Bidi Bidi Bom Bom

Last updated

Gnome-mime-sound-openclipart.svg
"Bidi Bidi Bom Bom"
A 20 second sample of "Bidi Bidi Bom Bom" where the crybaby's wah-wah sound can be heard along with the musical diversity of the recording. In the sample, Selena sings of her heart palpitating for a man who walked by her.
Problems playing this file? See media help.

"Bidi Bidi Bom Bom" is a Spanish-language upbeat, cumbia pop song with rock en español and reggae influences. [7] [8] [9] [10] It is set in common time, [7] and makes use of electric guitar riffs [5] and ostanti percussions influenced by Colombian and Caribbean music. [11] The song uses "richer" scoring, less-driven synthesizers, and treble-heavy arrangements than the first four songs on Amor Prohibido. [11] The song is written in the key of B-flat major and is played in a moderate groove of 90 beats per minute. [7] The song's chord progression has a basic form I-IV-V-IV, an ostinato (repetitive beat) that continues through its verses and chorus. [11] Ramiro Burr of Billboard magazine called the song a "reggae-tinged tune" and suggested that it could have worked well with French lyrics. [12] Writing for Billboard, Paul Verna called the recording a "spunky cumbia". [13] In his book Encyclopedia of Recorded Sound, Frank Hoffman called the song "reggae-inflected dance fare". [14] Mexican newspaper Milenio , enjoyed the track's fusion of cumbia and reggae sounds. [15]

According to author José E. Limón, the song consists of "playful cumbia-rhythms" with lyrics speaking of "young kids falling in love". [16] In "Bidi Bidi Bom Bom", Selena is overwhelmed and lovestruck by a man who happened to walk near her. [1] [17] The onomatopoeic title suggests the sound of a heart palpitating when a person longs to be the protagonist's object of affection. [8] [18] [19] Italian essayists Gaetano Prampolini and Annamaria Pinazzi called the song a "happy love story", [18] which is contradicted by Maria Celeste Arraras, in her 1997 book Selena's Secrets, who feels the song is about unrequited love. [3] Bob Smithouser and Bob Waliszewski wrote in Chart Watch that "Bidi Bidi Bom Bom" explores a volatile relationship. [20] Texas Monthly editor Joe Nick Patoski asserted the lyrics are: "about a boy who makes a girl's heart go thump-thump-thump". [21] "Bidi Bidi Bom Bom" is musically similar to Selena's 1994 song "El Chico del Apartamento 512"; author James E. Perone called them recurring themes where the protagonist is "attracted to a young man". [11] Bill Ramsey of the San Antonio Current , noted how the lyrics were an "innocuous ditty". [22] Ashley Velez of Neon Tommy believed that most people who "ever had a crush" are able to relate to the palpitations of "Bidi Bidi Bom Bom". [23]

Reception

Critical response

At the time of its release, "Bidi Bidi Bom Bom" was a favorite of Selena's younger fan base. [3] Posthumous reviews have cited the song as being "catchy". [24] [25] [26] Ramiro Burr of Billboard magazine believed that the song could have easily been successful in European clubs thanks to its striking resemblance to Euro-pop and Eurodance songs that were popular in Europe at the time. [12] Tom Whitehurst Jr. of the Corpus Christi Caller Times wrote that he did not know what "Bidi Bidi Bom Bom" meant but, after a friend played him a tape of the recording, he became a fan of the singer. [27] Andrew Mitchell, also from the Corpus Christi Caller Times, called the song "happy" and said that it was "only natural to want to know the meaning of [the song], not just memorize [the] lyrics to sing along. Music can teach. It can remove barriers of the mind and soul." [28] Joey Guerra of the Houston Chronicle , called the song "bouncy". [29] Musicologists Ilan Stavans and Harold Augenbraum called "Bidi Bidi Bom Bom", "No Me Queda Más", and "Techno Cumbia" the "key hits of [Amor Prohibido]". [30] Peter Watrous of The New York Times called the song "lightweight" but found it to be: "better than [Selena's English-language recordings]". [31] Sue Anne Pressley of The Washington Post wrote that "Bidi Bidi Bom Bom" was "sprightly carefree", [32] and "infectious". [33] Writing for the San Antonio Express-News , Michael Clark complimented A.B.'s addition of "world-music flourishes" to the song. [34] Katherine Seligman, also from the San Antonio Express News, described the recording as an: "infectiously happy song". [35] Sun Sentinel contributor, Steve Bennett also called the recording "infectious". [36]

Author Veda Boyd Jones wrote that "Bidi Bidi Bom Bom" is a: "catchy song with nonsensical words". [37] This was echoed by Joe Nick Patoski in his book, Texas Monthly on Texas Women, where he called Selena "savvy enough" to record a song that has a "catchy", "nonsensical but eminently hummable" melody. [38] [21] According to Ed Morales who wrote in his book The Latin Beat, "Bidi Bidi Bom Bom" is an easily "forgettable throwaway" for the average listener, but found the it "catchy" and said it "sticks in your gut". [39] The Spanish-language magazine Personajes, enjoyed the song's ability to "make everyone dance". [40] Jessica Lucia Roiz of the Latin Times called the recording a "happy-go-lucky tune". [41] John LaFollette of The Monitor called the track "playful". [42] Marjua Estevez of Vibe called it a: "sassy dance track". [43] Eliza Thompson of Cosmopolitan asserted that Selena's songs—particularly "Bidi Bidi Bom Bom"—resonate a "fun atmosphere". [44] Canadian magazine Tribute , called "Bidi Bidi Bom Bom" an "upbeat hit". [45] Writing for Out magazine, Xorje Olivares explained how "universal" it is, and "that you can't help but feel nostalgic" after listening to a few notes of "Bidi Bidi Bom Bom". [46] John Dyzer of Entertainment Weekly , called the song a "beach-blanket anthem" and a "novelty hit". [47] Dita Quinones of NBC San Diego, called it a "feel-good spirit" track. [48] Ashley Velez called "Bidi Bidi Bom Bom" a "feel good song" and noted how the "fun [track]" is "one of Selena's most memorable contributions to the Latin music world." [23] According to Mario Tarradell of the Dallas Morning News , the song contains the "bubbly, effervescent personality, the chica-del-barrio (the girl from the barrio) charm" in her recording, and believed the remixed version, found on the posthumous release Dreaming of You , was done so that it was "palatable club play". [49] Taradell believed that remixing the song was fruitless, claiming that cumbia music is "more danceable" than reggae. [49]

"Bidi Bidi Bom Bom" was ranked number 54 on the Dallas Observer 's list of the Best Texas Songs of All-time. [50] It was listed as an honorable mention of the top ten best Tejano songs of all-time by Ramiro Burr. [51] Warta Ekonomi , an Indonesian business-focus magazine, named "Bidi Bidi Bom Bom" one of the top Spanish-language songs of 1995. [52] Cosmopolitan ranked the song first among their top ten best songs for a summer BBQ, [44] and ranked the song atop their list of the best Latin songs: "you forgot you were obsessed with." [53] Since its release, the song has been included on many music critics "best of Selena songs" lists including the Latino Post (at number three), [54] OC Weekly (at number three), [55] BuzzFeed (at number three), [56] Latina (at number four), [57] and Neon Tommy (at number one). [23]

Commercial performance

"Bidi Bidi Bom Bom" debuted at number 30 on August 13, 1994 on the United States Billboard Hot Latin Songs chart. [58] In its eleventh week, it peaked at number one; her second as a solo artist. [59] John Lannert wrote that in its second week atop the Hot Latin Songs chart, "Bidi Bidi Bom Bom" had "no challenger in sight". [59] In an October 1994 report, the song was the second most played song in Los Angeles, fifth most played song in New York City, sixth most played recording in San Francisco, and ninth most played in Washington, D.C., on Latin music radio stations. [60] In its third week atop the Hot Latin Songs chart, Billboard announced that its new airplay measuring system for the music chart would be based on Nielsen ratings beginning with the November 12, 1994 issue. [61] Nonetheless, Lannert predicted that "Bidi Bidi Bom Bom" would remain atop the Hot Latin Songs chart and, [61] during the first week the Nielsen rating system was used it did so, while Selena's song "No Me Queda Más" debuted at number 40. [62] "Bidi Bidi Bom Bom" fell to the third slot on the Hot Latin Songs chart in its fifteenth week. [63] In the following week, "No Me Queda Más" took the fifth slot while "Bidi Bidi Bom Bom" fell to the sixth position on the Hot Latin Songs chart the week of November 26, 1994. [64] After spending 20 weeks on the Hot Latin Songs chart, and peaking at number one for four consecutive weeks, the song finished the year as the seventh best-performing single on the chart. [65] "Bidi Bidi Bom Bom" re-entered the Hot Latin Songs chart on January 14, 1995 (after a week's departure from the chart) at number 30. [66]

Selena was shot and killed by Yolanda Saldívar on March 31, 1995. [67] Four of her singles, "No Me Queda Más", "Bidi Bidi Bom Bom", "Como la Flor", and "Amor Prohibido", re-entered Billboard magazine's Hot Latin Tracks and the Regional Mexican Airplay chart on April 15, 1995. [68] "Bidi Bidi Bom Bom" was positioned at number six the week of April 15, 1995, [68] and remained on the chart for an additional three weeks. [69] Billboard magazine posthumously named Selena the Top Latin Artist of the 1990s the result of her fourteen top-ten singles on the Hot Latin Songs chart (including seven number-one hits). [70] On the now defunct TouchTunes chart, which monitored airplay spins, "Bidi Bidi Bom Bom" remained on the chart for 181 weeks before Billboard ended its run in 2003. [71] Billboard magazine began monitoring digital downloads of Latin songs the week ending January 23, 2010. [72] "Bidi Bidi Bom Bom" made its debut on the newly formed digital genre-specific charts following the fifteenth anniversary of the singer's death; positioned at number 48 on the Latin Digital Songs chart and number 23 on the Latin Pop Digital Songs chart. [73] [74] The song did not debut on the Regional Mexican Digital Songs chart until the week ending on September 4, 2010, debuting at number ten. [75] "Bidi Bidi Bom Bom" peaked at number one on the Regional Mexican Digital Songs chart in the week ending March 19, 2011, staying atop the chart for four consecutive weeks. [76] In the week ending April 9, 2012, "Bidi Bidi Bom Bom" sold over 2,000 digital units after the unveiling of a U.S. postage stamp with a portrait of the singer. [77] The song has remained on the Regional Mexican Digital Songs chart for 280 non-consecutive weeks, second behind Selena's "Como la Flor" with 323 consecutive weeks. [78]

Music video

Background and development

The music video for "Bidi Bidi Bom Bom" was filmed from 28 to 30 April 1994 and was directed by Cecilia Miniucchi. [79] The video was shot in Santa Monica, California at the Santa Monica Pier. [80] On 10 May, it premiered on the major television channels in Latin America. Produced by Tango Productions, Philip Holahan served as the director of photography, while editing was done by Clayton Halsey. Fans were asked to volunteer as backup dancers and random people during some takes of the video. EMI had a casting call for a handsome guy to be Selena's crush. Selena wore summer-clothing, bottom-styles depicting an Indian woman. [81]

The music video opens up with fans throwing their hands up high in the sky, while Selena gently onto a pier, in slow-harmony "yeah". The video then transitions to Selena pumping gas into her Jeep Wrangler, watched by a handsome man nearby. Selena notices the man looking at her, then she looks away smiling. Meanwhile, she begins to sing the song "Bidi Bidi Bom Bom". She then says in Spanish, "I don't know what's going to happen next." They then meet at a traffic light, in their adjacent vehicles. A street-seller approaches the man to sell roses, and is successful, as he asks for one. The man then gives the roses to Selena and asks her (by gesturing with a nod of his head) to follow him. Selena's car signal then transitions to the man's direction, while she sings, "I can't control my heart, and it sings" (in Spanish). As she begins to follow the man's car, he moves his rear-view mirror to see Selena. They later appear at a festival and enjoy games together. Music solos begin, as the man wins a prize teddy bear and gives it as a gift to Selena. Videos of their relationship begin to play, now showing both enjoying various activities. At sunset, they leave the festival, laughing together. The video ends with a flashback scene to an alternate reality, where the street-seller is unsuccessful. The man decides not to buy the roses, resulting in him and Selena leaving in opposite directions.

Reception

The music video was welcomed with positive reception from music critics. In 2002, a snippet was featured on CBS's The Early Show with Julie Chen, while she interviewed Selena's family about the upcoming release of Ones (2002). [82] On 4 March 2007, "Bidi Bidi Bom Bom" entered MTV Spain's Top20 MTV Selection at number 11. [83] It climbed to No. 1 during the week of 31 March, the twelfth anniversary of Selena's death. [83] Selena was featured on Fugues , an LGBT-related French magazine, during their "Top 10 Most Widely Played Songs in Gay Clubs in Canada". [84] Fuegues editor, François Petit, said, "The music video for 'Bidi Bidi Bom Bom' was astonishing and greatly appreciated among French gays for its grooves and addicting lyrics, in nightclubs across Canada." It was positioned at number ten. [84]

Live performances

Some of Selena's performances of the song have since been regarded as highlights of her musical career. Ramiro Burr, of Billboard, called the singer's tour for her album Amor Prohibido a: "tour de force". [85] Most notably, Selena's performance at the Houston Astrodome on February 26, 1995, has been called one of her best performances of the song. [86] Selena's "leg kicks" at the Astrodome performance [86] were replicated by Jennifer Lopez in the 1997 biopic film. [87] Selena's performance on the Johnny Canales Show in 1994 was later released as part of the host's "favorite songs". [88] Selena's performance of "Bidi Bidi Bom Bom" on July 31, 1994 at Six Flags AstroWorld was the subject of a video released by the Houston Chronicle for their segment "On This Forgotten Day". [89] Selena also performed the track in a November 1994 episode of Sabado Gigante ; the event was ranked among the most memorable moments of the show's 53-year history. [90]

Cultural impact

"Bidi Bidi Bom Bom" is considered to have been one of the best, most popular songs recorded by Selena, and is cited as one of her signature numbers. [1] [28] [91] [92] Selena dominated the Latin music charts in the United States in the early 1990s, with "Bidi Bidi Bom Bom", "Como la Flor", and "Amor Prohibido" contributing to her commercial success. [93] According to musicologist Stavans, the three aforementioned singles were considered to have bridged and merged Tejano music and Latin pop thanks to the songs' popularity. [94] This was reiterated by musicologist Michael Joseph Corcoran, who found that Tejano music "was a blend of two cultures" and Selena was "a bridge between them". [95] Corcoran called the track a: "seamless blend of convex styles". [95] Stavans further explains how the popularity of the singles shone a "brighter spotlight" on Tejano music and: "marked the beginning of the genre of Latin pop". [94] He notes that Selena's contributions to Tejano music were "significant", because she adapted a new style of Tejano cumbia (or Mexican cumbia) with "Bidi Bidi Bom Bom". [96] The song was recognized by Lori Beth Rodriguez in her guide to Tejano music as being responsible for catapulting Selena into fame. [97] Authors Michelle Habell-Pallan and Mary Romero feel that "Bidi Bidi Bom Bom" "shook up" the historical boundaries of Tejano music's: "non-normative genders and sexualities to the symbolic periphery of the dance floor." [98] During her tour in Mexico, the song "inundated the airwaves" in Vera Cruz. [99]

As of 2016, "Bidi Bidi Bom Bom" continues to have strong radio airplay throughout the United States. [43] [100] [101] The song remains a staple at Latin American quinceañeras , Hispanic weddings, [102] and at Cinco de Mayo celebrations. [103] The song has since become a popular verb to describe a fan's love for Selena. [104] [105] [106] [107] In April 2015, the city of San Antonio hosted a "Bidi Bidi Fun Run", a 5K marathon with proceeds being donated to the Selena Foundation which helps children in crisis. [108] "Bidi Bidi Bom Bom" has been favored by the LGBT community [109] [110] [111] and it was added to the set list for a Long Beach, California pride event in 2011. [112] The song has received a number of awards and nominations including winning the Tejano Music Award for Song of the Year in 1995. [113] [114] Broadcast Music, Inc. (BMI) recognized "Bidi Bidi Bom Bom" at its Pop Music Awards as one of the most performed Latin songs of 1996. [113] During the Tejano Music Awards decade-ballot ceremony, "Bidi Bidi Bom Bom" was recognized as the Best 1990s Song. [115]

Cover versions and usage in media

Within two months of Selena's death, Astudillo performed the track during a Memorial Day concert held in Houston, Texas. [116] American Tejano performer Jennifer Pena performed "Bidi Bidi Bom Bom" at a live event, impressing music executives. [117] Peña became a professional singer after her performance of the song reached Selena's father Abraham, who signed the artist to Q-Productions. [117] Sara Tavares covered the song in Portuguese for her album Mi Ma Bo (1999). [118] In 2000, Veronica Vasquez was chosen to play Selena in the Selena Forever musical. [119] Ricardo Baca of the Corpus Christi Caller Times, noted that the lyricist added "Bidi Bidi Bom Bom" (among others) because of its "strong sense of familiarity for her fans." [120] Puerto Rican boy band Tick Tock covered the song, as well as releasing a music video to promote it in 2004. [121] Mexican singer Tatiana recorded the song for the tribute album Mexico Recuerda a Selena (2005). [122] Mexican pop singer Alejandra Guzmán performed and recorded "Bidi Bidi Bom Bom" for the live televised tribute concert Selena ¡VIVE! in April 2005. [123] John Powell Metz of the Corpus Christi Caller Times, called Guzmán's version "spirited" and her performance of the song "risqué". [123] Burr predicted in the Houston Chronicle that Guzmán would perform a "rock version" of the song for her performance at the Selena ¡VIVE! concert. [124] Haitian singer Wyclef Jean sampled the song for his tribute to the singer on his album, Carnival Vol. II: Memoirs of an Immigrant (2007), featuring singer Melissa Jiménez on the track. [125] Joey Guerra called the track a "disappointment" that "could-have-been [a] great tribute". He called the song a: "cheesy show tune from the misguided musical chronicling the Tejano singer's life." Nonetheless he did enjoy hearing Jean sample the song. [125] GRAMMY - Pro Associate Member artist at The Latin Recording Academy® Blanca Star Olivera recorded the song in her album New York Latin Hits - 2006. [126] [127] In 2007, Lole – Lolay recorded the song in Haitian Creole entitled "Sensation". [128] Global Rhythm magazine called Lole — Lolay's version "playful" and called it an "Afro-Caribbean treat". [129] Mexican singer Ely Guerra released her version of the song for the soundtrack film to Los Campeones de la Lucha Libre in 2008. [130]

Jennifer Pena also performed the song during a live event which resulted her in being signed to Q-Productions to begin her music career. Jennifer Pena cropped.jpg
Jennifer Peña also performed the song during a live event which resulted her in being signed to Q-Productions to begin her music career.

American actress Ana Isabelle performed "Bidi Bidi Bom Bom" live during Univision's V.E.S. Show in 2009. [131] [132] American entertainer Selena Gomez performed the song during a 2010 Reliant Stadium concert. [133] Guerra called her performance "spirited" [133] and she later recorded the song as a duet with Selena for the 2012 remix album Enamorada de Ti . [134] The Belfast Telegraph wrote that Gomez had done an "amazing job". [135] At the Billboard Latin Music Awards in Miami, A.B. told E! that Gomez gave a "fantastic vocal performance on the record". [135] [136] Guerra, however, wrote that the new version of "Bidi Bidi Bom Bom" was: "virtually the same arrangement as the original. It would have been more effective reshaped as a poppy club track." He found Gomez' vocals "curiously lackluster", as if she was "scared of the song" and "intimidated by her idol". [133] Lovelace commented that it was "obvious that Spanish isn't Gomez' first language, and comes in a distant second", and that "Gomez' odd voice" came across as sometimes "much higher and very squeaky when speaking Spanish", concluding that it: "doesn’t match the rest of the song and momentarily brings everything to a halt". [137] Gomez later released the track on her greatest hits album, For You (2014). [138] American singer-songwriter Jay Brannan recorded his version of the track for his 2013 extended play Around the World in 80 Jays. [139] On America's Got Talent , mariachi singer Alondra Santos performed "Bidi Bidi Bom Bom" to rave reviews. [140] Radio personality host Howard Stern, who had mocked Selena's mourners and poked fun at the singer's death in April 1995, [141] praised Santos' performance. [140] On May 1, 2015, Jennifer Lopez performed "A Selena Tribute" which included "Bidi Bidi Bom Bom". [142] Lopez' performance was praised by music critics who enjoyed the singer's Selena-esque costumes she wore onstage. [143] [144] [145] Tattoo artist and reality television personality Kat Von D covered the song as a tribute to the singer in January 2016. [146]

Jackie Guerra, who played Selena's sister in the 1997 biopic film, called "Bidi Bidi Bom Bom" her favorite song. [147] Former U.S. senator Hillary Clinton has used the recording for her 2016 presidential campaign in San Antonio, which was well received by Hispanics. [148] Clinton played the song at the Sunset Station where Selena recorded her music video for "No Me Queda Más". [149]

The song has also been covered by T-Vice, a Kompa band from Haiti, under the title "Sensation (Bidi Bidi Bam Bam)" in their album Banm T-Vice Mwen in 1998.

Track listing

US Single
  1. "Bidi Bidi Bom Bom" – 4:14
Mexico Single
  1. "Bidi Bidi Bom Bom" – 4:14

Credits and personnel

All credits were taken from the album's liner notes. [150] [151]

"Bidi Bidi Bom Bo"
Bidibidibombom.jpg
Single by Selena
from the album Amor Prohibido
ReleasedJuly 31, 1994
Recorded1993
Genre
Length3:29
Label EMI Latin
Songwriter(s)
Producer(s) A.B. Quintanilla III
Selena singles chronology
"Amor Prohibido"
(1994)		"Bidi Bidi Bom Bo"
(1994)		"No Me Queda Más"
(1994)
Alternative cover
Bbbbselena.jpg
Mexican release artwork

Charts

Certifications

RegionCertification Certified units/sales
United States (RIAA) [156] 9× Platinum (Latin)540,000‡

‡ Sales+streaming figures based on certification alone.

See also

Related Research Articles

<span class="mw-page-title-main">Selena</span> American Tejano singer (1971–1995)

Selena Quintanilla-Pérez, known mononymously as Selena, was an American singer. Referred to as the "Queen of Tejano Music", her contributions to music and fashion made her one of the most celebrated Mexican-American entertainers of the late 20th century. In 2020, Billboard magazine put her in third place on their list of "Greatest Latino Artists of All Time", based on both Latin albums and Latin songs chart. Media outlets called her the "Tejano Madonna" for her clothing choices. She also ranks among the most influential Latin artists of all time and is credited for catapulting the Tejano genre into the mainstream market.

<i>Amor Prohibido</i> 1994 studio album by Selena

Amor Prohibido is the fourth studio album by American singer Selena, released on March 22, 1994, by EMI Latin. Having reached a core fan base, the label aimed to broaden her appeal with the next studio release. Finding it challenging to write a follow-up hit after "Como la Flor" (1992), Selena's brother A. B. Quintanilla enlisted the assistance from band members Ricky Vela and Pete Astudillo with writing the album's songs. The resulting album has a more mature sound featuring experimental production that blends diverse musical styles from ranchera to hip-hop music. Amor Prohibido is a Tejano cumbia album modernized with a synthesizer-rich delivery using a minimalist style that was quintessential in early 1990s Tejano music.

<i>Entre a Mi Mundo</i> 1992 studio album by Selena

Entre a Mi Mundo is the third studio album by American singer Selena, released on May 6, 1992, by EMI Latin. The label endeavored to bolster Selena's popularity within the Latin music market in the United States with this release. Selena's brother, A. B. Quintanilla sustained his role as the singer's producer and, in collaboration with Selena y Los Dinos members Pete Astudillo and Ricky Vela, composed tracks for the album. The ensuing recording encompassed an eclectic array of songs, attributable to the members' diverse backgrounds, which facilitated the modernization of the sundry genres they explored. Entre a Mi Mundo is a Tejano cumbia album that encapsulated Selena's quintessential sound, characterized by engaging tunes harmonized with her distinctive, plaintive vocals and a relaxed, danceable cumbia beat. The album incorporates musical inspirations from power pop, R&B, disco, rock, funk, and synthesized Tejano music.

<i>Selena Live!</i> 1993 live album by Selena

Live! or Selena Live! is a live album by American Tejano pop singer Selena, which was released on May 4, 1993, by EMI Latin. The album was re-released on September 22, 2002, as being part of the Selena: 20 Years of Music collection; which included spoken liner notes by her family, friends and her former band members Selena y Los Dinos. Live! includes three cumbia-influenced studio tracks, while the rest of the album consists of live versions of previously released songs. The album was recorded during a free concert at the Memorial Coliseum in Corpus Christi, Texas, on February 7, 1993. It was certified gold by the Recording Industry Association of America in its first year, double platinum in 1995, and 8× platinum in 2017.

<i>Anthology</i> (Selena album) 1998 box set by Selena

Anthology is the first box set by American singer Selena. It was released posthumously on April 7, 1998, through EMI Latin to commemorate the singer's works. The collection comprises 30 tracks, dispersed across three genre-themed discs: "Pop / English" showcases uptempo pop compositions, "Mariachi" highlights Mexican ballads featuring poignant narratives of heartache, and "Cumbia" presents danceable tropical rhythms. The album encompasses recordings from a 14-year-old Selena on her Alpha (1986) album to the posthumous "Disco Medley" (1997). With a limited number of unaltered tracks, Anthology predominantly features reworked and remastered musical arrangements, while preserving the singer's original vocals. Selena's death in March 1995 prompted an influx of requests from her admirers. The singer's father and manager, Abraham Quintanilla, expressed a desire to maintain his daughter's legacy through her music. However, Selena's family has faced criticism from both fans and the media, who accuse them of capitalizing on her death and commodifying her repertoire.

<i>All My Hits: Todos Mis Éxitos</i> 1999 greatest hits album by Selena

All My Hits: Todos Mis Éxitos is a greatest hits album by American singer Selena. It was released posthumously on March 9, 1999, through EMI Latin to commemorate its ten-year anniversary since entering the music industry. The album coincided with the fourth anniversary of Selena's death, though then-president Jose Behar rebuffed the idea that the album was an exploitive ploy by the company. Following Selena's death on March 31, 1995, Abraham Quintanilla expressed his interest in preserving his daughter's memory through her works. Selena's family has been criticized by fans and the media for exploiting the singer and cannibalizing her murder by commercializing her repertoire. According to the singer's brother, A.B. Quintanilla, one of Selena's wishes was for her to "never go away", citing a conversation he shared with Selena and their sister Suzette Quintanilla, that if anything were to happen to any one of them, their wish would be to continue on with their music.

<i>All My Hits: Todos Mis Éxitos Vol. 2</i> 2000 greatest hits album by Selena

All My Hits: Todos Mis Éxitos Vol. 2 is a greatest hits album by American singer Selena that was released on February 29, 2000, through EMI Latin. After Selena's murder in 1995, her father Abraham Quintanilla stated his commitment to preserving her music and EMI Latin pledged ongoing support for her releases. In 1999, the label's president José Behar acknowledged Selena, who remained the label's top-selling artist, for her contributions to establishing EMI Latin as "the house that Selena built". In March 1999, to commemorate the label's tenth anniversary, it released All My Hits: Todos Mis Éxitos; it achieved commercial success and a sequel was announced. All My Hits: Todos Mis Éxitos Vol. 2 contains 16 songs ranging from tracks featured on Selena's Muñequito de Trapo (1987) to the posthumous 1997 club remix of "Enamorada de Ti" (1990).

<i>Ones</i> (album) 2002 greatest hits album by Selena

Ones is a compilation album by American singer Selena, released in the United States on October 1, 2002 by EMI Latin. It was released on November 11, 2002 in Spanish-speaking countries, while the limited edition included a bonus DVD of her music videos. Ones was released building on the popularity of the 1997 biographical film Selena. The album was aimed at Selena's new generation of fans, and its release marked the singer's twentieth year in the music industry. Ones features six number one singles namely, "Amor Prohibido", "Bidi Bidi Bom Bom", "No Me Queda Más", "Fotos y Recuerdos", and her duets with Álvaro Torres on "Buenos Amigos" and the Barrio Boyzz on "Donde Quiera Que Estés".

<i>Momentos Intimos</i> 2004 compilation album by Selena

Momentos Intimos is a compilation album by American singer Selena and released posthumously on March 23, 2004, through EMI Latin. The album contains 24 tracks, though the last eight are spoken liner notes provided by the singer's family, friends, and her Los Dinos band. The songs on the album range from "Como Te Quiero Yo A Ti" (1988), a re-recorded version modernized and remixed on the album, to "Puede Ser", an unreleased duet with Nando "Guero" Dominguez, recorded two weeks before Selena was shot and killed in March 1995. Following Selena's death, her father Abraham Quintanilla expressed his interest in persevering his daughter's memory through her works. Selena's family has been criticized by fans and the media for exploiting the singer and cannibalizing her murder by commercializing her repertoire.

<span class="mw-page-title-main">No Me Queda Más</span> 1994 single by Selena

"No Me Queda Más" is a song by American singer Selena on her fourth studio album, Amor Prohibido. It was released as the third single from the album in October 1994 by EMI Latin. "No Me Queda Más" was written by Ricky Vela, and production was handled by Selena's brother A.B. Quintanilla. A downtempo mariachi and pop ballad, "No Me Queda Más" portrays the ranchera storyline of a woman in agony after the end of a relationship. Its lyrics express an unrequited love, the singer wishing the best for her former lover and his new partner.

<span class="mw-page-title-main">Dreaming of You (Selena song)</span> 1995 single by Selena

"Dreaming of You" is a song recorded by American Tejano singer Selena as the title track and third single for the 1995 album of the same name, her fifth and final studio album. The song was recorded several weeks before Selena's death, and both the single and album were released posthumously. The single was released by EMI Latin on August 14, 1995, with "Techno Cumbia" as its B-side track. The lyrics explore feelings of longing and hope that the singer's love interest is thinking about her while she is dreaming of him at night. Composed by Franne Golde and Tom Snow, "Dreaming of You" is a pop ballad. It was originally written in 1989 for American R&B group The Jets, who turned down the recording. Golde believed that the track had potential, and brought it to Selena, who recorded it for Dreaming of You.

<span class="mw-page-title-main">Pete Astudillo</span> American singer

Pedro Astudillo, known as Pete Astudillo, is an American singer-songwriter, record producer, and dancer. Referred to as "the Latino Babyface", he is regarded as the mastermind behind Selena's sound, as he collaborated or coauthored the singer's top-selling and most popular recordings that cemented him into music history. Astudillo wrote or collaborated on some of the most popular Tejano music songs of the 1990s and was inducted into the Tejano Roots Hall of Fame in 2019. His impact on the United States Latin music scene lies in his role as a songwriter collaborator, according to Billboard magazine.

<span class="mw-page-title-main">Techno Cumbia</span> 1995 single by Selena

"Techno Cumbia" is a song recorded by American singer Selena for her fourth studio album, Amor Prohibido (1994). It was posthumously released as the b-side track to "Dreaming of You" through EMI Latin on August 14, 1995. Techno Cumbia would be put on her fifth and final studio album Dreaming of You (1995) and would be the fourth single for Dreaming Of You. "Techno Cumbia" was written by Pete Astudillo and co-written and produced by Selena's brother-producer A.B. Quintanilla. The song is a dance-pop and tecnocumbia recording with influences of dancehall, rap, Latin dance, and club music. Lyrically, Selena calls on people to dance her new style the "techno cumbia" and calls out those who cannot dance.

<span class="mw-page-title-main">Amor Prohibido (song)</span> Title song of American Tejano singer Selenas fourth studio album

"Amor Prohibido" is the title song of American Tejano singer Selena's fourth studio album of the same name (1994). Released as the lead single through EMI Latin on April 13, 1994, it was written by Selena, her brother and music producer A. B. Quintanilla, and her band's backup vocalist Pete Astudillo. A popular interpretation compares it to Romeo and Juliet.

<span class="mw-page-title-main">Como la Flor</span> 1992 single by Selena

"Como la Flor" is a song recorded by American singer Selena. Written by A. B. Quintanilla and Pete Astudillo, it was released as the second single from her third studio album Entre a Mi Mundo (1992). The song was written by Quintanilla, who was inspired by a family selling illuminated plastic flowers at a concert in Sacramento, California, in 1982. A decade later, Quintanilla was seized with an infectious melody and abruptly dashed out of the shower in a hotel room in Bryan, Texas, to recreate it on a keyboard with Astudillo. He completed the music in just 20 minutes, while Astudillo took another hour to complete the lyrics. "Como la Flor" is an up-tempo, Tejano cumbia torch song that blends tropical cumbia rhythms with hints of reggae and pop music. Its lyrics describe the feelings of a female protagonist addressing her former lover, who abandoned her for another partner. The narrator is uncertain of her ability to love again, while at the same time, wishing her former partner and his new lover the best.

<span class="mw-page-title-main">La Carcacha</span> 1992 single by Selena

"La Carcacha" is a song recorded by American singer Selena for her third studio album, Entre a Mi Mundo (1992). The song was written by A.B. Quintanilla and Pete Astudillo. It was inspired by a dilapidated car and an experience in which A.B. observed a woman's willingness to court the owner of a luxury car. The song, characterized by its rhythmic melodies and satirical portrayal of life in the barrio, highlights the importance of love and genuine connection over material wealth. It is a Tejano cumbia song that is emblematic of Selena's typical style, while music critics found it to be musically similar to "Baila Esta Cumbia".

<span class="mw-page-title-main">El Chico del Apartamento 512</span> 1995 promotional single by Selena

"El Chico del Apartamento 512" is a song recorded by American recording artist Selena for her fourth studio album, Amor Prohibido (1994). It was released along with "Fotos y Recuerdos" in January 1995, serving as its B-side track. Written by Ricky Vela, "El Chico del Apartamento 512" is a cumbia song with influences of Colombian and South American music. Lyrically, the song describes a female protagonist who knocks on her love interest's apartment door and is heartbroken when his sister answers it. Justino Aguilar of Billboard magazine, called "El Chico del Apartamento 512" as one of Selena's "most memorable songs". The track posthumously peaked at number one on the U.S. Billboard Regional Mexican Digital Songs chart in 2011.

American singer Selena released twenty-four official singles, seven promotional singles. Her career began as the lead vocalist of Los Dinos in 1980. Her albums with Los Dinos on indie labels failed to achieve any chart success. In 1987, her remake of Ritchie Valens' "La Bamba" peaked at number 19 on the United States Billboard Hot Latin Songs chart, her first entry. She signed with EMI Latin nine years later as a solo artist though her band continued to tour with her. Selena appeared on "Buenos Amigos" with Salvadoran singer Álvaro Torres. The track peaked at number one on the U.S. Hot Latin Songs chart in 1991, the singer's first number one song. Subsequent singles, "Baila Esta Cumbia" and "Como la Flor", became popular songs on Mexican radio, with "Como la Flor" launching the singer's career in that country. "Como la Flor" peaked at number six on the Hot Latin Songs chart, despite popular culture claims that it was the singer's first number one single. The track has charted on the U.S. Regional Mexican Digital Songs list since its inception in 2010 and remains the singer's signature number and most popular recording.

<i>Enamorada de Ti</i> 2012 remix album by Selena

Enamorada de Ti is the second remix album by American Tejano singer Selena. It was released posthumously on 3 April 2012 through Capitol Latin and Q-Productions. Enamorada de Ti was produced by Sergio Lopes, Leslie Ahrens, Andres Castro, Moggie Canazio, Cesar Lemons and Chilean record producer Humberto Gatica. Gatica had the idea of modernizing songs recorded by Selena into today's popular music genres. Selena's family had already been working on a similar idea, but they set it aside in favor of Enamorada de Ti, which had gained the approval of Capitol Latin. The selection of artists to sing duets with Selena began in late summer 2011. Gatica and Selena's family chose American singer and actress Selena Gomez, Puerto Rican singer Don Omar, Samuel "Samo" Parra from the Mexican rock band Camila, Mexican singer Cristian Castro, Spanish DJ mixer Juan Magan, and the Carlos Santana band, while the remaining songs selected were remixed.

<i>Lo Mejor de...Selena</i> 2015 compilation album by Selena

Lo Mejor de...Selena is a double disc compilation album by American singer Selena. It was released posthumously in the United States on March 31, 2015, by Capitol Latin and Universal Music Latin Entertainment. The album was released after the commercial and chart success of Enamorada de Ti (2012), which featured several Latin music acts lending their voices for the remix album. The recording features six number one United States Billboard Hot Latin Songs chart singles by the singer—"Buenos Amigos", "Donde Quiera Que Estés", "Amor Prohibido", "Bidi Bidi Bom Bom", "No Me Queda Más", "Fotos y Recuerdos", and the US Billboard Latin Pop Airplay chart single "I Could Fall in Love".

References

  1. 1 2 3 Arrarás 1997, p. 66.
  2. 1 2 3 Betty Cortina (November 26, 2008). "Selena: Biography". Biography. 60 minutes in. A&E.
  3. 1 2 3 Arrarás 1997, p. 50.
  4. ↑ Pérez 2012.
  5. 1 2 3 4 5 6 7 8 Selena (1994). Amor Prohibido (Compact disc). EMI Latin. 724354099403.
  6. 1 2 Garcia, Julia (September 16, 2015). "Q Productions airs unreleased Selena track on Internet radio station". Corpus Christi Caller Times . Retrieved September 20, 2015.
  7. 1 2 3 4 Quintanilla-Perez, Selena; Quintanilla, A.B. (1994). "Bidi Bidi Bom Bom: Selena Digital Sheet Music". Sheetmusicplus.com. Alfred Music Publishing. MN08201021 (Product Number). Archived from the original (Musicnotes) on March 13, 2012. Retrieved July 10, 2011.
  8. 1 2 "Selena". Hispanic Today. 7–9: 44. 1995.
  9. ↑ Verna, Paul; Gillen, Marilyn; Cronin, Peter (April 2, 1994). "Album Reviews". Billboard. Vol. 106, no. 14. p. 52. Retrieved September 19, 2015.
  10. ↑ Lannert, John (June 3, 1995). "Posthumous Certifications for Selena". Billboard. Vol. 107, no. 22. p. 47. Retrieved September 19, 2015.
  11. 1 2 3 4 Perone 2012.
  12. 1 2 Burr 1999, p. 144.
  13. ↑ Verna, Paul (April 2, 1994). "Album Reviews". Billboard. Vol. 106, no. 14. p. 52. Retrieved March 25, 2016.
  14. ↑ Hoffman 2004.
  15. ↑ "Diez Anos sin Selena". Milenio (in Spanish) (389–396). Diario de Monterrey: 388–390. March 31, 2005. El timbre clave de los teclados que dio origen a la techno-cumbia, es una de las gamas que exploró espléndidamente Selena, igual que el género ranchero, el pop y otras fusiones como lo hizo con la cumbia y el reggae en "Bidi bidi bom bom".
  16. ↑ Limón 1999, p. 171.
  17. ↑ Patoski 1996, p. 95.
  18. 1 2 Prampolini & Pinazzi 2013, p. 188.
  19. ↑ Rodriguez 2008, p. 131.
  20. ↑ Smithouser & Waliszewski 1998, p. 253.
  21. 1 2 Patoski 1996, p. 125.
  22. ↑ Ramsey, Bill (November 2, 1995). "Selena: A Star Dies And An Icon Is Born". San Antonio Current . Retrieved April 13, 2016.
  23. 1 2 3 Velez, Ashley. "Top 5 Selena Songs". Neon Tommy . USC Annenberg School for Communication and Journalism. Archived from the original on August 15, 2018. Retrieved October 1, 2014.
  24. ↑ Pressley, Sue Anne (October 12, 1995). "Defense Points to Role of Selena's Father in Dispute". The Washington Post. Retrieved April 14, 2016.
  25. ↑ Catlin, Roger (July 22, 1995). "Singer Selena Missed Her Dream of Crossover Success". Hartford Courant . Retrieved April 14, 2016.[ permanent dead link ]
  26. ↑ Taradell, Mario (July 28, 1995). "New Album Hints What Might Have Been". Boca Raton News . Retrieved April 14, 2016.
  27. ↑ Whitehurst Jr, Tom (March 31, 2000). "Selena still walks through the newsroom". Corpus Christi Caller Times. Retrieved September 20, 2015.
  28. 1 2 Mitchell, Andrew (April 21, 2015). "Editorial: How to grow this city, not just economically". Corpus Christi Caller Times. Retrieved September 20, 2015.
  29. ↑ Guerra, Joey (March 25, 2005). "Collective recordings of Selena span a number of genres". Houston Chronicle . Retrieved September 20, 2015.
  30. ↑ Stavans & Augenbraum 2005, p. 91.
  31. ↑ Watrous, Peter (July 30, 1995). "Recordings View; Inklings of What Might Have Been". The New York Times . Retrieved April 14, 2016.
  32. ↑ Pressley, Sue Anne (March 21, 1997). "Mexican American Fans Keep Tejano Artist's Legacy Alive". The Washington Post . Retrieved April 14, 2016.
  33. ↑ Pressley, Sue Anne (April 2, 1995). "Friends Warned Selena About Possessive' Aide". The Washington Post. Retrieved April 14, 2016.
  34. ↑ Clark, Michael D. (March 25, 2005). "Ten years after her murder, Selena lives on". San Antonio Express News. Retrieved April 14, 2016.
  35. ↑ Seligman, Katherine (April 1, 1995). "Latin pop singer's slaying stuns fans". San Antonio Express News. Retrieved April 14, 2016.
  36. ↑ Bennett, Steve (July 18, 1995). "Selena was on brink of major crossover, 'up there with the Janets and the Madonnas'". Sun Sentinel . Retrieved April 14, 2016.
  37. ↑ Jones 2013.
  38. ↑ Patoski 2010, p. 195.
  39. ↑ Morales 2009, p. 267.
  40. ↑ "Una Década sin la Reina del Tex-Mex". Personajes (in Spanish) (1–12). March 2005. era esa mujer de pronunciadas curvas, sonrisa contagiosa que ponía a todos a bailar al ritmo de temas como "La Carcacha" o "Bidi Bidi Bom Bom".
  41. ↑ Roiz, Jessica Lucia (March 30, 2016). "'Fiesta De La Flor' 2016: 21 Reasons To Celebrate Selena Quintanilla Legacy At Festival". Latin Times. Retrieved April 13, 2016.
  42. ↑ LaFollette, John (January 8, 2016). "Sound 'Round: Selena / The Rough Guide to Rare Latin Groove". The Monitor . Retrieved April 13, 2016.
  43. 1 2 Estevez, Marjua (July 17, 2015). "What Millennials Should Know About… Selena's 'Dreaming of You'". Vibe . Retrieved April 13, 2016.
  44. 1 2 Thompson, Eliza (June 15, 2015). "Kacey Musgraves Picks the 10 Best Songs for a Summer BBQ". Cosmopolitan. Retrieved April 13, 2016.
  45. ↑ "Jennifer pays tribute to Selena Quintanilla-Perez". Tribute . May 1, 2015. Retrieved April 13, 2016.
  46. ↑ Olivares, Xorje (April 1, 2015). "Diva Interrupted". Out . Retrieved April 13, 2016.
  47. ↑ Dyer, John (August 18, 1995). "The Selling of Selena". Entertainment Weekly . No. 288. Retrieved April 13, 2016.
  48. ↑ Quinones, Dita (July 22, 2014). "Jessica Hernandez Shares Her "Secret"". NBC San Diego . Retrieved April 13, 2016.
  49. 1 2 Taradell, Mario (July 21, 1995). "Selena's Music". Dallas Morning News . Retrieved April 14, 2016.
  50. ↑ Doing, Deb (July 27, 2012). "The Best Texas Songs of All Time: #59-40". Dallas Observer . Retrieved April 13, 2016.
  51. ↑ Burr 1999, p. 229.
  52. ↑ "Musik". Warta Ekonomi (in Indonesian). 7 (7–12). Obor Sarana Utama: 52. 1995.
  53. ↑ Nunez, Alana (January 9, 2015). "The 14 Best Latin Songs You Forgot You Were Obsessed With". Cosmopolitan. Retrieved April 13, 2016.
  54. ↑ Simón, Yara. "Selena Day 2014: Countdown of Selena's Top 5 Songs". Latino Post. Retrieved August 20, 2015.
  55. ↑ Torres, Marco. "Top 10 Selena Songs of All Time". OC Weekly . Voice Media Group. Archived from the original on October 8, 2014. Retrieved October 1, 2014.
  56. ↑ Galindo, Brian. "Ranking The 15 Greatest Selena Songs Ever". BuzzFeed . BuzzFeed Inc. Retrieved October 1, 2014.
  57. ↑ Rodriguez, Priscillia. "Remembering Selena: Her Top Ten Songs". Latina. Lauren Michaels. Retrieved October 1, 2014.
  58. ↑ "Hot Latin Songs > August 13, 1994". Billboard. Vol. 106, no. 33. August 13, 1994. p. 29. Retrieved September 20, 2015.[ permanent dead link ]
  59. 1 2 "Hot Latin Songs > October 29, 1994". Billboard. Vol. 106, no. 44. October 29, 1994. p. 45. Retrieved September 19, 2015.
  60. ↑ "Discos mas populares de Estados Unidos". El Informador . October 9, 1994. p. 70.
  61. 1 2 Lannert, John (November 4, 1994). "Hot Latin Songs > November 4, 1994". Billboard. Vol. 106, no. 45. p. 46. Retrieved September 19, 2015.
  62. ↑ "Hot Latin Songs > November 12, 1994". Billboard. Vol. 106, no. 46. November 12, 1994. p. 37. Retrieved September 19, 2015.
  63. ↑ "Hot Latin Songs > November 19, 1994". Billboard. Vol. 106, no. 47. November 19, 1994. p. 50. Retrieved September 19, 2015.
  64. ↑ "Hot Latin Songs > November 26, 1994". Billboard. Vol. 106, no. 48. November 26, 1994. p. 62. Retrieved September 19, 2015.
  65. ↑ "Billboard Top Latin Songs Year-end". Billboard. Vol. 106, no. 52. December 24, 1994. p. 60. Retrieved September 19, 2015.
  66. ↑ "Hot Latin Songs > January 14, 1995". Billboard. Vol. 107, no. 2. January 14, 1995. p. 29. Retrieved September 19, 2015.
  67. ↑ "October 12, 1995, the testimony of Norma Martinez". Houston Chronicle . October 12, 1995. Archived from the original on July 15, 2007. Retrieved September 27, 2015.
  68. 1 2 Lannert, John (April 15, 1995). "Latin Notas". Billboard. Vol. 107, no. 15. Retrieved March 9, 2015.
  69. ↑ "Hot Latin Songs > May 6, 1995". Billboard. Vol. 107, no. 18. May 6, 1995. p. 28. Retrieved September 19, 2015.
  70. ↑ Mayfield, Geoff (December 26, 1999). "Totally '90s: Diary of a Decade". Billboard. Vol. 111, no. 52. Nielsen Business Media, Inc. p. YE-16. Retrieved March 30, 2010.
  71. ↑ "TouchTunes > December 27, 2003". Billboard. Vol. 115, no. 52. December 27, 2003. p. 82. Retrieved April 14, 2016.
  72. ↑ "Latin Digital Songs > January 23, 2010". Billboard.biz. Archived from the original on August 15, 2016. Retrieved April 14, 2016.
  73. ↑ "Latin Digital Songs > April 17, 2010". Billboard.biz. Archived from the original on August 15, 2016. Retrieved April 14, 2016.
  74. ↑ "Latin Pop Digital > April 17, 2010". Billboard.biz. Archived from the original on August 15, 2016. Retrieved April 14, 2016.
  75. ↑ "Regional Mexican Digital > September 4, 2010". Billboard.biz. Archived from the original on August 16, 2016. Retrieved April 14, 2016.
  76. ↑ "Regional Mexican Digital > March 19, 2011". Billboard.biz. Archived from the original on August 16, 2016. Retrieved April 14, 2016.
  77. ↑ "En Breve". Billboard. Vol. 123, no. 11. April 9, 2012. p. 10. Retrieved April 14, 2016.
  78. ↑ "Regional Mexican Digital > April 23, 2016". Billboard.biz. Archived from the original on October 3, 2016. Retrieved April 14, 2016.
  79. ↑ "EMI Latin's 1st Vid Venture Remembers Selena", Billboard, 7 October 1995, p.93, webpage: BB93.
  80. ↑ Griffin, Andrew (October 14, 2003). "Selena Greatest Hits' testament to departed diva's talent". The Town Talk. Retrieved January 3, 2012.(subscription required)
  81. ↑ A.B. Quintanilla III, Jessica Williams, David Garrett, Amber James (March 10, 2008). "Top Tr3s Selena Moments". Top Tr3s. Season 1. Episode 104. MTV Tr3s.
  82. ↑ Julie Chen (2002). "Selena's spot on The Early Show". The Early Show. 6 minutes in. CBS.
  83. 1 2 Johann Wald, Laura Hayden (March 4, 2007). "Top20 MTV Selection – March 2007". Top20 MTV Selection (in Spanish). MTV Spain.
  84. 1 2 François Petit (1996). "Top 10 Most Widely Played Songs in Gay Clubs in Canada". Fugues . 12 (7). Editions Nitram: 92.
  85. ↑ Burr, Ramiro (May 24, 2003). "Rap And Hip-Hop Fusion Fuel Regional Mexican Scene". Billboard. Vol. 115, no. 21. Prometheus Global Media. p. 72. Retrieved July 6, 2012.
  86. 1 2 Clark, Michael (September 12, 2003). "Review: DVD of Selena's final show is a real treasure". Houston Chronicle. Retrieved September 20, 2015.
  87. ↑ Jennifer Lopez, Edward James Olmos, Jon Seda, Jackie Guerra (March 21, 1997). Selena (DVD). Warner Bros. Event occurs at 127 minutes.
  88. ↑ Alford, Steven (February 5, 2015). "New Selena DVD showcases rare television performance footage". Corpus Christi Caller Times. Retrieved September 20, 2015.
  89. ↑ Gonzales, Carolina (July 31, 2015). "Selena Performs Live at Astroworld". Houston Chronicle. Retrieved September 20, 2015.
  90. ↑ Roiz, Jessica Lucia (September 17, 2015). "Say Goodbye To 'Sábado Gigante' With Some Of Its Most Memorable Moments!". Latin Times. Archived from the original on September 19, 2016. Retrieved April 13, 2016.
  91. ↑ Blumenthal 1998, p. 150.
  92. ↑ Acosta, Sarah (February 5, 2015). "New Selena album featuring artists including Selena Gomez will be released in April". Corpus Christi Caller Times. Retrieved September 20, 2015.
  93. ↑ Malone 2005, p. 158.
  94. 1 2 Stavans 2014, p. 407.
  95. 1 2 Corcoran 2005, p. 132.
  96. ↑ Stavans 2014, p. 725.
  97. ↑ Rodriguez 2008, p. 126.
  98. ↑ Habell-Pallan & Romero 2002, p. 122.
  99. ↑ Patoski 1996, p. 135.
  100. ↑ San Miguel, Louis (March 31, 2016). "Alamo Drafthouse pays tribute to Tejano queen Selena with sing-along". Laredo Morning Times . Retrieved April 13, 2016.
  101. ↑ McDonald, Soraya Nadia (April 2, 2015). "Selena died 20 years ago but we still talk about her". The Washington Post . Retrieved April 13, 2016.
  102. ↑ Reyes, Raul A. (April 1, 2015). "Voices: There's Something About Selena". NBC News. Retrieved April 13, 2016.
  103. ↑ Young, Adam D. (May 5, 2012). "Lubbockites remember Selena in Cinco de Mayo-themed look-alike contest". Lubbock Avalanche-Journal . Retrieved April 13, 2016.
  104. ↑ White, Tyler (December 10, 2014). "Selena's killer Yolanda Saldivar really is mounting new legal effort for early release". San Antonio Express-News. Retrieved September 20, 2015.
  105. ↑ Acosta, Sarah (March 2, 2012). "Top 5 events for this weekend in the Coastal Bend". Corpus Christi Caller Times. Retrieved September 20, 2015.
  106. ↑ Marsilio, Elaine (April 17, 2015). "Severe storms possible through Saturday". Corpus Christi Caller Times. Retrieved September 20, 2015.
  107. ↑ Mendoza, Madalyn (August 25, 2015). "Viral Texas A&M University-Kingsville Marching Band bringing Selena performance to San Antonio". San Antonio Express-News . Retrieved September 20, 2015.
  108. ↑ Lopetegui, Enrique (April 16, 2015). "Selena's dad: Mixed feelings about fans marking star's death". Corpus Christi Caller Times. Retrieved September 20, 2015.
  109. ↑ Kottmeier 2014, p. 400.
  110. ↑ Fratangelo, Nichole (January 8, 2016). "Watch: This Mexican American Drag Queen Channels Selena On Stage". Latina. Retrieved April 13, 2016.
  111. ↑ O'Neal, Sean (April 8, 2015). "Selena to be turned into digital puppet that will release new music". The A.V. Club . Retrieved April 13, 2016.
  112. ↑ "Videos of Long Beach Pride". NighTours.com. Retrieved April 13, 2011.
  113. 1 2 "Los Premios Latinos de BMI Latin Awards". Billboard . Vol. 108, no. 18. Prometheus Global Media. 1996. p. 122. Retrieved April 13, 2011.
  114. ↑ Ramiro Burr (1996). "Pete Astudillo Leads BMI Latin Music Awards". Billboard . Vol. 108, no. 20. Prometheus Global Media. p. 124. Retrieved April 13, 2011.
  115. ↑ "Past Tejano Music Award Winners". RDS Marketing. Retrieved April 13, 2011.
  116. ↑ "Selena Honored at Houston Show". The Victoria Advocate . May 31, 1995. Retrieved April 14, 2016.
  117. 1 2 Burr, Ramiro (August 17, 1996). "Women Helping Drive Thriving Mexican Market". Billboard. Vol. 108, no. 33. p. 93. Retrieved April 14, 2016.
  118. ↑ Tavares, Sara (1999). Mi Ma Bo (Compact disc). Sony Portugal.
  119. ↑ Kennedy, Mark (June 20, 2014). "Tupac Musical Star, Christopher Jackson, Reflects On Iconic Rapper's Influence". Huffington Post. Retrieved April 14, 2016.
  120. ↑ Baca, Ricardo (April 2, 2000). "New musical is a different way to honor Selena the way she lived, through song and dance". Corpus Christi Caller Times. Retrieved September 20, 2015.
  121. ↑ "Revivirán a un nuevo Menudo". El Diario de Hoy. January 11, 2005. Retrieved December 5, 2011.
  122. ↑ Mexico Recuerda a Selena (Compact disc). Univision Records. 2005.
  123. 1 2 Metz, John Powell (June 28, 2005). "Lasting Tribute". Corpus Christi Caller Times. Retrieved September 20, 2015.
  124. ↑ Burr, Ramiro (April 3, 2005). "Great expectations for tribute to Selena at Reliant". Houston Chronicle. Retrieved September 20, 2015.
  125. 1 2 Guerra, Joey (December 16, 2007). "A decade later, more Carnival". Houston Chronicle. Retrieved September 20, 2015.
  126. ↑ "Bidi Bidi Bom Bom track included in NEW YORK LATIN HITS album by GRAMMY - Pro Associate Member artist at The Latin Recording Academy® Blanca Star Olivera on DISCOGS". Discogs .
  127. ↑ "SOUNDEXCHANGE Repertory access to registrations by artist Blanca Star Olivera including New York Latin Hits album and songs repertory with Bidi Bidi Bom Bom." https://isrc.soundexchange.com/#!/search
  128. ↑ "Sensation". Minirecords.com. Inasite Mulimedia. Archived from the original on April 26, 2012. Retrieved 5 December 2011.
  129. ↑ "World Music". Global Rhythm . 15 (1–6): 45. 2007.
  130. ↑ Armando Valdes-Kennedy, Eduardo Antonio Garcia, Richard Green, Ruth Livier, Lux Interior (2008). Los campeones de la lucha libre (Media notes). Porchlight Home Entertainment.
  131. ↑ "Ana Isabelle, la ganadora". Univision.com. November 22, 2009. Archived from the original on September 26, 2012. Retrieved 5 December 2011.
  132. ↑ María González, Angela (January 6, 2010). "Ana Isabelle tiene Bidi Bidi Bom Bom". Univision.com. Archived from the original on October 21, 2012. Retrieved 5 December 2011.
  133. 1 2 3 Guerra, Joey (April 2, 2012). "Selena's music revisited with 'Enamorada de Ti'" . Houston Chronicle. Retrieved September 20, 2015.
  134. ↑ Guerra, Joey (April 2, 2012). "Selena's music revisited with Enamorada de Ti". San Antonio Express News. Archived from the original on November 6, 2013. Retrieved 14 April 2016.
  135. 1 2 "Selena Gomez stuns on tribute record". The Belfast Telegraph . April 27, 2012. Retrieved August 11, 2012.
  136. ↑ Malkin, Marc; Malec, Brett (April 26, 2012). "Selena Gomez's "Amazing" Duet With...the Late Singer Selena!". E! News . Retrieved August 11, 2012.
  137. ↑ Lovelace, Nilan (April 27, 2012). "Album Review: "Enamorado De Ti" by Selena". Reporter Magazine. Archived from the original on September 4, 2014. Retrieved 8 September 2012.
  138. ↑ "For You by Selena Gomez". iTunes. Apple. Retrieved November 8, 2014.
  139. ↑ Snider, Olivia. "Jay Brannan to Release Covers EP Around The World In 80 Jays Sept 3". Stereosubversion.com. Archived from the original on September 20, 2016. Retrieved April 13, 2016.
  140. 1 2 Odell, Therese (August 18, 2015). "'America's Got Talent': Selena's spirit lives on in the live rounds". San Antonio Express-News. Retrieved September 20, 2015.
  141. ↑ Keveney, Bill (March 26, 1996). "Howard Stern Returns, by Syndication to Hartford Station he left in 1980". Hartford Courant . Tribune Publishing Company. ProQuest   255830990.
  142. ↑ Emery, Debby (May 1, 2015). "Jennifer Lopez's Touching Tribute to Selena at Billboard Latin Music Awards". San Antonio Express-News. Archived from the original on March 4, 2016. Retrieved September 20, 2015.
  143. ↑ Nessif, Bruna. "Jennifer Lopez Joins Los Dinos for Beautiful Selena Quintanilla-Pérez Tribute at 2015 Billboard Latin Music Awards". E! News. Retrieved April 14, 2016.
  144. ↑ de Valle, Elaine. "Jennifer Lopez Pays Tribute to Selena at Billboard Latin Music Awards". Billboard. Retrieved April 14, 2016.
  145. ↑ "Flashback: Jennifer Lopez Pays Tribute to Slain Singer Selena". Rolling Stone . March 31, 2016. Retrieved April 14, 2016.
  146. ↑ Martin, Macy Daniela. "Kat Von D's Cover of Selena's "Bidi Bidi Bom Bom" Is Just as Badass as You'd Expect". PopSugar . Retrieved April 13, 2016.
  147. ↑ Guerra 2007, p. 66.
  148. ↑ Gamboa, Suzanne (December 24, 2015). "Hillary Clinton and The 'Abuela' Factor". NBC News . Retrieved April 13, 2016.
  149. ↑ Reichard, Raquel (October 16, 2015). "Clinton Enters "Latinos for Hillary" event in Texas With Selena's 'Bidi Bidi Bom Bom'". Latina. Archived from the original on April 26, 2016. Retrieved April 13, 2016.
  150. ↑ Selena (1994). Bidi Bidi Bom Bom (CD single). EMI Latin.
  151. ↑ "Bidi Bidi Bom Bom at ASCAP". ASCAP.com. Retrieved July 26, 2011.[ permanent dead link ]
  152. ↑ "Selena Chart History (Hot Latin Songs)". Billboard.
  153. 1 2 "Selena Chart History (Regional Mexican Songs)". Billboard.
  154. ↑ "Selena Chart History (Latin Pop Songs)". Billboard.
  155. ↑ "Topping The Charts Year By Year". Billboard. Vol. 110, no. 48. Nielsen Business Media, Inc. November 28, 1998. p. LMQ3. Retrieved March 3, 2010.
  156. ↑ "American single certifications – Selena – Baila Esta Cumbia". Recording Industry Association of America.

Sources

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.