Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music.
The Birmingham Museum of Art is a museum in Birmingham, Alabama. Its collection includes more than 24,000 paintings, sculptures, prints, drawings, and decorative arts representing various cultures, including Asian, European, American, African, Pre-Columbian, and Native American. The museum is also home to some Renaissance and Baroque paintings, sculptures,and decorative arts from the late 13th century to c. 1750.
The Institute of American Indian Arts (IAIA) is a public tribal land-grant college in Santa Fe, New Mexico, United States. The college focuses on Native American art. It operates the Museum of Contemporary Native Arts (MoCNA), which is housed in the historic Santa Fe Federal Building, a landmark Pueblo Revival building listed on the National Register of Historic Places as Federal Building. The museum houses the National Collection of Contemporary Indian Art, with more than 7,000 items.
The Stark Museum of Art in Orange, Texas, houses one of the nation's most significant collections of American Western art. The Western Art collection conveys the artistic interpretation of the western region over two centuries.
This is a timeline of in North American prehistory, from 1000 BC until European contact.
In Hopi mythology, Angak or Angak'china is a male Hopi kachina spirit, represented by spirit dancers and a corresponding kachina doll figure, known to non-hopis as Longhair or Long Hair. Angak is originally from the Zuni Pueblo. The goal of the Angak spirit is to bring rain and flowers to the Hopi villages. Angak sings sweet songs to bring rain. Further, he represents a healing and protective figure. There are many varieties of Angak, such as the red-bearded Hokyan Angak'china. He is present and relatively popular throughout the Hopi and Hopi-Tewa areas of Arizona and New Mexico.
Navajo weaving are textiles produced by Navajo people, who are based near the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for more than 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy. As one art historian wrote, "Classic Navajo serapes at their finest equal the delicacy and sophistication of any pre-mechanical loom-woven textile in the world."
Hopi katsina figures, also known as kachina dolls, are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about katsinas or katsinam, the immortal beings that bring rain, control other aspects of the natural world and society, and act as messengers between humans and the spirit world.
The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
Teri Greeves is a Native American beadwork artist, living in Santa Fe, New Mexico. She is enrolled in the Kiowa Indian Tribe of Oklahoma.
This is a chronological list of significant or pivotal moments in the development of Native American art or the visual arts of the Indigenous peoples of the Americas. Earlier dates, especially before the 18th century, are mostly approximate.
Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity and history of its makers, but tribal groups have often borrowed and copied designs and methods from other, neighboring tribes or nations with which they had trade, and this practice continues today. Native American tribes continue to develop distinct aesthetics rooted in their personal artistic visions and cultural traditions. Artists may create jewelry for adornment, ceremonies, and display, or for sale or trade. Lois Sherr Dubin writes, "[i]n the absence of written languages, adornment became an important element of Indian communication, conveying many levels of information." Later, jewelry and personal adornment "...signaled resistance to assimilation. It remains a major statement of tribal and individual identity."
The Millicent Rogers Museum is an art museum in Taos, New Mexico, founded in 1956 by the family of Millicent Rogers. Initially the artworks were from the multi-cultural collections of Millicent Rogers and her mother, Mary B. Rogers, who donated many of the first pieces of Taos Pueblo art. In the 1980s, the museum was the first cultural organization in New Mexico to offer a comprehensive collection of Hispanic art.
The Fleming Museum of Art is a museum of art and anthropology at the University of Vermont in Burlington, Vermont. The museum's collection includes around 24,000 objects from a wide variety of eras and places.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Allen Raj was a Hopi artist and silversmith in Hopi silver overlay and stone inlay, featuring the lapidary genres of commesso and intarsia. Sekaquaptewa used colorful stones and shell for his Hopi silver overlay, not only plain silver decorated with chisel strokes on black oxide surfaces, a Hopi-signature technique known as matting.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Sandy Fife Wilson is a Muscogee (Creek) art educator, fashion designer and artist. After graduating from the Institute of American Indian Arts and Northeastern Oklahoma State University, she became an art teacher, first working in the public schools of Dewey, Oklahoma. When Josephine Wapp retired as the textile instructor at the Institute of American Indian Arts, Wilson was hired to teach the design courses. After three years, in 1979, she returned to Oklahoma and taught at Chilocco Indian School until it closed and then worked in the Morris Public School system until her retirement in 2009.
