New Orleans | |
---|---|
Directed by | Reginald Barker |
Written by | |
Produced by | John M. Stahl |
Starring | |
Cinematography | Harry Jackson |
Edited by | Robert Kern |
Music by | Hugo Riesenfeld |
Production company | |
Distributed by | Tiffany Pictures |
Release date |
|
Running time | 68 minutes |
Country | United States |
Languages | Sound (Part-Talkie) English Intertitles |
New Orleans is a 1929 American sound part-talkie drama film directed by Reginald Barker and starring Ricardo Cortez, William Collier Jr., Alma Bennett. [1] In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment. The film was produced and distributed by the independent Tiffany Pictures.
Two friends, a jockey and a racetrack owner, fall out over a woman they both love.
Here is a web site with the soundtrack recorded from original 16" discs.
http://mst.cdbpdx.com/MSTNO29/
Reels 1 thru 6 have only music, sound effects like doors closing, trains, horses galloping, crowd noise, and a few guttural utterances. The song Pals Forever is sung by a noticeably inebriated quartet in the 2nd reel. Except for the song PALS FOREVER in reel 2, there isn't much dialog until reel 7.
The film features a theme song entitled "Pals Forever" which was composed by Hugo Riesenfeld (music) and Ted Shapiro (lyrics).
The Iron Mask is a 1929 American part-talkie adventure film directed by Allan Dwan. In addition to some sequences with dialogue, the film featured a synchronized musical score with sound effects and a theme song.
The Last Performance is a 1929 American sound part-talkie film directed by Paul Fejos and starring Conrad Veidt and Mary Philbin. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The talking sequences were featured on the last reel.
Mother Machree is a 1928 American synchronized sound drama film directed by John Ford that is based on the 1924 work The Story of Mother Machree by Rida Johnson Young about a poor Irish immigrant in America. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using the sound-on-film movietone process. Rida Johnson Young had invented Mother Machree in the stage show Barry of Ballymoore in 1910. John Wayne has a minor role in the film.
Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
Hardboiled Rose is a 1929 American sound part-talkie romantic drama film directed by F. Harmon Weight and released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film starred Myrna Loy, William Collier, Jr., and John Miljan.
Women They Talk About is a 1928 American sound part-talkie comedy drama film directed by Lloyd Bacon and starring Irene Rich and Audrey Ferris. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film was produced and distributed by Warner Bros. It is considered to be a lost film.
The Younger Generation is a 1929 sound part-talkie American drama film directed by Frank Capra and starring Ricardo Cortez. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was produced by Jack Cohn for Columbia Pictures. It was Capra's first sound film. The screenplay was adapted from a 1927 Fannie Hurst play, It Is to Laugh.
She Goes to War is a 1929 sound part-talkie directed by Henry King and starring Eleanor Boardman. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system. The film was released a year after Boardman had starred in The Crowd.
Beware of Bachelors is a 1928 American part-talkie pre-code comedy drama film produced and released by Warner Bros., and directed by Roy Del Ruth. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The movie stars Audrey Ferris, William Collier Jr., Margaret Livingston, Clyde Cook, and George Beranger. The film was based on a short story by Mark Canfield.
House of Horror is a 1929 American sound part-talkie comedy mystery film directed by Benjamin Christensen. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Louise Fazenda and Chester Conklin. The film portion of the House of Horror is now presumed lost while the sound survives on Vitaphone discs.
Two Weeks Off is a 1929 American sound part-talkie comedy film directed by William Beaudine. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. A complete nitrate print survives at UCLA.
The Carnation Kid is a 1929 American sound part-talkie drama film directed by E. Mason Hopper and Leslie Pearce and written by Alfred A. Cohn, Arthur Huffsmith and Henry McCarty. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film stars Douglas MacLean, Frances Lee, William B. Davidson, Lorraine MacLean, Charles Hill Mailes, and Francis McDonald. The film was released on March 2, 1929, by Paramount Pictures.
One Stolen Night is a 1929 American sound part-talkie adventure crime film directed by Scott R. Dunlap, and starring Betty Bronson, William Collier Jr., Mitchell Lewis, Harry Todd, and Charles Hill Mailes. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is based on the short story The Arab by D. D. Calhoun. It is a remake of the 1923 film with the same name. The film was released by Warner Bros. on March 16, 1929.
The Rainbow is a 1929 American synchronized sound pre-Code Western film directed by Reginald Barker and starring Dorothy Sebastian, Lawrence Gray and Sam Hardy. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The soundtrack was recorded using the Tiffany-Tone process using RCA Photophone equipment.
Molly and Me is a 1929 sound part-talkie American comedy film directed by Albert Ray. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound system. The film stars Belle Bennett, Joe E. Brown and Alberta Vaughn.
Two Men and a Maid is a 1929 American sound part-talkie romantic drama film directed by George Archainbaud and starring William Collier Jr., Alma Bennett and Eddie Gribbon. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
My Lady's Past is a 1929 American sound part-talkie drama film directed by Albert Ray and starring Belle Bennett, Joe E. Brown and Alma Bennett. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment. After completing his first novel, a writer abandons his wife for his secretary. The film survives at BFI/National Film And Television Archive.
Midstream is a 1929 American sound part-talkie science fiction film directed by James Flood and starring Ricardo Cortez, Claire Windsor, and Montagu Love. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
Whispering Winds is a 1929 American sound part-talkie pre-Code drama film directed by James Flood and starring Patsy Ruth Miller, Malcolm McGregor and Eve Southern. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
Marriage by Contract is a 1928 American sound part-talkie drama film directed by James Flood and starring Patsy Ruth Miller, Lawrence Gray and Robert Edeson. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system. This film was one of the first sound films produced by Tiffany Pictures, one of the largest independent studios in Hollywood at the time, and was followed by Lucky Boy.