Marc Isaacs

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Marc Isaacs is a British documentary filmmaker, living in London. His short film Lift (2001), which showed people using a lift in a tower block, [1] was nominated for a BAFTA. [2]

Contents

"Many of his 14 films to date have explored the divisions within the so-called 'United' Kingdom. He has probed multicultural life in London, traditionalist seaside backwaters, asylum-seekers and ex-pats in Calais, while venturing to Barking to gather white residents' attitudes towards their immigrant neighbours." [3] Mike McCahill, in The Guardian, described Isaacs as a "people person, locating strangeness, melancholy and joy in the urban landscape, and those who inhabit it." [4]

Early life and education

Isaacs was born in the East End of London [5] [6] and grew up there in Redbridge. He studied at the University of East London. [7]

Filmmaking

Some of his early work included assisting on Paweł Pawlikowski's films Twockers (1998) and Last Resort (2000). [5]

For his film Lift (2001), Isaacs spent "weeks filming people getting in and out of a lift" in a tower block. [1] [4]

Calais: The Last Border (2003) "weaves portraits of various individuals [. . .] into a moving and melancholy overview of a port defined more than ever by the island it gazes at across the Channel." [8]

All White in Barking (2007) is an exploration of disparate attitudes on race in the London Borough of Barking and Dagenham. [7] it was included in the BBC documentary series White . [9]

For Outside the Court (2011), "Isaacs spent three months buttonholing smokers outside Highbury magistrates court, often interrupting them over their last fag before they went to meet their juridical fates." [10]

The Road: A Story of Life & Death (2012) is a "documentary about immigrants living at the London end of the A5". [11]

Outsiders (2014) is "set in a single location—the inside of a burger truck—this story unfolds as passersby answer Marc's questions while they slurp tea and eat bacon sandwiches. The result is an illuminating blend of anxiety and insecurity as attitudes towards outsiders begin to shine a light on why England is going through such politically turbulent times." [12]

The Men Who Sleep in Trucks (2016) depicts isolation and loneliness in Britain's truck drivers "sleeping in their own trucks in lay-by car parks and service stations". [13]

The Filmmaker's House (2020) is a docufiction [14] that "tackles Brexit and the future of a multicultural Britain head-on. [. . .] set over a day in Isaacs's comfortable family terraced home in Walthamstow, northeast London. It gathers strangers from various backgrounds who all live in its orbit". [3]

This Blessed Plot (2023), also a docufiction, blurs "factual observation and playful fabrication, history and folklore, past and present". [15] It premiered at the 2023 Doclisboa documentary film festival. [16]

Reception

Mike McCahill, film critic in The Guardian , described Isaacs as a "people person, locating strangeness, melancholy and joy in the urban landscape, and those who inhabit it." [4]

In an article for the British Film Institute, Isabel Stevens wrote that

"many of his 14 films to date have explored the divisions within the so-called 'United' Kingdom. He has probed multicultural life in London, traditionalist seaside backwaters, asylum-seekers and ex-pats in Calais, while venturing to Barking to gather white residents' attitudes towards their immigrant neighbours." [3]

Corin Douieb, writing in Aesthetica in 2012 about the films All White in Barking, Men of the City and The Road, described Isaacs as having "continued to cast his eye over the maligned and tell their bleak stories". [17]

Filmography

Awards

Publications with contributions by Isaacs

DVD and Blu-ray releases

Notes

  1. A transcript of the interview is here within Isaacs' site.

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References

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  2. 1 2 "BAFTA Awards". awards.bafta.org. Retrieved 6 July 2021.
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  4. 1 2 3 McCahill, Mike (21 February 2013). "The Road: A Story of Life and Death – review". The Guardian. Retrieved 6 July 2021.
  5. 1 2 "Documentary-maker Marc Isaacs: 'I like to provoke, but not to be seen'". The Guardian. 10 June 2021. Retrieved 6 July 2021.
  6. "Lift by Marc Isaacs @ Brooklyn Film Festival". Brooklyn Film Festival . Retrieved 6 July 2021.
  7. 1 2 3 "All White in Barking". www.vice.com. Retrieved 6 July 2021.
  8. 1 2 "Calais". Time Out. Retrieved 7 July 2021.
  9. Lloyd, John (1 March 2008). "White men unburdened". Financial Times. Retrieved 12 June 2023.
  10. "TV review: Horizon: The Secret World of Pain, Outside the Court, Episodes". The Guardian. 1 February 2011. Retrieved 7 July 2021.
  11. French, Philip (24 February 2013). "The Road: A Story of Life and Death – review". The Guardian. Retrieved 6 July 2021.
  12. 1 2 "Munchies Presents: Outsiders - A Film by Marc Isaacs". www.vice.com. Retrieved 6 July 2021.
  13. 1 2 "BBC Three - The Men Who Sleep in Trucks". BBC. Retrieved 6 July 2021.
  14. "The Filmmaker's House review – Pat liberalism at its most cringe-making". Little White Lies . Retrieved 19 November 2023.
  15. "This Blessed Plot". Doclisboa - 21st International Film Festival. Retrieved 19 November 2023.
  16. "This Blessed Plot - The Film Verdict". 9 November 2023. Retrieved 19 November 2023.
  17. Douieb, Corin. "Aesthetica Magazine - In Search of Belonging". Aesthetica Magazine. Retrieved 7 July 2021.
  18. Vine, Sarah. "Last Night's TV: Outside the Court". The Times. Retrieved 7 July 2021.
  19. "Film review: The Road: A Story of Life and Death (PG)". The Independent. 21 February 2013. Retrieved 6 July 2021.
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  21. Gant, Charles (24 October 2012). "The Road: A Story of Life and Death". Variety. Retrieved 7 July 2021.
  22. "Meeting the men who sleep in their trucks". ABC Radio National. 25 November 2016. Retrieved 9 July 2021.
  23. Rose, Steve (23 June 2021). "The Filmmaker's House review – a microcosm of British society pops round for tea". The Guardian. Retrieved 6 July 2021.
  24. "'The Filmmaker's House': Sheffield Doc/Fest Review". Screen. Retrieved 6 July 2021.