Devotional song

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A devotional song is a hymn that accompanies religious observances and rituals. Traditionally devotional music has been a part of Hindu music, Jewish music, Buddhist music, Islamic music and Christian music.

Each major religion has its own tradition with devotional hymns. In Christianity, the devotional has been a part of the liturgy in Roman Catholicism, Lutheranism, the Greek Orthodox Church, the Russian Orthodox Church, and others, since their earliest days. A devotional is a part of the prayer service proper and is not, in these contexts, ornamentation. Within the Reformed tradition, church music in general was hotly debated; some Puritans objected to all ornament and sought to abolish choirs, hymns, and, inasmuch as liturgy itself was rejected, devotionals.

In Eastern and Near-Eastern religions, devotionals can function as communion prayer and meditation. These are sung in particular rhythms which are sustained over a prolonged period to give practitioners a mystical experience. In Hindu music, the genre arising out of the Bhakti movement (devotion), it takes forms like Bhajan, Kirtan and Aarti. [1] [2]

Kinds of devotional music

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<span class="mw-page-title-main">Hymn</span> Religious song for the purpose of adoration or prayer

A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Polyhymnia is the Greco/Roman goddess of hymns.

<span class="mw-page-title-main">Antiphon</span> Short chant in Christian ritual

An antiphon is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers.

<span class="mw-page-title-main">Religious music</span> Music intended for religious purpose

Religious music is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.

<span class="mw-page-title-main">Bhajan</span> Singing of poems or hymns in Indian traditions

Bhajan refers to any devotional song with a religious theme or spiritual ideas, specifically among Dharmic religions, in any language. The term bhajanam means reverence and originates from the root word bhaj, which means to revere, as in 'Bhaja Govindam' . The term bhajana also means sharing.

Bhakti is a term common in Indian religions which means attachment, fondness for, devotion to, trust, homage, worship, piety, faith, or love. In Indian religions, it may refer to loving devotion for a personal God, a formless ultimate reality or for an enlightened being. Bhakti is often a deeply emotional devotion based on a relationship between a devotee and the object of devotion.

A chant is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech. In the later Middle Ages some religious chant evolved into song.

<i>Kirtan</i> Musically recited story in Indian traditions

Kirtana, also rendered as Kirtan or Keertan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration or shared recitation, particularly of spiritual or religious ideas, native to the Indian subcontinent. A person performing kirtan is known as a kirtankara.

<i>Sanctus</i> Hymn in Christian liturgy

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<span class="mw-page-title-main">Church music</span> Christian music written for performance in church

Church music is Christian music written for performance in church, or any musical setting of ecclesiastical liturgy, or music set to words expressing propositions of a sacred nature, such as a hymn.

<span class="mw-page-title-main">Hindu music</span> Hindu art form

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<span class="mw-page-title-main">Hymns to Mary</span> Christian hymns focused on Mary, mother of Jesus

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<i>Sub tuum praesidium</i> Christian hymn and prayer

Beneath Thy Protection is an ancient Christian hymn and prayer. It is one of the oldest known Marian prayers and among the most ancient preserved hymns to the Blessed Virgin Mary that is still in use. Papyrus 470, containing a substantial portion of the prayer, was dated initially to the 3rd or 4th century; however later scholars proposed much later datings, even as far as the 9th century. The dating of the Papyrus remains uncertain. The hymn is well attested among the believers of the Catholic Church, the Eastern Orthodox Church and Oriental Orthodoxy.

<span class="mw-page-title-main">Novena</span> Devotional prayer in Christianity lasting nine days or weeks

A novena is an ancient tradition of devotional praying in Christianity, consisting of private or public prayers repeated for nine successive days or weeks. The nine days between the Feast of the Ascension and Pentecost, when the disciples gathered in the upper room and devoted themselves to prayer, is often considered to be the first novena.

Joseph J. Palackal, C.M.I. is an Indic musicologist, singer and composer, with special interests in the musical traditions of the Indian Christians and a Syro-Malabar Catholic priest. He is also the Founder-President of the Christian Musicological Society of India.

<span class="mw-page-title-main">Marian devotions</span> Christian religious practices concerning Mary

Marian devotions are external pious practices directed to the person of Mary, mother of God, by members of certain Christian traditions. They are performed in Catholicism, High Church Lutheranism, Anglo-Catholicism, Eastern Orthodoxy and Oriental Orthodoxy, but generally rejected in other Christian denominations.

<span class="mw-page-title-main">Namdev</span> Hindu Bhakti Saint from the medieval era

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<span class="mw-page-title-main">Benediction of the Blessed Sacrament</span> Roman Catholic and Anglo-Catholic churches display of the Eucharist

Benediction of the Blessed Sacrament, also called Benediction with the Blessed Sacrament or the Rite of Eucharistic Exposition and Benediction, is a devotional ceremony, celebrated especially in the Roman Catholic Church, but also in some other Christian traditions such as Anglo-Catholicism, whereby a bishop, a priest, or a deacon blesses the congregation with the Eucharist at the end of a period of adoration.

<span class="mw-page-title-main">Worship in Hinduism</span> Act of religious devotion usually directed to one or more Hindu deities

Worship in Hinduism is an act of religious devotion usually directed to one or more Hindu deities, invoking a sense of Bhakti or devotional love. This term is probably a central one in Hinduism, but a direct translation from the Sanskrit to English is difficult. Worship in Hinduism takes many forms, and its expression vary depending on geographical, linguistic, and cultural factors. Hindu worship is not limited to a particular place and Hindus perform worship in temples and within the home. It often incorporates personal reflection, music, dance, poetry, rituals, and ceremonies. Worship in Hinduism serves various purposes, including seeking blessings, guidance, or specific outcomes, as well as fostering a sense of inner peace and spiritual growth. It can also be an expression of devotion (bhakti) to the deity. The aim is to lead a pure life in order to progress spiritually and eventually attain liberation (moksha) from the cycle of rebirth.

References

  1. Saurabh Goswami; Selina Thielemann (2005). Music and Fine Arts in the Devotional Traditions of India: Worship Through Beauty. APH Publishing. pp. 2–10. ISBN   978-81-7648-811-2.
  2. Emmie te Nijenhuis (2011). Kīrtana: Traditional South Indian Devotional Songs: Compositions of Tyāgarāja, Muttusvāmi Dīkṣitar and Śyāma Śāstri. Brill Academic Pub. ISBN   978-90-04-20933-6.