Link Electronics

Last updated
Link Electronics Ltd.
General information
Town or city Andover, Hampshire
Country England
OwnerLink Electronics Ltd

Link Electronics Ltd. was a major UK industrial and broadcast television equipment manufacturer and systems integrator in the 1970s and 1980s. The company was founded by John Tanner and David Mann, who began manufacturing television cameras in 1966. [1]

Contents

Link was known mainly for its range of broadcast television cameras, but was also a manufacturer of outside broadcast (OB) vehicles, including the BBC "Type 5". Link also produced a wide range of ancillary studio equipment, such as distribution amplifiers, measuring sets and test-signal generators. [2]

Cameras

Link started as an industrial camera manufacturer but soon moved into broadcast equipment when the BBC approached it to develop a successor to the commercially successful EMI 2001, when EMI's own design for the 2001's successor, the 2005, failed to meet expected standards when launched around 1975. The poor performance of this camera, considering its development cost, led to EMI exiting the broadcast camera industry. A similar fate befell Link around 10–15 years later upon the release of the Link 130 (further down this page). [3]

Type 100

The Link-NEC 100 was the companion camera to the Type 130 and designed in conjunction with NEC. It had a triax interface unit and could be used stand alone, via a radio link or with a CCU via triax cable. it shared a common architecture with the 130 by using the same 18mm tubes and both where fully automatic for set-up and used the same CCU (camera control unit), OCP (operational control unit) and MSU (master setup unit). [4]

Type 109

The Type 109 was a broadcast quality black-and-white camera mainly used as a caption scanner or simple telecine. [4]

Type 110/111

The 110 was Link's first attempt at a colour broadcast camera and around 200 cameras were manufactured. Styling was based on the EMI 2001 colour camera but at an economical price, including what some claim to be a very flimsy casing that was not of rugged design.

The camera consisted of a closed body and an internal lens from a range of manufacturers, like the EMI 2001, leading to similar claims that the design was "boxy". The camera was capable of both studio and outside broadcast use and at the BBC found its way into TC6, TC8 and several presentation studios at Television Centre, BBC Lime Grove, BBC Bristol, BBC Cardiff, the Open University studio in Milton Keynes, BBC Wood Norton Training Centre and onto several BBC outside broadcast vehicles. ITV company Thames Television also used the camera at their Euston Road studios from around 1979, replacing their Marconi MkVIIs (with RCA TK-47s at Teddington a few years later replacing the EMI 2001s there).

The 110 was seen as a good, cheap, modern option which was lightweight and easier to carry compared to the much older and heavier EMI 2001 camera. The Link 111 was a low-cost version of the Link 110 with a reduced feature set. In the Video Yearbook for 1977 the Link 111 is listed at £12,000 less tubes & lens. [4]

Type 120

The Link 120 was a portable camera system that consisted of the camera head and a portable electronics box that then connected to the CCU via standard TV36 multicore cable. The Type 120 was intended to be able to 'clip' into a studio frame to allow easy conversion from either a handheld camera on location or to a large-lens camera at sports events in studio. An advert in the Guild of Television Cameramen magazine ZERB notes that there are three options, the Type 121 shoulder mount (with long 3-inch viewfinder), Type 122 with 3-inch viewfinder, Type 123 in sports camera body and 5-inch viewfinder, and the Type 124 with full studio lens and 7-inch viewfinder. The Link 125 camera was the next step to a purpose-designed studio camera. [5]

Type 125

The Link 125 camera was purchased in quantity by the BBC and deployed to most of the studios at Television Centre, Pebble Mill in Birmingham and Broadcasting House, Belfast as well as several other BBC studios. It was also the camera of choice at Limehouse Television. In addition, ITV company Television South (TVS) used the model in its Maidstone studios, which were still in use by those studios when they were sold as an independent studio facility following the loss of TVS's franchise at the end of 1992.

The 125 was a well-thought-out and well-built studio and OB camera developed from the Link 120 portable camera system. It also contained a comprehensive communications system and used a camera control unit (CCU) based around the 110 but was updated with auto black, white, iris and centering functions.

The BBC preferred to use a mid-range Schneider-Kreuznach lens as it gave good zoom angles. Some believed it produced one of the best images for a pickup tube camera; others believed it could never match the quality of the EMI 2001. Many BBC users felt that the image was soft and not easy to focus. It also produced an unusual image effect that formed the shape of a 'teardrop' in the centre of the image. [4] [6] The Link 125 was the most successful of all of Link cameras. It is believed the last studio to use them was BBC Pebble Mill, which decommissioned the last four in 1994 from the news studio, having upgraded to Sony BVP-375's and Ikegami HL-55's a few years before. These cameras have become collectable vintage items. [7]

Type 130

The 130 was designed in the mid-1980s as a high-tech modern camera with aspirations of quality and high-tech design through the use of microprocessors for full auto setup. Unfortunately, it soon became apparent that there were several hardware and/or software errors made during the design and manufacture of this model, which seriously affected the manufacturer's reputation with its broadcast customer base, in much the same way the EMI 2005 had done around 15 years earlier. This was compounded by competition from high-quality camera systems from Japanese manufacturers including Sony, Ikegami and Hitachi and by the Dutch manufacturer Philips. Also at this time RCA had started to use CCDs in its cameras, which produced what was considered a superior picture to the then-prevailing technology of camera pickup tubes, which necessitated not as many regular adjustments in their setup procedures.

In the mid-1980s, the BBC was designing the Type 6 scanner and had chosen the Link 100 and 130, and had several camera channels for testing. Prototypes had been sent to broadcasters in Israel, Sweden and Australia. The BBC Link 130 cameras were initially installed in Elstree Studio A and at BBC Wood Norton along with some NEC MNC-100 lightweight cameras. They had been in development for a few years and the idea was to use Studio A Elstree and BBC Glasgow (which received the first batch) as test beds to try to make them work, but they proved to be very unreliable. John Wardle, Head of BBC Engineering, stated that 42 Link 130s were ordered but it is believed only 11 production units were delivered.

The trial showed the camera suffered from poor design and many software bugs (that would leave the camera's automatic lineup software switched on and the cue light happening to cause picture interference). The BBC engineering department felt that these faults wouldn't be fixed quickly and the order for Television Centre was cancelled and TVC was fitted with Thomson1531 cameras. As a result, this act allegedly caused the final collapse of Link, which was declared bankrupt. UEI Group then briefly purchased the company, after investing many hundreds of thousands of pounds in the development of the camera only for the poor design not being rectified in the design or prototype stages giving Link a poor reputation after several technically and commercially successful models. The company then transferred to the ownership of Quantel.

There are several units in private collections and, until the early 2000s, several casings were to be seen at the National Science and Media Museum in Bradford as part of a public display. [4] [8] [9]

Studio equipment

Link produced a full range of sync pulse generators, colour bar generators, video distribution amps and various other pieces of industrial and broadcast television equipment.

Including -

107 Camera Tube Test Channel

A Plumbicon tube condition tester

251 Colour Synchronising Pulse Generator

A Colour Synchronising Pulse Generator including mixed sync and blanking, line and field, PAL subcarrier and PAL ident.

255 Series PAL Encoder

A PAL Encoder with picture input and three composite outputs. Optional modules could produce black and burst signals and colour bars.

260 Series PSU

286 Rack Frame

8-module rack with space for a 260 Series PSU.

260 Series Generators

Worked with the 251 Sync Generator.

280 Video Distribution Amplifier

A universal mains-powered video/sync distribution amp with six individual isolated outputs. A rack frame was available to hold up to 8 modules.

290 Video Delay

290 Single-Channel Delay and 291 Triple-Channel Delay that were housed in the 280-type chassis.

329 Waveform Generator

Generates a 5-step staircase pattern, peak white and black signals and PAL sub-carriers.

360 Video Noise Meter

A device for checking the quality of a video signal.

375 Insertion Test Generator

700 Series Talkback/Intercomm

Link 700 series intercom where custom built systems using computerized FET cross-point switching with selector panels and feeds to and from VT's and cameras.

710 Directors Talkback

Specially designed for EFP (electronic field production) applications. It consisted of three control panels (Director, Vision Engineer and Sound Engineer) which had access to each other, as well as a maximum of four cameras and an auxiliary feed (production sound).

760 Series Audio Distribution

787 Telephone Exchange

A telephone exchange system capable of working with up to 10 external lines and up to five operating positions, each position having a keypad with an illuminated push-button for each line and a buzzer that sounded for 2 seconds when an incoming call was received.

Outside broadcast vehicles

PYE TVT had supplied the BBC with its television OB vehicles from the 1950s until the early 1980s. But for the Type 4 PYE equipped the two vehicles with LINK-110 cameras. When the Type 5 was being designed Link offered a design that provided a full facility unit with up to eight cameras (although BBC OBs chose the Philips LDK-5, not a Link camera) at least 20 were supplied to the BBC and at least five to ITV and non UK customers. One Type 5 (London 6) was donated to the Science Museum and has now been sold to a group of ex-broadcast engineers, who are slowly restoring it. [4] [10]

Following its bankruptcy, UK digital broadcast equipment manufacturer Quantel, famous for the Paintbox graphics system, acquired the company and used it to develop a facilities integration and design company known as Quantel-Link. This company continued to design and manufacture outside broadcast vehicles to many national broadcasters, including YTE in Finland, as well as companies in France, Germany and other European broadcasters.

Related Research Articles

<span class="mw-page-title-main">Single-lens reflex camera</span> Camera that typically uses a mirror and prism system

A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.

<span class="mw-page-title-main">Camera</span> Optical device for recording images

A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century.

Genlock is a common technique where the video output of one source is used to synchronize other picture sources together. The aim in video applications is to ensure the coincidence of signals in time at a combining or switching point. When video instruments are synchronized in this way, they are said to be generator-locked, or genlocked.

<span class="mw-page-title-main">Test card</span> Test signal in television broadcasting

A test card, also known as a test pattern or start-up/closedown test, is a television test signal, typically broadcast at times when the transmitter is active but no program is being broadcast.

<span class="mw-page-title-main">Camcorder</span> Video camera with built-in video recorder

A camcorder is a self-contained portable electronic device with video and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swappable battery facing towards the user, hot-swappable recording media, and an internally contained quiet optical zoom lens.

<span class="mw-page-title-main">Professional video camera</span> High-end camera for creating electronic moving images

A professional video camera is a high-end device for creating electronic moving images. Originally developed for use in television studios or with outside broadcast trucks, they are now also used for music videos, direct-to-video movies, corporate and educational videos, wedding videos, among other uses. Since the 2000s, most professional video cameras are digital.

<span class="mw-page-title-main">Pebble Mill Studios</span> Former BBC television studios in Birmingham, England

Pebble Mill Studios was the BBC's television studio complex located in Edgbaston, Birmingham, England, United Kingdom, which served as the headquarters for BBC Birmingham from 1971 until 2004. The nine-acre site was opened by Princess Anne on 10 June 1971, and in addition to the studios contained two canteens, a post office, gardens, a seven-storey office block, and an outside broadcasting (OB) base.

<span class="mw-page-title-main">Television studio</span> Installation in which video productions take place

A television studio, also called a television production studio, is an installation room in which video productions take place, either for the production of live television and its recording onto video tape or other media such as SSDs, or for the acquisition of raw footage for post-production. The design of a studio is similar to, and derived from, movie studios, with a few amendments for the special requirements of television production. A professional television studio generally has several rooms, which are kept separate for noise and practicality reasons. These rooms are connected via 'talkback' or an intercom, and personnel will be divided among these workplaces.

<span class="mw-page-title-main">Production control room</span> Part of a television studio

The production control room (PCR) or studio control room (SCR) is the place in a television studio in which the composition of the outgoing program takes place.

<span class="mw-page-title-main">Zenit (camera)</span> Soviet camera company

Zenit (Russian: Зени́т) is a Soviet camera brand manufactured by KMZ in the town of Krasnogorsk near Moscow since 1952 and by BelOMO in Belarus since the 1970s. The Zenit trademark is associated with 35 mm SLR cameras. Among related brands are Zorki (Watchful) for 35 mm rangefinder cameras, Moskva (Moscow) and Iskra (Spark) for medium-format folding cameras and Horizon for panoramic cameras. In the 1960s and 1970s, they were exported by Mashpriborintorg to 74 countries.

<span class="mw-page-title-main">Pye (electronics company)</span> English electronics company

Pye Ltd was an electronics company founded in 1896 in Cambridge, England, as a manufacturer of scientific instruments. The company merged with EKCO in 1960. Philips of the Netherlands acquired a majority shareholding in 1967, and later gained full ownership.

<span class="mw-page-title-main">Philips circle pattern</span> TV test pattern, used to be widely used in European (PAL) countries

The Philips circle pattern refers to a family of related electronically generated complex television station colour test cards. The content and layout of the original colour circle pattern was designed by Danish engineer Finn Hendil (1939–2011) in the Philips TV & Test Equipment laboratory in Amager near Copenhagen under supervision of chief engineer Erik Helmer Nielsen in 1966–67, largely building on their previous work with the monochrome PM5540 pattern. The first piece of equipment, the PM5544 colour pattern generator, which generates the pattern, was made by Finn Hendil and his group in 1968–69. The same team would also develop the Spanish TVE colour test card in 1973.

The 405-line monochrome analogue television broadcasting system was the first fully electronic television system to be used in regular broadcasting. The number of television lines influences the image resolution, or quality of the picture.

A video signal generator is a type of signal generator which outputs predetermined video and/or television oscillation waveforms, and other signals used in the synchronization of television devices and to stimulate faults in, or aid in parametric measurements of, television and video systems. There are several different types of video signal generators in widespread use. Regardless of the specific type, the output of a video generator will generally contain synchronization signals appropriate for television, including horizontal and vertical sync pulses or sync words. Generators of composite video signals will also include a colorburst signal as part of the output.

International Video Corporation, or IVC, was a California company with large European operations that manufactured a number of models of middle to high-end video tape recorders, or VTRs, for industrial and professional use in the US, alongside a range of digital video Time Base Correctors and Special Effects units designed and manufactured in the UK. Their products were very popular in the industrial, scientific, research, medical, education, and institutional markets from the late 1960s through the 1980s.

The Fernseh AG television company was registered in Berlin on July 3, 1929, by John Logie Baird, Robert Bosch, Zeiss Ikon and D.S. Loewe as partners. John Baird owned Baird Television Ltd. in London, Zeiss Ikon was a camera company in Dresden, D.S. Loewe owned a company in Berlin and Robert Bosch owned a company, Robert Bosch GmbH, in Stuttgart. with an initial capital of 100,000 Reichsmark. Fernseh AG did research and manufacturing of television equipment.

<span class="mw-page-title-main">1/4 inch Akai</span> Early videotape format

The 1/4 inch Akai is a portable helical scan EIA and CCIR analog recording video tape recorder (VTR) with two video record heads on the scanning drum. The units were available with an optional RF modulator to play back through a TV set, as well as a detachable video monitor. The Akai Electric Ltd. VTR plant was in Tokyo, Japan.

<span class="mw-page-title-main">EMI 2001</span>

The EMI 2001 broadcast studio camera was an early, very successful British made Plumbicon studio camera that included the lens within the body of the camera. Four 30 mm tubes allowed one tube to be dedicated solely to producing a relatively high resolution monochrome signal, with the other three tubes each providing red, green and blue signals. Even though semiconductors were used in most of the camera, the highly sensitive head amplifiers still used thermionic valves in the first generation of the design.

<span class="mw-page-title-main">Production truck</span> Mobile audio and video control room

A television production truck or OB van is a small mobile production control room to allow filming of events and video production at locations outside a regular television studio. They are used for remote broadcasts, outside broadcasting (OB), and electronic field production (EFP). Some require a crew of as many as 30 people, with additional trucks for additional equipment as well as a satellite truck, which transmits video back to the studio by sending it up through a communications satellite using a satellite dish, which then transmits it back down to the studio. Alternatively, some production trucks include a satellite transmitter and satellite dish for this purpose in a single truck body to save space, time and cost.

The four-tube television camera, intended for color television studio use, was first developed by RCA in the early 1960s. In this camera, in addition to the usual complement of three tubes for the red, green and blue images, a fourth tube was included to provide luminance detail of a scene. With such a camera, a sharp black and white picture was always assured, as it was not necessary to combine signals from the three colour tubes to provide the luminance detail.

References

  1. Investors Chronicle & Financial World. Throgmorton Publications. 1981. p. 575.
  2. "LINK Electronics". amcro. Retrieved August 4, 2017.
  3. Howett D, Marshall P. "Equipment produced by LINK". Golden Age Television Recreations.
  4. 1 2 3 4 5 6 Summers, Brian. "Link Electronics Camera Thumbnails". Museum of Broadcast television Camera. Retrieved August 4, 2017.[ permanent dead link ]
  5. "Zerb" . The Guild of Television Camera Professionals. GTC.
  6. "Link 125 cameras". Pebble Mill studios. Birmingham City University. Retrieved August 4, 2017.
  7. Harris, Steve. "Cameras". On The Air. Retrieved August 10, 2017.
  8. "BBC Cameras to be supplied by Link Electronics". Ebsco Host. June 1985. Archived from the original on 2016-03-04. Retrieved August 4, 2017.
  9. "enginef The Quarterly for BBC Engineering Staff" (PDF). BBC Engineering. Summer 1986. Retrieved August 4, 2016.
  10. "TV Outside Broadcast History". TV Outside Broadcast History. Retrieved August 4, 2017.