A motion picture content rating system classifies films based on their suitability for audiences due to their treatment of issues such as sex, violence, or substance abuse, their use of profanity, or other matters typically deemed unsuitable for children or adolescents. Most countries have some form of rating system that issues determinations variously known as certifications, classifications, certificates, or ratings. Age recommendations, of either an advisory or restrictive capacity, are often applied in lieu of censorship; in some jurisdictions movie theaters may have a legal obligation to enforce restrictive ratings.
Video nasty is a colloquial term popularised by the National Viewers' and Listeners' Association (NVALA) in the United Kingdom to refer to a number of films, typically low-budget horror or exploitation films, distributed on video cassette that were criticised for their violent content by the press, social commentators, and various religious organisations in the early 1980s. These video releases were not brought before the British Board of Film Classification (BBFC) due to a loophole in film classification laws that allowed videos to bypass the review process. The resulting uncensored video releases led to public debate concerning the availability of these films to children due to the unregulated nature of the market.
The Lord Chamberlain of the Household is the most senior officer of the Royal Household of the United Kingdom, supervising the departments which support and provide advice to the Sovereign of the United Kingdom while also acting as the main channel of communication between the Sovereign and the House of Lords. The office organises all ceremonial activity such as garden parties, state visits, royal weddings, and the State Opening of Parliament. They also oversee the Royal Mews and Royal Travel, as well as the ceremony around the awarding of honours.
This article chronicles the history of British film certificates.
Censorship in the United Kingdom was at different times more or less widely applied to various forms of expression such as the press, cinema, entertainment venues, literature, theatre and criticism of the monarchy. While there is no general right to free speech in the UK, British citizens have a negative right to freedom of expression under the common law, and since 1998, freedom of expression is guaranteed according to Article 10 of the European Convention on Human Rights, as applied in British law through the Human Rights Act.
R18 is a film or video classification given by the British Board of Film Classification (BBFC). It is intended to provide a classification for works that do not breach UK law, but exceed what the BBFC considers acceptable in the 18 category. In practice, this means hardcore pornography.
The Licensing Act 1737 is a former Act of Parliament in the Kingdom of Great Britain, and a pivotal moment in British theatrical history. Its purpose was to control and censor what was being said about the British government through theatre. The act was repealed by the Theatres Act 1843, which was itself replaced by the Theatres Act 1968. The Lord Chamberlain was the official censor and the office of Examiner of Plays was created under the Act. The Examiner assisted the Lord Chamberlain in the task of censoring all plays from 1737 to 1968. The Examiner read all plays which were to be publicly performed, produced a synopsis and recommended them for licence, consulting the Lord Chamberlain in cases of doubt. The act also created a legal distinction between categories of "legitimate theatre" and "illegitimate theatre".
In Ireland, the state retains laws that allow for censorship, including specific laws covering films, advertisements, newspapers and magazines, as well as terrorism and pornography, among others. In the early years of the state, censorship was more widely enforced, particularly in areas that were perceived to be in contradiction of Catholic dogma, including abortion, sexuality and homosexuality. The church had banned many books and theories for centuries, listed in the Index Librorum Prohibitorum.
The Irish Film Classification Office (IFCO) is the organisation responsible for films, television programmes, and some video game classification and censorship within Ireland. Where restrictions are placed by the IFCO, they are legally binding.
Film censorship is the censorship of motion pictures, either through the excising of certain frames or scenes, or outright banning of films in their entirety. Film censorship typically occurs as a result of political or moral objections to a film's content; controversial content subject to censorship include the depiction of graphic violence, sexual situations, or racial themes. Censorship standards vary widely by country, and can vary within an individual country over time.
The Central Board of Film Certification (CBFC) is a statutory film-certification body in the Ministry of Information and Broadcasting of the Government of India. It is tasked with "regulating the public exhibition of films under the provisions of the Cinematograph Act 1952." The Cinematograph Act 1952 outlines a strict certification process for commercial films shown in public venues. Films screened in cinemas and on television may only be publicly exhibited in India after certification by the board and edited.
The history of fire safety legislation in the United Kingdom formally covers the period from the formation of the United Kingdom of Great Britain and Ireland in 1801 but is founded in the history of such legislation in England and Wales, and Scotland before 1708, and that of the Kingdom of Great Britain from 1707 to 1800.
The Theatres Act 1843 is a defunct Act of Parliament in the United Kingdom. It amended the regime established under the Licensing Act 1737 for the licensing of the theatre in Great Britain, implementing the proposals made by a select committee of the House of Commons in 1832.
In the United Kingdom, pornography is regulated by a variety of laws, regulations, judicial processes, and voluntary schemes. Pornographic material generally has to be assessed by regulators or courts to determine its legality. British censorship laws with regard to pornography have often been some of the most restrictive in Western Europe.
The British Board of Film Classification (BBFC), previously the British Board of Film Censors, is a non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray, and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification scheme, which was abandoned before being implemented.
The Film Classification Act, 2005 is a statute which governs motion picture and computer game ratings in the province of Ontario, Canada. The law also provides the legal basis for the activities of the Ontario Film Review Board. Prior to this, film censorship and classification in Ontario was mandated first by the Theatres and Cinematographs Act, 1911 then the Theatres Act, 1953.
The Broadcasting Authority of Ireland (BAI) is a former broadcasting authority which regulated both public and commercial broadcasting sector in Ireland.
Film censorship in the United States was a frequent feature of the industry almost from the beginning of the U.S. motion picture industry until the end of strong self-regulation in 1966. Court rulings in the 1950s and 1960s severely constrained government censorship, though statewide regulation lasted until at least the 1980s.
Film censorship in the United Kingdom began with early cinema exhibition becoming subject to the Disorderly Houses Act 1751. The Cinematograph Act 1909 was primarily concerned with introducing annual licensing of premises where films were shown, particularly because of the fire risk of nitrate film. After the Act began to be used by local authorities to control what was shown, the film industry responded by establishing a British Board of Film Censors (BBFC) in 1912, funded by an Incorporated Association of Kinematograph Manufacturers levy.
Paint Drying is a 2023 British experimental protest film that was produced, directed and shot by Charlie Shackleton. He created the film in 2016 to protest against film censorship in the United Kingdom and the sometimes-prohibitive cost to independent filmmakers which the British Board of Film Classification's (BBFC) classification requirement imposes. The film consists of 607 minutes of a static view of white paint drying on a brick wall. Shackleton made the film to force the BBFC to watch all ten hours to give the film an age rating classification. He initially shot 14 hours' worth of footage of paint drying in 4K resolution and opened a Kickstarter campaign to pay the BBFC's per-minute rate for a film as long as possible. It raised £5,936 from 686 backers. After reviewing the film, the BBFC rated it 'U' for 'Universal', indicating "no material likely to offend or harm". Paint Drying had its first public screening at the Queensland Art Gallery and Gallery of Modern Art in Brisbane, Australia, between 10–29 November 2023 as part of the Cinema Obstructed film exhibition—for which Shackleton was co-curator.
