Emery Theatre

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    The Emery Theatre, or Emery Auditorium, is a historic, acoustically exceptional [1] theater located in the Over-the-Rhine neighborhood of Cincinnati, Ohio. The building was constructed in 1911 as the home for a trade school (the Ohio Mechanics Institute), but its large auditorium was intended for public use. The design of the Emery Theatre is based on the "isacoustic curve" principles that were first proposed by John Scott Russell. [2] The theatre was built with two balconies and a total of 2,211 seats. It was one of the first concert halls in the United States to have no obstructed seats. [2]

    Contents

    The Emery was the home of the Cincinnati Symphony Orchestra, [2] who performed there from January 6, 1912 until 1936 when they moved to the larger Music Hall. [3] The quality of acoustics in the Emery Theatre is legendary. [2] The famous conductor Leopold Stokowski compared its acoustics to that of Carnegie Hall in New York City. [3] [4]

    Many world-renowned performing artists and Broadway stars have appeared at the Emery, including George Gershwin, John Philip Sousa, Bette Davis, Arturo Toscanini, Fritz Reiner, Katharine Cornell, and Russian ballet dancers Nijinsky and Anna Pavlova. [3] [5] Gershwin performed Rhapsody in Blue there with the Cincinnati Symphony Orchestra shortly after premiering it in New York City. [3]

    VenueSeating [3]
    Music Hall 3,400
    Aronoff Center 2,700
    Taft Theatre 2,400
    Emery Theatre~1,600
    Corbett Auditorium 900
    Memorial Hall 610

    The Emery Theatre fell into disuse around the turn of the 21st century, but historic restoration began early 2024 by The Children's Theater of Cincinnati. The restoration of the theatre will allow seating for approximately 1,600 guests including combining the segregated levels and making the theater ADA accessable for artist and viewer alike. [6]

    History

    Emery Theatre Cincinnati Emery Theatre Cincinnati.jpg
    Emery Theatre Cincinnati
    No-More-Peace-Poster.jpg
    Poster for the Cincinnati Federal Theatre production of Ernst Toller's No More Peace at the Emery Theatre (1936)
    The-Fortune-Teller-Poster.jpg
    Poster for the Federal Theatre Project and Federal Music Project production of The Fortune Teller at the Emery Theatre (1936)
    The Emery Theatre in the 1940's.jpg
    Photo of an attentive Emery crowd in the 1940s

    The Emery Theatre was the third in a series of four theatre-style concert halls whose design was derived from Adler and Sullivan's Auditorium Theatre in Chicago, and that were specifically built for the symphony orchestras of their respective cities. The four halls were Carnegie Hall in New York City (1892), Orchestra Hall in Chicago (1904), Emery Auditorium in Cincinnati (1911), and Orchestra Hall in Detroit (1919). Unlike its three sister halls, the Emery Theatre is not freestanding, but is part of a school building. The school was the Ohio Mechanics Institute (OMI), now known as the Ohio College of Applied Science.

    By the early 1900s, the OMI's need for a new and larger building was imperative. Preliminary plans were first made public in a promotional brochure, which appeared in the spring of 1906. This brochure showed a four-story building with a small stage, limited backstage facilities, and seating capacity of 1,280, which would have precluded its use by any large-scale theatrical or concert productions. However, outside influence was soon felt in the form of Mrs. Mary M. Emery's philanthropy.

    Initially, Mrs. Emery offered to fund only part of the project, but OMI Superintendent John L. Shearer induced her to take on the entire cost of the project and make the whole building a memorial to her husband. Mrs. Emery only asked that the auditorium be "so constructed as to be serviceable for public and private lectures, entertainments, symphony and other concerts. May Festival rehearsals, and for such other entertainment as in the judgement of the Trustees of your institution may be proper." She avoided mention of the Cincinnati Symphony Orchestra, which she hoped would be the new hall's main tenant. [7]

    Thanks to new management and a need for a smaller concert hall, the CSO eventually made Emery Theatre its home. The original plan for 1,500 seats would not, however, be enough. A second balcony was added, and the final design helped to make the Emery the first concert hall in the United States to have no obstructed seats.

    Design

    Adler's design helped the structural engineer Harvey Hannaford, Jr, grandson and partner in Samuel Hannaford and Sons, with the design problems of the Emery Auditorium. Adler used the principle of the "isacoustic curve" first described by John Scott Russell in 1836 not only to calculate the best placement of the Auditorium's main floor and its three balconies, but also to design a series of terraced ellipses that form the ceiling in the front part of the hall. These ellipses helped direct sound evenly throughout the hall. They serve the added function of lessening the overall volume so sound in this large hall is not boomy or cavernous but still resonant, especially for the audience in the second and third balconies.

    The final 1911 Emery Auditorium design is derived from the 1909 design. Hannaford made the ellipse shallower, shifted the three coffered ceiling segments toward the stage, and added in the back of the hall a smooth ceiling which is rounded in the front. The ellipse was now the same as Music Hall's ellipse.

    The two massive balconies are the most wonderful structural aspects of the 1911 design. Viewed from the stage, the balconies appear to be strung effortlessly between the walls of the hall. Their "secret" lies in two I-beams of structural steel, one for each balcony, over eighty-nine feet long and weighing thirty-three tons each, running the width of the hall. The balconies rest largely on these beams. The beam for the second balcony is tied directly into the back pair of the hall's four main support columns. The anchorage for the lower balcony's beam is less obvious. It appears to float above the main floor because it enters the walls immediately above two sets of exit doors. Actually, it is riveted at both ends into plate girders that span the doors like lintels, and which are in turn attached to the support columns. These plate girders are completely covered over by masonry. An intricate system of cantilever trusses extends out from these I-beams to form the front part of the balconies. This method of balcony construction was relatively new in 1910 and had, to the author's knowledge, never been used in a concert hall in the United States prior to the Emery Auditorium. Its use in two balconies adds further precedent to the Emery's design.

    In regard to acoustics, Leopold Stokowski commented on the hall's excellent combination of clarity and blend, and the effective increase in the orchestra's power. Individual instrumental colors could now be heard with greater resolution because of the greater logistical intimacy between audience and orchestra, and because the hall's shape and dimensions created a less diffuse sound, while at the same time creating resonance which blended the clearer, more powerful sound into a well-balanced whole. Unfortunately, we have no record of the Cincinnati Symphony Orchestra's sound in the Emery, as they made no commercial recordings and no radio broadcast transcription disks are known to exist from the period the orchestra performed there.

    Timeline of ownership

    1911 — Theatre built as part of the Ohio Mechanics Institute trade school building.

    1969 The University of Cincinnati gains ownership of the building that houses both the Emery Theatre and the Emery Center Apartments after OMI-CAS (Ohio College of Applied Science) becomes incorporated into UC. [3]

    1977–1999 —The American Theatre Organ Society managed the theatre and reduced the seating capacity to 1,360 by closing the second balcony to the public. [8] During this period, silent, sound, and 3D films were shown during the weekends, and organ concerts were performed several times each year. [9]

    1988 —OMI-CAS moves to Edgecliff Campus, and the non-theatre classroom portion of the building sits vacant. [3] The University of Cincinnati remains the owner of the building.

    1988 —The non-profit Emery Center Corporation (ECC) is created to promote the restoration and sustainable operation of the Emery Theatre. The ECC still maintains the lease for the auditorium portion of the building today.

    2001— The Emery Center Apartments Limited Partnership (ECALP) leases the building (excluding the theatre) from UC in order to redevelop the building into market-rate rental apartments and commercial spaces. [3] The theatre portion of the building remains in need of major renovation and continues to be unused.

    Recent community use of the theatre

    Despite the theatre's condition, temporary occupancy permits have been obtained over the past several years to allow the following activities:

    Past revival efforts

    Current state

    The theatre is not currently used, as significant funding and renovations would be required for an occupancy permit. The non-profit Emery Center Corporation (ECC), formed in 1989, holds the sublease to the theatre. In May 2019, a study commissioned by the University of Cincinnati concluded that the Emery Theater was beyond repair. UC's board of trustees voted to market and sell the building. [19]

    In 2023 the building has begun purchase processes by The Children's Theatre of Cincinnati. Hoping to complete the process by October 2023, and start renovations in November with an estimated 15 months renovation people ending in 2025. The planned cost is around $43 million. [20]

    Notes

    1. Perry Brothers (February 2, 1999). "Emery Theater may regain glint". The Cincinnati Enquirer . Retrieved December 16, 2008.
    2. 1 2 3 4 Howes, Robert (Fall 1988). "Not a Bad Seat in the House: A Design History of Cincinnati's Emery Theatre". Queen City Heritage. 46 (3): 51–61.
    3. 1 2 3 4 5 6 7 8 "$3 Million Projected to Reopen the Emery Theatre" (press release). Emery Center Corporation. October 29, 2008. Archived from the original on January 15, 2010. Retrieved June 22, 2018.
    4. Gelfand, Janelle (August 31, 1999). "Emery fix-up in the wings : Team works to bring 1911 gem into the 21st century". The Cincinnati Enquirer. Retrieved July 10, 2008.
    5. Lewin, Naomi (September 5, 2007). "Rehabbed Emery Theatre Offers Sighs Over Size". Cincinnati CityBeat . Retrieved July 26, 2009.
    6. Marklay, Chloe (January 30, 2024). "The Children's Theater of Cincinnati plans to restore and reinvent the Emery Theater". local12 . Archived from the original on January 30, 2024. Retrieved May 1, 2024.
    7. Howes, Robert (1988). "History of Emery". Journal of the Cincinnati Historical Society 46 (3): 51–61.
    8. Brady, Lilia F. (June 1983). "Alternative Cinema". Cincinnati Magazine: A–28.
    9. Kuettner, Al (Feb/Mar 1978). "Emery Theatre Organ Dedicated". Theatre Organ: 43–44.
    10. Stone, Kyle (November 20, 2012). "Sisson, Ohs tell of transformation in 'I Send You This Place'". Soapbox Cincinnati. soapboxmedia.com. Retrieved 2018-06-22.
    11. "I Send You This Place". The Emery (blog post). The Requiem Project. info.emerytheatre.com. November 26, 2012. Archived from the original on December 24, 2013.
    12. Wilson, Michael. "Emery Theatre Requiem Project". Michael Wilson (website). michaelwilson.pictures. Retrieved 2018-06-20.
    13. "The Emery Sessions". Cincinnati Recording Service. Via YouTube. Retrieved 2018-06-20.
    14. Gelfand, Janelle (March 5, 1997). "Group hopes to revitalize landmark". Cincinnati Enquirer. Retrieved June 22, 2018.
    15. Demaline, Jackie (February 20, 2000). "Rehabbed Emery would fill gap". The Cincinnati Enquirer. Retrieved December 16, 2008.
    16. Cinema Treasures. Retrieved 5 March 2011.
    17. "Recent Events: Save the Emery, July 26th". Give Back Cincinnati. givebackcincinnati.com. Archived from the original on September 17, 2008. Retrieved June 22, 2018.
    18. "UC studying Emery Theatre building sale". Cincinnati.com. Retrieved September 4, 2018.
    19. Murphy, Kate. "Emery Theatre 'beyond repair,' so UC will sell Over-the-Rhine venue". Cincinnati Enquirer. Retrieved April 26, 2019.
    20. Weingartner, Tana. "The Children's Theatre of Cincinnati aims to restore neglected Emery Theatre". WVXU NPR.

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