First National Pictures

First National Pictures

Formerly	First National Exhibitors' Circuit (1917–1919) Associated First National Pictures, Inc. (1919–1924) First National Pictures, Inc. (1924–1936)
Industry	Motion picture exhibition, distribution and production
Founded	1917;107 years ago (1917)
Founders	Thomas L. Tally J. D. Williams
Defunct	July 12, 1936;87 years ago (1936-07-12) (closing all 133 liquidation process)
Successors	Studio: Warner Bros. Pictures Library: Warner Bros. (through Turner Entertainment Co.) Public domain (pre-1929)
Headquarters	United States
Products	Motion pictures, film distribution
Parent	Independent (1917–1928) Warner Bros. (1928–1936)

First National Pictures was an American motion picture production and distribution company. It was founded in 1917 as First National Exhibitors' Circuit, Inc., an association of independent theatre owners in the United States, and became the country's largest theater chain. Expanding from exhibiting movies to distributing them, the company reincorporated in 1919 as Associated First National Theatres, Inc. and Associated First National Pictures, Inc.

In 1924 it expanded to become a motion picture production company as First National Pictures, Inc., and became an important studio in the film industry. In September 1928, control of First National passed to Warner Bros., into which it was completely absorbed on November 4, 1929.

A number of Warner Bros. films were thereafter branded First National Pictures until July 1936, when First National Pictures, Inc., was dissolved. ^[1]

Early history

Thomas L. Tally (1915)

J. D. Williams (1921)

Poster for A Dog's Life (1918), Charlie Chaplin's first film under his $1 million contract with First National

First National Pictures studios in Burbank, California (c. 1928)

The First National Exhibitors' Circuit was founded in 1917 by the merger of 26 of the biggest first-run cinema chains in the United States. It eventually controlled over 600 cinemas, more than 200 of them first-run houses (as opposed to the less lucrative second-run or neighbourhood theatres to which films moved when their initial box office receipts dwindled).

First National was the brainchild of Thomas L. Tally, who was reacting to the overwhelming influence of Paramount Pictures, which dominated the market. In 1912, he thought that a conglomerate of theatres throughout the nation could buy or produce and distribute its own films. In 1917 Tally and J. D. Williams formed First National Exhibitors' Circuit. ^[2]

The first film released through First National was the 1916 British film The Mother of Dartmoor .^{[ citation needed ]} Between 1917 and 1918, the company made contracts with Mary Pickford and Charlie Chaplin, the first million-dollar deals in the history of film. ^[3]

Chaplin's contract allowed him to produce his films without a set release schedule. However, the production of the feature film The Kid ran so long that the company started to complain.

To address their concerns, Chaplin invited the exhibitors to the studio, and they were so impressed by the project and charmed by the players, especially co-star Jackie Coogan, that they agreed to be patient. That patience was ultimately rewarded when The Kid became a major critical and box office success. ^[4]

First National's distribution of films by independent producers is credited with launching careers including that of Louis B. Mayer. ^[5]

First National Exhibitors' Circuit was reincorporated in 1919 as Associated First National Pictures, Inc., and its subsidiary, Associated First National Theatres, Inc., with 5,000 independent theater owners as members. ^{[6] [7]}

Associated First National Pictures expanded from only distributing films to producing them in 1924 and changed its corporate name to First National Pictures, Inc. ^[8] It built its 62-acre (25 ha) studio lot in Burbank in 1926. ^[9] The Motion Picture Theatre Owners of America and the Independent Producers' Association declared war in 1925 on what they termed a common enemy—the "film trust" of Metro-Goldwyn-Mayer, Paramount, and First National, which they claimed dominated the industry not only by producing and distributing motion pictures but also by entering into exhibition as well. ^[10]

Acquisition by Warner Bros.

First National Pictures advertisement in The Film Daily, 1926

The financial success of The Jazz Singer and The Singing Fool enabled Warner Bros. to purchase a majority interest in First National in September 1928. Warner Bros. held 42,000 shares of common stock out of 72,000 outstanding shares while Fox Pictures held 21,000 shares; 12,000 shares were publicly held. ^[11] Warner Bros. acquired access to First National's affiliated chain of theatres, while First National acquired access to Vitaphone sound equipment. Warner Bros. and First National continued to operate as separate entities.^{[ citation needed ]}

On November 4, 1929, Fox sold its interest in First National to Warner Bros. for $10 million. ^{[12] [13] : 66} The First National studio in Burbank became the official home of Warner Bros.–First National Pictures. Thereafter, First National Pictures became a trade name for the distribution of a designated segment of Warner Bros. product. 45 of the 86 Warner Bros. feature films released in 1929 were branded as First National Pictures. ^{[13] : 66} Half of the 60 feature films Warner Bros. announced for release in 1933–1934 were to be First National Pictures. ^[14]

Although both studios produced "A" and "B" budget pictures, generally the prestige productions, costume dramas, and musicals were made by Warner Bros., while First National specialized in modern comedies, dramas, and crime stories. Short subjects were made by yet another affiliated company, The Vitaphone Corporation (which took its name from the sound process).

In July 1936, stockholders of First National Pictures, Inc. (primarily Warner Bros.) voted to dissolve the corporation and distribute its assets among the stockholders in line with a new tax law which provided for tax-free consolidations between corporations. ^[15] Although the 1939 release, Confessions of a Nazi Spy, was released as a First National Picture.

From 1929 to 1958, most Warner Bros. films and promotional posters bore the trademark and copyright credits "A Warner Bros.–First National Picture" in their opening and closing sequences. ^[16]

Filmography

Main article: List of First National Pictures films

See also

• United States v. Paramount Pictures, Inc.

References

1. Geduld, Harry (1975). The Birth of the Talkies - From Edison to Jolson. Bloomington, Indiana: Indiana University Press. ISBN   0253107431 . Retrieved January 21, 2023.
2. "Collection Guide for First National Pictures". Online Archive of California. Retrieved 26 October 2022.
3. Zukor, Adolph (1954). The Public Is Never Wrong. London: Cassell and Co. Ltd London. p. 139.
4. Kevin Brownlow, David Gill (1983). Unknown Chaplin: The Great Director (Television production). Thames Television.
5. "J. D. Williams, Film Pioneer, Dies". The New York Times . August 29, 1934. Retrieved 2015-12-28.
6. "New Incorporations", The New York Times , November 18, 1919, p. 25.
7. "Picture Plays and People", The New York Times, February 1, 1920, p. XX4.
8. "New Incorporations", The New York Times, May 6, 1924, p. 36.
9. "First National Properties", The Wall Street Journal , May 21, 1926, p. 16.
10. "Theatre Owners Open War on Hays", The New York Times, May 12, 1925, p. 14.
11. "Warner Buys First National", The Wall Street Journal, September 27, 1928, p. 3.
12. "Fox Holdings in First National Pictures Sold", The Washington Post , November 4, 1929, p. 3.
13. Hirschhorn, Clive (1979). The Warner Bros. Story. New York: Crown Publishers. ISBN   0-517-53834-2.
14. "Warners to Issue 60 Feature Films". The New York Times . August 2, 1933. Retrieved 2015-12-27.
15. "Film Concern Dissolves", The New York Times, July 12, 1936, p. F1.
16. American Film Institute Catalog of Motion Pictures, volumes F4 and F5.

External links

• Warner Bros. Archives at the University of Southern California School of Cinematic Arts
• The Lost Films of First National Pictures — in Lost Film Files by Arne Andersen.