Machine embroidery

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Commercial machine embroidery in chain stitch on a voile curtain, China, early 21st century Machine chain stitch.jpg
Commercial machine embroidery in chain stitch on a voile curtain, China, early 21st century

Machine embroidery is an embroidery process whereby a sewing machine or embroidery machine is used to create patterns on textiles. It is used commercially in product branding, corporate advertising, and uniform adornment. It is also used in the fashion industry to decorate garments and apparel. Machine embroidery is used by hobbyists and crafters to decorate gifts, clothing, and home decor. Examples include designs on quilts, pillows, and wall hangings.

Contents

There are multiple types of machine embroidery. Free-motion sewing machine embroidery uses a basic zigzag sewing machine. Designs are done manually. Most commercial embroidery is done with link stitch embroidery. [1] In link stitch embroidery, patterns may be manually or automatically controlled. Link Stitch embroidery is also known as chenille embroidery, and was patented by Pulse Microsystems in 1994. More modern computerized machine embroidery uses an embroidery machine or sewing/embroidery machine that is controlled with a computer that embroiders stored patterns.[ citation needed ] These machines may have multiple heads and threads.

History

Before computers were affordable, most machine embroidery was completed by punching designs on paper tape that then ran through an embroidery machine. One error could ruin an entire design, forcing the creator to start over.

Machine embroidery dates back to 1964 when Tajima started to manufacture and sell TAJIMA Multi-head Automatic Embroidery machines. In 1973, Tajima introduced the TMB Series 6-needle (6 colors) full-automatic color-change embroidery machine. In 1978, Tajima started manufacturing the TMBE Series Bridge Type Automatic Embroidery machines. These machines introduced electronic 6-needle automatic color change technology.

In 1980 the first computerized embroidery machines were introduced to the home market. Wilcom introduced the first computer graphics embroidery design system to run on a minicomputer. Melco, an international distribution network formed by Randal Melton and Bill Childs, created the first embroidery sample head for use with large Schiffli looms. These looms spanned several feet across and produced lace patches and large embroidery patterns. The sample head allowed embroiderers to avoid manually sewing the design sample and saved production time. Subsequently, it became the first computerized embroidery machine marketed to home sewers.

The economic policy of the Reagan presidency helped propel Melco to the top of the market. At the Show of the Americas in 1980, Melco unveiled the Digitrac, a digitizing system for embroidery machines. The digitized design was composed at six times the size of the embroidered final product. The Digitrac consisted of a small computer, mounted on an X and Y axis on a large whiteboard. It sold for $30,000. The original single-needle sample head sold for $10,000 and included a 1" paper-tape reader and 2 fonts. The digitizer marked common points in the design to create elaborate fill and satin stitch combinations.

In 1982, Tajima introduced the world's first electronic chenille embroidery machine, called the TMCE Series Multi-head Electronic Chenille Embroidery Machine. In the same year, they developed the automatic frame changer, a dedicated apparatus for rolled textile embroidery. Also in 1982, Pulse Microsystems introduced Stitchworks, the first PC based embroidery software, and the first software based on outlines rather than stitches. This was monumental to decorators, in that it allowed them to scale and change the properties and parts of their designs easily, on the computer. Designs were output to paper tape, which was read by the embroidery machine. Stitchworks was sold worldwide by Macpherson.

Melco patented the ability to sew circles with a satin stitch, as well as arched lettering generated from a keyboard. An operator digitized the design using similar techniques to punching, transferring the results to a 1" paper tape or later to a floppy disk. This design would then be run on the embroidery machine, which stitched out the pattern. Wilcom enhanced this technology in 1982 with the introduction of the first multi-user system, which allowed more than one person to work on the embroidery process, streamlining production times.

In 1983, Tajima created the TMLE Series Multi-Head Electronic Lock Stitch Chenille Embroidery machine, followed by the TMEF Series 9-needle Type Electronic Embroidery Machine in 1984. In 1986, Tajima introduced the world's first sequin embroidery machine, enabling designers to combine sequin embroidery with plain embroidery.

In 1987, Pulse Microsystems introduced a digital asset management application called DDS, which was a design librarian for embroidery machines. This made it more efficient for machine operators to access their designs. In 1988 Tajima designed the TMLE-D5 series embroidery machines, with a pair arrangement of lock-stitch-handle embroidery heads, which were capable of sewing multiple threads.

Brother Industries entered the embroidery industry after several computerized embroidery companies contracted it to provide sewing heads. Pulse Microsystems developed software for them called PG1. PG1 had tight integration with the embroidery machine using high-level protocol, enabling the machine to pull designs from software, rather than having the software push designs to the machine. This approach is still used today. Melco was acquired by Saurer in 1989.

The early 1990s were quiet for machine embroidery, but Tajima introduced a 12 needle machine into their series along with a noise reduction mechanism.

In 1995, Tajima added a multi-color (6-color) type to chenille embroidery machines and announced the ability to mix embroidery machines with plain chenille embroidery. They also began sales of the TLFD Series Laser-cut Embroidery Machines. In 1996, Pulse Microsystems introduced the computational geometry-based simulation of hand-created chenille using a spiral effect. Following this in 1997, Tajima introduced 15-needle machines, in response to the "multi-color-age".

In the late 1990s, Pulse Microsystems introduced networking to embroidery machines. It added a box, which allowed them to network and then pulls designs from a central server. It also provided machine feedback and allowed machines to be optically isolated to protect machines in an industrial environment. Since then, computerized machine embroidery has grown in popularity as costs have fallen for computers, software, and embroidery machines.

In the year 2000, Pulse Microsystems introduced Stitchport, which is a server-based embroidery engine for embroidery in a browser. This allowed for the factory automation of letter creation. Although they were not yet ready for it, this transformed the apparel industry by allowing manufacturers, stores, and end-users access to customized versions of the mass-produced garments and goods they had been buying throughout their lives, with no margin of error.

In 2001, Tajima created heater-wire sewing machines, which were innovative, combination machines.

In an environment that was finally ready for the individuality that mass customization allowed, the principles developed for Stitchport were adapted in 2008 for the creation of PulseID. PulseID allows for the automation of personalization, even on the largest industrial scale.

In 2013, Tajima released the TMAR-KC Series Multi-Head Embroidery Machine, equipped with a digitally controlled presser foot.

The major embroidery machine companies and software developers are continuing to adapt their commercial systems to market them for home use, including Janome, RNK, Floriani, Tacony Corporation and many more. As costs have fallen for computers, software and home market embroidery machines, the popularity of machine embroidery as a hobby has risen, and as such, many machine manufacturers sell their own lines of embroidery patterns. In addition, many individuals and independent companies also sell embroidery designs, and there are free designs available on the internet.

Types of machine embroidery

Free-motion machine embroidery

In free-motion machine embroidery, embroidered designs are created by using a basic zigzag sewing machine. As this type of machine is used primarily for tailoring, it lacks the automated features of a specialized machine. The first zigzag sewing machine was patented by Helen Blanchard. [2] To create free-motion machine embroidery, the embroiderer runs the machine and skillfully moves tightly hooped fabric under the needle to create a design. The "feed dogs" or machine teeth are lowered or covered, and the embroiderer moves the fabric manually. The embroiderer develops the embroidery manually, using the machine's settings for running stitch and fancier built-in stitches. A machine's zigzag stitch can create thicker lines within a design or be used to create a border. As this is a manual process rather than a digital reproduction, any pattern created using free-motion machine embroidery is unique and cannot be exactly reproduced, unlike with computerized embroidery.

Cornely hand-guided embroidery

This embroidery inherited the name of the Cornely machine. Created in the 19th century to imitate the Beauvais stitch (chain stitch), it is still used today, especially in the fashion industry. Cornely embroidery is a so-called hand-guided embroidery. The operator directs his machine according to the pattern. The fabric is moved by a crank located under the machine. The Cornely also has a universal drive system controlled by a handle. Some models can embroider sequins, cords, braids, etc. There are also Cornely machines performing a classic straight stitch.

Computerized machine embroidery

Most modern embroidery machines are computer controlled and specifically engineered for embroidery. Industrial and commercial embroidery machines and combination sewing-embroidery machines have a hooping or framing system that holds the framed area of fabric taut under the sewing needle and moves it automatically to create a design from a pre-programmed digital embroidery pattern.[ citation needed ]

Depending on its capabilities, the machine will require varying degrees of user input to read and sew embroidery designs. Sewing-embroidery machines generally have only one needle and require the user to change thread colors during the embroidery process. Multi-needle industrial machines are generally threaded prior to running the design and do not require re-threading. These machines require the user to input the correct color change sequence before beginning to embroider. Some can trim and change colors automatically.[ citation needed ]

The computerized machine embroidery process

Machine embroidery in progress Stickmaschine.jpg
Machine embroidery in progress

Machine embroidery is a multi-step process with many variables that impact the quality of the final product, including the type of fabric to be embellished, design size, stabilizer choice and type of thread utilized. The basic steps for creating embroidery with a computerized embroidery machine are as follows:

List of machine embroidery design file extensions

File Type/ExtensionCompany/Machine compatibilityReferences
.10oToyota
.ARTBernina artista
.ASDMelco
.CNDMelco condensed
.CSDPOEM, Singer EU, Viking Huskygram
.CXMProel TSI, Millennium X
.DATBarudan FMC
.DSTTajima, Brother, Barudan, Babylock, Melco, Galaxy
.DSBTajima, Barudan
.DSZTajima ZSK
.EMBWilcom, Galaxy
.EMDElna Expressive
.EMG / .EMG2 / .EMG3GMI, Stilista
.EXPMelco Expanded, Bernina
.FDRBarudan FDR
.FHESinger (Futura)
.FMCBarudan FMC
.GNCGreat Notions Condensed
.HUSViking Husqvarna
.JEF/.JEF+Janome, New Home
.KSMPfaff
.M3Juki B
.OEFOESD Condensed
.OFMMelco
.PCD, .PCS, .PCQPfaff
.PEC, .PEL, .PEM, .PESBaby Lock, Bernina Deco, Brother, Simplicity, Melco
.PHB, .PHCBaby Lock, Bernina Deco, Brother
.PMUProel, ProWin (Proel TSI)
.PUMProel, ProFlex (Proel TSI)
.SEWElna, Janome, New Home, Kenmore
.SHVViking Husqvarna
.SSTSunstar
.STIToyota/Data Stitch
.STXToyota/Data Stitch
.TBF, .TCFTajima
.VIPVIP Customizing
.VP3Pfaff, Husqvarna Viking

[3] [4] [5]

[6]

Related Research Articles

<span class="mw-page-title-main">Cross-stitch</span> Form of counted-thread embroidery.

Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric in each direction so that the stitches are of uniform size and appearance. This form of cross-stitch is also called counted cross-stitch in order to distinguish it from other forms of cross-stitch. Sometimes cross-stitch is done on designs printed on the fabric ; the stitcher simply stitches over the printed pattern. Cross-stitch is often executed on easily countable fabric called aida cloth whose weave creates a plainly visible grid of squares with holes for the needle at each corner.

<span class="mw-page-title-main">Embroidery</span> Art or handicraft of decorating fabric or other materials with needle and thread or yarn

Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.

<span class="mw-page-title-main">Hardanger embroidery</span> Type of whitework embroidery from Norway

Hardanger embroidery or "Hardangersøm" is a form of embroidery traditionally worked with white thread on white even-weave linen or cloth, using counted thread and drawn thread work techniques. It is sometimes called whitework embroidery.

<span class="mw-page-title-main">Drawn thread work</span> Creative textile work

Drawn thread work is one of the earliest forms of open work embroidery, and has been worked throughout Europe. Originally it was often used for ecclesiastical items and to ornament shrouds. It is a form of counted-thread embroidery based on removing threads from the warp and/or the weft of a piece of even-weave fabric. The remaining threads are grouped or bundled together into a variety of patterns. The more elaborate styles of drawn thread work use a variety of other stitches and techniques, but the drawn thread parts are their most distinctive element. It is also grouped with whitework embroidery because it was traditionally done in white thread on white fabric and is often combined with other whitework techniques.

<span class="mw-page-title-main">Crewel embroidery</span> Type of embroidery using wool

Crewel embroidery, or crewelwork, is a type of surface embroidery using wool. A wide variety of different embroidery stitches are used to follow a design outline applied to the fabric. The technique is at least a thousand years old.

<span class="mw-page-title-main">Sewing</span> Craft of fastening or attaching objects using stitches made with a needle and thread

Sewing is the craft of fastening or attaching objects using stitches made with a sewing needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic era. Before the invention of spinning yarn or weaving fabric, archaeologists believe Stone Age people across Europe and Asia sewed fur and leather clothing using bone, antler or ivory sewing-needles and "thread" made of various animal body parts including sinew, catgut, and veins.

<span class="mw-page-title-main">Lockstitch</span> Stitch made by sewing machines

A lockstitch is the most common mechanical stitch made by a sewing machine. The term "single needle stitching", often found on dress shirt labels, refers to lockstitch.

<span class="mw-page-title-main">Chain stitch</span> Type of embroidery stitch

Chain stitch is a sewing and embroidery technique in which a series of looped stitches form a chain-like pattern. Chain stitch is an ancient craft – examples of surviving Chinese chain stitch embroidery worked in silk thread have been dated to the Warring States period. Handmade chain stitch embroidery does not require that the needle pass through more than one layer of fabric. For this reason the stitch is an effective surface embellishment near seams on finished fabric. Because chain stitches can form flowing, curved lines, they are used in many surface embroidery styles that mimic "drawing" in thread.

<span class="mw-page-title-main">Stumpwork</span> Embroidery technique

Stumpwork or raised work is a style of embroidery in which the stitched figures are raised from the surface of the work to form a 3-dimensional effect.

<span class="mw-page-title-main">Korean embroidery</span> Embroidery style of Korea

Korean embroidery techniques and artifacts have a long history, but there is the most evidence from the Joseon Dynasty, after the 14th century in Korea. This article talks about the history, styles, preservation, artists, and examples of screens, costumes, and domestic wares of this exacting and beautiful art form.

<span class="mw-page-title-main">Backstitch</span> Versatile stitch

Backstitch or back stitch and its variants stem stitch, outline stitch and split stitch are a class of embroidery and sewing stitches in which individual stitches are made backward to the general direction of sewing. In embroidery, these stitches form lines and are most often used to outline shapes and to add fine detail to an embroidered picture. It is also used to embroider lettering. In hand sewing, it is a utility stitch which strongly and permanently attaches two pieces of fabric. The small stitches done back-and-forth makes the back stitch the strongest stitch among the basic stitches. Hence it can be used to sew strong seams by hand, without a sewing machine.

<span class="mw-page-title-main">Embroidery of India</span> Any of the various styles of embroidery indigenous to India

Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.

Bernina International AG is a privately owned international manufacturer of sewing and embroidery systems. The company was founded in Steckborn, Switzerland, by a Swiss inventor Fritz Gegauf. The company develops, manufactures, and sells goods and services for the textile market, primarily household sewing-related products in the fields of embroidery, quilting, home textiles, garment sewing, and crafting. The origins of the company lie in the invention of the hemstitch sewing machine, invented in 1893 by a Swiss inventor and entrepreneur Karl Friedrich Gegauf. Currently, the company's products include sewing machines, embroidery machines, serger/overlocker machines, and computer software for embroidery design.

<span class="mw-page-title-main">Cutwork</span> Needlework technique

Cutwork or cut work, also known as punto tagliato in Italian, is a needlework technique in which portions of a textile, typically cotton or linen, are cut away and the resulting "hole" is reinforced and filled with embroidery or needle lace.

<span class="mw-page-title-main">Embroidered patch</span>

An embroidered patch, also known as a cloth badge, is a piece of embroidery which is created by using a fabric backing and thread. The art of making embroidered patches is an old tradition and was done by hand. During the first half of the twentieth century they were commonly embroidered using a shiffli embroidery machine. High-speed, computerized machines have led to mass production.

<span class="mw-page-title-main">Tailored fiber placement</span>

Tailored fiber placement (TFP) is a textile manufacturing technique based on the principle of sewing for a continuous placement of fibrous material for composite components. The fibrous material is fixed with an upper and lower stitching thread on a base material. Compared to other textile manufacturing processes fiber material can be placed near net-shape in curvilinear patterns upon a base material in order to create stress adapted composite parts.

<span class="mw-page-title-main">Kutch Embroidery</span> Handicraft and textile art tradition of Kutch, Gujarat, India

The Kutch Embroidery is a handicraft and textile signature art tradition of the tribal community of Kutch District in Gujarat, India. This embroidery with its rich designs has made a notable contribution to the Indian embroidery traditions. The embroidery, practiced normally by women is generally done on fabrics of cotton, in the form of a net using cotton or silk threads. In certain patterns, it is also crafted over silk and satin. The types of stitches adopted are “square chain, double buttonhole, pattern darning, running stitch, satin and straight stitches”. The signature effect of the colorful embroidery sparkles when small mirrors called abhla are sewn over the geometrically shaped designs. Depending on the tribal sub groups of Rabari, Garasia Jat, and Mutava involved with this craft work many hand embroidered ethnic styles have evolved. These six styles: Suf, khaarek, paako, Rabari, Garasia Jat, and Mutava.

<span class="mw-page-title-main">Hand embroidery machine</span>

The hand embroidery machine is a manually operated embroidery machine. It was widely used in the Swiss embroidery industry during the late nineteenth and early twentieth centuries. It was also used in the lace industry near Plauen, Germany, and it played a role in the development of the embroidery industry centered in Hudson County, New Jersey during the early 20th century.

<span class="mw-page-title-main">Schiffli embroidery machine</span> Industrial embroidery machine invented in 1853

The schiffli embroidery machine is a multi-needle, industrial embroidery machine. It was invented by Isaak Gröbli in 1863. It was used to create various types of machine embroidery and certain types of lace. It was especially used in the textile industry of eastern Switzerland and Saxony Germany, but also in the United Kingdom and the United States. Schiffli machines evolved from, and eventually replaced manually operated "hand embroidery" machines. The hand embroidery machine used double ended needles and passed the needles completely through the fabric. Each needle had a single, continuous thread. Whereas the schiffli machine used a lock stitch, the same technique used by the sewing machine. By the early twentieth century schiffli machines had standardized to ten and fifteen meters in width and used more than 600 needles.

<span class="mw-page-title-main">Turtlestitch</span> Embroidery platform

Turtlestitch is a free and open source platform for generating and sharing patterns for embroidery machines. Turtlestitch is derived from educational programming languages such as Logo, Scratch and Snap! using the same jigsaw style programming paradigm which offers simplicity suitable for novices but has powerful features, described as ‘low threshold, high ceiling’ by Seymour Papert. Its microworld is a turtle representing the needle of a programmable embroidery machine. Turtlestitch can be used for creating novel patterns for embroidery, combining the abstract logic of computing and the physical materiality of textiles. Its primary use is educational, as it offers a way of introducing programming to audiences with diverse interests. A growing gallery of open source embroidery designs enables community-based collaboration and shared learning. In 2017, Turtlestitch received the award for the best Open Educational Resource in the German-speaking countries.

References

  1. "Chenille Embroidery". C.H. Holderby. Retrieved 26 July 2012.
  2. Blanchard, Helen A. Improvement in Sewing Machines. Helen A Blanchard, assignee. Patent US141987. 19 August 1873. Print.
  3. "What Format Does My Machine Use?". www.secretsof.com. Retrieved 30 May 2013.
  4. "Embroidery File Formats Supported by Embird Embroidery Software". www.embird.net. Retrieved 30 May 2013.
  5. "Embroidery File Formats Supported by Millennium III Professional Embroidery Software". www.proelembroiderysoftware.com. Retrieved 10 April 2017.
  6. "How to Use Brother PED Basic Embroidery Software?".