Narrative ballet

Last updated
Scene from the ballet Swan Lake Swanlake015.jpg
Scene from the ballet Swan Lake

A narrative ballet also known as classical/story ballet is a form of ballet that has a plot and characters. It is typically a production with full sets and costumes. It was an invention of the eighteenth century. [1]

Contents

Most romantic and classical ballets of the 19th century were narrative ballets. Among the most well known are Swan Lake , The Sleeping Beauty , and Cinderella . [2] [3] For these and other classic narrative ballets it is common for ballet directors to create their own choreography, while maintaining the plot and music used by the original 19th-century choreographer. Kenneth MacMillan and Frederick Ashton were neoclassical ballet choreographers that created original narrative ballets in the 20th century. [2]

Plots frequently revolve around intense love, expression, fantasy, and tragedy. The most popular classic ballets are based on fairytales and magical myths.

For example, in Swan Lake , the main character Odette is put under a spell by an evil sorcerer that makes her a swan until she turns human at midnight. The spell can only be broken by true love from a man who has not promised his heart to another. She meets a prince and they both fall in love. In the end, the prince was tricked by the evil sorcerer to propose to his daughter. Destined to be a swan forever, Odette plunges herself into the lake from despair. The prince followers her until the river and they are united for eternity in death. [4]

Scene from Cinderella, Pas de Deux SwKCB0514 1135.jpg
Scene from Cinderella, Pas de Deux

When performing a story ballet, it not only essential that dancers have good technique but that they have the ability to act. [5] This is because in ballet there are no spoken words. It is the responsibility of the dancer to be able to use their movements and facial expressions to the communicate with the audience, or else the plot isn't properly conveyed. The ability to tell a story and how emotion without words is known as "classical mime", which plays an important role in ballet.

Narrative ballets are essential to a ballet company's repertoire, because they tend to generate the highest sales and bring families with children to see the ballet. People enjoy watching an art form where they are transformed into a different world. It's entertaining and exciting. Many newer narrative ballets are adapted from familiar stories or literature because they are recognizable to audiences. [6]

Notable narrative ballets

Narrative ballets are essential to a ballet company's repertoire, because they tend to generate the highest sales and bring families with children to see the ballet. People enjoy watching an art form where they are transformed into a different world. It's entertaining and exciting. Many newer narrative ballets are adapted from familiar stories or literature because they are recognizable to audiences. As mentioned above Swan Lake is one of the most famous examples of narrative ballet, other famous narrative ballets include: Giselle, The Nutcracker, Romeo and Juliet, and L'histoire de Manon. The story of Giselle is a romantic tale of innocent love and betrayal; of philandering Count Albrecht and a trusting peasant maid, Giselle. Although she has a weak heart, Giselle loves to dance. [7] The Nutcracker is the story of how a young girl named Clara falls in love with a Nutcracker that magically comes to life and defeats an army of evil rats to save her life. Clara and the nutcracker then travel to the land of the sweets where Clara is introduced to the Sugar Plum Fairy and her Cavalier, and beautiful Arabian Princesses, Russian Cossacks, French ballet dancers and even exotic flowers, who all dance in her honor. [8] The ballet Romeo and Juliet follows the same story as the famous Shakespearean play it is based on, the only difference between the two being the medium used is dance rather than acting. Lastly, the ballet L'histoire de Manon follows the love story of Manon and Grieux and their search for love and fortune.

Other forms of ballet

While narrative ballet is easily the most well-known and appreciated form of ballet, there are many others that are important as well. There are considered to be four main styles of ballet: Classical, Neoclassical, Contemporary, and Romantic. Neoclassical ballet evolved from classical ballet, distinguishing itself for typically being abstract. The music of choice tends to be neoclassical as well, from musicians such as Roussel and Stravinsky. [9] Contemporary ballet takes inspiration from classical ballet elements and adding modern techniques of jazz and other dance forms, and focuses more on athleticism and bigger and swifter tempos. [9] Finally the last style of ballet is Romantic, which is very similar to Classical ballet in the fact that drama, emotion, and a strong storytelling [9] are key components of the style. The main difference between the two styles lies within the costuming. The longer bell-shaped skirts of Romantic ballets are a far cry from the short, stiff, platter-style tutus worn in Classical pieces. [10]

Creating narrative ballets in the 21st century

Christopher Wheeldon. writer of the ballet "The Winter's Tale", states that in today's age "Design and the use of technology are important tools in storytelling... such as the well integrated use of projection in his ballet 'Alice' and 'Winter's tale'". [11] While we love the classics such as Swan Lake , The Sleeping Beauty , and Cinderella , modern ballets should reflect the modern days changing technology. While classic ballets are interesting to the audience because of its unique plot and characters, it's a good idea to make minor tweak to the original work to hold the audiences' attention. This could mean adding a new character or making changes to a character's costume. However, any changes need to still reflect the original storyline. For example, costumes need to be appealing and reflect a character's personality. The lighting and staging needs to compliment the storyline to keep it engaging.



Notable narrative ballets

See also

Related Research Articles

<span class="mw-page-title-main">Neoclassical ballet</span>

Neoclassical ballet is the style of 20th-century classical ballet exemplified by the works of George Balanchine. The term "neoclassical ballet" appears in the 1920s with Sergei Diaghilev's Ballets Russes, in response to the excesses of romanticism and post-romantic modernism. It draws on the advanced technique of 19th-century Russian Imperial dance, but strips it of its detailed narrative and heavy theatrical setting while retaining many key techniques, such as pointe technique.

<span class="mw-page-title-main">Matthew Bourne</span> British Choreographer

Sir Matthew Christopher Bourne is a British choreographer. His productions contain many classic cinema and popular culture references and draw thematic inspiration from musicals, film noir and popular culture

Sir Anthony James Dowell is a retired British ballet dancer and a former artistic director of the Royal Ballet. He is widely recognized as one of the great danseurs nobles of the twentieth century.

Gillian Murphy is an American ballet dancer who is a principal dancer with the American Ballet Theatre.

Mireille Hassenboehler is an American former professional ballet dancer who performed as a principal dancer with the Houston Ballet until 2013.

The St Petersburg Ballet Theatre (SPBT) is a Russian classical ballet company. It was founded in 1994 by Konstantin Tachkin, who has continued to direct the company over its 25-year history. The St Petersburg Ballet Theatre is housed in a complex on Liteyniy prospect, situated in the heart of Saint-Petersburg, which in Imperial Russia had served as the House of Officers.

Carla Körbes is a Brazilian ballet dancer who performed as a principal dancer with the Pacific Northwest Ballet, then became the associate artistic director of L.A Dance Project. She is now an associate professor at Indiana University Jacobs School of Music's ballet faculty.

Silvia Azzoni is an Italian ballet dancer who performs at the Hamburg Ballet as a principal dancer.

Vanessa Andrea Zahorian is an American retired ballet dancer. She was a principal dancer at the San Francisco Ballet. She is currently one of the artistic directors of Pennsylvania Ballet Academy.

<span class="mw-page-title-main">Sarah Lane</span> American ballet dancer (born 1984)

Sarah Lane is an American ballet dancer who was a principal dancer with American Ballet Theatre (ABT). She served as a "dance double" for Natalie Portman in the 2010 film Black Swan.

<span class="mw-page-title-main">Isabella Boylston</span> American ballet dancer

Hildur Isabella Boylston is an American ballet dancer who is currently a principal dancer with the American Ballet Theatre (ABT).

<span class="mw-page-title-main">Christine Shevchenko</span> Ukrainian-American ballet dancer

Christine Shevchenko is a Ukrainian-American ballet dancer. She currently performs as a principal dancer with American Ballet Theatre.

Irek Dzhavdatovich Mukhamedov OBE, is a Soviet-born British ballet dancer of Tatar origin who has danced with the Bolshoi Ballet and the Royal Ballet. Born in Kazan, he trained at the Moscow Choreographic Institute under the guidance of Alexander Prokofiev between 1970 and 1978. Upon graduation, he joined the Classical Ballet Company, where he spent three years touring around the world. It was with this company that he first danced Romeo, a role that was to become one of his most acclaimed. In 1981 he won the Grand Prix and gold medal at the International Ballet Competition in Moscow and was immediately invited to join the Bolshoi Ballet as a principal dancer, where he not only became Grigorovich's favourite danseur but went to become the youngest man ever to dance the leading role in Spartacus.

<span class="mw-page-title-main">Natalia Osipova</span> Russian ballerina (born 1986)

Natalia Petrovna Osipova is a Russian ballerina, currently a principal ballerina with The Royal Ballet in London.

Fernanda Oliveira is a Brazilian ballet dancer. She is a lead principal with English National Ballet.

Ji-young Kim is a South Korean prima ballerina and is currently a principal dancer with the Korea National Ballet (KNB) in Seoul, South Korea.

Madeleine Eastoe is an Australian retired ballet dancer. She was a principal dancer at The Australian Ballet.

<span class="mw-page-title-main">Derek Rencher</span> British ballet dancer

Derek Rencher was a British ballet dancer. A commanding figure among Royal Ballet character dancers for more than four decades, he was probably the most prolific performer in the company's history.

<span class="mw-page-title-main">Jurgita Dronina</span> Russian-Lithuanian ballet dancer (born 1986)

Jurgita Dronina is a Russian-Lithuanian ballet dancer. She is a principal dancer with the National Ballet of Canada, having previously danced with Royal Swedish Ballet, Dutch National Ballet and English National Ballet.

<span class="mw-page-title-main">Claire Calvert</span> English ballet dancer

Claire Louise Calvert is an English ballet dancer and is a first soloist at the Royal Ballet.

References

  1. Weickmann, Dorion (2007). "Choreography and narrative: the ballet d'action of the eighteenth century". Cambridge University Press.
  2. 1 2 Kourlas, Gia (February 3, 2012). "Tharp's New Tale, Woven In Dance". The New York Times. Retrieved March 14, 2012.
  3. Mackrell, Judith (May 31, 2013). "When ballet loses the plot with narratives". The Guardian.
  4. https://www.miamicityballet.org/swanlakestory
  5. https://www.balletdancersguide.com/ballet-stories.html
  6. Beaumont, Rachel (November 20, 2014). "Stories without words: Narrative ballets and their many inspirations". Royal Opera House.
  7. Chien, Jane Ann (2022-06-10). "The Story of Giselle". San Francisco Ballet. Retrieved 2023-04-19.
  8. "The Nutcracker Story | Northern Ballet". northernballet.com. Retrieved 2023-04-19.
  9. 1 2 3 "Different Types of Ballet | Styles & Ballet Terminology - The Grand". Blackpool Grand Theatre. 2018-12-12. Retrieved 2023-04-19.
  10. "The Four Major Styles of Ballet". Boston Ballet. Retrieved 2023-04-19.
  11. https://pointemagazine.com/contemporary-story-ballets/

Sources