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Mud Morganfield | |
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| Background information | |
| Birth name | Larry Williams[ citation needed ] |
| Born | September 27, 1954 Chicago, Illinois, U.S. |
| Genres | Blues |
| Occupation(s) | Musician |
| Instrument(s) | Vocals, bass guitar |
| Labels | Delmark |
Larry "Mud" Morganfield (born September 27, 1954) [1] is an American blues singer and the eldest son of Muddy Waters.
Morganfield was born to McKinley Morganfield (Muddy Waters) and Mildred Williams in Chicago. He was raised by his mother and seven uncles, with occasional visits from Muddy, and never really got to know his father. [2] [3]
Regarding his childhood in Chicago, Morganfield says, "I didn’t have the pleasure of getting up and walking down the lakefront and watching the ocean and the lakes or something. I came up and there was gunshots and someone may have gotten hit down the street. I mean, I’ve seen the drunks, the drugs, and I tell you again, I can’t forget these things because it makes up who I am today. It makes me the man I am today." [4]
Despite growing up surrounded by music, Morganfield did not consider becoming a professional musician until after his father's death in 1983. [5] At that time, Morganfield was driving trucks for a living, but the strain was wearing on him. He suggested that a recurring dream of Muddy Waters performing on stage helped prompt him to begin performing the blues professionally.
Morganfield has described the resemblance of the tone and timbre of his voice to that of his father's voice as a double-edged sword. The similarity is evident in For Pops: A Tribute To Muddy Waters, an album on which he performs several Muddy Waters songs.[ citation needed ]
Morganfield launched his music career in blues clubs on the south side of Chicago, where he performed a mix of his father's material and his own original works. Regarding his performances of Muddy Waters songs in addition to his own material, Morganfield says, "I started to sing to show the world that dad left me here. I love and am proud to sing his songs just like I love and will always be proud of him. I'm not Muddy Waters and I'm certainly not trying to be Muddy Waters. I'm Mud Morganfield, but when I'm up on stage I always feel Pops is there with me and it means so much that I can get on stage and keep his music alive around the world." [6]
In May 2015, his album, For Pops: A Tribute To Muddy Waters, won a Blues Music Award in the 'Traditional Blues Album' category. [7]
McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
Muddy Waters (1913–1983) was an American blues artist who is considered a pioneer of the electric Chicago blues and a major influence on the development of blues and rock music. He popularized several early Delta blues songs, such as "Rollin' and Tumblin'", "Walkin' Blues", and "Baby, Please Don't Go", and recorded songs that went on to become blues standards, including "Hoochie Coochie Man", "Mannish Boy", and "Got My Mojo Working". During his recording career from 1941 to 1981, he recorded primarily for two record companies, Aristocrat/Chess and Blue Sky; they issued 62 singles and 13 studio albums.
Paul Vaughn Butterfield was an American blues harmonica player, singer and bandleader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.
John Dawson Winter III was an American singer, guitarist, songwriter and record producer. Winter was known for his high-energy blues rock albums, live performances and slide guitar playing from the late 1960s into the early 2000s. He also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".
The Chicago Blues Festival is an annual event held in June, that features three days of performances by top-tier blues musicians, both old favorites and the up-and-coming. It is hosted by the City of Chicago Department of Cultural Affairs and Special Events, and always occurs in early June. Until 2017, the event always took place at and around Petrillo Music Shell in Grant Park, adjacent to the Lake Michigan waterfront east of the Loop in Chicago. In 2017, the festival was moved to the nearby Millennium Park.
Electric Mud is the fifth studio album by Muddy Waters, with members of Rotary Connection playing as his backing band. Released in 1968, it presents Muddy Waters as a psychedelic musician. Producer Marshall Chess suggested that Muddy Waters record it in an attempt to appeal to a rock audience.
Rotary Connection was an American psychedelic soul band, formed in Chicago in 1966.
"Mannish Boy" is a blues standard written by Muddy Waters, Mel London, and Bo Diddley. First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's "I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song.
The Anthology: 1947–1972 is a double compilation album by Chicago blues singer and guitarist Muddy Waters. It contains many of his best-known songs, including his R&B single chart hits "I'm Your Hoochie Coochie Man", "Just Make Love to Me ", and "I'm Ready". Chess and MCA Records released the set on August 28, 2001.
William "Big Bill" Morganfield is an American blues singer and guitarist, who is the son of McKinley Morganfield, also known as Muddy Waters.
"Hoochie Coochie Man" is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.
"Got My Mojo Working" is a blues song written by Preston "Red" Foster and first recorded by R&B singer Ann Cole in 1956. Foster's lyrics describe several amulets or talismans, called mojo, which are associated with hoodoo, an early African-American folk-magic belief system.
Hard Again is a studio album by American blues singer Muddy Waters. Released on January 10, 1977, it was the first of his albums produced by Johnny Winter. Hard Again was Waters's first album on Blue Sky Records after leaving Chess Records and was well received by critics.
Willie Lee "Big Eyes" Smith was an American electric blues vocalist, harmonica player, and drummer. He was best known for several stints with the Muddy Waters band beginning in the early 1960s.
Otis "Big Smokey" Smothers was a Chicago blues guitarist and singer. He was a member of Howlin' Wolf's backing band and worked with Muddy Waters, Jimmy Rogers, Bo Diddley, Ike Turner, J. T. Brown, Freddie King, Little Johnny Jones, Little Walter, and Willie Dixon. His younger brother, Abe, was the bluesman Little Smokey Smothers, with whom he is sometimes confused.
Fathers and Sons is the seventh studio album by the American blues musician Muddy Waters, released as a double LP by Chess Records in August 1969.
Calvin "Fuzz" Jones was an American electric blues bassist and singer. He worked with many blues musicians, including Muddy Waters, Howlin' Wolf, the Legendary Blues Band, Mississippi Heat, James Cotton, Luther "Guitar Junior" Johnson, Little Walter and Elmore James.
Muddy Waters Sings "Big Bill" is the first studio album, but second overall album by blues musician Muddy Waters, featuring songs by Big Bill Broonzy, released by the Chess label in 1960.
The Complete Plantation Recordings, subtitled The Historic 1941-42 Library of Congress Field Recordings, is a compilation album of the blues musician Muddy Waters' first recordings collected by Alan Lomax for the Library of Congress in 1941-42 and released by the Chess label in 1993. Lomax recorded Waters at Stovall Farm in Clarksdale, Mississippi in 1941 and returned the following year to make additional recordings. Thirteen tracks were originally released as Down on Stovall’s Plantation in 1966 on Testament Records.
McKinley Morganfield A.K.A. Muddy Waters is a compilation album by blues musician Muddy Waters featuring tracks recorded between 1948 and 1953 released by the Chess label in 1971.
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