Dead Kennedys are an American punk rock band that formed in San Francisco, California, in 1978. The band was one of the defining punk bands during its initial eight-year run.
Eric Reed Boucher, known professionally as Jello Biafra, is an American singer, spoken word artist and political activist. He is the former lead singer and songwriter for the San Francisco punk rock band Dead Kennedys.
Frankenchrist is the third album by the American hardcore punk band Dead Kennedys, released in 1985 on Alternative Tentacles.
Alternative Tentacles is an independent record label established in 1979 in San Francisco, California. It was used by Dead Kennedys for the self-produced single "California Über Alles". After realizing the potential for an independent label, they released records for other bands as well. Dead Kennedys guitarist East Bay Ray and vocalist Jello Biafra formed Alternative Tentacles, but Biafra became the sole owner in the mid-1980s. Alternative Tentacles no longer owns the rights to Dead Kennedys recordings after a 2000 lawsuit.
Give Me Convenience or Give Me Death is a compilation album by the American hardcore punk band Dead Kennedys. It was released in June 1987 through front man Jello Biafra's record label Alternative Tentacles.
"California Über Alles" is the debut single by American punk rock band Dead Kennedys. It was the group's first recording and was released in June 1979 on the Optional Music label, with "The Man with the Dogs" appearing as its B-side. The title track was re-recorded in 1980 for the band's first album, Fresh Fruit for Rotting Vegetables, and the original recording as well as the B-side were later included on the 1987 compilation Give Me Convenience or Give Me Death.
Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys. It was first released on September 2, 1980, through Cherry Red Records in the United Kingdom, and I.R.S. Records in the United States. It was later issued by Jello Biafra's own Alternative Tentacles label in the United States. It is the only Dead Kennedys studio album to feature drummer Bruce Slesinger and guitarist Carlo Cadona.
Bedtime for Democracy is the fourth and final studio album by American punk rock band Dead Kennedys. Released in 1986, songs on this album cover common punk subjects often found in punk rock lyrics of the era such as conformity, Reaganomics, the U.S. military, and critique of the hardcore punk movement. The album's title refers to the 1951 comedy film, Bedtime for Bonzo starring Ronald Reagan and also reflects the band's weary bitterness from the trial they were undergoing at the time over the controversial art included with their previous album. By the time recording of Bedtime for Democracy had begun, the Dead Kennedys had already played what would be their last concert with Jello Biafra and announced their breakup immediately after the release of the record, whose opening track is a cover of David Allan Coe's "Take This Job and Shove It."
Darren Eric Henley, better known by his stage name D. H. Peligro, was an American punk rock musician, most commonly known as the drummer for Dead Kennedys along with a brief stint as the drummer for Red Hot Chili Peppers.
Raymond John "East Bay Ray" Pepperell is an American musician who plays guitar for the San Francisco Bay area-based punk band Dead Kennedys. His guitar work was influenced by jazz and rockabilly. Alongside Jello Biafra's astute lyrics and unique vibrato-based vocal style, East Bay Ray's playing was one of the defining factors of the music of the Dead Kennedys, and by extension, of the "second wave" of American punk. He is also the only Dead Kennedy to remain a constant member of the band since its formation.
MDC is an American punk rock band formed in 1979 in Austin, Texas, subsequently based in San Francisco, and currently Portland, Oregon. Among the first wave of bands to define the sound and style of American hardcore punk, MDC originally formed as The Stains; they have periodically changed the meaning of "MDC", the most frequent being Millions of Dead Cops. The band's lyrical content expresses radical left political views and has proven influential within the punk subculture.
Plastic Surgery Disasters is the second full-length album released by punk rock band Dead Kennedys. Recorded in San Francisco during June 1982, it was produced by the band and punk record producer Thom Wilson, with Geza X getting a "special thanks" underneath the DK's/Wilson credit for additional production. The album is darker and more hardcore-influenced than their debut album Fresh Fruit for Rotting Vegetables as a result of the band trying to expand on the sound and mood they had achieved with their 1980 single "Holiday in Cambodia". It was the first full-length album to feature drummer D.H. Peligro, and is frontman Jello Biafra's favorite Dead Kennedys album.
Mutiny on the Bay is an album of live recordings by the Dead Kennedys. The album’s material was compiled from a number of concerts in 1982 and 1986 in the band’s hometown of San Francisco with an additional track taken from the band’s final show in Davis, California before their break up in 1986.
"Police Truck" is a song by the American punk rock band Dead Kennedys. It was originally released in May 1980 as the B-side of the "Holiday in Cambodia" single and later released in June 1987 as the opening track on the band's compilation album Give Me Convenience or Give Me Death.
"Nazi Punks Fuck Off" is a song by American punk rock band Dead Kennedys. It was released in November 1981 through Alternative Tentacles as a 7-inch single with "Moral Majority" as the B-side. Both are from the In God We Trust, Inc. EP, although the EP version is a different recording from the single version. The single included a free armband with a crossed-out swastika. The design was later adopted as a symbol for the anti-racist punk movement Anti-Racist Action.
The Fartz were a hardcore punk band that was founded in 1981 and were one of the first well-known bands in their genre from Seattle, Washington. They were signed to Jello Biafra's Alternative Tentacles Record label. They were notable not only for playing incredibly fast and heavy music, but also for their politically and socially conscious song lyrics that criticized government policies, religious hypocrisy, racism, sexism, and poverty. Throughout their musical career they championed a blue collar, working class perspective on life.
In God We Trust, Inc.: The Lost Tapes is VHS/DVD of the Dead Kennedys' first recording session of their EP, In God We Trust Inc.. It was released in July 2003. The session was filmed in June 1981 by Joe Rees at Target Video. When the DKs went to master the tape it started to peel and deteriorate, so they had to record it again. The video tapes of the session were in the DK's video collection. This film was directed and edited by Eric S. Goodfield and was released to celebrate the 25th anniversary of Dead Kennedys EP In God We Trust, Inc. It includes live versions of all the songs except "Hyperactive Child", for which no live footage could be found.
Let Them Eat Jellybeans!, subtitled "17 Extracts From America's Darker Side", is a compilation album released by Jello Biafra's Alternative Tentacles in 1981. It was one of the earliest compilations of underground music in the United States and its original release included an insert of all of the punk bands known to be playing in the U.S. and Canada at that time. The first side of the LP features songs by a number of bands that formed the canon of American hardcore punk in the 1980s, while the second side features more of an art rock sound.
Milking the Sacred Cow is a compilation album by San Francisco punk rock band Dead Kennedys. Released in 2007, it comprises songs recorded between 1979 and 1985 that originally appeared on the band’s various studio albums and singles. The compilation also contains two previously unreleased live versions of songs from the band’s Frankenchrist album. Notably, Milking the Sacred Cow contains no material from the Dead Kennedys’ final studio album, Bedtime for Democracy.
M.I.A. is an American 1980s punk rock band from Las Vegas, Nevada. The band's sound is generally hardcore and thrash, though they produced more melodic and progressive sounds in their later albums. AllMusic called the band "one of the 50 best So-Cal punk bands of the great early-'80s second wave explosion."
