A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for media such as live theatre, television and radio programs, and video games, and said music is typically referred to as either the soundtrack or incidental music.
Jerrald King Goldsmith was an American composer and conductor known for his work in film and television scoring. He composed scores for five films in the Star Trek franchise and three in the Rambo franchise, as well as for films including Logan's Run, Planet of the Apes, Tora! Tora! Tora!, Patton, Papillon, Chinatown, The Omen, Alien, Poltergeist, The Secret of NIMH, Medicine Man, Gremlins, Hoosiers, Total Recall, Air Force One, L.A. Confidential, Mulan, and The Mummy. He also composed the fanfares accompanying the production logos used by multiple major film studios, and music for the Disney attraction Soarin'.
Cliff Robert Martinez is an American musician and composer. Early in his career, Martinez was known as a drummer notably with the Red Hot Chili Peppers and Captain Beefheart. Since the 1990s, he has worked primarily as a film score composer, writing music for Spring Breakers, The Foreigner, and multiple films by Steven Soderbergh and Nicolas Winding Refn.
Elliot Goldenthal is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known for his distinctive style and ability to blend various musical styles and techniques in original and inventive ways. He won the Academy Award for Best Original Score in 2002 for his score to the motion picture Frida, directed by his longtime partner Julie Taymor.
The Mission is the soundtrack from the film of the same name, composed, orchestrated, conducted and produced by Ennio Morricone. The work combines liturgical chorales, native drumming, and Spanish-influenced guitars, often in the same track, in an attempt to capture the varying cultures depicted in the film. The main theme, "Falls", remains one of Morricone's most memorable pieces, and has been used in numerous commercials since its original release. The Italian song "Nella Fantasia" is based on the theme "Gabriel's Oboe" and has been recorded by multiple artists including, Sarah Brightman, Amici Forever, Il Divo, Russell Watson, Hayley Westenra, Jackie Evancho, Katherine Jenkins, Amira Willighagen and Yasuto Tanaka.
The avant-garde Alien 3: Original Motion Picture Soundtrack was written for the motion picture of the same name. Scored by Elliot Goldenthal, it was his first big mainstream score; he described it as an experiment and spent a whole year creating it.
Heat is the soundtrack album to the 1995 film Heat. The score is compiled mostly with Elliot Goldenthal's orchestrations although there are a variety of other artists featured including U2/Brian Eno project Passengers, Lisa Gerrard, Moby and Terje Rypdal.
Contagion is a 2011 American medical disaster thriller film directed by Steven Soderbergh. Its ensemble cast includes Matt Damon, Laurence Fishburne, Elliott Gould, Jude Law, Gwyneth Paltrow, Kate Winslet, Bryan Cranston, Jennifer Ehle, Sanaa Lathan, and Marion Cotillard. The plot concerns the spread of a highly contagious virus transmitted by respiratory droplets and fomites, attempts by medical researchers and public health officials to identify and contain the disease, the loss of social order as the virus turns into a worldwide pandemic, and the introduction of a vaccine to halt its spread. To follow several interacting plot lines, the film makes use of the multi-narrative "hyperlink cinema" style, popularized in several of Soderbergh's films.
Inception: Music from the Motion Picture is the soundtrack to the 2010 film of the same name directed by Christopher Nolan, released under Reprise Records on July 13, 2010. Hans Zimmer scored the film, marking his third collaboration with Nolan following Batman Begins and The Dark Knight.
Drive (Original Motion Picture Soundtrack) is the soundtrack album to the 2011 American film of the same name. Initially, Johnny Jewel was hired to compose the film's score, but producers ultimately hired Cliff Martinez to replace Jewel. The album consists of songs which is a blend of electronic, ambient and retro music.
Randy Miller is a Los Angeles-based film, television and media composer from Ellenville, New York.
The Grand Budapest Hotel: Original Soundtrack is the soundtrack album composed by Alexandre Desplat for the 2014 film The Grand Budapest Hotel directed by Wes Anderson. The 32-track album was released on March 4, 2014 through ABKCO Records, produced by Anderson along with music supervisor Randall Poster. Unlike their previous ventures, the soundtrack to this film did not feature contemporary pop hits due to the classical roots of the film's music.
Logan: Original Motion Picture Soundtrack is the score album to the 2017 film of the same name, featuring the Marvel Comics character Wolverine. It is the tenth installment in the X-Men film series and the third and final installment in the Wolverine trilogy following X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film is directed by James Mangold, and featured musical score composed by Marco Beltrami, having previously worked together in the predecessor.
The Wolverine (Original Motion Picture Soundtrack) is the soundtrack album to the 2013 superhero film of the same name, directed by James Mangold. Featuring the Marvel Comics character Wolverine, the film is the sixth installment in the X-Men film series, the second installment in the trilogy of Wolverine films after X-Men Origins: Wolverine (2009), and a spin-off/sequel to X-Men: The Last Stand (2006). The film's musical score is composed by Marco Beltrami, who previously scored Mangold's 3:10 to Yuma (2007).
The King's Speech (Original Motion Picture Soundtrack) is the soundtrack to the Academy Award-winning film The King's Speech, released by Decca Records on 22 November 2010. Alexandre Desplat composed the film's original music. The score consisted of minimalistic sounds created with piano and strings, and a limited orchestra with oboe and harp being used. It was recorded using old microphones from the EMI archives, used by the royal family, in order to create a vintage and dated sound. The minimalistic use of the music is used to describe Colin Firth's character, the future King George VI.
The Predator: Original Motion Picture Soundtrack is the score album to the 2018 film of the same name directed by Shane Black, who wrote the script with Fred Dekker, and is the fourth installment in the Predator franchise. The film is scored by Henry Jackman, the third composer to score for the franchise. Jackman also incorporated original themes composed by Alan Silvestri from the 1987 film. The album was released by Lakeshore Records digitally on September 28, 2018 and through physical formats on October 5, 2018.
Rise of the Guardians: Music From The Motion Picture is the score album to the 2012 of the same name, composed by Alexandre Desplat. The film marked Desplat's maiden score for a computer-animated film as well as his DreamWorks' film, not to be scored by either Hans Zimmer or his Remote Control Productions family of composers. The score was recorded at Abbey Road Studios and AIR Studios in London and features collaborations with London Symphony Orchestra and London Voices performing. In addition to Desplat's score, an original song "Still Dream" written by David Lindsay-Abaire and performed by soprano singer Renée Fleming, was featured in the film's end credits. Both Desplat's score and Fleming's original song was included in the film's score album, released by Varèse Sarabande on November 13, 2012 and received positive response praising Desplat's compositions.
Rise of the Planet of the Apes (Original Motion Picture Soundtrack) is the score album to the 2011 film Rise of the Planet of the Apes, a reboot of the Planet of the Apes film franchise. The film's original score is composed by Patrick Doyle, and was released by Varèse Sarabande on August 9, 2011.
The Hurt Locker (Original Motion Picture Soundtrack) is the soundtrack to the 2008 film of the same name. The film's original score is composed by Marco Beltrami and Buck Sanders, consisted of 12 cues from the film released as an album on June 23, 2009, by Lakeshore Records. The score received critical acclaim and won a nomination for Best Original Score at the 82nd Academy Awards. It marked Beltrami's second Academy Award-nomination after the critically acclaimed score for 3:10 to Yuma (2007).
World War Z: Music from the Motion Picture is the score album to the 2013 film of the same name directed by Marc Forster. Featuring original score composed by Marco Beltrami, the album featuring 11-tracks were released by Warner Bros. Records on June 18, 2013.
