A one-shot film (also one-take film, single-take film, continuous shot feature film) is a full-length movie filmed in one long take by a single camera, or manufactured to give the impression it was. [1]
In a 2019 article, discussing the award-winning film 1917 (2019), Eric Grode of The New York Times wrote that very long takes were becoming popular in more mainstream films "as a sobering reminder of temporality, a virtuosic calling card, a self-issued challenge or all of the above", also citing the Academy Award-winner from several years prior, Birdman (2014). [2]
Grode notes that before such films as 1917 and Birdman, the idea of experimenting with long uninterrupted takes had a history of over 80 years, with Alfred Hitchcock being a pioneer. Aside from early experiments like Young and Innocent and Notorious , the most famous early example of a film that extensively uses long takes is the 1948 Rope , which was shot in mainly seven-to-ten–minute continuous takes (the physical limit of film stock at the time) that appear as four long takes of around 15 to 20 minutes each, close to the maximum length allowed by the cinema projectors of the time. [3] Reportedly, James Stewart, star of Rope, did not like the long takes and apparently muttered on set that the cameras were more important than the actors. [2] Hitchcock intended to shoot the film as if it were a play, and timed five of the ten segments to allow for hidden edits behind furniture; elaborate camera and actor choreography was used. He wrote Rope this way because he felt "if time passed between cuts, the suspense of whether the body was still in the trunk would be lost". [4]
Grode also examines the 1958 film Touch of Evil as an example, though only its three-minute opening sequence is shot in real time. However, the use of a real time ticking bomb through the single shot is seen as a standard. [2]
Although animated films are not included in a list of one-shot films, The Wolf House (2018) is a deconstructed example of (stop-motion) animated film that presented in a form of single, unbroken shot sequence. [5] [6] [7]
Year | Title | Length | Director | Nationality | Ref. |
---|---|---|---|---|---|
1982 | Macbeth | 57 min. (longest shot) [lower-alpha 1] | Béla Tarr | Hungary | [8] |
1998 | Big Monday | 74 min. | Michael Rehfield | United States | [9] |
2000 | Timecode | 97 min. | Mike Figgis | United States | [10] |
2002 | Russian Ark | 96 min. | Alexander Sokurov | Russia | [11] |
2003 | Sábado | 65 min. | Matías Bize | Chile | [12] |
2007 | Alternation | 11 min | Mehdi Fard Ghaderi | Iran | [13] |
2007 | PVC-1 | 85 min. | Spiros Stathoulopoulos | Colombia | [14] |
2008 | Still Orangutans' | 81 min. | Gustavo Spolidero | Brazil | [15] |
2013 | Rati Chakravyuh | 102 min. | Ashish Avikunthak | India | [16] |
2013 | Fish & Cat | 134 min. | Shahram Mokri | Iran | [17] |
2013 | El triste olor de la carne | 87 min. | Cristóbal Arteaga | Spain | [18] |
2013 | Ana Arabia | 85 min. | Amos Gitai | Israel | [19] |
2013 | Somebody Marry Me | 98 min. | John Asher | United States | [20] |
2013 | Daikuko | 98 min. | Mitani Koki | Japan | [21] |
2014 | Agadam | 123 min. | Mohamad Issack | India | [22] |
2015 | Victoria | 140 min. | Sebastian Schipper | Germany | [23] |
2015 | Anino sa likod ng buwan | 120 min. | Jun Lana | Philippines | [24] |
2015 | The Story Of A Rainy Night | 24 min | Mehdi Fard Ghaderi | Iran | [25] |
2015 | Daksha | 142 min. | S. Narayan | India | [26] |
2016 | Paint Drying | 607 min. | Charlie Shackleton | United Kingdom | [27] |
2016 | Eight | 81 min. | Peter Blackburn | Australia | [28] |
2016 | Immortality | 145 min. | Mehdi Fard Ghaderi | Iran | [29] |
2016 | King Dave | 99 min. | Podz | Canada | [30] |
2017 | Fourplay | 77 min. | Dean Ronalds | United States | [31] |
2017 | The Wedding Party | 119 min. | Thane Economou | United States | [32] |
2017 | One Shot-Fear Without Cut | 140 min. | Haroon Rashid | India | [33] |
2017 | One Cut of the Dead | 37 min. (longest shot) | Shin'ichirō Ueda | Japan | [34] |
2017 | Watch The Sunset | 83 min. | Tristan Barr & Michael Gosden | Australia | [35] |
2017 | Lost in London | 103 min. | Woody Harrelson | United Kingdom | [36] |
2018 | Heegondhu Dina | 106.11 min | Vikram Yoganand | India | [37] |
2018 | The Silent Pasture of Sparrows | 20 min. | Qmars Mootab | United States | [38] |
2018 | Utøya: July 22 | 90 min. | Erik Poppe | Norway | [39] |
2018 | Blind Spot | 98 min. | Tuva Novotny | Norway | [40] |
2018 | Jaalo | 101 min | Araaj Keshav Giri | Nepal | [41] |
2018 | Tatort: Die Musik stirbt zuletzt | 88 min. | Dani Levy | Switzerland | [42] [43] |
2018 | A Boy. A Girl. A Dream: Love on Election Night | 89 min. | Qasim Basir | United States | [44] |
2019 | El Amor No Puede Esperar (Love Can't Wait) | 76 min. | Juan Carlos Carrasco | Mexico | [45] |
2019 | Last Call | 77 min. | Gavin Michael Booth | Canada | [46] |
2019 | Shonibar Bikel | 83 min | Mostofa Sarwar Farooki | Bangladesh | [47] |
2020 | Limbo | 89 min. | Tim Dünschede | Germany | [48] |
2020 | Let's Scare Julie | 83 min. | Jud Cremata | United States | [49] [50] |
2021 | Santhoshathinte Onnam Rahasyam | 85 min. | Don Palathara | India | [51] |
2021 | Rendez-Vous | 105 min. | Pablo Olmos Arrayales | Mexico | [52] |
2021 | Roaring 20's | 85 min. | Elisabeth Vogler | France | [53] |
2021 | Boiling Point | 94 min. | Philip Barantini | United Kingdom | [54] |
2021 | Causalidad | 115 min. | Who (Marcelo Politano) | Argentina | [55] |
2022 | Iravin Nizhal | 98 min | R. Parthiban | India | [56] |
2022 | Medusa Deluxe | 100 min. | Thomas Hardiman | United Kingdom | [57] |
2022 | Yuddha Kaandam | 90 min | Bose Venkat | India | [58] |
2023 | Tales from the Neighborhood Café | 41 min. | Al Hallak | United States | [59] |
2023 | The Night Inside | 23 min | Antonio Cuesta | Spain | [60] |
Year | Title | Length | Director | Nationality | Notes | Ref. |
---|---|---|---|---|---|---|
1964 | Empire | 485 min. | Andy Warhol | United States | [61] | |
2002 | Irréversible | 92 min. | Gaspar Noe | France | An experimental film combines with one-shot and reverse order. | [62] [63] |
2010 | The Silent House | 86 min. | Gustavo Hernández | Uruguay | [64] | |
2011 | Silent House | 87 min. | Chris Kentis, Laura Lau | United States | [65] | |
2014 | Birdman | 119 minutes | Alejandro González Iñárritu | United States | [2] | |
2019 | 1917 | 118 min. | Sam Mendes | United Kingdom | Actually edited to appear as two shots, with the camera cutting to black as the protagonist gets knocked out half-way. | [66] |
2020 | Beyond the Infinite Two Minutes | 70 min. | Junta Yamaguchi | Japan | [67] | |
2021 | One Shot | 97 min. | James Nunn | United Kingdom | [68] | |
2023 | Shttl | 114 min. | Ady Walter | Ukraine | [69] |
Psychological thriller is a genre combining the thriller and psychological fiction genres. It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting.
Legendary Entertainment, LLC is an American mass media and film production company based in Burbank, California, founded by Thomas Tull. The company has often collaborated with the major studios, including Warner Bros. Pictures, Universal Pictures, Sony Pictures and Paramount Pictures, as well as streaming services such as Netflix and Hulu. Since 2016, Legendary has been a subsidiary of the Chinese conglomerate Wanda Group and American equity firm Apollo.
Emmanuel Lubezki Morgenstern is a Mexican cinematographer. He sometimes goes by the nickname Chivo, which means "goat" in Spanish. Lubezki has worked with many acclaimed directors, including Mike Nichols, Tim Burton, Michael Mann, Joel and Ethan Coen, David O. Russell, and frequent collaborators Terrence Malick, Alfonso Cuarón, and Alejandro González Iñárritu.
Sean Baker is an American filmmaker. He is best known for directing independent feature films about the lives of sex workers, including Starlet (2012), Tangerine (2015), The Florida Project (2017), Red Rocket (2021), and Anora (2024), the last of which won the Palme d'Or at the 2024 Cannes Film Festival. He is also known for creating the Fox/IFC puppet sitcom Greg the Bunny (2002–2006) and its spin-offs.
Ashley Spencer Taylor Villegas Argota is an American actress and singer. She is known for her roles on television, such as Lulu on the Nickelodeon sitcom True Jackson, VP, and Kelly on the Nickelodeon sitcom Bucket & Skinner's Epic Adventures.
The Twilight Saga is a series of romance fantasy films based on the book series Twilight by Stephenie Meyer. The series has grossed over $5.28 billion worldwide. The first installment, Twilight, was released on November 21, 2008. The second installment, New Moon, followed on November 20, 2009. The third installment, Eclipse, was released on June 30, 2010. The fourth installment, Breaking Dawn – Part 1, was released on November 18, 2011, while the fifth and final installment, Breaking Dawn – Part 2, was released on November 16, 2012.
Zeds Dead is a Canadian electronic music duo from Toronto, Canada, consisting of Dylan Mamid, also known as DC, and Zachary Rapp-Rovan, also known as Hooks. The duo rose to prominence releasing original music and remixes from 2009 to 2010 before becoming a staple on the international touring circuit thereafter.
Lulu Antariksa is an American actress and singer. She is best known for her role in The CW show Legacies as Penelope Park. She also starred in the web series T@gged on the streaming website go90 as Rowan Fricks.
Timothy Woodward Jr. is an American film and TV director, actor and producer.
XYZ Films is an American independent film production and sales company founded in 2008 by Aram Tertzakian, Nate Bolotin and Nick Spicer, and is based in Los Angeles. It focuses on international genre films, including The Raid: Redemption, The Raid 2 and On the Job.
Jessica Ann Rothenberg, better known as Jessica Rothe, is an American actress. After appearing in independent films and on stage, her breakthrough came with playing Tree Gelbman in the comedy slasher film Happy Death Day (2017) and its 2019 sequel, which established her as a scream queen.
KRG Studios is an Indian film production and distribution company based in Bengaluru, India. It primarily deals with the production and distribution of Kannada-language and non-Kannada films across Karnataka.
Catherine Caylee Cowan is an American actress. She is best known for her roles in Sunrise in Heaven (2019), Willy's Wonderland (2021), Spinning Gold (2022), and Frank and Penelope (2022).
{{cite web}}
: Missing or empty |title=
(help)