"I Got You (I Feel Good)" is a song by American singer James Brown. First recorded for the album Out of Sight and then released in an alternate take as a single in 1965, it was his highest-charting song and is arguably his best-known recording. In 2013, the 1965 recording was inducted into the Grammy Hall of Fame.
"Baby Love" is a song by American music group the Supremes from their second studio album, Where Did Our Love Go. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on September 17, 1964.
"Back in My Arms Again" is a 1965 song recorded by The Supremes for the Motown label.
"These Boots Are Made for Walkin'" is a hit song written by Lee Hazlewood and recorded by American singer Nancy Sinatra. It charted on January 22, 1966, and reached No. 1 in the United States Billboard Hot 100 and in the UK Singles Chart.
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
"Land of a Thousand Dances" is a song written and first recorded by American rhythm and blues singer Chris Kenner in 1962. It later became a bigger hit in versions by Cannibal & the Headhunters and Wilson Pickett. A version by Thee Midniters reached number 27 in Canada on March 22, 1965.
"Wooden Heart" is a pop song recorded by Elvis Presley. The composition is based on a German folk song "Muss i denn" and it was featured in the 1960 Elvis Presley film G.I. Blues. The song was a hit single for Presley in the UK Singles Chart, reaching No. 1 for six weeks in March and April 1961.
"She's Not There" is the debut single by British rock band the Zombies, written by keyboardist Rod Argent. It reached No. 12 in the UK Singles Chart in September 1964, and No. 2 on the Billboard Hot 100 in the United States at the beginning of December 1964. In Canada, it reached No. 2.
"Stay" is a doo-wop song written by Maurice Williams and first recorded in 1960 by Williams with his group the Zodiacs. Commercially successful versions were later also issued by the Hollies, the Four Seasons and Jackson Browne.
"Maneater" is a song by American duo Hall & Oates, featured on their eleventh studio album, H2O (1982). It reached number one on the Billboard Hot 100 chart on December 18, 1982. It remained in the top spot for four weeks, longer than any of the duo's five other number-one hits, including "Kiss on My List", which remained in the top spot for three weeks.
"Do You Love Me" is a rhythm and blues song recorded by the Contours in 1962. Written and produced by Motown Records owner Berry Gordy Jr., it appeared twice on the Billboard Hot 100 chart, reaching numbers three in 1962 and eleven in 1988.
"My World Is Empty Without You" is a 1965 song recorded and released as a single by the Supremes for the Motown label.
"Heartache Tonight" is a song written by Don Henley, Glenn Frey, Bob Seger and J. D. Souther, recorded by the Eagles and features Glenn Frey on lead vocals. The track was included on their album The Long Run and released as a single in 1979. It reached No. 1 on the U.S. Billboard Hot 100 in November of that year and was certified Platinum by the Recording Industry Association of America representing one million copies sold. It was the Eagles' final chart-topping song on the Hot 100.
"Over and Over" is a song written by Robert James Byrd and recorded by him using the stage name Bobby Day. Day's version entered the Billboard Hot 100 in 1958, the same week a version of the same song by Thurston Harris entered the chart. Day's version reached #41, and was the B-side to "Rockin' Robin". Thurston Harris' version peaked at #96. In the song, the singer describes going to a party with misgivings of having a good time, until he sees a pretty girl. The singer attempts to ask her out, but she is waiting for her date to arrive. He vows to try "over and over".
"Tossin' and Turnin'" is a song written by Ritchie Adams and Malou René, and originally recorded by Bobby Lewis in the fall of 1960. The record was released on the Beltone label in December 1960. It reached number one on both the Billboard Hot 100 on July 10, 1961, and R&B chart and has since become a standard on oldies compilations. It was named the number one single on the Billboard chart for 1961, after spending seven consecutive weeks at the top. It was also featured on the soundtrack for the 1978 film Animal House.
"You Better Move On" is a 1961 rhythm and blues song by Arthur Alexander. It reached number 24 on the Billboard Hot 100 in March 1962. Versions by Billy "Crash" Craddock, George Jones and Johnny Paycheck were hits on the Country charts.
"Because" is a song recorded by English rock band The Dave Clark Five from their third studio album American Tour (1964). The song was produced by Adrian Clark, the song was originally the B-side to "Can't You See That She's Mine" in the UK.
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"
"I Do' Wanna Know" is a song written by Kevin Cronin that was the lead single from REO Speedwagon's 1984 album Wheels Are Turnin'. It was more of a rocker reminiscent of the songs REO Speedwagon had released in the 1970s than the ballads the band had been successful with in the early 1980s. It had limited success on popular music charts, which was blamed for delaying sales of the album until the release of the follow-up single, the ballad "Can't Fight This Feeling." The video to the song was nominated for several awards.
"Reelin' and Rockin'" is a song written and recorded by Chuck Berry. It was originally recorded in 1957 and released as the B-side of "Sweet Little Sixteen".
