Drum and bass is a genre of electronic dance music characterised by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.
Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos.
Dangdut is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic and to lesser extent, Malay, Javanese, Sundanese and local folk music. Dangdut is the most popular musical genre in Indonesia and very popular in other Maritime Southeast Asian countries as well because of its melodious instrumentation and vocals. Dangdut features a tabla and gendang beat.
Hardstyle is an electronic dance genre that emerged in the late 1990s, with origins in the Netherlands, Belgium and Italy. Hardstyle mixes influences from techno, new beat and hardcore.
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high tempo used. Speedcore beats per minute (BPM) is usually classified when a song is around 200+ BPM, but it can vary.
Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and Northern England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.
Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. The use of disco strings are also common in the genre, although not always. Funky house uses specific techniques and a specific sound, characterized by bassline, swooshes, swirls and other synthesized sounds which give the music a bouncy tempo with around 128 BPM.
Baltimore Club, also called B'more Club, B'more House or simply B'more, is a music genre that fuses breakbeat and house. It was created in Baltimore, Maryland in the early to late 1990s by 2 Live Crew's Luther Campbell, Frank Ski, and DJ K-Swift, among others.
Funk carioca, also known as favela funk, in other parts of the world as baile funk and Brazilian funk, or even simply funk, is a hip hop-influenced music genre from Rio de Janeiro, blending the rap subgenres of Miami bass and gangsta rap. Despite its name, funk carioca has no musical correlation with the American funk by any means.
"Funky Worm" is a song by American funk group the Ohio Players, from their album Pleasure. It peaked at number one on the U.S. Billboard R&B chart in 1973 and also peaked at number fifteen on the Billboard Hot 100. Billboard ranked it as the No. 84 song for 1973.
Moombahton is an electronic dance music genre, derived from house music and reggaeton, that was created by American DJ and producer Dave Nada in Washington, D.C., in 2009. Nada coined the name as a portmanteau of "Moombah" and reggaeton.
Footwork, also called juke, footwork/juke or Chicago juke, is a genre of electronic dance music derived from ghetto house with elements of hip hop, first appearing in Chicago in the late 1990s. The music style evolved from the earlier, rapid rhythms of ghetto house, a change pioneered by RP Boo. It may draw from the rapid rhythms and sub-bass frequencies of drum & bass. Tracks also frequently feature heavily syncopated samples from rap, pop and other sources, and are often around 160 bpm.
Daniel Douglas Orlando, also known as Funkefeller, is an Electro House producer from Phoenix, Arizona. Funkefeller has a computer science background and portrays the Funkefeller identity as a mad scientist. When playing live, Funkefeller can be found in full costume with an extensive amount of gear on stage. His shows are combined with a large plethora of visual effects that seem to have come from a science lab gone haywire.
Mendadak Dangdut is a 2006 Indonesian musical comedy-drama film directed by Rudy Soedjarwo and written by Monty Tiwa. Starring Titi Kamal, Kinaryosih, and Dwi Sasono, it details the rise and fall of an alternative rock-turned-dangdut singer and her sister-cum-manager.
Maulidia Octavia, known professionally as Via Vallen, is an Indonesian dangdut singer. Her stage name, "Vallen", is taken from Evanescence's first album Fallen.
Koplo or dangdut koplo is a subgenre of dangdut, Indonesian popular dance & folk music, that originated in East Java during the early 2000s. The genre gets its name from the slang term "koplo" which refers to a hallucinogenic drug that is sold cheaply in Indonesia. Dangdut koplo is played at a faster tempo than the standard dangdut music and said to make listeners "feel high" thus gives the same effect of consuming koplo pills. Koplo also differs musically from the regular dangdut in the dominant role of the drummer, which plays more complex drum patterns.
Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.
