Mbira are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs, the right forefinger, and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020.
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres Jùjú, Fuji, Highlife, Makossa, Kizomba, Afrobeat and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland, the blues, jazz, old-time, and bluegrass and many Caribbean genres, such as calypso and soca. Latin American music genres such as zouk, bomba, conga, rumba, son, salsa, cumbia and samba, were founded on the music of enslaved Africans, and have in turn influenced African popular music.
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music.
Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music whose origins include the Maxixe.
Indigenous music of Canada encompasses a wide variety of musical genres created by Aboriginal Canadians. Before European settlers came to what is now Canada, the region was occupied by many First Nations, including the West Coast Salish and Haida, the centrally located Iroquois, Blackfoot and Huron, the Dene to the North, and the Innu and Mi'kmaq in the East and the Cree in the North. Each of the indigenous communities had their own unique musical traditions. Chanting – singing is widely popular and most use a variety of musical instruments.
Developed and used by cultures living in forested areas, drums served as an early form of long-distance communication, and were used during ceremonial and religious functions.
The music of Zambia has a rich heritage which falls roughly into categories of traditional, popular and Christian music.
Shona music is the music of the Shona people of Zimbabwe. There are several different types of traditional Shona music including mbira, singing, hosho and drumming. Very often, this music will be accompanied by dancing, and participation by the audience. In Shona music, there is little distinction between the performer and the audience, both are often actively involved in the music-making, and both are important in the religious ceremonies where Shona Music is often heard.
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. These distinctive musical art forms came about from the cultural mingling of African, Indigenous, and European inhabitants. Characteristically, Afro-Caribbean music incorporates components, instruments and influences from a variety of African cultures, as well as Indigenous and European cultures.
Tiv are a Tivoid ethnic group. They constitute approximately 5% of Nigeria's total population, and number over 14 million individuals throughout Nigeria and Cameroon. The Tiv language is spoken by about 15 million people in Nigeria with a few speakers in Cameroon. Most of the language's Nigerian speakers are found in Benue, Taraba, Nasarawa and Plateau States. The language is a branch of Benue–Congo and ultimately of the Niger–Congo phylum. In pre-colonial times, the Fulani ethnic group referred to the Tiv as "Munchi", a term not accepted by Tiv people. They depend on agricultural produce for commerce and life.
Ngoma are musical instruments used by certain Bantu populations of Africa. Ngoma is derived from the Kongo word for "drum". Different Bantu-inhabited regions have their own traditions of percussion, with different names for their instruments. In Kikongo, "ngoma" is used by extension to signify specific dances, social occasions and rhythms. In Swahili, the word Ngoma is used to describe the drums themselves as well as music and dance together as a joint cultural practice.
Hugh Travers Tracey was an English ethnomusicologist. He and his wife collected and archived music from Southern and Central Africa. From the 1920s through the 1970s, Tracey made over 35,000 recordings of African folk music. He popularized the mbira internationally under the name kalimba.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.
The Chopi are an ethnic group of Mozambique. They have lived primarily in the Zavala region of southern Mozambique, in the Inhambane Province. They traditionally lived a life of subsistence agriculture, traditionally living a rural existence, although many were displaced or killed in the civil war that followed Mozambique's liberation from Portuguese colonial rule in 1975. In addition, drought forced many away from their homeland and into the nation's cities.
Queen Marimba is a folk hero whose accomplishments have become part of the folklore of Africa. As is customary in most African cultures she is considered to be a god and was one of the immortals. She led the Akamba tribe in East Africa in very ancient times across the Ukambani plains in present day Kenya, stretching across the Kilimanjaro plains in present day Tanzania. There has been scant research done on her and presently the most notable source for information on her life comes from the writings of Vusa'mazulu Credo Mutwa. He asserts in his book; Indaba My Children, that she was the mother of the Akamba people at the time when they were getting to know their Maasai neighbours. Various renditions of his book have been published since the late 60's, including "My People, My Africa", "Indaba My Children" and "Africa Is My Witness."
Ikembe, is a type of musical instrument of the lamellaphone group, common amongst the people of Rwanda, Burundi and the Congo. The instrument consists of several iron lamellae, fixed to a rectangular wooden soundbox.
Sean-nós is a term referring to a style of unaccompanied traditional Irish vocal music usually performed in the Irish language. Sean-nós singing usually involves very long melodic phrases with highly ornamented and melismatic melodic lines, differing greatly from traditional folk singing elsewhere in the British Isles. The style covers a range of genres, from love song to lament to lullaby, traditionally with a strong focus on conveying the relevant emotion of the given song. The term sean-nós, which simply means "in the old way", is a vague term that can also refer to various other traditional activities, musical and non-musical.
The Twa are a group of indigenous African Pygmy tribes.
The Tetela people are a Bantu ethnic group of the Democratic Republic of the Congo, most of whom speak the Tetela language.
