Marilyn Maye

Last updated

Marilyn Maye
Marilyn Maye--1967.jpg
Marilyn Maye in 1967.
Born
Marilyn Maye McLaughlin

(1928-04-10) April 10, 1928 (age 95)
Wichita, Kansas, U.S.
Occupations
  • Singer
  • theater actress
  • masterclass educator
Years active1946–present
Spouses3, including:
  • Jimmy De Fore
    ​
    (divorced)​
  • Sammy Tucker
    ​
    (divorced)​
Children1
Relatives Joy Hodges (cousin)
Musical career
Origin Kansas City, Missouri
Genres
Instrument(s)Vocals
Labels
Website marilynmaye.com

Marilyn Maye McLaughlin (born April 10, 1928) is an American singer, musical theater actress and masterclass educator. With a career spanning eight decades, Maye has performed music in the styles of cabaret, jazz and pop music. She has received one nomination from the Grammy Awards and had commercial success as a recording artist.

Contents

Maye was raised in both Kansas and Iowa. With her mother's encouragement, Maye performed onstage and on the radio during her childhood. In her teenage years, she had her own radio program in Des Moines, Iowa. Maye performed locally during the 1940s and 1950s until being discovered in 1963 by Steve Allen, later appearing on his television show. She also began a 76-episode run on The Tonight Show Starring Johnny Carson . This led to her signing a recording contract with RCA Victor.

Between 1965 and 1970, Maye recorded a series of albums for RCA. Her debut studio album Meet Marvelous Marilyn Maye was released in 1965. Producer Joe René brought Maye Broadway show tunes to record prior to them appearing in musicals. Many of these songs were issued by RCA as singles and some became successful. Three singles reached the American adult contemporary top ten: "Cabaret" (1966), "Sherry!" (1967) and "Step to the Rear" (1967).

By the 1970s, the nightclub circuit began to disappear and Maye found performing work elsewhere. For two decades, she made regional appearances in musicals like Hello, Dolly! , Mame and Follies . She also continued her recording career, releasing an album of music from Hello Dolly in 1985 and a tribute album of songs to Ray Charles in 2005. She also continued working across the United States in smaller venues. In 2006, she gained attention after performing in New York City at the Mabel Mercer Foundation. This led to Maye gaining a new audience in her late seventies and a renewed interest in her concert appearances. Now in her nineties, Maye has continued to appear regularly in concert.

Early life

Marilyn Maye McLaughlin was born on April 10, 1928 [1] in Wichita, Kansas to father Kenneth and mother Lyla McLaughlin. [1] She was named after Marilyn Miller, a 1920s singer and performer. [2] Maye's cousin was Broadway actress Joy Hodges. [3] Her father was a pharmacist who relocated the family to nearby Topeka where he ran a drugstore. [1] During this period, her mother encouraged her daughter to sing and perform. "Mother was a very strong lady, so thank God I had talent, because she was determined to make me a singer," she told Theatre Mania in 2007. [3] Lyla McLaughlin had her daughter begin singing and dancing at age three. She also had Maye train with a classical vocal coach in Topeka. [1]

At age nine, Marilyn won a Topeka talent contest. This led to her landing a 13-week radio spot on WIBW and she earned a total of three dollars, [2] [1] which would be equivalent to $61in 2022. [4] In 1939, she performed in a children's revue program in Topeka's Jayhawk Theatre. [5] In her childhood, Marilyn's parents divorced. Her mother relocated to Des Moines, Iowa and Marilyn moved with her. [2] By age 13, she was performing inside ballrooms often singing big band music. Since she was underage, prompting Maye's mother kept a book where to record the false ages of her daughter to remember to tell it to agents. [2] She had own her weekly radio program during her teenage years in Iowa. [6] She often skipped her high school Spanish class so she could make regular radio appearances. [7] In 1946, Marilyn graduated from East High School in Des Moines. [8]

Career

1946–1961: Early career in the Midwest

Following her 1946 high school graduation, Maye became a staff vocalist for WHAS radio in Louisville, Kentucky. There she performed with combos and orchestras. [7] [9] She then embarked as a solo performer throughout the Midwest United States, [9] including nightclubs in Chicago, Illinois. [1] Among her Midwest gigs was the President Hotel, located in the downtown district of Kansas City, Missouri. At the hotel she met dancer Jimmy De Fore, whom she later married. De Fore became the opening act in her shows. [10]

After marrying De Fore, Maye relocated permanently to Kansas City. During this period, the couple operated a children's dance studio in Kansas City. De Fore taught dancing and Maye taught singing. [10] Maye also took on a gig as the permanent performer at Kansas City's Colony Steakhouse. She worked alongside pianist (and her now second husband) Sammy Tucker. She remained at Colony Steakhouse for 11 years. [7] The arrangements and musical routines she developed at the Colony would later be used on her first albums. [5] Maye then recorded her first album in an attempt to bring her to the attention of major record labels. [5] In 1961, the Holly record label released Marilyn...the Most. [11] It featured compositions by Midwest writer Carl Bolte, Jr. [5] and was a locally distributed album in Missouri. [12]

1963–1970: Breakthrough at RCA Records, The Tonight Show and peak years

In 1963, Maye was performing at a nightclub when she was heard by television personality Steve Allen. [13] He was also brought to the attention of her debut album, which impressed him enough [5] to book her for several appearances on The Steve Allen Show . [13] She also continued to perform at the Colony Steakhouse in Kansas City. [10] Maye performed on The Steve Allen Show a total of six times. On the sixth show, she was heard by a label executive from RCA Victor. She officially signed with the label in 1965. [14] Maye then began recording with Joe René, who produced her first RCA Victor album. Titled Meet Marvelous Marilyn Maye , the album was released in August 1965 and featured liner notes from Steve Allen. [15] It was given a positive review from Billboard magazine, who named it a "Pop Special Merit" pick in its weekly list of albums. [16]

Maye was discovered by Steve Allen in the early 1960s. Her performances on his television program led to a recording contract with RCA Victor that brought Maye commercial success during the decade. Marilyn Maye and Steve Allen--1961.jpg
Maye was discovered by Steve Allen in the early 1960s. Her performances on his television program led to a recording contract with RCA Victor that brought Maye commercial success during the decade.

Maye was then heard at a New York City nightclub by Ed McMahon of The Tonight Show Starring Johnny Carson . He advocated for her to appear on the late-night television program [10] and she first appeared there in 1966. [17] Maye went on to appear on The Tonight Show for a record 76 times, the most of any music artist. [2] [10] [18] RCA Victor also released two albums of Maye's material in 1966. This began with the release of a live LP titled The Second of Maye . It was recorded at The Living Room in New York City and featured accompaniment from Maye's husband's quartet. [19] [20] A studio project titled The Lamp Is Low was then released in October 1966. Most of the tracks were new material that were cut in a jazz style. [21]

After recording "I Love You Today" for an upcoming musical, producer Joe René was inspired to bring Maye more show tune material. In 1966, René had Maye record "Cabaret" from the Broadway musical of the same name. [3] Released as a single, "Cabaret" became her breakthrough recording. In 1966, it reached number nine on America's Billboard adult contemporary chart. [22] It was followed by "Sherry!", which would appear in the Broadway show of the same name. [23] Similar to its predecessor, "Sherry!" climbed into the top ten of the Billboard adult contemporary chart. [22] Both were included on Maye's fourth studio album titled A Taste of "Sherry!" (1967). [24] It was her next single that became her most commercially successful recording. Taken from the Broadway musical How Now, Dow Jones , [3] Maye's version of "Step to the Rear" reached number two on the adult contemporary chart in 1968. [22] It was then included in Maye's fifth studio album of the same name. [25]

Now in popular demand, Maye made appearances on many popular television programs. During this period, she appeared periodically on The Ed Sullivan Show , The Dick Cavett Show , The Merv Griffin Show and The Mike Douglas Show . [26] She continued to be a concert attraction in New York City's nightclub circuit. [27] She also performed at political functions, including Iowa Governor Robert D. Ray and US Senator Bob Dole. [28] [29] [30] In 1966, she was nominated by the Grammy Awards for Best New Artist, but ultimately lost to Tom Jones. [31] In 1969, "Step to the Rear" began being featured in televised advertisements for the Lincoln and Mercury automobiles. Maye recorded the song with new lyrics to match the advertisement. She received a new car from Lincoln–Mercury for several years. [32]

RCA Victor kept Maye under contract until 1970 [6] and she continued recording a steady output of material. Her sixth studio album The Happiest Sound in Town appeared in 1968. [33] That same year, the song "Feelin'" became a top 20 single on the Billboard adult contemporary chart. [22] A duet with Ed Ames titled "Think Summer" also reached the adult contemporary top 20 during this time. [34] RCA issued Maye's final studio album with their label in 1970 called Marilyn Maye, Girl Singer . [35]

1971–2005: Changing directions and musical theater

Maye departed RCA Victor by 1970. She found less work on the nightclub circuit as supper clubs declined in popularity. [6] "I was too late to have a big career," she told Theater Mania. "It was amazing that I was able to as much as I did in the 1960s, and even more amazing that I was able to carry on into the ’70s — because by that time, of course, music had totally changed." [3] The only concert work she could find was on the American West Coast, which had limited availability. [27] Meanwhile, she maintained consistent appearances The Tonight Show with Johnny Carson throughout the decade. She made her final performance there in 1979. [36]

Maye also started appearing in regional theater productions during the 1970s. She played a series of shows at the Starlight Theatre in Kansas City, Missouri. This began in 1970 when she starred as Dolly Levi in Hello, Dolly! . [37] [38] She also performed in the Starlight's production of Can-Can . "I performed the part of Pistache and loved singing 'C'est Magnifique' each night," she told Playbill magazine. [39] In 1973, she appeared at the Starlight again in The Doc Severinsen Show. [37] In Houston, Texas she played the lead in Mame . In 1990, Maye auditioned for the lead in a regional production of Follies . After the role was given to another actress, Maye was instead giving the supporting role of Carlotta. [40]

Maye also continued her career as singer and recording artist. She took her concerts to performing arts centers and smaller venues around the United States. [40] In 1981, she began working with Billy Stritch who has since been her off-and-off accompanist and music director. [41] On her own Marilyn Maye Records, she released a studio collection called Marilyn Maye Sings All of Jerry Herman's "Hello Dolly". Released in 1985, the album was a collection of songs from the original musical. [42] Writer of the show Jerry Herman penned the album's lines notes, calling Maye an "extraordinary combination of acting and singing talent". [6] [42]

More studio albums followed. In 2005, she released a studio album of songs first recorded by Ray Charles. Titled Maye Sings Ray, the album was also released on her own record label. [43] Author Will Friedwald praised the disc, commenting that "she takes Brother Ray's signatures and refits them for herself while retaining the essence of the original." [5] Maye released another studio album in 2005 featuring songs she performed on Johnny Carson's show called Super Singer – A Tribute to Johnny Carson. [44] The disc included "Here's That Rainy Day", which was Carson's favorite song Maye sang. [6]

2006–present: No retirement

Despite her age, Maye stated to many publications that she refused to retire and continued performing. [45] [46] In 2006 at age 78, Maye gained notable attention after performing at New York City's Lincoln Center for the Mabel Mercer Foundation. [18] [47] With encouragement from Billy Stritch and her lawyer, Maye went on to perform at New York's Metropolitan Room where she reportedly "blew the roof off". From there, began returning to New York City with more frequency, doing nearly ten shows yearly. [2] In April 2007, she returned to New York and did a 14-show engagement. "Now in her mid-70s, combines Broadway brass and jazz scooby-do with such a natural feel for both that they become twin styles that you can hardly tell apart," wrote Stephen Holden of The New York Times. [48]

At age 80, she returned in 2008 to the Metropolitan room with a new stage show of Cabaret music called "Love on the Rocks". The program featured both popular nightclub songs, along with more recent covers such as songs by James Taylor. [49] Maye continued to draw concert work in other places such as Philadelphia, Pennsylvania, [50] Sioux City, Iowa [51] and Provincetown, Massachusetts. [52] In the 2010s, Maye continued a regular concert schedule throughout the United States, including continual New York City engagements. In 2010, she performed at a Carnegie Hall concert in celebration of Stephen Sondheim's 80th birthday. [53] In both 2011 and 2012, she performed at Feinstein's at Loews Regency. [54] [55]

Approaching the age of 90, Maye was featured in a 2018 episode of CBS Sunday Morning, with a profile by Mo Rocca. [18] When she was 93, Rocca profiled her again for the television program. Maye discussed the loss of concert work due to the COVID-19 pandemic and how she continued to perform outdoors when indoor nationwide shutdowns occurred. [46] At age 95, Maye made her solo concert debut at Carnegie Hall. [2] The concert drew positive reviews from critics who remarked at the singer's age and vocal ability. "Maye is a master of the American songbook and for two solid hours, she had the crowd eating from the palm of her hand," wrote Ryan Leeds of the Manhattan Digest. [56] "For this writer who has, for some time, marveled at the breadth of her talent and endurance, she is The Unstoppable Marilyn Maye," wrote Stephen Mosher of BroadwayWorld . [45]

Masterclasses and coaching

In addition to her music career, Maye also teaches masterclasses about stage presence and singing. She regularly works with performers ranging from young adults to older adults. Maye has also provided individual vocal coaching and performing lessons for aspiring singers. "The teaching has been really inspirational to me," she told Kansas City Magazine. [7] She was approached to teach master classes in her senior years and was originally reluctant to take the opportunity. Ultimately, she agreed to teaching after realizing that she was passing on a legacy to other music artists. [57] "The more I work, the more I learn, and the more I like to pass on to people who have the passion for singing," she told The Observer . [58]

Artistry

Maye's musical style encompasses cabaret, [59] jazz [60] and pop. [61] For performing in many of New York's nightclubs for several decades, she has been referred to as the "Queen of Cabaret". [62] [63] "To attend one of her shows is to be at an exalted master class of 'how it’s done'," wrote Marilyn Lester of the publication Night Life Exchange. [63] Maye's jazz musical style is shown through her live performances which often include scat singing and vocal swinging. [63] [64] Bruce Ferrier of The Desert Sun called Maye one of the last "scat-singing" jazz artists and compared her to Ella Fitzgerald, Carmen McRae and Anita O'Day. [64] Ricky Pope of BroadwayWorld said, "The fact that she managed to scat sing in 'NY State of Mind' is a testament to her great artistry." [65]

Maye has cited Edith Piaf and Jo Stafford as musical influences. [39] [2]

Legacy, honors and recognition

Nate Chinen of NPR called her "one of our greatest living songbook singers". [62] The New York Times called her "the last of a great generation of American Songbook singers.". [2] Ella Fitzgerald (a friend of Maye's and a fan of her work) referred to Maye as "the greatest white female singer in the world". [2] [66] [67] Her version of "Too Late Now" was included in the Smithsonian Institution recordings of the 20th Century. [6]

Maye has been the recipient of awards and honors in her later years. In 2008, she received a Distinguished Arts Award from the Governor of Kansas. [68] Other honors include the Jazz Heritage Award, the Kansas City Jazz Ambassador's Award of Excellence, the Elder Statesmen of Jazz Award, and lifetime achievement awards from both the Oklahoma Jazz Hall of Fame [69] and Kansas City's CODA Jazz Fund. She was given a lifetime achievement award by the American Jazz Museum and inducted into its Walk of Fame. [70] [71] She has also received lifetime achievement awards from the Great American Songbook Foundation, Licia Albanese-Puccini Foundation, and the Chicago Cabaret Professionals Association. [72] [73] On September 18, 2012, the Native Sons and Daughters of Greater Kansas City honored Maye with the organization's Outstanding Kansas Citian Award. [74]

Personal life

Maye has been married three times. She also had one long-term partnership. [2] At age 18, she married her first husband who was a dancer. The pair briefly moved to Florida before divorcing one year later. Maye later cited his gambling and alcohol addictions for the marriage's demise. [75] Her second marriage was to Jimmie De Fore. Their union resulted in Maye's only child, daughter Kristi Tucker. [76] Maye's daughter is a singer and vocal instructor in Kansas City. [76] Tucker is employed at the Marley School of Dance in Overland Park, Kansas. [10] Her third marriage was to Jazz performer Sammy Tucker. [5] He adopted Maye's daughter. However, she found him abusive and their marriage also ended in divorce. [2] Maye was involved in a long-term relationship with a man for roughly ten years. When the pair ended their relationship, Maye purposely sang "I Will Survive" on The Tonight Show and told her partner to watch the show. [27]

Discography

Studio albums

Awards and nominations

YearNominee / workAwardResultRef.
1966 Cashbox Most Promising Female VocalistNominated [78]
8th Annual Grammy Awards Best New Artist Nominated [79]
1967Cash BoxMost Promising Up & Coming Female VocalistWon [80]
1968Most Programmed Female VocalistNominated [81]
2003 Oklahoma Jazz Hall of Fame Jay McShann Lifetime Achievement AwardWon [69]
2006Kansas City Jazz CodaLifetime Achievement AwardWon [82]
2009The Breukelein InstituteGuadium AwardWon [83]
2012Chicago Cabaret ProfessionalsLifetime Achievement AwardWon [84]
2018 Great American Songbook Foundation New Standard AwardWon [85]

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<span class="mw-page-title-main">Marilyn Maye discography</span>

The discography of American singer Marilyn Maye contains 13 studio albums, two compilation albums, two live albums, 13 lead artist singles, two promotional singles and four additional album appearances. Her debut studio album appeared in 1961 called Marilyn...the Most. Signing with RCA Victor, her second studio album was released in 1965 titled Meet Marvelous Marilyn Maye. It was followed in 1966 by the live album, The Second of Maye, and a studio album, The Lamp Is Low.

<i>Meet Marvelous Marilyn Maye</i> 1965 studio album by Marilyn Maye

Meet Marvelous Marilyn Maye is a studio album by American singer Marilyn Maye. It was released in August 1965 via RCA Victor and contained 12 tracks. It was the second album of Maye's career and her first with the RCA label. It contained songs from musicals and also featured covers of jazz vocal standards. It was reviewed positively by Billboard magazine following its release in 1965.

<i>The Second of Maye</i> 1966 live album by Marilyn Maye

The Second of Maye is a live album by American singer Marilyn Maye. It was released in April 1966 via RCA Victor and it contained 12 tracks. The project was recorded in a live format at The Living Room, a performance venue located in New York City. It was the second album of Marilyn Maye's issued by the RCA Victor label and her first live album. It was met with favorable reviews following its release.

<i>The Lamp Is Low</i> (album) 1966 studio album by Marilyn Maye

The Lamp Is Low is a studio album by American singer Marilyn Maye. It was released in October 1966 via RCA Victor and contained 12 tracks. The album was a mixture of both original material and cover songs. Of its cover songs were recordings from 1960s films and jazz standards. Among its Jazz tracks was the album's title track. It received positive reviews from Billboard and Cashbox magazines. The album has been considered a "classic" disc since its original release.

"Sherry!" is a song composed by James Lipton and Laurence Rosenthal. It was first recorded in 1966 by American singer Marilyn Maye whose version was released as a single by RCA Victor. It later appeared in the Broadway musical also titled Sherry!. The show premiered in 1967, however, it was never recorded until 2004. "Sherry!" was then recorded for the cast album by American television actress Carol Burnett.

<i>A Taste of "Sherry!"</i> 1967 studio album by Marilyn Maye

A Taste of "Sherry!" is a studio album by American singer Marilyn Maye. It was released in February 1967 by RCA Victor and contained 12 tracks. The album featured Maye's first commercially successful singles: "Cabaret" and "Sherry". Both were featured in Broadway musicals of the same names and both reached the top ten on the American adult contemporary chart. A Taste of "Sherry!" received positive reviews from several publications following its release.

"Step to the Rear" is a song written by Elmer Bernstein and Carolyn Leigh. It was originally performed in the Broadway musical How Now, Dow Jones between 1967 and 1968. It was first recorded on an official cast album in 1968. It was notably recorded by American singer Marilyn Maye, whose version was released as a single. Maye's version reached the top five of the American adult contemporary chart and was seen on televised advertisements for Lincoln and Mercury cars. It was adapted into the University of South Carolina’s fight song as The Fighting Gamecocks Lead the Way.

<i>Step to the Rear</i> (album) 1967 studio album by Marilyn Maye

Step to the Rear is a studio album by American singer Marilyn Maye. It was released in November 1967 via RCA Victor and contained 11 tracks. Its title song was taken from the Broadway musical How Now Dow Jones and was a single for Maye in 1967. It reached the top five of American adult contemporary chart. The album itself received a positive review from Billboard magazine following its release.

<i>The Happiest Sound in Town</i> 1968 studio album by Marilyn Maye

The Happiest Sound in Town is a studio album by American singer Marilyn Maye. It was released in September 1968 via RCA Victor and contained 11 tracks. It was the sixth studio album of Maye's career featuring songs that were categorized as easy listening material. It featured cover of popular recordings along with new material.

<i>Marilyn Maye, Girl Singer</i> 1970 studio album by Marilyn Maye

Marilyn Maye, Girl Singer is a studio album by American singer Marilyn Maye. It was released in April 1970 via RCA Victor and was the seventh studio album of her career. It was also her final album released by RCA Victor. Girl Singer contained a total of 11 tracks. Two tracks were originally singles. The 1968 single "Feelin'" became a top 20 song on the American adult contemporary chart. Girl Singer was given a positive review from Record World magazine following its release.

References

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  12. ↑ Brewer, Carolyn (2021). Beneath Missouri Skies: Pat Metheny in Kansas City, 1964-1972. Denton, TX: University of North Texas Press. ISBN   978-1574418231.
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  17. ↑ "Marilyn Maye pays a rare visit to Minneapolis". MinnPost . February 17, 2010. Retrieved June 6, 2023.
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  23. ↑ Buckley, Michael (February 15, 2004). "STAGE TO SCREENS: James Lipton Chats About Sherry and "Inside the Actor's Studio"". Playbill . Retrieved June 4, 2023.
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  25. ↑ Maye, Marilyn (November 1967). " Step to the Rear (Disc Information)". RCA Victor . LMP-3897 (Mono); LSP-3897 (Stereo).
  26. ↑ "American Songbook At NJPAC Features Marilyn Maye". New Jersey Performing Arts Center . Retrieved June 19, 2023.
  27. 1 2 3 Haun, Harry (October 27, 2017). "Marilyn Maye Shares Her Secret to a Happy Life at Jazz at Lincoln Center". The New York Observer . Retrieved June 22, 2023.
  28. ↑ "Photos of Iowa Gov. Robert Ray: Family and fun". DesMoinesRegister.com. July 8, 2018. Retrieved March 6, 2022.
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  32. ↑ Burns, Linda Amiel (June 23, 2018). "Encompass Gala Features Marilyn Maye". Theater Pizazz. Retrieved June 19, 2023.
  33. ↑ Maye, Marilyn (September 1968). " The Happiest Sound in Town (Disc Information)". RCA Victor . LMP-4054 (Mono); LSP-4054 (Stereo).
  34. ↑ Whitburn, Joel (2007). Joel Whitburn Presents Billboard Top Adult Songs, 1961-2006. Record Research, Inc. p. 362. ISBN   978-0898201697.
  35. ↑ Maye, Marilyn (April 1970). "Marilyn Maye, Girl Singer (Disc Information)". RCA Victor . LMP-4299 (Mono); LSP-4299 (Stereo).
  36. ↑ "TONIGHT SHOW STARRING JOHNNY CARSON, THE {ROBERT BLAKE, JAMES GALWAY, MARILYN MAYE, DAN FORD} (TV)". Paley Center for Media . Retrieved June 22, 2023.
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  38. ↑ "Maye in October". Opera News. September 2010.
  39. 1 2 "Elaine Paige, Marilyn Maye, Vivian Reed, Gay Marshall and More Reflect on Edith Piaf". Playbill . December 18, 2015. Retrieved June 22, 2023.
  40. 1 2 Churnin, Nancy (May 24, 1990). "Veteran Singer Has Lived the Lyrics : Theater: Marilyn Maye will star in the Starlight's production of 'Follies.'". Los Angeles Times . Retrieved June 22, 2023.
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  42. 1 2 3 Maye, Marilyn (1985). "Marilyn Maye Sings All of Jerry Herman's "Hello Dolly" (Disc Information)". Marilyn Maye Records. MM-52885.
  43. 1 2 Silvers, Jason E. (November 16, 2006). "'Tonight Show' favorite to perform at Liberty". Fort Scott Tribune . Retrieved May 28, 2023.
  44. 1 2 Maye, Marilyn (2005). "Super Singer – A Tribute to Johnny Carson (Disc Information)". Marilyn Maye Records. MM-52885.
  45. 1 2 Moshner, Stephen (March 27, 2023). "Review: THE MARVELOUS MARILYN MAYE Makes History And Legend At Carnegie Hall". BroadwayWorld . Retrieved June 22, 2023.
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  47. ↑ "MAC Announces Lifetime Achievement Awards – Lavin & Maye". Theater Pizazz. January 21, 2014. Retrieved June 22, 2023.
  48. ↑ Holden, Stephen (March 24, 2007). "Mix Broadway and Jazz, Then Stir With '50s Flair". The New York Times . Retrieved June 22, 2023.
  49. ↑ Holden, Stephen (September 7, 2008). "Of Those Whose Lives Are Lonely, Too". The New York Times . Retrieved June 22, 2023.
  50. ↑ Saunders, Dick (June 11, 2008). "Chanteuse Marilyn Maye plays the Prince". Main Line Times & Suburban. Retrieved June 22, 2023.
  51. ↑ Horlyk, Earl (June 1, 2009). "Go ahead, call Marilyn Maye a 'Super singer". Sioux City Journal . Retrieved June 22, 2023.
  52. ↑ Desroches, Steve (June 1, 2017). "The Music of Maye". Provincetown Magazine. Retrieved June 22, 2023.
  53. ↑ Jones, Kenneth (November 21, 2010). "Sondheim at Carnegie Hall". Playbill . Retrieved June 22, 2023.
  54. ↑ Holden, Stephen (May 29, 2011). "American Songbook as Fountain of Youth". The New York Times . Retrieved June 22, 2023.
  55. ↑ Holden, Stephen (April 27, 2012). "It's April, It Rains. Deal (and Sing)". The New York Times . Retrieved June 22, 2023.
  56. ↑ Leeds, Ryan. "Marilyn Maye Makes Her Solo Debut at Carnegie Hall with the New York Pops". Manhattan Digest. Retrieved June 22, 2023.
  57. ↑ Palm, Matthew J. "Love of life propels singer Marilyn Maye". Orlando Sentinel . Retrieved June 23, 2023.
  58. ↑ Haun, Harry (April 5, 2022). "Marilyn Maye Will Celebrate Her 94th Birthday Onstage, Singing: "This Is What I Do. I Can't Cook."". Observer . Retrieved June 23, 2023.
  59. ↑ "The New York Pops: The Marvelous Marilyn Maye". Carnegie Hall . Retrieved June 23, 2023.
  60. ↑ Fessier, Bruce (January 13, 2016). "Kansas City jazz treasure Marilyn Maye now belongs to U.S." The Desert Sun . Retrieved July 31, 2023.
  61. ↑ "Album Reviews: Pop spotlight" (PDF). Billboard . March 25, 1967. p. 38. Retrieved June 11, 2023.
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  65. ↑ Pope, Ricky. "Review: MARILYN MAYE Is Not to Be Missed at 54 Below". BroadwayWorld . Retrieved June 23, 2023.
  66. ↑ "Marilyn Maye @ Feinstein's 3.10". The New Yorker . March 2010. Retrieved June 22, 2023.
  67. ↑ "Photo Coverage: Marilyn Maye Debuts at Birdland". Broadway World.
  68. ↑ Berg, Chuck (October 3, 2010). "Review: Maye better than ever". Cjonline.com. Retrieved August 5, 2018.
  69. 1 2 "1st Session of the 49th Legislature (2003)" (PDF). State of Oklahoma. Retrieved July 31, 2023.
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  71. ↑ Klopus, Joe (May 25, 2018). "Jazz Town: Star-studded concert will celebrate Jazz Walk of Fame inductees". Kansascity.com. Retrieved August 5, 2018.
  72. ↑ Miller, Sarah Bryan (July 27, 2013). "Marilyn Maye brings the party to the Sheldon". Stltoday.com. Retrieved August 5, 2018.
  73. ↑ Wild, Stephi (August 27, 2018). "Marilyn Maye Will Be Honored at the American Songbook Association's First Annual Gala". BroadwayWorld.com. Retrieved January 31, 2022.
  74. ↑ "Marilyn Maye". Kshs.org. Retrieved August 5, 2018.
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  77. ↑ Franklin, Mark; Maye, Marilyn (2000). "Rapport: Marilyn Maye & Mark Franklin Communicate (Disc Information)". Marilyn Maye Records. MAYE-K01119-04 A.
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  79. ↑ "Marilyn Maye: Artist". Grammy Awards . Retrieved June 23, 2023.
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  81. ↑ "Cash Box Awards" (PDF). Cash Box . p. 70. Retrieved June 23, 2023.
  82. ↑ "News (scroll to 2006 Marilyn Maye)". Coda Jazz Fund.org. Retrieved June 23, 2023.
  83. ↑ "Guadium Award 2009". The Breukelein Institute. Retrieved June 23, 2023.
  84. ↑ "Honorees". Chicago Cabaret. Retrieved June 23, 2023.
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