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Japanese hip hop is hip hop music from Japan. It is said to have begun when Hiroshi Fujiwara returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop tends to be most directly influenced by old school hip hop, taking from the era's catchy beats, dance culture and overall fun and carefree nature and incorporating it into their music. As a result, hip hop stands as one of the most commercially viable mainstream music genres in Japan and the line between it and pop music is frequently blurred.
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Hideyuki Yokoi, known professionally as Zeebra, is a Japanese hip hop rapper and DJ who made his first appearance in 1995. Zeebra is a former member of the hip-hop group King Giddra, which also included DJ Oasis and K Dub Shine. He went on to pursue a solo career shortly after in 1997, and signed with the Future Shock record label.
Korean hip-hop, also known as K-hip-hop or K-rap, is a subgenre of the South Korean popular music.
Dabo is a Japanese hip-hop rapper. He first appeared on the Japanese hip-hop scene in the 1990s, collaborating in a Shakkazombie song, "Tomo ni ikkou". Since 2002, he has released three albums: Hitman (2002), Diamond (2003), and The Force (2006). Dabo's lyrics are more hard-edged than most J-pop, or Japanese pop, and represent a tough Japanese street culture. He also appears as a playable character in the Japanese version of Def Jam Vendetta.
Hideaki Ishi, better known by his stage name DJ Krush, is a record producer and DJ. He is known for his atmospheric instrumental production which incorporates sound elements from nature and extensive use of jazz and soul samples.
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure.
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Tha Blue Herb is a Japanese alternative hip hop trio based in Sapporo, Hokkaido. They formed in 1997 and now consist of three members: Boss the MC a.k.a. Ill-Bosstino (MC), O.N.O. and DJ Dye. They also run a record label called Tha Blue Herb Recordings.
Asian hip hop is a heterogeneous musical genre that covers all hip hop music as recorded and produced by artists of Asian origin.
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Hime born 1979 is a Japanese hip hop artist who released her debut solo album Hime hajime in October 2003 and is part of DJ Honda's studio. Her works are notable for their use of Japanese cultural themes, including tanka metre and sampling of kabuki and bunraku narrations. Her works also often touch on themes of female empowerment; she describes herself as the voice of the "Japanese doll". One example of the incorporation of traditional Japanese poetry and contemporary hip hop can be heard in the song Tateba shakuyaku or Standing, she's a peony
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Yuri Ichii is a Japanese pop idol and rapper, best known for being a member in the breakthrough Japanese hip hop trio, East End X Yuri. She was also a singer with the revolving-door group Tokyo Performance Doll (TPD) alongside Ryoko Shinohara. She was part of TPD for a while but sought to do something different, deciding to try rap. Ichii began practicing her rapping in preparation for a solo show with her friend Gaku, who was a part of the group East End. In February 1994 when Gaku performed with Yuri for part of her show, she was seen by File Records. They were impressed with her and decided to sign them together for a mini-album.
Kohei Japan is a Japanese hip hop emcee and a member of the Japanese rap group, Mellow Yellow. Born in Yokohama, Japan, he discovered rap and hip hop while working as a chef.
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Ian Condry is a cultural anthropologist and author. He graduated from Harvard University in 1987 with a B.A. in Government and received his Ph.D. in Anthropology from Yale University in 1999. He is currently a Professor of Japanese Cultural Studies at Massachusetts Institute of Technology in Cambridge, Massachusetts.
Sugar Soul was a Japanese three-member R&B group which formed in 1996. They soon made their debut in January 1997 on the Flava Records label. The members featured DJ Hasebe (programming), Aiko Machida (vocals) and Kawabe (composer). The band achieved success with the single "Garden" in 1999, which featured Kenji Furuya of Dragon Ash. The band was seen as one of the prominent new R&B-style musicians in Japan in the late 1990s.
Hip-hop or hip hop, also known as rap, and formerly known as disco rap, is a genre of popular music that originated in the early 1970s by African Americans and Caribbean immigrants in the Bronx, a borough of New York City. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. According to the professor Asante of African American studies at Temple University, "hip hop is something that blacks can unequivocally claim as their own". The music developed as part of the broader hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
East End × Yuri was a short-lived collaboration between Japanese hip hop group East End and singer Yuri Ichii, ex-member of J-pop girl group Tokyo Performance Doll.
Yutsuko Chūsonji was the pen name of Japanese manga artist Yukiko Kobayashi.
References
- ↑ http://www.bboypark.com/i/ Archived 2008-09-14 at the Wayback Machine B-Boy Park Website (Japanese)
- ↑ Condry, Ian. Hip-hop Japan: Rap and the Paths of Cultural Globalization. Durham, NC: Duke University Press, 2006, pp66-67.
- ↑ Condry, Ian. Hip-hop Japan: Rap and the Paths of Cultural Globalization. Durham, NC: Duke University Press, 2006.
- ↑ BBOYPARK.com
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