Lukas Spielhausen | |
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Artist | Lucas Cranach the Elder |
Year | 1532 |
Medium | Oil and gold on beech |
Subject | Lukas Spielhausen |
Dimensions | 50.8 cm× 36.5 cm(20.0 in× 14.4 in) |
Location | Metropolitan Museum of Art, New York |
Accession | 1981.57.1 |
Lukas Spielhausen is a 16th-century portrait by German artist Lucas Cranach the Elder. Done in oil and gold on beechwood, the painting is in the collection of the Metropolitan Museum of Art in New York. [1]
The subject can be identified as Lukas Spielhausen from the black-and-yellow striped dress of a member of the electoral court of Saxony and the initials JS on his signet ring. Spielhausen was by 1531 a lawyer in the state judicial curia under Johann the Constant and was approximately thirty-nine years old when the sitting took place.
The work is on view in the Metropolitan Museum's Gallery 643.
The Metropolitan Museum of Art in New York City, colloquially "the Met", is the largest art museum in the Americas. In 2022 it welcomed 3,208,832 visitors, ranking it the third most visited U.S museum, and eighth on the list of most-visited art museums in the world. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately 2-million-square-foot (190,000 m2) building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe.
Lucas Cranach the Elder was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion.
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