The Shadows of Knight were an American rock band from Chicago, Illinois, that played a version of British blues influenced by their native city. When they began recording in 1965, the band's self-description was "the Stones, Animals and the Yardbirds took the Chicago blues and gave it an English interpretation. We've taken the English version of the Blues and re-added a Chicago touch," to which rock critic Richie Unterberger commented: "The Shadows of Knight's self-description was fairly accurate."
Them were a Northern Irish rock band formed in Belfast, Northern Ireland, in April 1964, most prominently known for their 1964 garage rock standard "Gloria" and launching Van Morrison's musical career. The original five-member band consisted of Morrison, Alan Henderson, Ronnie Milling, Billy Harrison, and Eric Wrixon.
The Beau Brummels were an American rock band. Formed in San Francisco in 1964, the band's original lineup included Sal Valentino, Ron Elliott, Ron Meagher, Declan Mulligan, and John Petersen (drums). They were discovered by local disc jockeys who were looking to sign acts to their new label, Autumn Records, where Sylvester Stewart—later known as Sly Stone—produced the group's early recording sessions. Initially, the band's musical style blended beat music and folk music and typically drew comparisons to the Beatles, while their later work incorporated other music genres such as psychedelic rock and country rock.
"From Me to You" is a song by the English rock band the Beatles that was released in April 1963 as their third single. It was written by John Lennon and Paul McCartney. The song was the Beatles' first number 1 hit on what became the official UK singles chart but the second, after "Please Please Me", on most of the other singles charts published in the UK at the time. "From Me to You" failed to make an impact in the United States at the time of its initial release. Instead, a 1963 cover version released by Del Shannon resulted in the song's becoming the first Lennon–McCartney track to enter the US pop charts. The Beatles' original was re-released in the US in January 1964 as the B-side to "Please Please Me", and reached number 41.
"Brown Eyed Girl" is a song by Northern Irish singer and songwriter Van Morrison. Written by Morrison and recorded in March 1967 for Bang Records owner and producer Bert Berns, it was released as a single in June of the same year on the Bang label, peaking at No. 10 on the Billboard Hot 100. The song spent a total of sixteen weeks on the chart. It featured the Sweet Inspirations singing back-up vocals and is considered to be Van Morrison's signature song.
"Stop! In the Name of Love" is a 1965 song recorded by the Supremes for the Motown label.
"Summertime Blues" is a song co-written and recorded by American rock artist Eddie Cochran. It was written by Cochran and his manager Jerry Capehart. Originally a single B-side, it was released in August 1958 and peaked at number 8 on the Billboard Hot 100 on September 29, 1958, and number 18 on the UK Singles Chart. It has been covered by many artists, including being a number-one hit for country music artist Alan Jackson, and scoring notable hits in versions by Blue Cheer, the Who and Brian Setzer, the last of whom recorded his version for the 1987 film La Bamba, in which he portrayed Cochran.
"For What It's Worth " is a song written by Stephen Stills. Performed by Buffalo Springfield, it was recorded on December 5, 1966, released as a single on Atco Records in December 1966 and peaked at No. 7 on the Billboard Hot 100 chart in the spring of 1967.
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 pop singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when The Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
"Hold Me, Thrill Me, Kiss Me" is a song written by Harry Noble and originally performed by Karen Chandler in 1952. It has been re-recorded several times since then, the most notable covers being by Mel Carter in 1965 and Gloria Estefan in 1994.
"River Deep – Mountain High" is a song by Ike & Tina Turner released on Philles Records as the title track to their 1966 studio album. Produced by Phil Spector and written by Spector, Jeff Barry and Ellie Greenwich. Rolling Stone ranked "River Deep – Mountain High" No. 33 on their list of the 500 Greatest Songs of All Time. NME ranked it No. 37 on their list of the 500 Greatest Songs of All Time. The Rock and Roll Hall of Fame added it to the list of the 500 Songs That Shaped Rock and Roll. The song was inducted into the Grammy Hall of Fame in 1999.
"Tumbling Dice" is a song by the English rock band the Rolling Stones. It was released worldwide as the lead single from the band's 1972 double album Exile on Main St. on 14 April 1972 by Rolling Stones Records. A product of Mick Jagger and Keith Richards' songwriting partnership, the song contains a blues and boogie-woogie-influenced rhythm that scholars and musicians have noted for its unusual tempo and groove. The lyrics are about a gambler who cannot remain faithful to any woman.
"Here Comes the Night" is a 1964 song, written by Bert Berns. It became a hit for Northern Irish band Them, fronted by Van Morrison, in March 1965, charting at No. 2 in the UK and No. 24 in the US. Them's single is listed at either No. 33 or No. 36 in the Top 100 best-selling UK singles during the calendar year 1965, depending on source.
"Don't Wanna Lose You" is a song by Cuban-American singer-songwriter Gloria Estefan, released on June 21, 1989 as the first single by Epic Records from her debut solo album, Cuts Both Ways (1989). The song is written by Estefan and produced by her husband, Emilio Estefan, Jr. It reached number one in the US, where it became her second number-one single on the US Billboard Hot 100 and was also certified Gold.
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.
"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs. Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream.
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.
"Tell It Like It Is" is a song written by George Davis and Lee Diamond and originally recorded and released in 1966 by Aaron Neville. In 2010, the song was ranked No. 391 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
This is the discography of Northern Irish singer Van Morrison.
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded October 26, 1961. Although it became a blues standard, music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992.
