Help! | ||||
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Studio album by | ||||
Released | 6 August 1965 | |||
Recorded | 15 February – 17 June 1965 | |||
Studio | EMI, London | |||
Genre | ||||
Length | 33:44 | |||
Label | Parlophone | |||
Producer | George Martin | |||
The Beatles chronology | ||||
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The Beatles North American chronology | ||||
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Singles from Help! | ||||
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Help! is the fifth studio album by the English rock band the Beatles and the soundtrack to their film of the same name. It was released on 6 August 1965 by Parlophone. Seven of the fourteen songs,including the singles "Help!" and "Ticket to Ride",appeared in the film and take up the first side of the vinyl album. The second side includes "Yesterday",the most-covered song ever written. [3] The album was met with favourable critical reviews and topped the Australian,German,British and American charts.
During the recording sessions for the album,the Beatles continued to explore the studio's multitracking capabilities to layer their sound. "Yesterday" features a string quartet,the band's first use of Baroque sensibilities,and "You've Got to Hide Your Love Away" includes a flute section. The North American release is a true soundtrack album,combining the first seven songs with instrumental music from the film. The omitted tracks are instead spread across the Capitol Records LPs Beatles VI , Rubber Soul and Yesterday and Today .
In the US,Help! marked the start of artistic recognition for the Beatles from mainstream critics,including comparisons to the European art music tradition. It was nominated in the category of Album of the Year at the 1966 Grammys Awards,marking the first time that a rock band had been recognised in this category. In 2000,it was voted 119th in the third edition of Colin Larkin's book All Time Top 1000 Albums . In 2020,it was ranked 266th on Rolling Stone magazine's list of the "500 Greatest Albums of All Time". In September 2013,after the British Phonographic Industry changed its sales award rules,Help! was certified platinum for recorded sales since 1994. [4]
In 1964,the Beatles appeared in their first feature film, A Hard Day's Night . Despite initial skepticism,reviews were near universal in their acclaim,elevating the Beatles' prestige as artists. [5] With the aim of making one film a year, [6] work began on a second Beatles picture for 1965 release. It would once again be directed by Richard Lester and produced by Walter Shenson,but written by Marc Behm and Charles Wood instead of Alun Owen. [7] It was given the working title Eight Arms to Hold You,one of Ringo Starr's "Ringoisms"; [7] the name stuck until early April, [8] long enough to even appear on the US "Ticket to Ride" single, [9] but John Lennon and Paul McCartney presumed it would be too difficult to write a compelling song with that title,so Help! was chosen instead. [10]
Following their 1964 Christmas shows,the Beatles took a month's break before starting to record the Help! album. [11] The sessions were held at EMI Recording Studios (now Abbey Road Studios) and were produced by George Martin,who was assisted at various times by engineers Norman Smith,Ken Scott,Phil McDonald,Jerry Boys,Ron Pender,Malcolm Davies,and Vic Gann. [12] Recording began on 15 February and finished on 17 June. [12] During that time,the Beatles alternated between recording,television appearances,and shooting for the film,including at locations in the Bahamas and Austria. [13]
In The Complete Beatles Recording Sessions ,Mark Lewisohn writes that 1965 introduced the part of the Beatles' career where they put less focus on live performances and took "a more serious application in the recording studio." [14] He identifies multiple new recording practices used on Help!,one being "to rehearse songs with a tape machine running,spooling back to record properly over the rehearsed material." [14] Another involved adding numerous overdubs to rhythm tracks without considering them as comprising new takes;because of this,many songs on Help! are documented as having needed only a small number of takes,yet they still required hours of work. [14]
The album includes Paul McCartney's "Yesterday",arranged for guitar and string quartet and recorded without the other group members. John Lennon's "You've Got to Hide Your Love Away" indicates the influence of Bob Dylan and includes flutes.
"Ticket to Ride",released as a single in April 1965,was felt by Lennon to be "heavy" in its sound compared to the group's previous output [15] and daring in its reference to a boy and girl living together. McCartney called the arrangement "quite radical". During the recording sessions for the album,the band used the studio's multitracking capabilities to layer their sound. In this,author Mark Prendergast highlights George Harrison's use of a volume pedal and incorporation of "more intricate chordal devices to enrich his guitar sound". [16]
As a songwriter,Harrison contributed "I Need You" and "You Like Me Too Much". These were his first compositions to be included on a Beatles album since "Don't Bother Me" on 1963's With the Beatles .
The record contained two cover versions and a few tracks more closely related to the group's previous pop output,but still marked a decisive step forward.[ citation needed ] The record sleeve-note shows that Lennon and McCartney made more extensive and prominent use of keyboards,previously played unobtrusively by Martin. Four-track overdubbing technology encouraged this. Lennon,for his part,made much greater use of acoustic guitar.
The original LP's format of featuring songs from the soundtrack on side one and non-soundtrack songs on side two follows the format of A Hard Day's Night .
In later years,Lennon stated that the album's title track was a sincere cry for help;he regretted changing it from a downbeat,piano-driven ballad to an uptempo pop song,which was done only as a result of commercial pressures. [17]
When "Help!" came out in '65, I was actually crying out for help. Most people think it's just a fast rock-'n'-roll song. I didn't realize it at the time; I just wrote the song because I was commissioned to write it for the movie … It was my fat Elvis period.
Help! was the band's final British album (aside from the late 1966 compilation A Collection of Beatles Oldies ) to feature any cover songs until 1970's Let It Be (which included a performance of the traditional folk song "Maggie Mae"). In 1966, Capitol would release "Act Naturally", already on the British Help! album, on Yesterday and Today . "Bad Boy" and "Dizzy Miss Lizzy" (both written by Larry Williams and recorded on 10 May 1965, Williams' birthday) were both aimed at the American market and originally not intended to appear on Help!, but "Dizzy Miss Lizzy" ultimately did. [19] Both songs appeared on Beatles VI , released in the US in June 1965. "Bad Boy" was not released in the UK until A Collection of Beatles Oldies, and was that album's only cover song. [20]
A few songs that were recorded and intended for the album and film were not used. Lennon and McCartney wrote "If You've Got Trouble" for Ringo Starr to sing, but the Beatles were not satisfied with the song and it was abandoned, and Starr sang "Act Naturally" instead. [21] "That Means a Lot" was written for the film, but again, the Beatles were displeased with their recordings of the song and it was given to P. J. Proby who released it as a single. [22] Lennon said "Yes It Is" was "me trying a rewrite of 'This Boy', but it didn't work"; [23] it was released as the B-side of "Ticket to Ride" and was also issued on Beatles VI. "You Like Me Too Much" and "Tell Me What You See" were turned down for use in the film by its director, Richard Lester, although they did appear on the album (and also on Beatles VI).[ citation needed ]
In June 1965, at the end of the Help! sessions, the song "Wait" was recorded for the album, but was left unfinished. The Beatles resurrected the track and completed it for inclusion on Rubber Soul in November, when a final song was needed to complete that album.
H | E | L | P |
N | U | J | V |
N | V | U | J |
The album cover shows the Beatles with their arms positioned to spell out a word in flag semaphore. According to cover photographer Robert Freeman, "I had the idea of semaphore spelling out the letters 'HELP'. But when we came to do the shot, the arrangement of the arms with those letters didn't look good. So we decided to improvise and ended up with the best graphic positioning of the arms." [24]
On the UK Parlophone release, the letters formed by the Beatles appear to be "NUJV", whilst the slightly re-arranged US release on Capitol Records appeared to indicate the letters "NVUJ", with McCartney's left hand pointing to the Capitol logo. [25] The Capitol LP was issued in a "deluxe" gatefold sleeve with several photos from the film and was priced $1 more than standard Capitol releases at the time.[ citation needed ]
There have been four CD releases of Help! The first was on 30 April 1987, using the 14-song UK track line-up. Having been available only as an import in the US in the past, the original 14-track UK version replaced the original US version with its release on LP and cassette as well on 21 July 1987. As with the CD release of the 1965 Rubber Soul album, the Help! CD featured a contemporary stereo digital remix of the album prepared by Martin in 1986. Martin had expressed concern to EMI over the original 1965 stereo mix, claiming it sounded "very woolly, and not at all what I thought should be a good issue". Martin went back to the original four-track tapes and remixed them for stereo. [26] One of the most notable changes is the echo added to "Dizzy Miss Lizzy", something that was not evident on the original mix of the LP.
When the album was originally released on CD in Canada, pressings were imported from other countries, and used the 1987 remix. However, when the Disque Améric and Cinram plants in Canada started pressing the album, the original 1965 stereo mix was used by mistake. This was the only source for the 1965 stereo mix in its entirety until the release of the mono box set in 2009. [27]
The 2009 remastered stereo CD was released on 9 September. It was "created from the original stereo digital master tapes from Martin's CD mixes made in 1986". [28] The original 1965 stereo mix was included as a bonus on the mono CD contained in The Beatles in Mono boxed set.
The 1965 stereo mix was reissued again on the Help! CD contained in the Beatles collection The Japan Box released in 2014.
Help! was another worldwide critical success for the Beatles. [29] Derek Johnson of the NME said that the LP "maintains the Beatles' usual high standards" and was a "gay, infectious romp which doesn't let up in pace or sparkle from start to finish – with the exception of one slow track". [30] [31] Despite the band's introduction of new instrumentation into their sound, particularly a string quartet on "Yesterday", the reviewer also wrote of the album: "It's typical Beatles material, and offers very few surprises. But then, who wants surprises from the Beatles?" While typical of the light and snappy pop music reviews at the time, according to music journalist Michael Halpin, these comments angered McCartney, who, like his bandmates, believed that artists should constantly develop through their work. [29]
In the United States, where the mainstream press had long focused on the Beatlemania phenomenon and had derided the group's music, as well as rock 'n' roll generally, the summer of 1965 coincided with the first examples of artistic recognition for the Beatles from the country's cultural mainstream. [32] Among these endorsements, Richard Freed of The New York Times likened the band's songs to works from the European art music tradition. Adding to what he described as the Beatles' impact on "serious music", Freed cited musicologists and composers such as Leonard Bernstein and Abram Chasins as admirers of the group's work. [33] Along with several nominations for "Yesterday", [34] Help! was nominated in the category of Album of the Year at the 1966 Grammys Awards. The nomination marked the first time that a rock band had been recognised in this category. [35]
Review scores | |
---|---|
Source | Rating |
AllMusic | [36] |
The A.V. Club | A [37] |
Chicago Sun-Times | [38] |
Consequence of Sound | B [39] |
The Daily Telegraph | [40] |
Encyclopedia of Popular Music | [41] |
MusicHound | 3.5/5 [42] |
Paste | 100/100 [43] |
Pitchfork | 9.2/10 [44] |
The Rolling Stone Album Guide | [45] |
In his review of the Beatles' 1987 CD releases, for Rolling Stone magazine, Steve Pond remarked on the "unstoppable momentum" evident in the band's pre-Rubber Soul albums and recommended Help! "for the relatively quiet and understated way in which they consolidated their strengths". [46] Writing in 2004 edition of The Rolling Stone Album Guide , Rob Sheffield says that the US version of Help! was "utterly ruined" through the replacement of the Beatles songs with the soundtrack music, and that, as a result, the album remained relatively overlooked. He describes the full album as "a big step forward" and "the first chapter in the astounding creative takeoff the Beatles were just beginning". [47]
Mark Kemp of Paste considers it to be the equal of A Hard Day's Night and cites "Help!", "Ticket to Ride" and "Act Naturally" as highlights, along with Harrison's return as a songwriter. Kemp identifies "Yesterday" as "the album's masterpiece" and a song that "set the stage for one of the most groundbreaking and innovative periods in The Beatles' career, not to mention pop music in general". [43] Neil McCormick of The Daily Telegraph says that the album evokes "a band in transition, shifting slightly uncomfortably from the pop thrills of Beatlemania to something more mature", with Lennon's writing increasingly autobiographical and the group's sound growing more sophisticated. McCormick concludes: "Help! may not be their greatest album, but it contains some of their greatest early songs." [40]
In 2000, Help! was voted 119th in the third edition of Colin Larkin's book All Time Top 1000 Albums . [48] In 2006, it was recognised as one of the "Most Significant Rock Albums" in the Greenwood Encyclopedia of Rock History. Two years before then, Tor Milde, music critic for the Norwegian newspaper Verdens Gang , ranked it at number 20 on his list of "The 100 Best Pop and Rock Albums of All Time".[ citation needed ] In 2003, Rolling Stone ranked Help! number 332 on their list of the "500 Greatest Albums of All Time", raising the ranking to number 331 in the 2012 update and then number 266 in the 2020 list. [49] [50] [51]
All tracks are written by Lennon–McCartney, except where noted
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Help!" | Lennon | 2:18 |
2. | "The Night Before" | McCartney | 2:34 |
3. | "You've Got to Hide Your Love Away" | Lennon | 2:09 |
4. | "I Need You" (George Harrison) | Harrison | 2:28 |
5. | "Another Girl" | McCartney | 2:05 |
6. | "You're Going to Lose That Girl" | Lennon | 2:18 |
7. | "Ticket to Ride" | Lennon | 3:09 |
Total length: | 17:01 |
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Act Naturally" (Morrison–Russell) | Starr | 2:30 |
2. | "It's Only Love" | Lennon | 1:56 |
3. | "You Like Me Too Much" (Harrison) | Harrison | 2:36 |
4. | "Tell Me What You See" | McCartney | 2:37 |
5. | "I've Just Seen a Face" | McCartney | 2:05 |
6. | "Yesterday" | McCartney | 2:05 |
7. | "Dizzy Miss Lizzy" (Larry Williams) | Lennon | 2:54 |
Total length: | 16:43 |
Help! | ||||
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Soundtrack album by | ||||
Released | 13 August 1965 [52] | |||
Recorded | 15 February – 17 June 1965 | |||
Studio | EMI, London | |||
Genre | ||||
Length | 29:34 | |||
Label | Capitol | |||
Producer | George Martin, Dave Dexter, Jr. [53] | |||
The Beatles North American chronology | ||||
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Singles from Help! | ||||
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The North American version, the band's eighth Capitol Records album and tenth overall, includes the songs in the film plus selections from the film's orchestral score composed and conducted by Ken Thorne, which contains one of the first uses of the Indian sitar on a rock/pop album, and its very first use on a Beatles record. "Ticket to Ride" is the only song on the American release in Duophonic stereo (also known as "fake stereo") reprocessed from the mono mix. Likewise, the mono version of the album uses a folded-down stereo mix of "Help!" instead of the true mono version used on the single, which features a different vocal track. Help! is available on CD as part of The Capitol Albums, Volume 2 box set. This CD contains both the stereo and mono fold-down versions as heard on the American LP release. A second CD release of this album, which contains the seven songs in true mono mixes, was issued in 2014 individually and as part of the Beatles' The U.S. Albums box set.
All of the non-film tracks from side two of the Parlophone album were spread out through three American albums. Three were already issued on the previously released Beatles VI: "You Like Me Too Much", "Tell Me What You See" and "Dizzy Miss Lizzy". "I've Just Seen A Face" and "It's Only Love" were placed on the Capitol Rubber Soul, with its follow-up album Yesterday and Today receiving the remaining two tracks: "Yesterday" and "Act Naturally".
The American version of Help! reached the number one spot on the Billboard Top LPs chart for nine weeks starting on 11 September 1965.
All tracks are written by Lennon–McCartney, except where noted
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Help!" (preceded by an uncredited instrumental intro based on the "James Bond Theme") | Lennon | 2:39 |
2. | "The Night Before" | McCartney | 2:36 |
3. | "From Me to You Fantasy" (Lennon–McCartney; arranged by Thorne) | instrumental | 2:08 |
4. | "You've Got to Hide Your Love Away" | Lennon | 2:12 |
5. | "I Need You" (Harrison) | Harrison | 2:31 |
6. | "In the Tyrol" (Ken Thorne) | instrumental | 2:26 |
Total length: | 14:32 |
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Another Girl" | McCartney | 2:08 |
2. | "Another Hard Day's Night" (Lennon–McCartney; arranged by Thorne) | instrumental | 2:31 |
3. | "Ticket to Ride" | Lennon | 3:07 |
4. | "The Bitter End/You Can't Do That" (Ken Thorne/Lennon–McCartney; arranged by Thorne) | instrumental | 2:26 |
5. | "You're Gonna Lose That Girl" | Lennon | 2:19 |
6. | "The Chase" (Ken Thorne) | instrumental | 2:31 |
Total length: | 15:02 |
Charts
|
In the US, the album sold 1,314,457 copies by 31 December 1965 and 1,594,032 copies by the end of the decade. [72]
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF) [73] | Platinum | 60,000^ |
Australia (ARIA) [74] | Gold | 35,000^ |
Brazil | — | 320,000 [75] |
Germany | — | 100,000 [76] |
Italy (FIMI) [77] sales since 2009 | Gold | 25,000‡ |
United Kingdom (BPI) [78] sales since 1994 | Platinum | 300,000* |
* Sales figures based on certification alone. |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [79] | 2× Platinum | 200,000^ |
United States (RIAA) [80] | 3× Platinum | 3,000,000^ |
^ Shipments figures based on certification alone. |
According to Mark Lewisohn [81] [82] and Alan W. Pollack. [83]
The Beatles
Additional musicians
The songs included in the soundtrack of the film Help! (tracks 1–7) were mixed into 5.1 surround sound for the film's 2007 DVD release.
Country | Date | Label | Format | Catalog |
---|---|---|---|---|
United Kingdom | 6 August 1965 | Parlophone | mono LP | PMC 1255 |
stereo LP | PCS 3071 | |||
United States | 13 August 1965 | Capitol | mono LP | MAS 2386 |
stereo LP | SMAS 2386 | |||
Worldwide reissue | 15 April 1987 | Apple, Parlophone, EMI | Compact Disc | CDP 7 46439 2 |
United States | 21 July 1987 | Capitol | stereo LP | CLJ 46439 |
Japan | 11 March 1998 | Toshiba-EMI | CD | TOCP 51115 |
Japan | 21 January 2004 | Toshiba-EMI | Remastered LP | TOJP 60135 |
Worldwide reissue | 11 April 2006 | Apple/Capitol/EMI | CD reissue of US LP | CDP 0946 3 57500 2 7 |
Worldwide reissue | 9 September 2009 | Apple/Capitol/EMI | CD stereo remaster | CDP 0946 3 82415 2 2 |
Please Please Me is the debut studio album by the English rock band the Beatles. Produced by George Martin, it was released in the UK on EMI's Parlophone label on 22 March 1963. The album is 14 songs in length, and contains a mixture of cover songs and original material written by the partnership of band members John Lennon and Paul McCartney.
With the Beatles is the second studio album by the English rock band the Beatles. It was released in the United Kingdom on 22 November 1963 on Parlophone, eight months after the release of the band's debut album, Please Please Me. Produced by George Martin, the album features eight original compositions and six covers. The sessions also yielded the non-album single, "I Want to Hold Your Hand" backed by "This Boy". The cover photograph was taken by the fashion photographer Robert Freeman and has since been mimicked by several music groups. A different cover was used for the Australian release of the album, which the Beatles were displeased with.
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing that included selections from George Martin's film score. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.
Worldwide, the British rock band the Beatles released 12 studio albums, 5 live albums, 51 compilation albums, 36 extended plays (EPs), 63 singles, 17 box sets, 22 video albums and 53 music videos. In their native United Kingdom, during their active existence as a band, they released 12 studio albums, 1 compilation album, 13 EPs, and 22 singles. The early albums and singles released from 1962 to March 1968 were originally on Parlophone, and their albums and singles from August 1968 to 1970 were on their subsidiary label Apple. Their output also includes vault items, remixed mash-ups and anniversary box-sets.
The Beatles' Second Album is the second Capitol Records album by the English rock band the Beatles, and their third album released in the United States including Introducing... The Beatles, which was issued three months earlier by Vee-Jay Records. Following its release in April 1964, The Beatles' Second Album replaced Meet the Beatles! at number 1 on the Billboard Top LPs chart in the US. The album was compiled mostly from leftover tracks from the UK album With the Beatles and Long Tall Sally EP, which are predominantly rock and roll and R&B covers, and rounded out with several Lennon-McCartney-penned non-album b-sides and the hit single "She Loves You". Among critics, it is considered the band's purest rock and roll album and praised for its soulful takes on both contemporary black music hits and original material.
Beatles VI is the seventh Capitol Records studio album by the English rock band the Beatles in the United States and Canada. It was the ninth album released into that market in less than one and a half years. The LP was released in both mono and stereo versions.
Rock 'n' Roll Music is a compilation album by the English rock band the Beatles containing previously released tracks. It was issued on 7 June 1976 in the United States, on Capitol Records, and on Parlophone in the United Kingdom, four days later. A double album, the 28-track compilation includes 15 Lennon–McCartney songs, one George Harrison composition ("Taxman"), and a dozen cover versions of songs written by significant rock and roll composers of the 1950s, including Chuck Berry, Little Richard, Carl Perkins and Larry Williams. Not counting the 1971 Spanish compilation album, Por Siempre Beatles, Rock 'n' Roll Music was the first Beatles album to include "I'm Down", which had previously only been available as the B-side of the "Help!" single.
"I'm Only Sleeping" is a song by the English rock band the Beatles from their 1966 studio album Revolver. In the United States and Canada, it was one of the three tracks that Capitol Records cut from the album and instead included on Yesterday and Today, released two months before Revolver. Credited as a Lennon–McCartney song, it was written primarily by John Lennon. The track includes a backwards lead guitar part played by George Harrison, the first time such a technique was used on a pop recording.
"What Goes On" is a song by the English rock band the Beatles, featured as the eighth track on their 1965 album Rubber Soul. The song was later released as the B-side of the US single "Nowhere Man", and then as the tenth track on the North America-only album Yesterday and Today. It is the only song by the band credited to Lennon–McCartney–Starkey and the only song on Rubber Soul that features Ringo Starr on lead vocals. The song reached number 81 on the US Billboard Hot 100 in 1966.
"Thank You Girl" is a song recorded by the English rock band the Beatles, written by John Lennon and Paul McCartney. It was issued as the B-side of the single "From Me to You", which was recorded on the same day. While not released on an LP in the United Kingdom until Rarities in 1978, the song was the second track on The Beatles' Second Album in the United States. As the B-side of the single "Do You Want to Know a Secret", it hit No. 35 on the Billboard Hot 100 in the spring of 1964.
"You're Going to Lose That Girl" is a song by the English rock band the Beatles from their 1965 album and film Help! Credited to the Lennon–McCartney songwriting partnership, the song was mostly written by John Lennon with contributions from Paul McCartney.
"And I Love Her" is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with "If I Fell", as a single release by Capitol Records in the United States, reaching No. 12 on the Billboard Hot 100.
"Yes It Is" is a song by the English rock band the Beatles. Written by John Lennon, it was first released in 1965 as the B-side to "Ticket to Ride". It features some of the Beatles' most complex and dissonant three-part vocal harmonies and showcases George Harrison's early use of volume pedal guitar. Ian MacDonald describes the song as having "rich and unusual harmonic motion."
"I'm Down" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was released on a non-album single as the B-side to "Help!" in July 1965. The song originated in McCartney's attempt to write a song in the style of Little Richard, whose song "Long Tall Sally" the band regularly covered.
Yellow Submarine is the tenth studio album by the English rock band the Beatles, released in January 1969. It is the soundtrack to the animated film of the same name, which premiered in London in July 1968. The album contains six songs by the Beatles, including four new songs and the previously released "Yellow Submarine" and "All You Need Is Love". The remainder of the album is a re-recording of selections from the film's orchestral soundtrack by the band's producer, George Martin.
Yesterday and Today is a studio album by the English rock band the Beatles. Released in the United States and Canada in June 1966, it was their ninth album issued on Capitol Records and twelfth American release overall. Typical of the Beatles' North American discography until 1967, the album contains songs that Capitol had withheld from its configurations of the band's recent EMI albums, along with songs that the group had released elsewhere on non-album singles. Among its 11 tracks are songs from the EMI albums Help! and Rubber Soul, and three new 1966 recordings that would appear on Revolver in countries outside North America.
Past Masters is a two-disc compilation album set by the English rock band the Beatles. It was originally released as two separate volumes on 7 March 1988, as part of the first issue of the band's catalogue on compact disc. The album contains all songs released commercially by the band that were not available on the Beatles' 12 original UK albums or the US Magical Mystery Tour LP. It was compiled by Beatles historian Mark Lewisohn, who also wrote the liner notes. The majority of the Past Masters set consists of A- and B-sides from the band's singles, including single versions of songs that appeared in a different form on the band's albums. Also included are the full contents of the UK-only Long Tall Sally EP, two German-language tracks, a song recorded for the American market, and a track released on a charity compilation album.
The Beatles in Mono is a boxed set compilation comprising the remastered monaural recordings by the Beatles. The set was released on compact disc on 9 September 2009, the same day the remastered stereo recordings and companion The Beatles were also released, along with The Beatles: Rock Band video game. The remastering project for both mono and stereo versions was led by EMI senior studio engineers Allan Rouse and Guy Massey.
The Beatles (The Original Studio Recordings), also known as The Beatles: Stereo Box Set, is a box set compilation comprising all remastered recordings by English rock band the Beatles. The set was issued on 9 September 2009, along with the remastered mono recordings and companion The Beatles in Mono and The Beatles: Rock Band video game. The remastering project for both mono and stereo versions was led by EMI senior studio engineers Allan Rouse and Guy Massey. The Stereo Box also features a DVD which contains all the short films that are on the CDs in QuickTime format. The release date of 09/09/09 is related to the significance to John Lennon of the number nine.
Rarities is the name of two separate and unrelated compilation albums by the English rock band the Beatles. The first was released in the United Kingdom in December 1978, while the second album was issued in the United States in March 1980.
the unabashed more-or-less traditional pop rock of A Hard Day's Night and Help!...
Sgt. pepper's que toca em cinco paginas desta edicao, e o terceiro mais vendido (290 mil). Perde Abbey Road (390 mil) e para Help (320 mil)
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: CS1 maint: others in cite AV media (notes) (link)...after the unabashed more-or-less traditional pop rock of A Hard Day's Night and Help!...