Medieval harp

Last updated
An artistic rendering of a medieval harp (Cythara anglica) from Martin Gerbert's De Cantu et musica sacra a prima ecclesiae aetate usque ad praesens tempus (Typis San-Balsianis, 1774). De Cantu et musica sacra. Bk. 2, Table 6.jpg
An artistic rendering of a medieval harp (Cythara anglica) from Martin Gerbert's De Cantu et musica sacra a prima ecclesiae aetate usque ad praesens tempus (Typis San-Balsianis, 1774).

The medieval harp refers to various types of harps played throughout Europe during the Middle Ages. The defining features are a three-sided frame (column, harmonic curve, and soundboard) [2] and strings made of wire or gut. The instrument was most popular in Ireland, Scotland, England, Wales, and Scandinavia. [2] Most information about the medieval harp comes from art and poetry of the era, though some original instruments survive and are available to view in museums. Performers play modern reconstructions of medieval harps today. The instrument is the predecessor to the concert grand pedal harp.

Contents

Construction and technique

All medieval harps were built with a large vertical box for sound resonance and production. The soundboard was held to the player's body. Strings attached to the soundboard and to tuning pegs within the neck or the harmonic curve of the instrument. The curve became more pronounced in the eleventh century and onwards. [3] The medieval harp usually featured gut strings, though horsehair and silk were used occasionally. In Ireland, the Celtic harp was strung with wire strings. The number of strings varied anywhere from six to thirty. Harps in the twelfth and thirteenth centuries had six to thirteen strings; [4] harps built later in the Middle Ages had more strings. Harps were single strung and tuned diatonically. Octaves most likely contained eight pitches, c, d, e, f, g, a, b, b-flat. [5] A column connected the harmonic curve or neck to the soundboard. Ornate decoration and carving were typical at the joints of these three pieces. Most harps were made from hardwood as opposed to softer spruce as they are today.

Musicians most likely played the instrument with the thumb and second finger, using both hands. Most visual representations depict this technique. And writings confirm that the ring finger was added much later. As with modern day harp technique, the pinky was not used.

History and geography

Artistic and literary depictions of the harp are prevalent and "ubiquitous" throughout medieval history. [3] The earliest visual representation of the medieval harp come from Scottish, Pictish, Viking and Norse cultures around the eighth century. These Scandinavian groups may have brought the three-sided harp to the continent of Europe and inspired the development of the medieval harp. [2] Alternatively, the medieval harp may have evolved from the ancient four-sided harp. Artistic representations range from specifically accurate to general approximations which account for the variety in opinions of origin and construction.

The Celtic harp developed into an instrument distinct from other types of medieval harp. For instance, it featured a trapezoid-shaped soundboard, curved column, and wire strings. Irish bards who traveled extensively throughout Europe brought knowledge of this style of instrument to the continent. Dante references this instrument in his writings. [2] In the thirteenth century, he wrote about the construction of Irish harps, noting they were larger than Italian models, and praised the skill of Irish harpers.

Most medieval instruments do not survive today and thus scholars rely on modern reconstructions. A Celtic harp from the fourteenth century is on display at Trinity College in Ireland. An ivory "Romanesque" harp from the fifteenth century survives in the Louvre with twenty-four or twenty-five strings.

Development

After the medieval harp, the Gothic harp became the popular style of harp in the Renaissance. These harps grew to be larger with more strings. Brays were added for resonance on lower bass strings. Throughout the seventeenth and eighteenth centuries, harp makers in Europe added levers and other mechanisms to increase chromatic capability of the harp. Eventually, in the early nineteenth century Sebastian Erard built the first double action pedal harp, the predecessor to the present day concert grand pedal harp. [2]

Related Research Articles

<span class="mw-page-title-main">Harp</span> Plucked string instrument

The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments.

<span class="mw-page-title-main">Lyon & Healy</span> American harp manufacturer

Lyon & Healy Harps, Inc. is an American musical instrument manufacturer based in Chicago, Illinois and is a subsidiary of Salvi Harps. Today best known for concert harps, the company's Chicago headquarters and manufacturing facility contains a showroom and concert hall. George W. Lyon and Patrick J. Healy began the company in 1864 as a sheet music shop. By the end of the 19th century, they manufactured a wide range of musical instruments—including not only harps, but pianos, guitars, mandolins, banjos, ukuleles and various brass and other percussion instruments.

<span class="mw-page-title-main">Mandolin</span> Musical instrument in the lute family

A mandolin is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin. Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.

<span class="mw-page-title-main">Piano</span> Keyboard instrument

The piano is a keyboard instrument that produces sound when the keys are pressed. Most pianos have a row of 88 black and white keys: 52 white keys for the notes of the C major scale and 36 shorter and thinner black keys raised above the white keys and set further back, for sharps and flats. This means that the piano can play 88 different pitches, spanning a range of a bit over seven octaves. The black keys are for the "accidentals", which are needed to play in all twelve keys.

<span class="mw-page-title-main">String instrument</span> Class of musical instruments with vibrating strings

In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.

<span class="mw-page-title-main">Crwth</span> Welsh musical instrument

The crwth, also called a crowd or rote or crotta, is a bowed lyre, a type of stringed instrument, associated particularly with Welsh music, now archaic but once widely played in Europe. Four historical examples have survived and are to be found in St Fagans National Museum of History (Cardiff); National Library of Wales (Aberystwyth); Warrington Museum & Art Gallery; and the Museum of Fine Arts, Boston (US).

<span class="mw-page-title-main">Psaltery</span> Stringed instrument

A psaltery is a fretboard-less box zither and is considered the archetype of the zither and dulcimer. Plucked keyboard instruments such as the harpsichord were also inspired by it. Its resonance box is usually trapezoidal, rectangular or in the form of a "pig's head" and often richly decorated.

<span class="mw-page-title-main">Music of Scotland</span>

Scotland is internationally known for its traditional music, which remained vibrant throughout the 20th century and into the 21st when many traditional forms worldwide lost popularity to pop music. Despite emigration and a well-developed connection to music imported from the rest of Europe and the United States, the music of Scotland has kept many of its traditional aspects and influenced many other forms of music.

<span class="mw-page-title-main">String (music)</span> Sound producing musical instrument component

A string is the vibrating element of chordophones such as the guitar, harp, piano, and the violin family, that produces sound. Strings are lengths of a flexible material that a musical instrument holds under tension so that they can vibrate freely, but with control. This is to make the string vibrate at the desired pitch, while maintaining a low profile and sufficient flexibility to play in action.

<span class="mw-page-title-main">Citole</span> Medieval lute

The citole was a string musical instrument, closely associated with the medieval fiddles and commonly used from 1200–1350. It was known by other names in various languages: cedra, cetera, cetola, cetula, cistola, citola, citula, citera, chytara, cistole, cithar, cuitole, cythera, cythol, cytiole, cytolys, gytolle, sitole, sytholle, sytole, and zitol. Like the modern guitar, it was manipulated at the neck to get different notes, and picked or strummed with a plectrum. Although it was largely out of use by the late 14th century, the Italians "re-introduced it in modified form" in the 16th century as the cetra, and it may have influenced the development of the guitar as well. It was also a pioneering instrument in England, introducing the populace to necked, plucked instruments, giving people the concepts needed to quickly switch to the newly arriving lutes and gitterns. Two possible descendant instruments are the Portuguese guitar and the Corsican Cetera, both types of cittern.

<span class="mw-page-title-main">Celtic harp</span> Celtic musical instrument

The Celtic harp is a triangular frame harp traditional to the Celtic nations of northwest Europe. It is known as cláirseach in Irish, clàrsach in Scottish Gaelic, telenn in Breton and telyn in Welsh. In Ireland and Scotland, it was a wire-strung instrument requiring great skill and long practice to play, and was associated with the Gaelic ruling class. It appears on Irish coins, Guinness products, and the coat of arms of the Republic of Ireland, Montserrat, Canada and the United Kingdom.

<span class="mw-page-title-main">Cross-strung harp</span>

The cross-strung harp or chromatic double harp is a multi-course harp that has two rows of strings which intersect without touching. While accidentals are played on the pedal harp via the pedals and on the lever harp with levers, the cross-strung harp features two rows so that each of the twelve semitones of the chromatic scale has its own string.

<span class="mw-page-title-main">Triple harp</span>

The triple harp is a type of multi-course harp employing three parallel rows of strings instead of the more common single row. One common version is the Welsh triple harp, used today mainly among players of traditional Welsh folk music.

An acoustic guitar is a musical instrument in the string family. When a string is plucked, its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. While the original, general term for this stringed instrument is guitar, the retronym 'acoustic guitar' – often used to indicate the steel stringed model – distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4.

<span class="mw-page-title-main">Pedal harp</span> String instrument with pedals

The pedal harp is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves.

<span class="mw-page-title-main">Origin of the harp in Europe</span>

The origins of the triangular frame harp are unclear. Triangular objects on the laps of seated figures appear in artwork of Ireland, Scotland, England and Wales, as well as other parts of north-west Europe. This page outlines some of the scholarly controversies and disagreements on this subject.

The yazh is a harp used in ancient Tamil music. It was strung with gut strings that ran from a curved ebony neck to a boat or trough-shaped resonator, the opening of which was a covered with skin for a soundboard. At the resonator the strings were attached to a string-bar or tuning bar with holes for strings that laid beneath of the soundboard and protruded through. The neck may also have been covered in hide.

<span class="mw-page-title-main">Music in Medieval Scotland</span>

Music in Medieval Scotland includes all forms of musical production in what is now Scotland between the fifth century and the adoption of the Renaissance in the early sixteenth century. The sources for Scottish Medieval music are extremely limited. There are no major musical manuscripts for Scotland from before the twelfth century. There are occasional indications that there was a flourishing musical culture. Instruments included the cithara, tympanum, and chorus. Visual representations and written sources demonstrate the existence of harps in the Early Middle Ages and bagpipes and pipe organs in the Late Middle Ages. As in Ireland, there were probably filidh in Scotland, who acted as poets, musicians and historians. After this "de-gallicisation" of the Scottish court in the twelfth century, a less highly regarded order of bards took over the functions of the filidh and they would continue to act in a similar role in the Scottish Highlands and Islands into the eighteenth century.

<span class="mw-page-title-main">History of the mandolin</span> The history of the mandolin.

The mandolin is a modern member of the lute family, dating back to Italy in the 18th century. The instrument was played across Europe but then disappeared after the Napoleonic Wars. Credit for creating the modern bowlback version of the instrument goes to the Vinaccia family of Naples. The deep bowled mandolin, especially the Neapolitan form, became common in the 19th century, following the appearance of an international hit, the Spanish Students. They toured Europe and America, and their performances created a stir that helped the mandolin to become widely popular.

<span class="mw-page-title-main">Bohemian harp</span> Bohemian strung musical instrument

The Bohemian Harp, also referred to as the Hakenharfe, is a Central European lever harp, similar to the Celtic harp, with a straight, tenoned neck. It was played foremostly by travelling musicians going through Europe in the 19th century, occasionally in bands. When played in bands, it was often used as an accompaniment for bass violin and bock. The instrument was also popular as a folk instrument. The harp was far lighter than other European harps used in royal courts, for ease of portability.

References

  1. Cook, Ron (2013). The Early Medieval Harp: A Practical Guide. Dlanor Publications. ISBN   978-1-300-83353-6.
  2. 1 2 3 4 5 Rensch, Roslyn (1950). The Harp. New York: Philosophical Library. p. 18.
  3. 1 2 Myers, Herbert (2000). Harp. Bloomington, IN: Indiana University Press. pp. 330–335. ISBN   0-253-33752-6.
  4. Cook, Ron (2013). The Early Medieval Harp: A Practical Guide. Dlanor Publications. p. 8. ISBN   978-1-300-83353-6.
  5. Fulton, Cheryl Anne (2000). Playing the Late Medieval Harp. Bloomington, IN: Indiana University Press. pp. 345–354. ISBN   0-253-33752-6.