"Hollaback Girl" is a song by American singer-songwriter Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). It is a hip-hop song that draws influence from 1980ship-hop and dance music. The song was written by Stefani, Pharrell Williams, and Chad Hugo, with the latter two handling production as the Neptunes. The song was released as the album's third single on March 22, 2005, and was one of the year's most popular songs, peaking inside the top 10 of the majority of the charts it entered. It reached number one in Australia and the United States, where it became the first digital download to sell one million copies.
"Hollaback Girl" received several award nominations, including Best Female Pop Vocal Performance and Record of the Year at the 48th Grammy Awards; however, it lost in both categories. The song divided pop music critics, with some praising its minimalistic production and others declaring it embarrassing. The men's magazine Maxim named it as the "Most Annoying Song Ever". In the United States, the song topped the Billboard Hot 100 for four weeks – it was ranked at number two on the Year-End Hot 100. The single topped the charts in Australia and reached the top-ten in several other countries, including Ireland, Italy, New Zealand, and the United Kingdom. It has since been certified five-times Platinum in United States by the RIAA, and in Australia by the ARIA.
A music video with Stefani as a cheerleader at a California high school was released on March 21, 2005, and was directed by Paul Hunter. The video received four nominations at the 2005 MTV Video Music Awards, and ultimately won for Best Choreography. Stefani has performed "Hollaback Girl" on numerous occasions, including on all three of her concert tours, and on several televised appearances.
As part of Gwen Stefani's vision of creating "a silly dance record",[2] she had worked with the Neptunes (Pharrell and Chad Hugo) during the early stages of writing songs. However, a case of writer's block resulted in reportedly uninspired collaborations.[1] As the album neared completion, Stefani regained her confidence and booked another session with the Neptunes. Stefani flew to New York City to meet up with Pharrell, and after finishing two songs within a week, Stefani ended the session early and prepared to return home. A few minutes later, Pharrell called her back into the studio to write another song. Stefani said, "I was tired. I wanted to go home, but he was like, 'Don't leave yet.'"[3] When she returned to the studio, Pharrell began to play Stefani his first solo album, and she became envious.[1] Excited by his material, she decided to write another song with Pharrell, despite her opinion that the album already contained far too many tracks.[3]
To search for inspiration, Stefani and Pharrell had a lengthy discussion in which Stefani said that she had yet to write a song about her intentions for pursuing a solo career. She remarked how the album was missing an "attitude song", and she recalled a derogatory comment that grunge musician Courtney Love had made about her in an interview with Seventeen magazine: "Being famous is just like being in high school. But I'm not interested in being the cheerleader. I'm not interested in being Gwen Stefani. She's the cheerleader, and I'm out in the smoker shed."[4][5] Stefani responded to Love's comments in the March 2005 issue of NME: "Y'know someone one time called me a cheerleader, negatively, and I've never been a cheerleader. So I was, like, 'OK, fuck you. You want me to be a cheerleader? Well, I will be one then. And I'll rule the whole world, just you watch me.'"[6] The song uses the lyric and a melodic interpolation, of "Another One Bites the Dust" by Queen, referencing the common usage of the song at sporting events, aimed at losing opponents, with Stefani's antagonistic stance likely aimed at Love.[7]
Stefani believed that some No Doubt fans would be upset with her solo effort, commenting, "[They] were probably like, 'Why is she doing this record? She's going to ruin everything'." She revealed that she too did not know why she was recording a solo album.[1] For the remainder of the evening, Stefani and Pharrell incorporated this inspiration into the lyrics that eventually became "Hollaback Girl". The two decided that Stefani did not have to have an answer for her intentions and that the choices she made were based on what she felt was wrong or right.[1] On its creation, Stefani said, "To me, it is the freshest attitude song I've heard in so long." Pharrell was pleased with the song, commenting, "Gwen is like the girl in high school who just had her own style."[3]
Because Stefani never disclosed the song title's meaning, reviewers came up with various interpretations. In a satirical, line-by-line analysis of the song's lyrics, OC Weekly critic Greg Stacy humorously speculated that "Gwen is apparently the captain of the cheerleader squad; she is the girl who 'hollas' the chants, not one of the girls who simply 'hollas' them back".[8] The most commonly accepted meaning is that a "hollaback girl" responds positively to the "catcalls" or hollers of men, but it might mean to Stefani that she would rather take the initiative and "step it up".[9] In March 2021, it was revealed that a comment made by British supermodelNaomi Campbell served as inspiration for the chorus.[10] In an appearance on Campbell's YouTubetalk showNo Filter, Pharrell stated that she had responded to someone trying to speak, "I'm sorry, I have a name. I ain't no Holla Back girl", the latter phrase apparently referencing the Fabolous song "Young'n (Holla Back)"; Pharrell was inspired by the overheard conversation and incorporated the lyric into the chorus of "Hollaback Girl".[11]
"Hollaback Girl" is a hip-hop song that draws influence from 1980s hip-hop and dance music.[12][13] It is a moderately fast song (with a tempo of 110 beats per minute) and it is played in the key of D♯ minor.[14] Like the majority of pop music, it is set in common time. The main chord pattern of the song alternates between B major and D♯ minortriads.[14] Most of the harmonic content of the song revolves around a two-chord alternation which music theorists may regard as an L (leading tone) transformation, in which the root of the major chord is lowered by a half-step to form a second inversion minor chord on the third scale degree, a slight tonicization of B major, but resolving back to D♯ minor by having the same A♯, a perfect fourth down from D♯. This stepwise motion between B and A♯ highlights this chord change. The song is in verse-chorus form with a bridge before the fourth and last chorus. The song features sparse instrumentation, primarily a minimal beat produced by drum machine.[15][16][17] A guitar plays the song's riff, a six-note pattern as Stefani repeats "this my shit" during the chorus, and a brass section joins during the second chorus.[9] In part because of its cheerleadingmotif, it drew comparisons to Toni Basil's 1981 song "Mickey".[18][19]
"Hollaback Girl" received mixed reviews from music critics. Yahoo! Music's Jennifer Nine described it as a "stomping, stripped-back" track,[20] and Stephen Thomas Erlewine of AllMusic noted that it had the "thumping, minimal beats" of the Neptunes.[16] Richard Smirke of Playlouder called it "a trademark Neptunes hip-hop stomp."[21] In his review of Love. Angel. Music. Baby., Rob Sheffield of Rolling Stone gave the song a positive review, writing that "Stefani's gum-snapping sass brings out the beast in her beatmasters, especially the Neptunes in 'Hollaback Girl'."[22]Blender listed it as the 11th best song of 2005,[23] and the song tied with Damian Marley's "Welcome to Jamrock" for number five on the 2005 Pazz & Jop, a survey of several hundred music critics conducted by Robert Christgau.[24]
On the other hand, Jason Damas, in a review for PopMatters, felt that the song sounds "almost exactly like Dizzee Rascal", and added, "Lyrically, this is where Gwen sinks the lowest here, especially on a breakdown where she repeats, 'This shit is bananas / B-A-N-A-N-A-S!' several times".[25] Eric Greenwood of Drawer B called the song "moronic and embarrassingly tuneless," while also writing "I'd quote the lyrics, but they're so bad, I almost feel sorry for her. A 35-year-old woman singing about pom-poms and 'talking shit' in high school betrays such a delusional self-image that it's hard not to be taken aback. And on top of that, the Neptunes' beats are clunky and the production is senselessly bombastic."[26] Nick Sylvester of Pitchfork also criticized the track, referring to it as a "Queen pastiche [...] which has about as much club potential as a 13-year old with a milk moustache and his dad's ID".[27] However, despite this initial negative review, Pitchfork would later place the track at number 35 on its list of the Top 50 Singles of 2005,[28] and at number 180 on its list of the Top 500 Tracks of the 2000s.[29]Maxim was unimpressed with the song, and in its October 2005 issue, published a list of the "20 Most Annoying Songs Ever" with "Hollaback Girl" in first place.[30] Cat Conway of Drowned in Sound gave the song a negative review, saying "Hollaback Girl" sees Gwen Stefani getting a big lick off the Neptunes flavour at the Hot Producer Baskin-Robbins[sic], delivering vocals that sound like she needs a Sudafed."[31]
Commercial performance
"Hollaback Girl" entered the Billboard Hot 100 at number 82 on the issue dated April 2, 2005,[32] and within six weeks of its release, it had reached the top of the chart,[33] becoming Stefani's first and only US number one.[34] It ended the nine-week run of 50 Cent's "Candy Shop" featuring Olivia, and maintained the number-one position for four consecutive weeks.[35] "Hollaback Girl" ranked second on the 2005 Hot 100 year-end chart.[36] The song held the record for most US radio airplays in one week, with 9,582 plays, and maintained this record for over a year before Shakira and Wyclef Jean's "Hips Don't Lie" overtook the position.[37] "Hollaback Girl" peaked at number one on the BillboardPop 100 chart for eight weeks and at number 15 on the Hot Dance Club Play chart.[38][39] The song was a crossover success and reached number four on the Rhythmic Top 40 and number eight on the Hot R&B/Hip-Hop Songs chart.[40][41]
"Hollaback Girl" was noted for having a large number of digital downloads, becoming the first single to sell more digital downloads than CDs.[42] In October 2005, "Hollaback Girl" was the first single to ever sell one million digital downloads and later went on to sell a total of 1.2 million downloads.[42][43] It was certified six-times platinum by the Recording Industry Association of America. It was later re-certified platinum, for the same sales, due to the change of the RIAA certification criteria for singles.[44][45][lower-alpha 1] On the year-end list for Hot Digital Songs in 2005, "Hollaback Girl" topped the chart.[47]
"Hollaback Girl" was successful in Canada, where the song debuted and peaked at number 12 on the Canadian Singles Chart.[48] However, Graham Henderson, president of the Canadian Recording Industry Association (CRIA), later argued that based on Canada's population relative to the US, the single should have sold around 120,000 copies and that the comparatively lower sales of 25,000 were a sign that the Canadian copyright law should be tightened to discourage non-commercial peer-to-peer file sharing.[49] Columnist Michael Geist disputed the comparison, arguing that the Canadian online music market was still developing.[50] The song was released in Australia on May 23, 2005,[51] debuting at number one on the ARIA Singles Chart,[52] and in Europe on June 6, 2005, reaching number five on the European Hot 100 Singles.[53] In the United Kingdom, "Hollaback Girl" was released on the same day,[54] but it did not perform as well as Stefani's previous releases. The song's predecessors, "What You Waiting For?" and "Rich Girl", had both reached number four, while "Hollaback Girl" debuted at number eight and remained at the same position the following week.[55] Although its UK success was limited, it remained in the top 40 for an additional 11 weeks.[55] The single was largely successful across Europe, reaching the top five in Austria, Denmark, Germany, and Ireland, and the top 10 in Belgium, Finland, Italy, the Netherlands, Norway, Sweden, and Switzerland.[56]
The music video for "Hollaback Girl" was directed by Paul Hunter and filmed in the Van Nuys and Reseda neighborhoods of Los Angeles, California.[57] It opens with a scene of Stefani taking a picture of her four Harajuku Girls, when a crowd of students appears. Stefani and the Harajuku Girls then drive down Sherman Way past Magnolia Science Academy to Birmingham High School in a 1961 Chevrolet Impala, accompanied by the crowd.[57][58] Stefani and the group cause a commotion when they disrupt a football game by walking onto the field and when they go to a 99 Cents Only Store and throw cereal and other food products down an aisle. Throughout the video, there are intercut sequences of choreographed dancing filmed in a sound stage, intended to represent Stefani's imagination.[59] Stefani and the Harajuku Girls are outfitted in cheerleading uniforms, accompanied by several Californian spirit groups: the Orange Crush All Stars, a cheerleading squad from Orange County; a marching band from Fountain Valley High School in Fountain Valley; a pep flag team named the Carson High School Flaggies from Carson; and a drill team from Stephen M. White Middle School in Carson.[57] To visualize the song's bridge, the Harajuku Girls spell the word "bananas" with cue cards. The video ends with a close-up frame of Stefani with her arms in the air.
The Chevy Impala convertible from the video includes a painting by artist J. Martin.[5] The design includes Stefani as seen on the album cover of Love. Angel. Music. Baby. with the words "Hollaback Girl" in calligraphy. The car was, eventually, sold on eBay.[5]Pharrell, one of the song's co-producers, makes a cameo appearance. The complete version of "Hollaback Girl" featured in the music video was released commercially through CD singles and digital downloads. Some include remixes by Diplo and former No Doubt bandmate Tony Kanal.
The video debuted on March 21, 2005, and proved successful on video chart programs.[60] It debuted on MTV's TRL on March 31 at number 10 and remained on the program for a total of 50 days,[61] becoming what Rolling Stone called "a staple of MTV's TRL".[62] The video reached the top of the chart and was retired at number four on June 23, becoming Stefani's first video to retire.[63][64]VH1 listed the video at number five on its Top 40 Videos of 2005,[65] and at the 2005 MTV Video Music Awards, the video received four nominations,[66] but only won the award for Best Choreography.[67] Stefani did not attend the 2006 MTV Video Music Awards, prompting rumors that she was protesting her lack of nominations the previous year, her multiple losses to Kelly Clarkson, and her not having been asked to perform.[68] Stefani denied the rumors, responding, "the only reason I am not attending the MTV Video Music Awards is because I will be recording and spending time with my family."[68]
Live performances
Stefani has performed "Hollaback Girl" on several occasions, including on two of her concert tours, in addition to several appearances on TV shows. During the majority of the 2005 Harajuku Lovers Tour, Stefani sang the single as an encore performance, where she wore a drumming costume and encouraged the audience to sing along with her.[69] However, in earlier shows, before the single's success, she sang it before tracks "Serious" and "Bubble Pop Electric".[70][71] During The Sweet Escape Tour, she performed the song in the middle of the show wearing sparkly red shorts and an argyle jacket atop a L.A.M.B. black and white shirt. She also sported a belt buckle featuring the "G" motif frequently used in The Sweet Escape.[72]
When Stefani agreed to be a judge on season 7 of the NBC music competition The Voice, she sang the track in May 2014 alongside Pharrell, who would also be appearing on the show as a judge.[73] For the rendition, Stefani wore a black jumpsuit in contrast to Pharrell, who wore a Mickey Mouse-sweater and jeans.[74][75] The performance prompted the song to enter the BillboardPop Digital Songs component chart, where it re-entered at number thirty-four.[76] On the May 4, 2016, episode of The Late Late Show with James Corden, Stefani sang a snippet of the song alongside James Corden in his show's segment "Carpool Karaoke".[77] In addition to Stefani and Corden, actor George Clooney and actress Julia Roberts sang along; when the song concluded, Clooney stated "this [bleep]'s bananas".[78] More recently, the single was included on her 2016 concert series This Is What the Truth Feels Like Tour.[79] On November 27, 2019, Stefani performed "Hollaback Girl", alongside "What You Waitin’ For" and "Rich Girl", in a medley on The Voice in season 17 to commemorate Love. Angel. Music. Baby.'s 15th anniversary.[80]
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
Diplo made a remix for the track after M.I.A. turned down an offer to produce one.[143]Tony Kanal, fellow No Doubt member, also produced a remix titled the Dancehollaback Remix. The track features reggae singer Elan Atias, whose debut album Kanal produced.[144] It appears as a single on iTunes, on the CD single for "Cool",[145] and on the bonus CD of the deluxe edition of Love. Angel. Music. Baby.[146] Stefani later requested to contribute vocals on "I Wanna Yell" from Atias's debut album Together as One,[147] and was featured on his song "Allnighter".[148]
↑ The number of sales required to qualify for gold and platinum discs was lower for digital singles prior to August 2006. The thresholds were 100,000 units (gold) and 200,000 units (platinum), reflecting an increase in digital downloads.[46]
Related Research Articles
Gwen Renée Stefani is an American singer and songwriter. She is a co-founder, lead vocalist, and the primary songwriter of the band No Doubt, whose singles include "Just a Girl", "Spiderwebs", and "Don't Speak", from their 1995 breakthrough studio album Tragic Kingdom, as well as "Hey Baby" and "It's My Life" from later albums.
Love. Angel. Music. Baby. is the debut solo studio album by American singer Gwen Stefani, released on November 12, 2004, by Interscope Records. Stefani, who had previously released five studio albums as lead singer of the rock band No Doubt, began recording solo material in early 2003. She began working on Love. Angel. Music. Baby. as a side project that would become a full album after No Doubt went on hiatus. Stefani co-wrote every song on the album, collaborating with various songwriters and producers including André 3000, Dallas Austin, Dr. Dre, Jimmy Jam and Terry Lewis, the Neptunes and Linda Perry. The album also features guest appearances by Eve and André 3000.
"What You Waiting For?" is a song by American singer Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Written by Stefani and Linda Perry, the song is the album's opening track and was released as Stefani's debut solo single. Lyrically, "What You Waiting For?" details Stefani's lack of inspiration and fear of producing the album, as well as her reaction to pressures exerted by her record label. It is primarily an electropop song and introduces Stefani's four backup dancers, the Harajuku Girls, who had a major input into the album's production.
"Rich Girl" is a song by American singer and songwriter Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Produced by Dr. Dre, the track features American rapper Eve, and is a remake of Louchie Lou & Michie One's 1993 song of the same name, which in turn interpolates the Fiddler on the Roof song "If I Were a Rich Man". The song discusses Stefani's dreams of fame and riches from the perspective of "when she was just an Orange County girl".
"Cool" is a song by American singer Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Written by Stefani and Dallas Austin, the song was released as the fourth single from the album on July 5, 2005. The song's musical style and production were inspired by synth-pop and new wave arrangements from the 1980s, and its lyrics chronicle a relationship in which two lovers have separated, but remain "cool" with each other as good friends.
"Luxurious" is a song by American singer and songwriter Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Written by Stefani and fellow No Doubt bandmate Tony Kanal, the track contains a sample of the Isley Brothers' 1983 song "Between the Sheets".
"Can I Have It Like That" is a song written, produced, and performed by American rapper Pharrell Williams featuring vocals from American singer Gwen Stefani from the former's 2006 debut album In My Mind and it’s the opening track. The song's hook comes from a one-line contribution from Stefani, used as part of a call and response in the chorus. "Can I Have It Like That" was released as the album's lead single October 10, 2005.
The Harajuku Lovers Tour was the first solo concert tour of American recording artist Gwen Stefani. The tour began through October to December 2005, to support of her debut studio album Love. Angel. Music. Baby. (2004). Although Stefani embarked on multiple tours with her band No Doubt, she initially opted not to participate in a tour to promote her album, an attitude that the singer eventually abandoned due to the commercial success of Love. Angel. Music. Baby.
"Crash" is a song by American singer and songwriter Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Written by Stefani and No Doubt bandmate Tony Kanal, the song uses automobile metaphors to describe a relationship, and it received mixed to positive reviews from critics. Not originally planned as a single, the song was released as the album's sixth and final single on January 24, 2006, during Stefani's pregnancy.
The Sweet Escape is the second solo studio album by American singer Gwen Stefani, released on December 1, 2006, by Interscope Records. Having originally intended to return to No Doubt after her debut solo album, Love. Angel. Music. Baby. (2004), Stefani decided to record a second album as a way to release some of the material left over from the Love. Angel. Music. Baby. writing sessions. The album musically resembles its predecessor while exploring more modern pop sounds. It was released to generally mixed reviews from contemporary music critics, receiving criticism for its strong similarities to Love. Angel. Music. Baby.
"Wind It Up" is a song by American singer and songwriter Gwen Stefani, released as the lead single from her second solo studio album, The Sweet Escape (2006). Originally written for inclusion on Stefani's Harajuku Lovers Tour, the song was later recorded for the album.
American singer Gwen Stefani has released four studio albums, two extended plays, 34 singles, six promotional singles, one video album, and 28 music videos. She has sold more than nine million albums as a solo artist. Stefani is also the lead singer of the rock band No Doubt, with which she has released several albums.
"The Sweet Escape" is a song by American singer Gwen Stefani from her 2006 second solo studio album of the same name. It was written by Stefani, Aliaune "Akon" Thiam and Giorgio Tuinfort, and produced by the latter two. Akon, who is also a featured artist, developed the song's beat before collaborating with Stefani. He designed it based on her previous work with No Doubt, and Stefani later commented that it put her "on the yellow brick road to the No Doubt record I might do". "The Sweet Escape" is an apology for a fight between two lovers and describes a dream of a pleasant life for them. As the album's title track, its title was chosen to help market Stefani's music and fashion lines.
Harajuku Lovers Live is the first live long-form video by American recording artist Gwen Stefani. It was released on DVD on December 4, 2006, by Interscope Records. The DVD was directed by Sophie Muller and produced by Oil Factory Productions. It is a recording of one of Stefani's concerts during her Harajuku Lovers Tour 2005 in late 2005 to promote her first album, Love. Angel. Music. Baby., released in November 2004. The performance was recorded in November 2005, in Anaheim, California. The concert features performances of all twelve songs from Love. Angel. Music. Baby. and two new songs from her second studio album, The Sweet Escape, as well as interviews with the musicians and dancers and a documentary of tour preparation.
"4 in the Morning" is a song by American singer Gwen Stefani from her second studio album, The Sweet Escape (2006). It was written by Stefani and co-written and produced by Tony Kanal, with additional production by Mark "Spike" Stent. Interscope Records serviced the song to US contemporary hit radio on May 8, 2007, as the album's third single; elsewhere it was released in June 2007. Described as one of her favorite songs on the album, Stefani began writing the song while pregnant and finished with Kanal, drawing inspiration from Roberta Flack and Billy Idol records.
"Now That You Got It" is a song by American singer and songwriter Gwen Stefani from her second solo studio album, The Sweet Escape (2006). Stefani co-wrote the song with its producers Sean Garrett and Swizz Beatz. "Now That You Got It" is a reggae song featuring hip hop beats, staccato piano sample and military snare drums. Lyrically, the song places Gwen asking her lover to give all that she wants. A remix featuring Damian Marley was produced for the song's release as the album's fourth single on August 26, 2007, by Interscope Records.
"Baby Don't Lie" is a song recorded by American singer and songwriter Gwen Stefani. Written by Stefani, Ryan Tedder, Benny Blanco and Noel Zancanella, and produced by Tedder and Blanco, "Baby Don't Lie" is a midtempo electropop and reggae-pop track. The song was made available for digital download on October 20, 2014, and a day later to mainstream radio stations. It served as Stefani's musical comeback as a solo artist; her previous solo single, "Early Winter", was released in January 2008.
"Spark the Fire" is a song recorded by American singer and songwriter Gwen Stefani. The song was released on December 1, 2014. It was originally intended to be featured on Stefani's third studio album This Is What the Truth Feels Like, but it was scrapped in favor of new material. Stefani wrote "Spark the Fire" in collaboration with the song's producer Pharrell Williams. It is a dance-pop and hip hop track that incorporates funk. Along with the previous single, "Baby Don't Lie", the track was marketed as Stefani's musical comeback as a solo artist.
"Let Me Reintroduce Myself" is a song by American singer and songwriter Gwen Stefani. Stefani wrote the song with Ross Golan and the sole producer, Luke Niccoli. It was released on December 7, 2020 by Interscope Records as the intended lead single to her fifth studio album, which was ultimately unreleased. The song's development was unexpected, as Stefani doubted herself and questioned if her fans would seek new music. Fellow No Doubt member Gabrial McNair and Gwen's brother Eric Stefani, amongst other performers, provide instrumentation. A departure from Gwen Stefani's previous country and holiday music releases, "Let Me Reintroduce Myself" is an energetic Latin-sounding reggae, ska, and pop track inspired by her early work with No Doubt. The upbeat and playful song refers to Stefani's career in the music industry, per the suggestion of Golan. Most critics gave the song positive reviews, calling it catchy and making favorable comparisons to No Doubt's releases.
↑ "Singles: Top 50". Jam!. June 9, 2005. Archived from the original on April 17, 2005. Retrieved February 5, 2016.{{cite magazine}}: CS1 maint: unfit URL (link)
↑ Stevenson, Jane (December 9, 2005). "Meet the new princess of pop". Toronto Sun. Archived from the original on July 12, 2012. Retrieved June 30, 2016.{{cite news}}: CS1 maint: unfit URL (link) Archived at Jam! on December 10, 2005.
↑ Hollaback Girl (Liner notes/ CD booklet). Gwen Stefani. Interscope (Barcode: 0602498823262). 2005.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Hollaback Girl (Liner notes/ CD booklet). Gwen Stefani. Interscope (ID: INTR-11342-1). 2005.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ "ČNS IFPI" (in Czech). Hitparáda – Radio Top 100 Oficiální. IFPI Czech Republic. Note: Change the chart to CZ – RADIO – TOP 100 and insert 200607 into search. Retrieved February 3, 2016.
↑ "2005 The Year in Music & Touring"(PDF). Billboard. Vol.117, no.52. December 24, 2005. p.YE-76. Archived(PDF) from the original on June 27, 2021. Retrieved September 25, 2021.
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