Cumbi

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Tocapu. Textiles worn by the Inca elite consisting of geometric figures enclosed by rectangles or squares. All-tocapu-sin-BV.png
Tocapu. Textiles worn by the Inca elite consisting of geometric figures enclosed by rectangles or squares.

Cumbi (Qunpi, Qompi, Kumpi) was a fine luxurious fabric of the Inca Empire. Elites used to offer cumbi to the rulers, and it was a reserved cloth for Royalty. Common people were not allowed to use Cumbi. [1] Cumbi was a phenomenal textile art of Andean textiles. [2]

Contents

Structure

The fabric was a fine tapestry structure woven with superfine local cotton and wool fibers of Vicuña. The male weavers were using upright looms. [1]

Inca textiles

Textile production was the second best after agriculture in the Inca period. The strength was the raw material like alpaca and llama wool as well as indigenous cotton. Textile materials were classified into many categories, Chusi was the coarsest cloth used for blankets and rugs. [1] the closest to Cumbi are as following:

Awsaka

Awaska, a warp faced plain weave cloth with 120 thread counts for regular use like daily household goods. [1] [3] Awaska was for blankets and rugs, Awaska was coarse wool material from sheep or llama. [4]

Qunpi

Qunpi was a fine and delicate type than Awaska, divided further into two varieties

Cumbi was a valuable textile material; hence the material used was the finest wool from lamb. However, the richest version of the cloth was woven with Vicuña. [1] [4]

Use

Cumbi with Tokapu, a traditional decorative work, was exclusive to the Inca monarchy. After the deconstruction of the Inca state, the rules softened, and nobles were allowed to use the fabric. [5] Cumbi was used for Royal usages, e.g., various clothing items such as Uncu, attire for religious rituals. [3] [4] [6]

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Andean textiles Textile tradition indigenous to South America

The Andean textile tradition once spanned from the Pre-Columbian to the Colonial era throughout the western coast of South America, but was mainly concentrated in Peru. The arid desert conditions along the coast of Peru have allowed for the preservation of these dyed textiles, which can date to 6000 years old. Many of the surviving textile samples were from funerary bundles, however, these textiles also encompassed a variety of functions. These functions included the use of woven textiles for ceremonial clothing or cloth armor as well as knotted fibers for record-keeping. The textile arts were instrumental in political negotiations, and were used as diplomatic tools that were exchanged between groups. Textiles were also used to communicate wealth, social status, and regional affiliation with others. The cultural emphasis on the textile arts was often based on the believed spiritual and metaphysical qualities of the origins of materials used, as well as cosmological and symbolic messages within the visual appearance of the textiles. Traditionally, the thread used for textiles was spun from indigenous cotton plants, as well as alpaca and llama wool.

Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.

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Textile arts of indigenous peoples of the Americas

Textile arts of indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by native peoples of both North and South America.

Chuspas

A chuspas is a pouch that is used to carry coca and cocoa leaves, used primarily in the Andean region of South America. Both textiles and coca are very important to the people in Andean South America. These chuspas are a vital piece of culture and are especially important to combat the bitter cold in the mountainous zones of the Andes. These bags are also a way to showcase the cloth which in itself is a primary artistic medium. Highland textiles are traditionally woven from the hair of native camelids, usually the domesticated alpacas and llamas, and more rarely, wild vicuña and guanaco. These pouches are important symbols of social identity. As part of this tradition, chuspas show to the rest of their people how skilled they are in weaving. They can express their artistic skills and display their cultural affiliation by creating these chuspas.

Uncu A mens garment of the Inca Empire

Uncu (Unku) was a men's garment of the Inca Empire. It was an upper-body garment of knee-length; Royals wore it with a mantle cloth called ''yacolla.'' Women wore a long dress known as an anaku.

References

  1. 1 2 3 4 5 6 7 Stone-Miller, Rebecca (1994). To weave for the sun : ancient Andean textiles in the Museum of Fine Arts, Boston. Internet Archive. London : Thames and Hudson. pp. 51, 52. ISBN   978-0-500-27793-5.
  2. 1 2 "CTTC - Andean Textiles". www.textilescusco.org. Retrieved 2021-06-03.
  3. 1 2 3 Jr, James E. Seelye; Selby, Shawn (2018-08-03). Shaping North America: From Exploration to the American Revolution [3 volumes]. ABC-CLIO. p. 510. ISBN   978-1-4408-3669-5.
  4. 1 2 3 4 Cobo, Father Bernabe (2010-06-28). Inca Religion and Customs. University of Texas Press. p. 225. ISBN   978-0-292-78979-1.
  5. Dean, Carolyn (1999). Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru. Duke University Press. p. 124. ISBN   978-0-8223-2367-9.
  6. "The Andean Uncu". LACMA. Retrieved 2021-06-03.