Boogie Woogie Bugle Boy

Last updated
"Boogie Woogie Bugle Boy"
Boogie Woogie Bugle Boy - The Andrews Sisters.jpg
Single by The Andrews Sisters
B-side "Bounce Me, Brother, with a Solid Four"
RecordedJanuary 2, 1941
Studio Decca, Hollywood, California
Genre
Songwriter(s) Don Raye, Hughie Prince
The Andrews Sisters singles chronology
"Scrub Me Mama with a Boogie Beat"
(1941)
"Boogie Woogie Bugle Boy"
(1941)
"I, Yi, Yi, Yi, Yi (I Like You Very Much)"
(1941)
Music video
"Boogie Woogie Bugle Boy" (Official Music Video) on YouTube

"Boogie Woogie Bugle Boy" is a World War II jump blues song written by Don Raye and Hughie Prince which was introduced by The Andrews Sisters in the Abbott and Costello comedy film, Buck Privates (1941). [1] The Andrews Sisters' Decca recording reached number six on the U.S. pop singles chart in the spring of 1941 when the film was in release. The song is ranked No. 6 on Songs of the Century. Bette Midler's 1972 recording of the song also reached the top ten on the U.S. Billboard Hot 100.

Contents

"Boogie Woogie Bugle Boy" was nominated for the Academy Award for Best Original Song but lost to "The Last Time I Saw Paris". [2]

The song is closely based on an earlier Raye-Prince hit, "Beat Me Daddy, Eight to the Bar," which is about a virtuoso boogie-woogie piano player. [3]

Storyline

According to the lyrics, a renowned trumpet player from Chicago, Illinois is drafted into the U.S. Army but is reduced to blowing the wake-up call (reveille). Restrained from playing boogie-woogie, he is depressed until the captain empathizes and drafts other musicians. The bugler now plays reveille in his own style, with a positive effect on the rest of the company.

Creation

Abbott and Costello's first starring film for Universal pictures, Buck Privates , was designed to capitalize on the Selective Training and Service Act of 1940. The studio added the Andrews Sisters, who were also under contract, for musical relief, and hired Don Raye and Hughie Prince to compose songs for the film. (The sisters also performed songs written by others in the film.) Raye and Prince had previously composed the hits "Rhumboogie" and "Beat Me Daddy, Eight to the Bar" for the trio. The songwriters turned in "You're a Lucky Fellow, Mr. Smith"; "Boogie Woogie Bugle Boy"; and "Bounce Me Brother, With a Solid Four", while also composing a novelty tune, "When Private Brown Becomes a Captain", for Lou Costello.

"Boogie Woogie Bugle Boy" closely follows the template of "Beat Me Daddy, Eight to the Bar", which is about a famous syncopated piano player. However, in its earliest stages, "Boogie Woogie Bugler" (as it was then known) was originally conceived for Lou Costello, but reworked for the Andrews Sisters, while a separate song was composed for the comedian. [4]

Inspiration

Articles published in Stars & Stripes on 19 March 1943, as well as Billboard Magazine and The Christian Science Monitor during WWII claimed that Clarence Zylman of Muskegon, Michigan, was the original Boogie Woogie Bugler. [5] The song's lyrics agree with several aspects of Zylman's life. Drafted at age 35, Clarence had been performing for 20 years, beginning with Chicago radio station WBBM and then with several big bands, beginning with Paul Specht and Connie Connaughton, and most recently with the Tommy Tucker Orchestra. He brought his playing style to England where he was a bugler for an engineer company, playing Taps and Reveille. He eventually was transferred to an army band. Articles in Billboard and The Plain Dealer (Cleveland, Ohio) support this, and go on to claim that Clarence was sent to teach other buglers his techniques. However, Clarence Zylman did not enlist in the Army until June 9, 1942, well after "Boogie Woogie Bugle Boy" was written and recorded. Nonetheless, a sculpture of Zylman as the Boogie Woogie Bugle Boy has been dedicated in his hometown of Muskegon, Michigan, at the LST-393 Veterans Museum. The sculpture was created by artist Ari Norris. [6]

A more likely claimant to the title—though he seldom mentioned it—was Harry L. Gish, Jr. (1922–2005), who recorded with songwriters Raye and Prince. At age 17, after a meteoric rise in the mid-1930s based out of the Ritz Hotel in Paducah, Kentucky, Gish ventured to New York City where he appeared (studio only) with the Will Bradley "All Star Orchestra" with highly regarded solos on the Raye-Prince songs "Celery Stalks at Midnight", "Scrub Me Mama With a Boogie Beat" and "The Boogilly Woogilly Piggie". He also performed with the Olsen & Johnson (of Hellzapoppin' fame) band, Ray Anthony and was popular in the Plattsburgh, New York (Lake Placid) area before returning to Decca Records in Chicago. He also had a "summer replacement" radio show there for CBS from WBBM radio.

In the 1980s and 1990s, he honored many requests to play at services for veterans' funerals, and in 1995, in the character of The Boogie Woogie Bugle Boy (still able to fit in his World War II uniform: he enlisted in the Army Air Corps) he opened the combined service units (American Legion, VFW and others) celebration of the 50th anniversary of the end of World War II in Little Rock, Arkansas, where he opened with "Reveille" and closed the ceremony with "Taps."

Bette Midler version

"Boogie Woogie Bugle Boy"
Boogie Woogie Bugle Boy - Bette Midler.jpg
Single by Bette Midler
from the album The Divine Miss M
B-side "Delta Dawn"
ReleasedMay 1973
Genre Traditional pop
Length2:32
Label Atlantic
Songwriter(s) Don Raye, Hughie Prince
Producer(s) Barry Manilow
Bette Midler singles chronology
"Do You Want to Dance?"
(1972)
"Boogie Woogie Bugle Boy"
(1973)
"Friends"
(1973)

American actress and singer Bette Midler included a remake of the song on her 1972 The Divine Miss M album, and released it as the B side of the album's second single, "Delta Dawn". However, faced with the near-simultaneous release of Helen Reddy's rendition of Delta Dawn (which would peak at #1 on both the Billboard Hot 100 and Easy Listening charts) on Long Hard Climb, Midler's singles were quickly flipped, with "Boogie Woogie Bugle Boy" becoming the new A side. [7] Midler's version peaked at number eight on the Billboard Hot 100 singles chart in mid-1973, introducing it to a new generation of pop music fans. The single was produced by Barry Manilow. The track was also a number-one single on the Billboard Easy Listening chart. [8]

Chart performance

Weekly charts

Weekly chart performance for "Boogie Woogie Bugle Boy"
Chart (1973)Peak
position
Australia (Kent Music Report) [9] 7
Canada Top Singles ( RPM ) [10] 8
Canada Adult Contemporary ( RPM ) [11] 3
New Zealand ( NZ Listener ) [12] 17
US Billboard Hot 100 [13] 8
US Adult Contemporary ( Billboard ) [14] 1
US Cash Box Top 100 [15] 6

Year-end charts

Year-end chart performance for "Boogie Woogie Bugle Boy"
Chart (1973)Position
Australia (Kent Music Report) [9] 56
Canada Top Singles (RPM) [16] 94
US Billboard Hot 100 [17] 71
US Adult Contemporary (Billboard) [18] 7
US Cash Box Top 100 [19] 78

Other versions

Katy Perry performing the song alongside Keri Hilson and Jennifer Nettles Katy Perry IMG 4927.jpg
Katy Perry performing the song alongside Keri Hilson and Jennifer Nettles
Canadian actress Michelle Creber performing the song Michelle Creber.jpg
Canadian actress Michelle Creber performing the song

Homage

Samples

"Boogie Woogie Bugle Boy" is one of the tracks that was sampled for "Moments in Love" by Art of Noise, which appeared on both the 1983 EP Into Battle with the Art of Noise and their debut studio album Who's Afraid of the Art of Noise? (1984).

The adult-oriented stage musical Let My People Come featured the song "The Cunnilingus Champion of Company C". It became the subject of a lawsuit filed by MCA Music against composer Earl Wilson Jr., and which was decided in favor of the plaintiffs in 1976. The court found that the song, which openly borrows the "Boogie Woogie Bugle Boy" melody, "could not be construed as a burlesque of plaintiff's work per se", but was merely a "commentary on an era" and therefore was not protected by fair use. As a result, the defendants were found liable for copyright infringement. [24]

See also

Related Research Articles

<span class="mw-page-title-main">The Andrews Sisters</span> American vocal group

The Andrews Sisters were an American close harmony singing group of the swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews (1911–1967), soprano Maxene Anglyn Andrews (1916–1995), and mezzo-soprano Patricia Marie Andrews (1918–2013). The sisters have sold an estimated 80 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bist Du Schön " (1937), "Beer Barrel Polka " (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree " (1942), and "Rum and Coca-Cola" (1945), which helped introduce American audiences to calypso.

<span class="mw-page-title-main">Bette Midler</span> American actress and singer (born 1945)

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<span class="mw-page-title-main">Delta Dawn</span> 1972 song written by Collins & Harvey

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<i>Buck Privates</i> 1941 film by Arthur Lubin

Buck Privates is a 1941 musical military comedy film that turned Bud Abbott and Lou Costello into bona fide movie stars. It was the first service comedy based on the peacetime draft of 1940. The comedy team made two more service comedies before the United States entered the war. A sequel to this movie, Buck Privates Come Home, was released in 1947. Buck Privates is one of three Abbott and Costello films featuring The Andrews Sisters, who were also under contract to Universal Pictures at the time.

<span class="mw-page-title-main">Don Raye</span> American songwriter

Don Raye was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", "The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince.

<i>The Divine Miss M</i> 1972 studio album by Bette Midler

The Divine Miss M is the debut studio album by American singer and actress Bette Midler, released in 1972 on the Atlantic Records label. The title of the album refers to Midler's famous stage persona. The album was co-produced by Barry Manilow, and includes several songs that since have become repertoire standards, such as "Do You Want to Dance?", "Chapel of Love", "Hello In There", "Friends" and "Boogie Woogie Bugle Boy". It was released on CD for the first time in 1990. A remastered version of the album was released by Atlantic Records/Warner Music in 1995. A remastered deluxe edition was released in October 2016.

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References

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  2. "The 14th Academy Awards | 1942". Oscars.org.
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  8. Whitburn, Joel (2002). Top Adult Contemporary: 1961–2001. Record Research. p. 170.
  9. 1 2 Kent, David (1993). Australian Charts Book 1970–1992. Australian Chart Book Pty Ltd, Turramurra, N.S.W. ISBN   978-0-646-11917-5.
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  23. https://www.youtube.com/watch?v=lsltptulgHc
  24. "Music Copyright Infringement Resource: MCA Music v. Earl Wilson 425 F. Supp. 443 (S.D.N.Y. 1976)".