Isabella d'Este was the Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure.
The House of Sforza was a ruling family of Renaissance Italy, based in Milan. Sforza rule began with the family's acquisition of the Duchy of Milan following the extinction of the Visconti family in the mid-15th century and ended with the death of the last member of the family's main branch, Francesco II Sforza, in 1535.
Vigevano is a comune (municipality) in the province of Pavia, in the Italian region of Lombardy. A historic art town, it is also renowned for shoemaking and is one of the main centres of Lomellina, a rice-growing agricultural district. Vigevano received the honorary title of city with a decree of Duke Francis II Sforza on 2 February 1532. It is famed for its Renaissance Piazza Ducale in the centre of the town.
Ludovico Maria Sforza, also known as Ludovico il Moro, and called the "arbiter of Italy" by historian Francesco Guicciardini, was an Italian nobleman who ruled as the Duke of Milan from 1494 to 1499.
Cecilia Gallerani was the favourite and most celebrated of the many mistresses of Ludovico Sforza, known as Lodovico il Moro, Duke of Milan. She is best known as the subject of Leonardo da Vinci's painting The Lady with an Ermine. While posing for the painting, she invited Leonardo, who at the time was working as court artist for Sforza, to meetings at which Milanese intellectuals discussed philosophy and other subjects. Cecilia herself presided over these discussions.
Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci. It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. It is the only painting by Leonardo on public view in the Americas.
Lorenzo di Credi was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci.
The Lady with an Ermine is a portrait painting widely attributed to the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491, the work is painted in oils on a panel of walnut wood. Its subject is Cecilia Gallerani, a mistress of Ludovico Sforza, Duke of Milan; Leonardo was painter to the Sforza court in Milan at the time of its execution. It is the second of only four surviving portraits of women painted by Leonardo, the others being Ginevra de' Benci, La Belle Ferronnière and the Mona Lisa.
Gian Giacomo Trivulzio was an Italian aristocrat and condottiero who held several military commands during the Italian Wars.
The Portrait of a Musician is an unfinished painting widely attributed to the Italian Renaissance artist Leonardo da Vinci, dated to c. 1483–1487. Produced while Leonardo was in Milan, the work is painted in oils, and perhaps tempera, on a small panel of walnut wood. It is his only known male portrait painting, and the identity of its sitter has been closely debated among scholars.
Beatrice d'Este was Duchess of Bari and Milan by marriage to Ludovico Sforza. She was one of the most important personalities of the time and, despite her short life, she was a major player in Italian politics. A woman of culture, an important patron, a leader in fashion: alongside her illustrious husband she made Milan one of the greatest capitals of the European Renaissance. With her own determination and bellicose nature, she was the soul of the Milanese resistance against the enemy French during the first of the Italian Wars, when her intervention was able to repel the threats of the Duke of Orléans, who was on the verge of conquering Milan.
Lucrezia Crivelli was a mistress of Ludovico Sforza "il Moro", Duke of Milan. She was the mother of Sforza's son, Giovanni Paolo I Sforza, Marquess of Caravaggio. Crivelli has been thought to be the subject of Leonardo da Vinci's painting, La belle ferronnière.
Giovanni Ambrogio de Predis was an Italian Renaissance painter, illuminator and designer of coins active in Milan. Ambrogio gained a reputation as a portraitist, including as a painter of miniatures, at the court of Ludovico Sforza.
Bernardo Bellincioni (1452–1492) was an Italian poet, who began his career in the court of Lorenzo the Magnificent in Florence. In 1483 he was at the Gonzaga court and in 1485 he moved to Milan, where he was the court poet of Ludovico Sforza, the patron of Leonardo da Vinci. He wrote eulogistic sonnets addressed to his patrons and engaged in the usual literary squabbles with other poets, some in the burlesque manner established by Domenico Burchiello, that are a characteristic of the Italian Renaissance.
La Vita di Leonardo Da Vinci — in English, The Life of Leonardo da Vinci — is a 1971 Italian television miniseries dramatizing the life of the Italian Renaissance genius Leonardo da Vinci (1452–1519).
Leonardo's Horse is a project for a bronze sculpture that was commissioned from Leonardo da Vinci in 1482 by the Duke of Milan Ludovico il Moro, but never completed. It was intended to be the largest equestrian statue in the world, a monument to the duke's father Francesco Sforza. Leonardo did extensive preparatory work for it but produced only a large clay model, which was later destroyed.
Galeazzo da Sanseverino, known as the son of Fortuna, was an Italian-French condottiere and Grand Écuyer de France; Marquis of Bobbio, Count of Caiazzo, Castel San Giovanni, Val Tidone and Voghera. He was first the favorite of Ludovico il Moro and Beatrice d'Este, then of Louis XII and Francis I of France, as well as a sworn enemy of Gian Giacomo Trivulzio.
On the other hand the Duke of Milan
called and gave the general cane
to Maria Galeazo, and captain
did it of his people on the saddle,
who riding then from hand to hand,
with the banner in the wind of the snake,
honor and glory of Lombardy,
with many great gentlemen in company.
The Visconti-Sforza Castle is a mediaeval castle located in the centre of the city of Vigevano, Lombardy, Northern Italy. In the 14th and 15th centuries, members of the Visconti and Sforza houses, lords and dukes of Milan, transformed a previous fortification into a vast family resort. The castle was part of a wider plan of urban development for Vigevano, which included the erection of other buildings and the construction of the central Piazza Ducale.
The Visconti Castle of Pavia is a medieval castle in Pavia, Lombardy, Northern Italy. It was built after 1360 in a few years by Galeazzo II Visconti, Lord of Milan, and used as a sovereign residence by him and his son Gian Galeazzo, first duke of Milan. Its wide dimensions induced Petrarch, who visited Pavia in the fall of 1365, to call it "an enormous palace in the citadel, a truly remarkable and costly structure". Adjacent to the castle, the Visconti created a vast walled park that reached the Certosa di Pavia, a Carthusian monastery founded in 1396 by the Visconti as well and located about 7 kilometres (4.3 mi) to the north.
The Italian Renaissance in Lombardy, in the Duchy of Milan in the mid-15th century, started in the International Lombard Gothic period and gave way to Lombard humanism with the passage of power between the Visconti and Sforza families. In the second half of the 15th century the Lombard artistic scene developed without disruption, with influences gradually linked to Florentine, Ferrarese, and Paduan styles. With the arrival of Bramante (1479) and Leonardo da Vinci (1482), Milan reached absolute artistic heights in the Italian and European panorama, while still demonstrating the possibilities of coexistence between the artistic avant-garde and the Gothic substratum.
