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Daniel-Henry Kahnweiler was a German-born art collector, and one of the most notable French art dealers of the 20th century. He became prominent as an art gallery owner in Paris beginning in 1907 and was among the first champions of Pablo Picasso, Georges Braque and the Cubist movement in art.
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Léonce Rosenberg was an art collector, writer, publisher, and one of the most influential French art dealers of the 20th century. His greatest impact was as a supporter and promoter of the cubists, especially during World War I and in the years immediately after.
La Femme aux Phlox, also known as Woman with Phlox or Woman with Flowers, is an oil painting created in 1910 by the French artist and theorist Albert Gleizes (1881–1953). The painting was exhibited in Room 41 at the Salon des Indépendants in the Spring of 1911 ; the exhibition that introduced Cubism as a group manifestation to the general public for the first time. The complex collection of geometric masses in restrained colors exhibited in Room 41 created a scandal from which Cubism spread throughout Paris, France, Europe and the rest of the world. It was from the preview of the works by Gleizes, Jean Metzinger, Henri Le Fauconnier, Robert Delaunay, and Fernand Léger at the 1911 Indépendants that the term 'Cubism' can be dated. La Femme aux Phlox was again exhibited the following year at the Salon de la Section d'Or, Galerie La Boétie, 1912. La Femme aux Phlox was reproduced in The Cubist Painters, Aesthetic Meditations by Guillaume Apollinaire, published in 1913. The same year, the painting was again revealed to the general public, this time in the United States, at the International Exhibition of Modern Art, New York, Chicago, and Boston. The work is now in the Museum of Fine Arts, Houston, Gift of the Esther Florence Whinery Goodrich Foundation in 1965.
Passy, Bridges of Paris, also called Les ponts de Paris (Passy), or Paysage à Passy, is a painting created in 1912 by the French artist, theorist and writer Albert Gleizes. The work was exhibited at the Salon de la Société Normande de Peinture Moderne, Rouen, 1912 (titled Passy); the Salon de la Section d'Or, Galerie La Boétie, Paris, 1912 (titled Passy); Manes Moderni Umeni, Vystava, Prague, 1914 (titled Paysage à Passy); and Galerie Der Sturm, Berlin, July, 1914.
Daniel J. Robbins was an American art historian, art critic, and curator, who specialized in avant-garde 20th-century art and helped encourage the study of it. Robbins' area of scholarship was on the theoretical and philosophical origins of Cubism. His writings centered on the importance of artists such as Albert Gleizes, Jean Metzinger, Henri Le Fauconnier and Jacques Villon. He was a specialist in early Modernism, writing on Salon Cubists and championed contemporaries such as Louise Bourgeois and the Color Field painters. Art historian Peter Brooke referred to Robbins as "the great pioneer of the broader history of Cubism".
Les Peintres Cubistes, Méditations Esthétiques, is a book written by Guillaume Apollinaire between 1905 and 1912, published in 1913. This was the third major text on Cubism; following Du "Cubisme" by Albert Gleizes and Jean Metzinger (1912); and André Salmon, Histoire anecdotique du cubisme (1912).
Crystal Cubism is a distilled form of Cubism consistent with a shift, between 1915 and 1916, towards a strong emphasis on flat surface activity and large overlapping geometric planes. The primacy of the underlying geometric structure, rooted in the abstract, controls practically all of the elements of the artwork.
Bernice Harriet Rose was an American art historian and curator.
References
- ↑ Braun, Emily (16 January 2018). "Emily Braun- Department of Art and Art History". Department of Art and Art History - Hunter College, City University of New York. Retrieved April 6, 2022.
- ↑ "Cubism | Yale University Press". yalebooks.yale.edu.
- ↑ Maloney, Jennifer (May 23, 2013). "The Secret Behind Lauder's Gift". Wall Street Journal– via www.wsj.com.
- 1 2 3 "Emily Braun, The Center for the Humanities". Center for the Humanities, The Graduate Center, City University of New York. Retrieved April 6, 2022.
- ↑ Wohl, Robert. "Heart of Darkness: Modernism and Its Historians." The Journal of Modern History 74, no. 3 (2002): 573-621. Accessed May 3, 2020. doi:10.1086/345112.
- ↑ "The Leonard A. Lauder Research Center for Modern Art". The Metropolitan Museum of Art. Retrieved 2022-04-06.
- ↑ "The Dedalus Foundation". www.dedalusfoundation.org.
- ↑ Mishan, Ligaya (June 22, 2015). "Emily Braun's Birds Guide Guests to Their Perches". The New York Times.
- ↑ Vogel, Carol (October 10, 2014). "A Collector's Personal Perspective". The New York Times.
- ↑ Vogel, Carol (April 9, 2013). "A Billion-Dollar Gift Gives the Met a New Perspective (Cubist)". The New York Times.
