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Mary Garden was a Scottish operatic soprano with a substantial career in France and America in the first third of the 20th century. She spent the latter part of her childhood and youth in the United States and eventually became an American citizen, although she lived in France for many years and eventually retired to Scotland, where she died.
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in Norma. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric.
The Auditorium Building in Chicago is one of the best-known designs of Louis Sullivan and Dankmar Adler. Completed in 1889, the building is located at the northwest corner of South Michigan Avenue and Congress Street. The building was designed to be a multi-use complex, including offices, a theater, and a hotel. As a young apprentice, Frank Lloyd Wright worked on some of the interior design.
The Shubert Organization is a theatrical producing organization and a major owner of theatres based in Manhattan, New York City. It was founded by the three Shubert brothers in the late 19th century. They steadily expanded, owning many theaters in New York and across the country. Since then it has gone through changes of ownership, but is still a major theater chain.
Stacey Tappan is an American coloratura soprano.
The Auditorium Theatre is a music and performance venue located inside the Auditorium Building at 50 Ida B. Wells Drive in Chicago, Illinois. Inspired by the Richardsonian Romanesque Style of architect Henry Hobson Richardson, the building was designed by Dankmar Adler and Louis Sullivan and completed in 1889. The Chicago Symphony Orchestra performed in the theatre until 1904 as well as the Chicago Grand Opera Company and its successors the Chicago Opera Association and Chicago Civic Opera until its relocation to the Civic Opera House in 1929. The theatre currently hosts performances by the Joffrey Ballet, in addition to a variety of concerts, musicals, performances and events. Since the 1940s, it has been owned by Roosevelt University and since the 1960s refurbished and managed by an independent non-profit arts organization.
Music Theater Works is a resident professional not-for-profit musical theatre company in Evanston, Illinois. It was founded in 1980 by Philip Kraus, Bridget McDonough, and Ellen Dubinsky.
The Lithuanian Opera Company of Chicago was founded by Lithuanian emigrants in 1956, and presents operas in Lithuanian. It celebrated fifty years of existence in 2006, and operates as a not-for-profit organization. It is noteworthy for performing the rarely staged Rossini's William Tell (1986) and Ponchielli's I Lituani, and also for contributing experienced chorus singers to the Lyric Opera of Chicago. The opera Jūratė and Kastytis by Kazimieras Viktoras Banaitis was presented in Chicago, Illinois in 1996.
Catherine Malfitano is an American operatic soprano and opera director. Malfitano was born in New York City, the daughter of a ballet dancer mother, Maria Maslova, and a violinist father, Joseph Malfitano. She attended the High School of Music and Art and studied at the Frank Corsaro Studio and Manhattan School of Music, graduating in 1971. She often mentions that she was rejected from The Juilliard School.
The Bailiwick Repertory Theatre was a theater company in Chicago founded in 1982 that produced eclectic works. It staged productions at the Bailiwick Arts Center in the city's Lakeview neighborhood from 1995 until 2009. Productions include Biello & Martin's 1999 production of Fairytales/Breathe and the 2007 American premiere of Jerry Springer - The Opera.
The San Carlo Opera Company was the name of two different opera companies active in the United States during the first half of the twentieth century.
The Civic Opera Company (1922–1931) was a Chicago company that produced seven seasons of grand opera in the Auditorium Theatre from 1922 to 1928, and three seasons at its own Civic Opera House from 1929 to 1931 before falling victim to financial difficulties brought on in part by the Great Depression. The company consisted largely of the remnants of the Chicago Opera Association, a company that produced seven seasons of grand opera in the Auditorium Theatre from 1915 until its bankruptcy in 1921.
Two grand opera companies in Chicago, Illinois, have gone by the name Chicago Grand Opera Company during the first half of the 20th century. Like many opera ventures in Chicago, both succumbed to financial difficulties within a few years, and it wasn't until 1954 that a lasting company was formed in the city.
The Chicago Opera Company was a grand opera company in Chicago, organized from the remaining assets of the bankrupt Chicago City Opera Company, that produced six seasons of opera at the Civic Opera House from 1940 to 1946. Artistic directors included Carlo Peroni (1941–1942) and Fausto Cleva (1944–1946), and until 1945 Fortune Gallo was general manager. After the war, when consumer goods became more abundant and people spent less money on entertainment, interest in opera collapsed and the company went bankrupt. Rather than try to re-organize, the remaining assets were given to the largest creditor, the landlord of the Civic Opera House, Household Finance, who then paid off the other remaining creditors. After the final collapse of an opera company that had been re-organized five times, there was no resident Chicago opera company until the founding of the Lyric Opera in 1954. One of the original group of organizers was Max Rabinoff.
Chicago Opera Ballet was a Chicago dance company located in downtown Chicago and established in 1910.
The Metropolitan Opera House is a historic opera house located in Philadelphia, Pennsylvania. It has been used for many different purposes over its history. Now known as The Met, the theatre reopened in December 2018, after a complete renovation, as a concert venue. It is managed by Live Nation Philadelphia.
Gérald Isaac is a Canadian actor and tenor known for his performances in both operas and musicals. He has performed leading roles with the Canadian Opera Company, the Houston Grand Opera, the Lyric Opera of Chicago, the New York City Opera, Opera Atelier, and the San Francisco Opera. He has performed in musicals at the National Arts Centre, the Princess of Wales Theatre, and the Stratford Festival.
Myrna Docia Sharlow was an American soprano who had an active performance career in operas and concerts during the 1910s through the 1930s. She began her career in 1912 with the Boston Opera Company and became one of Chicago's more active sopranos from 1915–1920, and again in 1923–1924 and 1926–1927. She sang with several other important American opera companies during her career, including one season at the Metropolitan Opera. She made only a handful of opera appearances in Europe during her career, most notably singing in the English premiere of Riccardo Zandonai's Francesca da Rimini at Covent Garden in 1914. Her repertoire spanned a wide range from leading dramatic soprano roles to lighter lyric soprano fair and comprimario parts. She even performed a few roles traditionally sung by mezzo-sopranos or contraltos.
Crosby's Opera House (1865–1871) was an opera house in Chicago, Illinois, United States. It was founded by Uranus H. Crosby in 1865 with the goal of advancing the arts in Chicago by bringing opera to the city. The five-story building was designed by William W. Boyington and contained statues of painting, sculpture, music and commerce that welcomed visitors as they entered through the arch of the building. After holding only occasional performances, Crosby ran into many business difficulties that resulted in a decision to sell the building in 1866. The Crosby Opera House Art Association was formed to help Crosby sell the building by lottery. The lottery distributed over 210,000 tickets, awarding purchasers great works of art and even the building itself. After being sold back to Crosby by the lottery winner, A.H. Lee, the hall began producing more consistent performances. The opera house stood for less than six and a half years before it was destroyed in the Great Chicago Fire of 1871 and was never rebuilt.
References
- Davis, Ronald L., Opera in Chicago, Appleton, New York City, 1966.
- Marsh, Robert C. and Norman Pellegrini, 150 Years of Opera in Chicago, Northern Illinois University Press, Chicago, 2006.
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