Betamovie

Last updated
Betamovie
Sony Betamovie BMC-100P (retouched filtered).jpg
Sony Betamovie BMC-100P
IntroducedMay 1983 [1]
Encoding NTSC, PAL
Recording mediaBetamax cassette
Recording time on L-830 cassette:
PALUp to 216 min.
NTSCBI: Up to 100 min.
BII: Up to 200 min.
BIII: Up to 300 min.
Write mechanismSingle head Helical scan
PlaybackNot available
Intended usage Home movies
MarketConsumer/Amateur
Developed by Sony

Betamovie is the brand name for a range of consumer grade camcorders developed by Sony for the Betamax format. By "camcorder" is understood a single unit comprising a video camera and a video recorder.

Contents

Betamovie records analog video on a standard Betamax cassette.

A range of models was manufactured for the PAL and NTSC formats. The first model, BMC-100P (PAL) and BMC-110 (NTSC) was released in 1983 making it the first commercial consumer grade camcorder. [2] While only standard beta units were available in PAL, several SuperBeta models were produced for the NTSC format.

Due to constructional limitations, the Betamovie has no playback function. [3] It is only capable of recording. This limitation, along with the decline of the Betamax format in the late 1980s, caused Sony to abandon the Betamovie line just a few years after its initial release in favor of its newly developed Video8 format.

History

As far back as the 1960s, cameras were available for the reel-to-reel portable VTRs of that time. These cameras were similar in size and weight to the cine-cameras of the day. They generally used a single video camera tube. However, these systems were not in common use by ordinary consumers.

After the introduction of VHS and Betamax formats in the mid-1970s, videocassette recorders (VCR) started gaining mass market traction—by 1982, 10% of UK households owned a VCR. [4] The first two-piece camera/VCR systems emerged in around 1980. These units included a portable VCR, which the user would carry on a shoulder strap, and a separate camera, which was connected to the VCR by a special cable. These systems were cumbersome and heavy. For example, the portable Sony SL-3000 VCR from 1980 weighed around 9 kg without the battery. [5] The accompanying camera (e.g. HVC-2000P) would weigh around 3 kg [6] Thus, the complete setup could easily weigh in excess of 13 kg.

In order to be more appealing to the typical consumer wanting a practical device for recording home movies, a more compact and preferably one-piece device was needed. The first such device, the Betamovie BMC-100/110, was released in 1983 by Sony. Although the term was not in common use at that time, such a device would later become known as a camcorder, a single unit comprising a video camera and a video recorder. The BMC-100/110 weighed just 2.5 kg and was a much less cumbersome solution than its predecessors. The whole device could be supported on a user's shoulder. In order to achieve such weight and size reductions, several key components had to be miniaturized. One major requirement for a one-piece camcorder was miniaturizing the recording head drum. Sony's solution to this involved recording a non-standard video signal which would become standard only when played back on full-sized VCRs. [3] A side effect of this was that Betamovie camcorders were record-only. [3] As instant playback is one of the main advantages of video cameras over cine-cameras, lack of a playback function presented a considerable limitation [2] and effectively limited Betamovie to those who already owned the Betamax VCRs required to view their recordings. [3]

In 1984, JVC presented its own version of a camcorder, the GR-C1, for the VHS format. Although it too had a miniature head drum, the JVC engineers developed a different solution to drum miniaturization, which made it possible to record a standard video signal on the tape, so the user of a VHS camcorder could review footage on location and copy it to another VCR for editing. Sony was unable to duplicate this functionality, and this Betamovie failing so was a primary reason for its early loss of market share.

Despite this development, Sony held on to the Betamovie for a couple of years more, releasing some more advanced models, especially for the NTSC market. However, in 1987, Sony finally abandoned the Betamovie in favor of its newly developed Video8 format.

Technical overview

Head drum and lacing mechanism of BMC-100P. Drum and lacing mechanism of BMC-100P.jpg
Head drum and lacing mechanism of BMC-100P.

Betamovie uses a standard-size Betamax cassette, and the recordings produced are in standard Betamax format, suitable for playback on a standard Beta deck.

However, in order to achieve the necessary miniaturisation, a non-standard recording method and head design are used. As a result of this, Betamovie camcorders themselves are record-only and do not support playback of recordings.

Non-standard recording method

Unlike in Betamax VCRs, the tape is wrapped 300° around a miniaturised head drum [3] nearly 45 mm in diameter with a single dual-azimuth head to write the video tracks, using a special tape transport reminiscent of that of VHS (in that the tape is wrapped around the head drum in a similar manner, but with a more extreme wrap). Compared to the normal Betamax head drum of 75 mm, the Betamovie head drum spins at 2500 rpm rather than 1500 rpm. The fields on the tape are written at 120% (i.e. six-fifths) the normal speed.

Due to the use of a single-head drum combined with the not-quite-complete 300° (five-sixths) wrap, the head is out of contact with the tape and unable to record around one-sixth of the time. This means that the complete signal must be (in effect) slightly "time compressed" [3] to "fit in" to the period during which the tape is still in contact with the head.

Betamovie achieves this by making the tape-to-head speed slightly higher than normal (20% faster [3] or six-fifths the usual speed) and "overscanning" the camera tube- i.e. reading more lines than necessary [3] at the periphery. Effectively, the higher speed means that the head can traverse the full tape sweep in five-sixths of the usual time, and covers the gap during the remainder. [3]

The timing- and number of extra scan lines- are arranged such that the lines "lost" (due to being output during the unrecordable "gap" period) are the unwanted "overscan" lines. This means that the full complement of "regular" lines (525 for NTSC) will have been scanned and recorded successfully during the period that the head was in contact with the tape. [3]

The result- by design- is a recording that is in standard Betamax format, and which appears normal when played back at normal speed on a standard Betamax VCR. [3] However, due to the non-standard timing and head design, Betamovie camcorders themselves are record-only, and in-camcorder playback (including preview and dubbing) is not possible. [3]

Other aspects

The early models have an optical viewfinder, which lets one see exactly what one is recording by looking directly through the lens, via a system of mirrors and prisms - similar to an SLR stills camera. [2] Some later models feature an electronic viewfinder, although they remain record-only [7] without the through-viewfinder playback supported by some non-Betamovie camcorders.

Early models use a cathode ray tube as their image sensor and the BMC-100/110 has manual focus. Later models use CCD image sensors instead and feature autofocus. [8]

All Betamovies for the PAL format record in standard Betamax video mode. Some of the models for the NTSC format can record in the enhanced SuperBeta mode or even the Super Hi-Band Beta mode. [7]

Models

BMC-100P and BMC-110

BMC-100P in carrying case. Sony Betamovie BMC-100P in case.jpg
BMC-100P in carrying case.

Released in May 1983. The first model and the world's first consumer grade camcorder. [2] BMC-100P is the PAL model and BMC-110 is the NTSC model.

The camera uses a SMF Trinicon tube as its image sensor. It features 6X power zoom, manual focus, and an optical viewfinder. It requires 35 Lux to operate. The BMC-110 only records in BII.

BMC-200P and BMC-220

This camera features auto-focus. Apart from this, it is identical to the first model.

BMC-500 and BMC-550

Sony BMC-500. Videocamera a batteria, Betamax, portatile - Museo scienza tecnologia Milano 09695.jpg
Sony BMC-500.

Released in 1985. A substantial redesign. This camera uses a CCD sensor and features time and date settings. BMC-500 is the last PAL Betamovie.

GSC-1

Released in 1985. NTSC model. This is an industrial/professional camcorder. It is similar to BMC-660. However, like BMC-1000, it features an electronic viewfinder.

BMC-660

Released in 1986. NTSC model. This camera records in SuperBeta mode, BII only.

BMC-1000

Released in 1987. NTSC model. An upgraded model. Features an electronic viewfinder and records in SuperBeta BI and Super Hi-Band Beta BI. It is still a record-only unit.

EDC-55 ED-Beta camcorder

EDC-55 became the final and most advanced iteration of camcorders for the Betamax format. It is a semiprofessional/prosumer device that only records in the ED-Beta format, the final high-definition variant of the Betamax format. This camera produces over 550 lines of resolution, records in Hi-Fi stereo and features insert audio and video editing. Unlike the Betamovie camcorders, it can play back its own recordings. It was only released for the NTSC format. [7]

Accessories

AC Adapter/battery charger (AC-M100, AC-M110, BC-300)

AC Adapter AC-M100E. Power supply and battery charger for Betamovie.jpg
AC Adapter AC-M100E.

The AC-M100/110 is a combined AC Adapter and charger for a single NP-11 rechargeable battery. The output voltage to the camera is 9,6 V, 1 A. The battery is charged with 14 V, 1,2 A.

The principal difference between the M100 and M110 appears to be that the M100 can run on 110 - 240 V AC while the M110 can run on 100 - 240 V AC.

The BC-300 can charge three NP-11 batteries simultaneously.

Rechargeable battery (NP-11)

NP-11 battery. Videocamera a batteria, Betamax, portatile - Museo scienza tecnologia Milano 09695 06.jpg
NP-11 battery.

A Ni-Cad battery providing approximately one hour of continuous operation.

Carrying case (LC-710, LC-720, LC-760, LC-770)

LC-720 carrying case. Carrying case for Betamovie.jpg
LC-720 carrying case.

A hard shell carrying case.

LC-710 and LC-720 are designed for the BMC-100/110/200/220. The larger LC-710 can hold the camcorder, two NP-11 batteries and an AC-M100/110 adapter. The smaller LC-720 has no room for an AC-power adapter.

LC-760 is for the BMC-500/550/660. It can hold the camcorder, two NP-11 batteries and a BC-300 adapter.

LC-770 is for the GCS-1 and BMC-1000. It can hold the camcorder, two NP-11 batteries and a BC-300 adapter.

Jacket (LC-810, LC-850)

LC-810 is a flexible jacket for protecting the body of a BMC-100/110/200/220.

LC-850 is for BMC-500/550/660.

External microphone shoe (SAD-100)

An externally mounted boom microphone shoe.

External microphone (ECM-K100, ECM-Z300)

ECM-K100 is a supercardioid microphone which picks up a specific sound source while cutting out extraneous surrounding noise. It requires a single size AA battery

ECM-Z300 is a zoom microphone which picks up sound from a large area to a more restricted frontal area. It requires a single 9V battery.

Remote control (RM-81)

A wired remote control with a Record/Pause button.

Car adapter (DCC-2600)

A car adapter with cable for connecting to the cigarette lighter socket in a car.

Battery belt (BP-400)

A battery belt worn around the waist which provides approximately 4 hours of operating time.

Cassette rewinder/eraser (BE-V50)

Used to quickly rewind or erase any Beta cassette tape.

Tripod (VCT-150K)

Heavy duty tripod with smooth panning and tilting. Supplied with carrying bag.

Video head cleaning cassette (L-25CL)

Cassette used to clean the video heads.

See also

Related Research Articles

<span class="mw-page-title-main">VHS</span> Consumer-level analog videotape recording and cassette form standard

The VHS is a standard for consumer-level analog video recording on tape cassettes, invented in 1976 by the Victor Company of Japan (JVC). It was the dominant home video format throughout the tape media period in the 1980s and 1990s.

<span class="mw-page-title-main">Videotape</span> Magnetic tape used for storing video and sound simultaneously

Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassette recorders (VCRs) and camcorders. Videotapes have also been used for storing scientific or medical data, such as the data produced by an electrocardiogram.

<span class="mw-page-title-main">S-VHS</span> Improved version of VHS

S-VHS (スーパー・ヴィエイチエス), the common initialism for Super VHS, is an improved version of the VHS standard for consumer-level video recording. Victor Company of Japan introduced S-VHS in Japan in April 1987, with their JVC-branded HR-S7000 VCR, and in certain overseas markets soon afterward. By the end of 1987, the first S-VHS VCR models from other competitors included Hitachi VT-2700A, Mitsubishi HS-423UR, Panasonic PV-S4764, RCA VPT-695HF, and Toshiba SV-950. It has been standardized as IEC 60774-3 and IEC 60774-4.

<span class="mw-page-title-main">Betamax</span> Consumer-level analog video tape recording and cassette form factor standard

Betamax is a consumer-level analog recording and cassette format of magnetic tape for video, commonly known as a video cassette recorder. It was developed by Sony and was released in Japan on May 10, 1975, followed by the US in November of the same year.

<span class="mw-page-title-main">Digital8</span> Magnetic tape-based consumer videocassette format for camcorders

Digital8 is a consumer digital recording videocassette for camcorders developed by Sony, and introduced in 1999. It is technically identical to DV cassettes, but uses physical Hi8 tapes instead.

<span class="mw-page-title-main">Camcorder</span> Video camera with built-in video recorder

A camcorder is a self-contained portable electronic device with video and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swappable battery facing towards the user, hot-swappable recording media, and an internally contained quiet optical zoom lens.

Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, Betacam singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself.

<span class="mw-page-title-main">Video tape recorder</span> Tape recorder designed to record and play back video and audio material on magnetic tape

A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape. They were used in television studios, serving as a replacement for motion picture film stock and making recording for television applications cheaper and quicker. Beginning in 1963, videotape machines made instant replay during televised sporting events possible. Improved formats, in which the tape was contained inside a videocassette, were introduced around 1969; the machines which play them are called videocassette recorders.

<span class="mw-page-title-main">Videotape format war</span> Period of competition

The videotape format war was a period of competition or "format war" of incompatible models of consumer-level analog video videocassette and video cassette recorders (VCR) in the late 1970s and the 1980s, mainly involving the Betamax and Video Home System (VHS) formats. VHS ultimately emerged as the preeminent format.

<span class="mw-page-title-main">8 mm video format</span> Magnetic tape-based videocassette format for camcorders

The 8mm video format refers informally to three related videocassette formats. These are the original Video8 format and its improved successor Hi8, as well as a more recent digital recording format known as Digital8. Their user base consisted mainly of amateur camcorder users, although they also saw important use in the professional television production field.

<span class="mw-page-title-main">MicroMV</span> Proprietary videocassette format for camcorders

MicroMV is a proprietary videotape format introduced in October 2001 by Sony. It is the smallest videotape format — 70% smaller than MiniDV or about the size of two US quarter coins; it is also smaller than a Digital8 or DV cassette and slightly smaller than an audio microcassette. It was the first helical scan tape system using MR read head introduced to the market. Each cassette can hold up to 60 minutes of video.

<span class="mw-page-title-main">VHS-C</span> Magnetic tape-based format

VHS-C is the compact variant of the VHS videocassette format, introduced by Victor Company of Japan (JVC) in 1982, and used primarily for consumer-grade compact analog recording camcorders. The format is based on the same video tape as is used in VHS, and can be played back in a standard VHS VCR with an adapter. An improved version named S-VHS-C was also developed. S-VHS's main competitor was Video8; however both became obsolete in the marketplace by the digital video formats MiniDV and MiniDVD, which have smaller form factors.

<span class="mw-page-title-main">U-matic</span> Videocassette format; the first of its kind

U-matic or 34-inch Type E Helical Scan or SMPTE E is an analogue recording videocassette format first shown by Sony in prototype in October 1969, and introduced to the market in September 1971. It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel formats of the time. The videotape is 34 in (19 mm) wide, so the format is often known as "three-quarter-inch" or simply "three-quarter", compared to open reel videotape formats in use, such as 1 in (25 mm) type C videotape and 2 in (51 mm) quadruplex videotape.

<span class="mw-page-title-main">PCM adaptor</span> Encodes digital audio as video

A PCM adaptor is a device that encodes digital audio as video for recording on a videocassette recorder. The adapter also has the ability to decode a video signal back to digital audio for playback. This digital audio system was used for mastering early compact discs.

<span class="mw-page-title-main">JVC GR-C1</span> Pioneering VHS camcorder from 1984

The JVC GR-C1 VideoMovie was a camcorder released in March 1984 by JVC. It was notable as the second consumer-grade all-in-one camcorder after 1983 Sony Betamovie, as opposed to earlier portable systems in which the camera and recorder were separate units linked by a cable, and as the first VHS-C camcorder.

<span class="mw-page-title-main">1/4 inch Akai</span> Early videotape format

The 1/4 inch Akai is a portable helical scan EIA and CCIR analog recording video tape recorder (VTR) with two video record heads on the scanning drum. The units were available with an optional RF modulator to play back through a TV set, as well as a detachable video monitor. The Akai Electric Ltd. VTR plant was in Tokyo, Japan.

<span class="mw-page-title-main">Compact Video Cassette</span> Magnetic tape-based consumer videocassette format

Compact Video Cassette (CVC) was one of the first analog recording videocassette formats to use a tape smaller than its earlier predecessors of VHS and Betamax, and was developed by Funai Electronics of Japan for portable use. The first model of VCR for the format was the Model 212, introduced in 1980 by both Funai and Technicolor as they had created a joint venture to manufacture and introduce the format to the home movie market. The system, which included the VCR and a hand held video camera, was very small and lightweight for its time.

<span class="mw-page-title-main">EIAJ-1</span> Standard for video tape recorders

EIAJ-1 was a standard for video tape recorders (VTRs) developed by the Electronic Industries Association of Japan with the cooperation and assistance of several Japanese electronics manufacturers in 1969. It was the first standardized format for industrial/non-broadcast VTRs using a helical scan system employing open reel tape. Previously, each manufacturer of machines in this market used a different proprietary format, with differing tape speeds, scanner drum diameters, bias frequencies, tracking head placement, and so on, although most used 1/2" wide tape. As a result, video tapes recorded on one make and/or model of VTR could only be interchanged with other machines using that specific format, hampering compatibility. For example, a reel of tape recorded on a Panasonic machine would not play on a Sony machine, and vice versa. The EIAJ-1 standard ended this incompatibility, giving those manufacturers a standardized format, interchangeable with almost all VTRs subsequently brought to market around that time. The format offered black-and-white video recording and playback on 1/2″ magnetic tape on a 7″ diameter open reel, with portable units using smaller 5″ diameter reels.

VK is a helical scan analog recording videocassette format developed by Akai in the late 1970s, that is capable of recording and playing back black & white video in either EIA and CCIR systems.

<span class="mw-page-title-main">Videocassette recorder</span> Device designed to record and playback content stored on videocassettes, most commonly VHS

A videocassette recorder (VCR) or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other AV sources and can play back the recording after rewinding. The use of a VCR to record a television program to play back at a more convenient time is commonly referred to as time shifting. VCRs can also play back prerecorded tapes, which were widely available for purchase and rental starting in the 80s and 90s, most popularly in the VHS videocassette format. Blank tapes were sold to make recordings.

References

  1. Wielage & Woodcock 2003
  2. 1 2 3 4 "Total Rewind". www.totalrewind.org. Retrieved 2018-04-04.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 Alec Connectify ("Technology Connections") (2018-07-03). "Betamovie: Sony's Terrible (But Ingenious) Camcorder". YouTube. Retrieved 2021-05-16. [04:36] [Design meant] [head] drum could be much smaller, and the tape transport could be [shrunk] [but problem is] although the tape is wrapped most of the way around the drum, there is still a gap. The head can't possibly make a seamless video signal
    [06:38] Actual distance the head travels along the tape with each sweep is the same as a normal VCR. It will line up perfectly with the head surface once it's inside a full size Beta VCR [..] But that gap means that the head is travelling a longer distance with each rotation [thus] the head itself travels the distance with a tape-to-head speed that's about 20% too fast
    [07:32]
    [Solution to gap is] sampling the picture tube at 625 lines, the gap from the Betamovie head will routinely throw out 100 [leaving] the 525 you need [thus] head's higher speed when recording becomes cancelled out. [Image isn't lost since extra overscan lines] are pretty much just black.
    [08:23] [Betamovie's design means that] the gap is only there when recording [and] when the tape is played back on a normal VCR, there are no gaps at all.
    [08:42] because the tape-to-head speed is a little bit slower in the VCR, that 18.8 kHz [recorded signal] automatically [becomes a standard] 15.7 kHz signal [on playback]
    [09:08] This video trickery enabled the Betamovie to be remarkably small for its time, while producing recordings that were compatible with your favorite Beta VCR [however it also meant that] Betamovie cannot play back its own recordings
    [15:36] the only people who could use a Betamovie were the same people who already had a Betamax VCR. This camera is of literally no use [otherwise]
  4. "Thatcher years in graphics". 2005-11-18. Retrieved 2018-04-06.
  5. "Betamax PALsite: SL-3000 : Specifications". www.palsite.com. Retrieved 2018-04-06.
  6. Wagner, Stephan. "Die Wagners Stephans Projekte". www.sps-wagner.de. Retrieved 2018-04-06.
  7. 1 2 3 "The Betamovies Page!". www.betainfoguide.net. Retrieved 2018-04-06.
  8. "Total Rewind". www.totalrewind.org. Retrieved 2018-04-06.