 Not Without Laughter cover | |
| Author | Langston Hughes |
|---|---|
| Country | United States |
| Language | English |
| Genre | Novel |
| Published | 1930 (Random House) |
| Media type | Print (Hardback & Paperback) |
| Pages | 324 |
| ISBN | 0-394-43873-6 (hardback edition) |
| OCLC | 461935 |
| 813.52 | |
| LC Class | PS3515.U274 |
Not Without Laughter is the debut novel by Langston Hughes published in 1930.
Not Without Laughter portrays African-American life in Kansas in the 1910s, focusing on the effects of class and religion on the community. [1] The main storyline focuses on Sandy's "awakening to the sad and the beautiful realities of black life in a small Kansas town."[ citation needed ]
Hughes said that Not Without Laughter is semi-autobiographical, and that a good portion of the characters and setting included in the novel are based on his memories of growing up in Lawrence, Kansas: "I wanted to write about a typical Negro family in the Middle West, about people like those I had known in Kansas. But mine was not a typical Negro family." [2]
A review in the New York Times on August 3, 1930 stated: " "Not Without Laughter" is very slow, even tedious, reading in its early chapters, but once it gains its momentum it moves as swiftly as a jazz rhythm. Its characters, emerging ever more clearly and challenging as the novel proceeds, gives it this rhythm. Every character in the novel, it can be said, with the exception of Tempy and Mr. Siles, is a living challenge to our civilization, a challenge that is all the more effective because it springs naturally out of its materials and is not superimposed upon them." [3]
Zora Neale Hurston was an American author, anthropologist, and filmmaker. She portrayed racial struggles in the early-1900s American South and published research on hoodoo. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, and essays.
Nellallitea "Nella" Larsen was an American novelist. Working as a nurse and a librarian, she published two novels, Quicksand (1928) and Passing (1929), and a few short stories. Though her literary output was scant, she earned recognition by her contemporaries.
Nicolás Cristóbal Guillén Batista was a Cuban poet, journalist, political activist, and writer. He is best remembered as the national poet of Cuba.
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall, Ethel Waters, Cab Calloway, Bessie Smith, Lillie Delk Christian, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Midge Williams, Lena Horne, and dancers such as Katherine Dunham, Bill Robinson, The Nicholas Brothers, Charles 'Honi' Coles, Leonard Reed, Stepin Fetchit, the Berry Brothers, The Four Step Brothers, Jeni Le Gon and Earl Snakehips Tucker.
Carl Van Vechten was an American writer and artistic photographer who was a patron of the Harlem Renaissance and the literary executor of Gertrude Stein. He gained fame as a writer, and notoriety as well, for his 1926 novel Nigger Heaven. In his later years, he took up photography and took many portraits of notable people. Although he was married to women for most of his adult years, Van Vechten engaged in numerous homosexual affairs over his lifetime.
Arna Wendell Bontemps was an American poet, novelist and librarian, and a noted member of the Harlem Renaissance.
Nigger Heaven is a novel written by Carl Van Vechten, and published in October 1926. The book is set during the Harlem Renaissance in the United States in the 1920s. The book and its title have been controversial since its publication.
Wallace Henry Thurman was an American novelist and screenwriter active during the Harlem Renaissance. He also wrote essays, worked as an editor, and was a publisher of short-lived newspapers and literary journals. He is best known for his novel The Blacker the Berry: A Novel of Negro Life (1929), which explores discrimination within the black community based on skin color, with lighter skin being more highly valued.
The tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries, starting in 1837. The "tragic mulatto" is a stereotypical mixed-race person, who is assumed to be depressed, or even suicidal, because they fail to completely fit in the "white world" or the "black world". As such, the "tragic mulatto" is depicted as the victim of the society that is divided by race, where there is no place for one who is neither completely "black" nor "white".
Tambourines to Glory is a gospel play with music by Langston Hughes and Jobe Huntley which tells the story of two female street preachers who open a storefront church in Harlem. The play premiered on Broadway in 1963.
Urban fiction, also known as street lit or street fiction, is a literary genre set in a city landscape; however, the genre is as much defined by the socio-economic realities and culture of its characters as the urban setting. The tone for urban fiction is usually dark, focusing on the underside of city living. Profanity, sex, and violence are usually explicit, with the writer not shying away from or watering-down the material. Most authors of this genre draw upon their past experiences to depict their storylines.
Margaret Allison Bonds was an American composer, pianist, arranger, and teacher. One of the first Black composers and performers to gain recognition in the United States, she is best remembered today for her popular arrangements of African-American spirituals and frequent collaborations with Langston Hughes.
The Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African American workers fleeing the racist conditions of the Jim Crow Deep South, as Harlem was the final destination of the largest number of those who migrated north.
Charles Henry Langston (1817–1892) was an American abolitionist and political activist who was active in Ohio and later in Kansas, during and after the American Civil War, where he worked for black suffrage and other civil rights. He was a spokesman for blacks of Kansas and "the West".
Mule Bone: A Comedy of Negro Life is a 1930 play by American authors Langston Hughes and Zora Neale Hurston. The process of writing the play led Hughes and Hurston, who had been close friends, to sever their relationship. Mule Bone was not staged until 1991, when it was produced in New York City by the Lincoln Center Theater.
James Mercer Langston Hughes was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. One of the earliest innovators of the literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance. He famously wrote about the period that "the Negro was in vogue", which was later paraphrased as "when Harlem was in vogue."
The Ways of White Folks is a collection of fourteen short stories by Langston Hughes, published in 1934. Hughes wrote the book during a year he spent living in Carmel-by-the-Sea, California. The collection addresses multiple dimensions of racial issues, focusing specifically on the unbalanced yet interdependent power dynamics between Black and White people. According to Hughes, the short stories are inspired either by his own lived experiences or those of others he encountered.
Carolina Mercer Langston was an American writer, actress and mother to poet, playwright and social activist Langston Hughes.
The Sweet Flypaper of Life is a 1955 fiction and photography book by American photographer Roy DeCarava and American writer Langston Hughes. DeCarava's photos and Hughes's story, told through the character Sister Mary Bradley, depict and describe Black family life in Harlem, New York City, in the 1950s.
The Big Sea (1940) is an autobiographical work by Langston Hughes. In it, he tells his experience of being a writer of color in Paris, France, and his experiences living in New York, where he faced injustices surrounding systematic racism. In his time in Paris, Hughes struggled to find a stable income and had to learn to be efficient by taking many odd jobs like working in nightclubs and small writing jobs. Eventually, he began to rise to fame as a writer, Hughes began referencing his past struggles regarding abuse from his father where he was divided between the trauma his father endured versus the damage it did to Hughes. Hughes's autobiography exemplifies the obstacles that many African-American artists faced during the early twentieth century in the United States.
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