, Abdolrezaei's students appealed to him to change the focus of the studies and to campaign against the prevalent corruptions. Thus the focus of his teachings changed from poetry and writing to concentrate mostly on political activism; and when the college gradually grew into more than 100,000 students it changed from being a school into a political party. This newly established party was named Iranarchist Party. [9] Although based on Anarchism doctrine, it also presented its own principles designed to fit the challenges the Iranian people were facing for decades with a totalitarian Islamic regime. Abdolrezaei's ideas on Anarchism centered on limited government interference, in which the government was to act as the provider of public services to the people. [10]
Ali Abdolrezaei resides in London, England.
Abdolrezaei's contributions to the intellectual circles began with the 1991 publication of his first book Only Iron-Men Rust In The Rain. [1] Between 1992 and 2001, when Postmodernism attracted more enthusiasts among Persian artists, Abdolrezaei, along with few other poets [11] further popularized the movement. [12]
Twelve volumes of Abdolrezaei's poetry were published while he lived in Iran; the remainder have been published in exile. [12] In 2013, years after his self-imposed exile and 13 years after the banning of his works in Iran, the government permitted the release of four of Abdolrezaei's newer books between 2013 and 2014. His books met with high demand and underwent several rounds of publications. Seven months after their release, however, government officials confiscated them at the Tehran Book Fair. The ban on Abdolrezaei's work has since resumed. [1]
Poetry International notes that Abdolrezaei's postmodern poems “center on the problematic nature of language, knowledge and subjectivity.” [12]
Abdolrezaei, also called the “Anarchist Poet” is one of 34 international poets whose work was selected by the British Library for its sound archives. [1] His poems have been translated into many languages including English, German, French, Turkish, Spanish, Arabic, Portuguese, Dutch, Swedish, Finnish, Croatian and Urdu. [4] [13]
Abdolrezaei's poetry became renowned amongst Iranians in the 1990s for its artful handling of difficult subjects. Iran's traumatic political history over the last four decades has been a major, if not primary, theme in much of Iran's contemporary art; Abdolrezaei's poetry epitomizes this dynamic. [14]
Abdolrezaei has been described as "one of Iran's most influential poets”. [15] He has also been described as "one of the most serious and contentious poets of the new generation of Persian poetry.” [4] His influence extends even to poets and writers of different genres, and it purportedly motivated a group of young poets to distance themselves from the legacy of modern Persian poetry in order to establish the Persian New Poetry form. [1] The Persian New Poetry movement features colloquial language and modern subject matter, deviating from traditional themes of deep emotion, nature, etc. [12] [16]
In politics, Abdolrezaei believes that true democracy never features a "top-down" structure. [10]
Ali Abdolrezaei pursued his strong interest in bottom-up, anti-authority political stances by delving into the study of Anarchism and Eco-Socialism beginning around the year 2000. [17] He began speaking about it at underground gatherings and published multitudinous Anarchist essays, for which the Internet became a primary mode of dissemination. [18] [19]
Abdolrezaei coined the term “Iranarchism” and became the spokesperson for the Iranarchist Party (also known as Barandazan (the Topplers.) [17] Founded in 2017, the focus of the Iranarchism was the many issues of the Middle Eastern societies from the perspective of anarchism. [18] [19] Iranarchists protest against the Islamic Republic's government and international terrorist activities. [9] [10]
Abdolrezaei's Manifesto of Iranarchism is structured in seven parts. The first installment appeared in written form on the Iranian website Akhbare-rooz in 2013. [17] It later appeared in audio form on YouTube. [18] In early 2016, Abdolrezaei published the book “Anarchists are More Real”, a selection of writings totaling over 400 pages describing why he believes in Anarchism for Iran. [20]
The party's manifesto and the nine related books streamline the principles that his party is built on and the ideology it promotes. The closest Anarchist classifications to Iranarchism are Eco-Anarchism and Post Anarchism. There are two principles that are unique to Iranarchism. One is the decentralization of the government and the other is the establishment of a referendum office. [10]
In the decentralization of the government, the governmental departments and offices are each assigned to a specific province. In this, the belief is that the decentralized departments will distribute the jobs and the wealth they create equally among all people. [10]
In establishing a referendum office, the democracy in action is insured. This office will have the responsibility of collecting the public opinions and votes on matters related to governing the country, disabling any opportunity for a dictatorship to take over. [10]
Abdolrezaei also considers two types of democracy for Iran, which he calls “hybrid democracy” consisting of direct and indirect democracies. In the direct democracy, the representatives and members of the government are selected through a yearly referendum. In the indirect democracy, the congress representatives are voted in through free elections. [10]
In poetry, Abdolrezaei was interested in Persian poets such as Forough Farrokhzad, [21] Nima Youshij and Ahmad Shamlou; and among non-Iranians he enjoyed the works of Nazim Hikmat, Vladimir Mayakofsky and Arthur Rimbaud. During his postmodernism period he was introduced to John Ashbery. [22] [23]
In philosophy Abdolrezaei is influenced by Friedrich Nietzsche, Michel Foucault, Marquis de Sade and Gilles Deleuze. Saul Newman’s Post Anarchism theory also influenced Abdolrezaei’s concept of Iranarchism. [23]
In Persian:
Poetry:
Story and novel:
Political:
Literary Theory:
In English:
Translated from Persian:
Translation:
Persian literature comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia, South Asia and the Balkans where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh or Wakhsh, wrote in Persian and lived in Konya, at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikistan and other parts of Central Asia, as well as the Balkans. Not all Persian literature is written in Persian, as some consider works written by ethnic Persians or Iranians in other languages, such as Greek and Arabic, to be included. At the same time, not all literature written in Persian is written by ethnic Persians or Iranians, as Turkic, Caucasian, Indic and Slavic poets and writers have also used the Persian language in the environment of Persianate cultures.
Sohrab Sepehri was a notable Iranian poet and painter. He is considered to be one of the five most famous Iranian poets who have practiced modern poetry alongside Nima Youshij, Ahmad Shamlou, Mehdi Akhavan-Sales, and Forough Farrokhzad. Sepehri's poems have been translated into several languages, including English, French, Spanish, Italian and Lithuanian, Kurdish.
Abdolkarim Soroush, born Hossein Haj Faraj Dabbagh, is an Iranian Islamic thinker, reformer, Rumi scholar, public intellectual, and a former professor of philosophy at the University of Tehran and Imam Khomeini International University. He is arguably the most influential figure in the religious intellectual movement of Iran. Soroush is currently a visiting scholar at the University of Maryland in College Park, Maryland. He was also affiliated with other institutions, including Harvard, Princeton, Yale, Columbia, the Leiden-based International Institute as a visiting professor for the Study of Islam in the Modern World (ISIM) and the Wissenschaftskolleg in Berlin. He was named by Time magazine as one of the world's 100 most influential people in 2005, and by Prospect magazine as one of the most influential intellectuals in the world in 2008. Soroush's ideas, founded on relativism, prompted both supporters and critics to compare his role in reforming Islam to that of Martin Luther in reforming Christianity.
Simin Behbahani, her surname also appears as Bihbahani was a prominent Iranian contemporary poet, lyricist and activist. She is known for her poems in a ghazal-style of poetic form. She was an icon of modern Persian poetry, Iranian intelligentsia and literati who affectionately refer to her as the lioness of Iran. She was nominated twice for the Nobel Prize in literature, and "received many literary accolades around the world."
Nader Naderpour was an Iranian poet.
Jaafar Modarres-Sadeghi is an Iranian novelist and editor.
Reza Baraheni was an Iranian novelist, poet, critic, and political activist.
Mirza Abol-Qasem Qa'em-Maqam Farahani, also known as Qa'em-Maqam II, was an Iranian official and prose writer, who played a central role in Iranian politics in first half of the 19th-century, as well as in Persian literature.
Ghadam-Ali Sarami is an Iranian author and poet. He was born in Ramhormoz, a small town in Khuzestan Province, southwest of Iran. In 1986, he received a Ph.D. in Persian language and literature from University of Tehran, Iran. He is an associate professor of Persian language and literature at University of Zanjan and an expert in Ferdowsi's Shahnameh, Tarikh-i Bayhaqi, and Hafez, Sa'di, Rumi, and other masters of Persian literature and poetry.
Sepideh Jodeyri is an Iranian poet, literary critic, translator and journalist living in Washington DC, United States.
Bahman Sholevar is an Iranian-American novelist, poet, translator, critic, psychiatrist and political activist. He began writing and translating at age 13. At ages 18 and 19 he translated William Faulkner's The Sound and the Fury and T. S. Eliot's The Waste Land into Persian, and these still are renowned as two classics of translation in modern Persian literature. In 1967, after his first novel The Night's Journey was banned in Iran, he immigrated to the United States and in 1981 he became a dual citizen of the United States and Iran. Although most of his writings in the past 42 years have been in English, published outside Iran; although The Night's Journey has never been allowed republication, though sold in thousands of unlicensed copies; and although the Persian version of his last novel, Dead Reckoning, has never been given a "publication permit" in Iran, at their latest re-appraisals some Iranian critics have named him "the most influential Persian writer of the past four decades," "one who has had the most influence on the writers of the younger generations."
Granaz Moussavi is an Iranian-Australian contemporary poet, film director and screenwriter. She is known for her avant-garde poetry in the 1990s. Her debut feature film My Tehran for Sale (2009) is an internationally-acclaimed Australian-Iranian co-production.
Mohsen Emadi is an Iranian-Mexican poet, translator and filmmaker. Born and raised in Iran, he left for Finland in 2009 and has resided primarily in Mexico since 2012, working as a lecturer and researcher in poetry and comparative literature for various institutes in the country.
Kavoos Hasanli, born May 22, 1962, in Qanat-e-No in Iran, is poet, critic and professor at Shiraz University.
Mohammad Sharif Saiidi is a poet from Afghanistan.
Ali Babachahi is an Iranian poet, writer, researcher, and literary critic.
Farhad Hasanzadeh is an Iranian author and poet known for his children's and adolescent literature.
Majid Naficy, also spelled "Majid Nafisi" and "Madjid Nafissi," is an Iranian-American poet. He was the youngest member of the literary circle Jong-e Isfahan and considered the Arthur Rimbaud of Persian poetry in late 1960s in Iran. He was a member of the Confederation of Iranian Students in Los Angeles in 1971, and a member of the independent Marxist Peykar Organization after the Iranian Revolution from August 1979 until spring 1982.
Anarchism in Iran has its roots in a number of dissident religious philosophies, as well as in the development of anti-authoritarian poetry throughout the rule of various imperial dynasties over the country. In the modern era, anarchism came to Iran during the late 19th century and rose to prominence in the wake of the Constitutional Revolution, with anarchists becoming leading members of the Jungle Movement that established the Persian Socialist Soviet Republic in Gilan.
{{cite journal}}
: Cite journal requires |journal=
(help)