Kathy Suder

Last updated
Kathy Suder
Born
Kathy Sherman

EducationPaschal High School; Tulane University
Known forPhotography and painting
Website kathysuder.com

Kathy Suder is an American artist known for her large-scale color boxing photographs and paintings. [1] [2] [3] [4] She is also an arts volunteer in Fort Worth, focusing on programs benefitting children. [2]

Contents

Early life

One of three daughters, Suder was born to Scott and Selma Sherman in Fort Worth. [2] Her father was a five-time Golden Gloves champion from 1949 to 1954, boxing manager, and auto parts entrepreneur. [5] [2] Suder credits her artistic interest in boxing to her exposure to the sport while growing up in Fort Worth. [2] At seven, she trained as the only female in Fort Worth's Panther Boys Club boxing team. [1] [5] Around this time, she started showing an aptitude for art. [5] While attending Paschal High School, she served as Fort Worth United High School representative and basketball statistician. [2]

During her time at Tulane University, she worked as a student editor for Mademoiselle . [2] She moved to New York after graduation and worked as an associate fashion editor for Glamour . [6] She frequented art museums, which inspired her to start painting. [1] She was also a student at the George Washington University Law School. [6]

After marrying Jon Suder in 1982, the two moved to Washington, D.C., while her husband finished law school. She routinely painted plein air while living there. [5] After graduation, they moved to Fort Worth and started a family. [2]

Art career

Around 1994 in Fort Worth, Suder started painting in oils while also studying art at Texas Christian University and attending art workshops. [2] She also took some of her earliest boxing pictures at this time of Paulie Ayala, whom her father managed. [2] Inspired by a high chair she designed, Suder started a children's hand-painted furniture business, FUN-iture, which she closed in 1997. [2] [5] Afterwards, she started working on oil painting, but abandoned her early motifs of landscapes and still lifes. [5]

In 1995, Suder began to suffer from migraines. [7] [1] [5] While working at the Anderson Art Center in Snowmass, Colorado, she rediscovered one of her boxing photographs, which became the inspiration for her first boxing painting. [7] The painting, Get Up!, also served as an embodiment of the painful migraines. [7] [5]

After returning to Fort Worth, she worked in a studio offered by a friend, Bill Bostleman, and found a supportive group of artist friends, including Nancy Lamb and Dan Blagg. [7] In 2000, while at the Anderson Art Center, she met photographer Eikoh Hosoe, who encouraged her to focus on photography. [2] [1]

The New Yorker , commenting on an exhibition at Bruce Silverstein Gallery in 2004, stated that her boxing photographs "owe more to Caravaggio than to Sports Illustrated ." [8] An ARTnews review observed that "they hint at the artist's history as a painter ..." [9] They also have been likened to boxing paintings by George Bellows, and their attention to chiaroscuro connects them to Renaissance art. [3] Beyond their visceral quality, they suggest the human condition. [4] [10] Commenting on the relationship between her boxing paintings and photographs, Andrew Marton for Fort Worth Star-Telegram observed, "These highly affecting photos, freezing the ring's ritualistic choreography, serve as Suder's essential sketching in preparation for her boxing paintings. The stylistic bridge between Suder's photos and paintings is in the blurred representations of the boxers' bodies, impressionistic masses of flesh with roughly drawn appendages attached to blots of color symbolizing boxing gloves." [5]

Suder spent six years working on a series of subway photographs taken in London, Tokyo, and New York that offer similar intimacy and immediacy as her boxing photographs. [11] She was also interested in capturing the democratizing environment of subways. [11] In a related publication, curator John Rohrbach recognized that Suder, "[delivers] a mix of classes, races, ages, and cultures as the trains pass from one neighborhood to the next ... her subway is a community, even when it exudes feigned solitude." [12]

Other

In 1982, while Suder was working in New York at Glamour, a coworker shared a chicken recipe with her. After serving it to her boyfriend, the two were engaged soon after. Several other coworkers also got engagement proposals after serving the dish to their boyfriends. Engagement chicken earned its name when the recipe appeared in the January 2004 issue of the magazine. [13]

Selected solo exhibitions

Museum collections

Related Research Articles

<span class="mw-page-title-main">Gordon Parks</span> American photographer, musician, writer and film director

Gordon Roger Alexander Buchanan Parks was an American photographer, composer, author, poet, and film director, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s—particularly in issues of civil rights, poverty and African Americans—and in glamour photography. He is best remembered for his iconic photos of poor Americans during the 1940s, for his photographic essays for Life magazine, and as the director of the films Shaft, Shaft's Big Score and the semiautobiographical The Learning Tree.

<span class="mw-page-title-main">Richard Avedon</span> American photographer (1923–2004)

Richard Avedon was an American fashion and portrait photographer. He worked for Harper's Bazaar, Vogue and Elle specializing in capturing movement in still pictures of fashion, theater and dance. An obituary published in The New York Times said that "his fashion and portrait photographs helped define America's image of style, beauty and culture for the last half-century".

<span class="mw-page-title-main">Charles Sheeler</span> American painter

Charles Sheeler was an American artist known for his Precisionist paintings, commercial photography, and the avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art.

<span class="mw-page-title-main">Cindy Sherman</span> American photographer

Cynthia Morris Sherman is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.

<span class="mw-page-title-main">Amon Carter Museum of American Art</span> Museum in Fort Worth, Texas

The Amon Carter Museum of American Art (ACMAA) is located in Fort Worth, Texas, in the city's cultural district. The museum's permanent collection features paintings, photography, sculpture, and works on paper by leading artists working in the United States and its North American territories in the nineteenth and twentieth centuries. The greatest concentration of works falls into the period from the 1820s through the 1940s. Photographs, prints, and other works on paper produced up to the present day are also an area of strength in the museum's holdings.

<span class="mw-page-title-main">Laura Gilpin</span> American fine art photographer

Laura Gilpin was an American photographer.

<span class="mw-page-title-main">Modern Art Museum of Fort Worth</span> Art museum in Texas, United States

The Modern Art Museum of Fort Worth is an art museum of post-World War II art in Fort Worth, Texas with a collection of international modern and contemporary art. Founded in 1892, The Modern is located in the city's cultural district in a building designed by architect Tadao Ando which opened to the public in 2002. The museum is accredited by the American Alliance of Museums and holds a permanent collection with more than 3,000 works of art.

<span class="mw-page-title-main">Lorna Simpson</span> American photographer and multimedia artist

Lorna Simpson is an American photographer and multimedia artist whose works have been exhibited both nationally and internationally. In 1990, she became one of the first African-American woman to exhibit at the Venice Biennale. She came to prominence in the 1980s and 1990s with photo-text installations such as Guarded Conditions and Square Deal that questioned the nature of identity, gender, race, history and representation. Simpson continues to explore these themes in relation to memory and history using photography, film, video, painting, drawing, audio, and sculpture.

<span class="mw-page-title-main">Lisette Model</span> American photographer

Lisette Model was an Austrian-born American photographer primarily known for the frank humanism of her street photography.

<span class="mw-page-title-main">Zoe Strauss</span> American photographer

Zoe Strauss is an American photographer and a nominee member of Magnum Photos. She uses Philadelphia as a primary setting and subject for her work. Curator Peter Barberie identifies her as a street photographer, like Walker Evans or Robert Frank, and has said "the woman and man on the street, yearning to be heard, are the basis of her art."

<span class="mw-page-title-main">Laura Wilson (photographer)</span> American photographer (born 1939)

Laura Cunningham Wilson is an American photographer. She has completed seven books of photography and text: Watt Matthews of Lambshead (1989), Hutterites of Montana (2000), Avedon at Work: In the American West (2003), Grit and Glory: Six-Man Football (2003), That Day: Pictures in the American West (2015), From Rodin to Plensa: Modern Sculpture at the Meadows Museum (2018), and The Writers: Portraits by Laura Wilson (2022). She is the mother of actors Andrew Wilson, Owen Wilson, and Luke Wilson.

<i>The Swimming Hole</i> Painting by Thomas Eakins

The Swimming Hole is an 1884–85 painting by the American artist Thomas Eakins (1844–1916), Goodrich catalog #190, in the collection of the Amon Carter Museum of American Art in Fort Worth, Texas. Executed in oil on canvas, it depicts six men swimming naked in a lake, and is considered a masterpiece of American painting. According to art historian Doreen Bolger it is "perhaps Eakins' most accomplished rendition of the nude figure", and has been called "the most finely designed of all his outdoor pictures". Since the Renaissance, the human body has been considered both the basis of artists' training and the most challenging subject to depict in art, and the nude was the centerpiece of Eakins' teaching program at the Pennsylvania Academy of the Fine Arts. For Eakins, this picture was an opportunity to display his mastery of the human form.

Marie Cosindas was an American photographer. She was best known for her evocative still lifes and color portraits. Her use of color photography in her work distinguished her from other photographers in the 1960s and 1970s. Most of her photographs were portraits and pictures of objects like dolls, flowers, and masks.

<span class="mw-page-title-main">William Greiner</span> American photographer and painter

William (Kross) Greiner in New Orleans, Louisiana, is an American photographer and multi-media artist living in Santa Fe, NM.

Ruth Carter Stevenson was an American patron of the arts and founder of the Amon Carter Museum of American Art, which opened in Fort Worth, Texas, in January 1961.

<span class="mw-page-title-main">Nude photography (art)</span> Artistic photography of the naked human body

Fine art nude photography is a genre of fine-art photography which depicts the nude human body with an emphasis on form, composition, emotional content, and other aesthetic qualities. The nude has been a prominent subject of photography since its invention, and played an important role in establishing photography as a fine art medium. The distinction between fine art photography and other subgenres is not absolute, but there are certain defining characteristics.

Kathy Grove is an American conceptual feminist photographer. As a professional photo retoucher for fashion magazines, Grove became familiar with airbrushing and photo manipulation techniques in that industry. Her work uses those skills to remove subjects from iconic works, or to alter their appearance. Grove wrote that this practice is intended to "portray women as they have been regarded throughout history, invisible and inaudible."[2] Her photo series, The Other Series, includes reproductions of canonical paintings in Western art with the feminine subjects removed.

<span class="mw-page-title-main">Carlotta Corpron</span> American photographer (1901–1988)

Carlotta Corpron was an American photographer known for her abstract compositions featuring light and reflections, made mostly during the 1940s and 1950s. She is considered a pioneer of American abstract photography and a key figure in Bauhaus-influenced photography in Texas.

<span class="mw-page-title-main">Sarah Ann Lillie Hardinge</span> American painter

Sarah Ann Lillie Hardinge was a self-taught painter whose watercolors of Texas, painted between 1852 and 1856, provide rare, early pictorial documentation of the territory. She is among the earliest female painters to depict the state. She later patented a photo-finishing process called Pearletta Pictures.

Catherine Simon is an American portrait photographer and writer. She is known for her photographs of influential musicians, artists, and writers, including The Clash, Patti Smith, Madonna, Andy Warhol, and William S. Burroughs. One of her photographs of Bob Marley was used on the front cover of his 1978 album, Kaya.

References

  1. 1 2 3 4 5 "Kathy Suder: Knockout!". Silverstein Photography. Archived from the original on November 6, 2007. Retrieved March 11, 2022.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 Bennison, Gail (April 9–15, 2004). "Art of the Deal: Kathy Suder Art & Photos a Knockout". Fort Worth Business Press: 1, 25–26.
  3. 1 2 "Kathy Suder: Knockout! Preview". Silverstein Photography. August 13, 2006. Archived from the original on November 6, 2007. Retrieved March 11, 2022.
  4. 1 2 Heinkel-Wolfe, Peggy (2004). "Photo Exhibit Covers Paris Romance and the Boxing Ring". Fort Worth Star-Telegram.
  5. 1 2 3 4 5 6 7 8 9 10 11 Marton, Andrew (November 28, 1999). "Blood, Sweat and Tears". Fort Worth Star-Telegram.
  6. 1 2 "Kathy Sherman is Engaged". The New York Times: 106. December 6, 1981.
  7. 1 2 3 4 "The Right Hook: Kathy Suder Finds an Unlikely Calling in Boxing Ring Photography". Savvy: The Art of Marketing. March 2004.
  8. "Goings On About Town: Photography". The New Yorker. February 16, 2004.
  9. Enriquez, Mary Scheider (May 2004). "Kathy Suder". ARTnews.
  10. "The Right Hook: Kathy Suder Finds an Unlikely Calling in Boxing Ring Photography". Marketing Savvy: The Art of Marketing. March 2004.
  11. 1 2 3 Bennison, Gail (January 2014). "Going Underground with Kathy Suder". Fort Worth Magazine: 32–[33].
  12. Suder, Kathy (2014). Underground. Knockout Press. OCLC   873094140.
  13. "How to Make 'Engagement' Chicken". Glamour. 2006-07-10. Retrieved 2022-03-11.
  14. "Kathy Suder - Exhibitions - Bruce Silverstein". www.brucesilverstein.com. Retrieved 2022-03-11.
  15. Heinkel-Wolfe, Peggy (April 3, 2004). "Photo Exhibit Covers Paris Romance and the Boxing Ring". Fort Worth Star-Telegram. Archived from the original on March 13, 2022. Retrieved March 13, 2022.
  16. "Kathy Sherman Suder". Amon Carter Museum of American Art. Retrieved March 13, 2022.
  17. "New York, August 2011 (American Flag)". Los Angeles County Museum of Art. Retrieved March 13, 2022.