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Jane Dunnewold is an American textile artist and author. She was previously the president of the Surface Design Association. [1]
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Jane Dunnewold is an American textile artist and author. She was previously the president of the Surface Design Association. [1]
Dunnewold was born in Oberlin, Ohio, United States, and currently lives in San Antonio, Texas with her family.[ citation needed ]
Dunnewold has published several books including: [3]
Quilting is the term given to the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three-dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material, and the backing.
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
Miriam Nathan-Roberts was a textile artist who specialized in Studio Art Quilting. Her work was centered on abstract "illusions of three dimensions on flat or semi-flat surfaces." Nathan-Roberts received many awards at the Quilt National over the years, including Best in Show, the People's Choice Award (1985), and the Juror's Award of Merit (2013); she served as Juror in 2005.
Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas, rather than traditional patterns. Quilt art generally has more in common with the fine arts than it does with traditional quilting. Quilt art is typically hung or mounted.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Sue Reno is a fiber artist from Pittsburgh, Pennsylvania.
Polly Barton is an American textile artist.
Katherine Westphal was an American textile designer and fiber artist who helped to establish quilting as a fine art form.
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Yoshiko Iwamoto Wada is a Japanese textile artist, curator, art historian, scholar, professor, and author. She has received international recognition for her scholarship and expertise in the field of textile art. In 2010, she was named a "Distinguished Craft Educator - Master of Medium" by the James Renwick Alliance of the Smithsonian Institution, who stated: "she is single-handedly responsible for introducing the art of Japanese shibori to this country". In 2016 she received the George Hewitt Myers Award for Lifetime Achievement.
Françoise Grossen is a textile artist known for her braided and knotted rope sculptures. She lives and works in New York City. Grossen’s work has been acquired by the Metropolitan Museum of Art, New York; the Renwick Gallery, Smithsonian American Art Museum, Washington, DC; and the State Hermitage Museum, Saint Petersburg, Russia.
Alma Lesch was an American fiber artist known for her fiber portraits. She was "the undisputed grande dame of Kentucky textile arts." A historic marker notes her achievements in Shepherdsville, Kentucky where Lesch lived and had her studio. Lesch's quilt, Bathshebas Bedspread, was included in the Objects: USA exhibit in 1969, which was organized by S.C. Johnson and Son.
Sandra Sider is an American quilt artist, author, and curator. She holds a PhD in comparative literature from University of North Carolina, Chapel Hill, specializing in Renaissance studies. She also holds an M.A. in art history from the New York University Institute of Fine Arts.
Consuelo Jiménez Underwood is an American fiber artist, known for her pieces that focus on immigration issues. She is an indigenous Chicana currently based in Cupertino, California. As an artist she works with textiles in attempt to unify her American roots with her Mexican Indigenous ones, along with trying to convey the same for other multicultural people.
The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.
Joan Livingstone is an American contemporary artist, educator, curator, and author based in Chicago. She creates sculptural objects, installations, prints, and collages that reference the human body and bodily experience.
Libby Black is an American contemporary artist working primarily in drawing, painting, and sculpture. Black lives and works in Berkeley California.
Joan Schulze is an American artist, lecturer, and poet. Schulze's career spans over five decades: she is best known for her work of contemporary quilts, fiberarts, and collage. Schulze has been named a “pioneer of the art quilt movement,” and her influence has been compared to that of Robert Rauschenberg’s. Her work is in galleries and private collections worldwide including the Renwick Gallery/Smithsonian Institution in Washington DC, the Museum of Arts and Design in New York, & the Oakland Museum of California.
Linda Gass is an American environmental activist and artist known for brightly colored quilted silk landscapes, environmental works, and public art sculptures, which reflect her passion for environmental preservation, water conservation and land use.
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