"Real Love" is a song written by the English musician John Lennon,formerly of the Beatles. He recorded six demos of the song in 1979 and 1980 with "Real Life",a different song that merged with "Real Love". In 1988,the sixth take was posthumously released for the documentary soundtrack Imagine:John Lennon. In 1995,his demo was completed by his former Beatles bandmates (Paul McCartney,George Harrison and Ringo Starr) as part of the Beatles Anthology project,along with "Free as a Bird".
The song was released as a Beatles single in 1996 in the United Kingdom,United States and many other countries. It respectively reached number 4 and number 11 in the UK and US singles charts,and earned a gold record more quickly than a number of the group's other singles. The song was not included on the BBC Radio 1 playlist,prompting criticism from fans and British Members of Parliament. The track opened the Beatles' Anthology 2 album. "Real Love" was the last new Beatles song released in the lifetime of George Harrison,who died in 2001,and the last single by the group until "Now and Then" in 2023.
Early origins
According to Beatles biographer John T. Marck,"Real Love" originated as part of an unfinished stage play that Lennon was working on at the time,titled The Ballad of John and Yoko. The song was first recorded in 1977 with a handheld tape recorder on his piano at home. Eventually the work evolved under the title "Real Life",a song which Lennon would record at least six times in 1979 and 1980,and was then abandoned. The song was eventually combined with elements of another Lennon demo,"Baby Make Love to You".[1][unreliable source?] In June 1978,Lennon and his wife Yoko Ono told the press that they were working on a musical,The Ballad of John and Yoko,which had been planned during the previous year.[2] Songs proposed to be included up to this point were "Real Love" and "Every Man Has a Woman Who Loves Him".[2]
In later versions,Lennon altered portions of the song;for example,"no need to be alone / it's real love / yes,it's real love" became "why must it be alone / it's real / well it's real life." Some takes included an acoustic guitar,while the eventual Beatles release features Lennon on piano,with rudimentary double-tracked vocals,and a tambourine. The version released in 1996 most closely reflected the lyrical structure of the early demo takes of the song.[3]
Lennon appears to have considered recording "Real Love" for his and Ono's 1980 album Double Fantasy. A handwritten draft of the album's running order places it as the possible opening track on side two.[4] The song remained largely forgotten until 1988,when take 6 of "Real Love" appeared on the Imagine:John Lennon soundtrack album. The song was also released on the Acoustic album in 2004. The demo with just Lennon on piano was issued in 1998 on John Lennon Anthology and then later on Working Class Hero:The Definitive Lennon.
Posthumous recording with the other Beatles
Before the Anthology project,the closest the four living ex-Beatles had come to reuniting on record was for Starr's Ringo album in 1973,when Lennon,Harrison and Starr collaborated on "I'm the Greatest". By the early 1990s,the idea of finishing some of Lennon's old songs was inspired by former Beatles road manager Neil Aspinall and Harrison,who first requested some demos from Ono. In January 1994,McCartney went to New York City for Lennon's induction into the Rock and Roll Hall of Fame. While there,he received at least four songs from Ono. According to Aspinall,it was "two cassettes" which "might have been five or six tracks". Ono said of the occasion:"It was all settled before then,I just used that occasion to hand over the tapes personally to Paul. I did not break up the Beatles,but I was there at the time,you know? Now I'm in a position where I could bring them back together and I would not want to hinder that."[5][unreliable source?]
In an interview,McCartney remarked:
Yoko said "I've got a couple of tracks I'll play you,you might be interested". I'd never heard them before but she explained that they're quite well known to Lennon fans as bootlegs. I said to Yoko,"Don't impose too many conditions on us,it's really difficult to do this,spiritually. We don't know,we may hate each other after two hours in the studio and just walk out. So don't put any conditions,it's tough enough. If it doesn't work out,you can veto it." When I told George and Ringo I'd agreed to that,they were going,"What? What if we love it?" It didn't come to that,luckily.[5]
McCartney,Harrison and Starr then focused their attention on four songs:"Free as a Bird","Real Love","Grow Old with Me" and "Now and Then". Of these,they liked "Free as a Bird" the most,and worked hard on it. Eventually the song was released as the first new Beatles single since 1970. The remaining Beatles then turned their attention to "Real Love",which,co-producer Jeff Lynne later remarked,at least "had a complete set of words".[6][unreliable source?] "Now and Then" would later be released in 2023.[7]
Working in the studio
With George Martin declining to produce the new recording,the Beatles brought in Electric Light Orchestra's Jeff Lynne,who had worked extensively with Harrison,including as part of the Traveling Wilburys,and had already co-produced "Free as a Bird".[8] The first problem that the team had to confront was the low quality of the demo,as Lennon had recorded it on a handheld tape recorder. Lynne recalled:
We tried out a new noise reduction system,and it really worked. The problem I had with "Real Love" was that not only was there a 60 cycles mains hum going on,there was also a terrible amount of hiss,because it had been recorded at a low level. I don't know how many generations down this copy was,but it sounded like at least a couple. So I had to get rid of the hiss and the mains hum,and then there were clicks all the way through it... We'd spend a day on it,then listen back and still find loads more things wrong... It didn't have any effect on John's voice,because we were just dealing with the air surrounding him,in between phrases. That took about a week to clean up before it was even usable and transferable to a DAT master. Putting fresh music to it was the easy part![8]
Although "Real Love" was more complete than "Free as a Bird",which had required the addition of some lyrics by McCartney,[5] the song also suffered from problems with Lennon's timing. Lynne recalled that "it took a lot of work to get it all in time so that the others could play to it."[6] Lynne emphasised that the three remaining Beatles were keen to ensure the song sounded very "Beatles-y":"What we were trying to do was create a record that was timeless,so we steered away from using state-of the-art gear. We didn't want to make it fashionable."[6]
As with "Free as a Bird",the Beatles worked at McCartney's studio in Sussex,with the intention of producing another single. Added to the demo were the sounds of a double bass (originally owned by Elvis Presley's bassist,Bill Black),Fender Jazz bass guitar,a couple of Fender Stratocaster guitars,one of which was Harrison's psychedelically-painted "Rocky" Strat (as seen in the "I Am the Walrus" video),as well as a Ludwig drum kit.[6] Other than their regular instruments,a BaldwinCombo Harpsichord (as played by George Martin on the Beatles song "Because") and a harmonium (which appeared on the band's 1965 hit single "We Can Work It Out") were also used. During the recording process,it was decided to speed up the tape,thereby raising the key from D minor to E♭minor.[9]
As their sound engineer,the Beatles opted for Geoff Emerick,who had not only worked with them to a great extent in the 1960s,but is often credited with many of the Beatles' audio inventions. The assistant engineer was Jon Jacobs,who had worked with McCartney and Emerick since the late 1970s. The attitude in the studio was very relaxed,according to Lynne:"Paul and George would strike up the backing vocals –and all of a sudden it's the Beatles again!... I'd be waiting to record and normally I'd say,'OK,Let's do a take',but I was too busy laughing and smiling at everything they were talking about." Starr said that the lightheartedness was key to ensuring he,Harrison and McCartney could focus on the task:"We just pretended that John had gone on holiday or out for tea and had left us the tape to play with. That was the only way we could deal with it,and get over the hurdle,because [it] was really very emotional."[6]
Starr commented:"Recording the new songs didn't feel contrived at all. It felt very natural and it was a lot of fun,but emotional too,at times. But it's the end of the line,really. There's nothing more we can do as the Beatles."[8][unreliable source?]
Music video
The single's video features shots of the three remaining Beatles recording in Sussex,mixed with shots of the Beatles taken during their career,including a brief clip of Ringo Starr drumming from Paul McCartney's solo film Give My Regards to Broad Street. Geoff Wonfor,who directed the Anthology documentary,filmed the three recording in the studio with a handheld camcorder,as they did not want to be aware of the camera recording. Kevin Godley,who co-directed the music video,said that it was meant to be a "fly on the wall thing".[8]
Two different versions of the video were made. The first version aired during the second installment of The Beatles Anthology television mini-series on ABC,at the end of the episode. The second version is the more common of the two,and appears on the bonus disc of the Anthology DVD set. The most notable difference between the two is in the way the videos begin:the first is presented by a strawberry –possibly a reference to "Strawberry Fields Forever",although also quite likely a nod to Godley's "Strawberry Studios" –while the second opens with a piano (the piano chord at the beginning).
Release
Although "Real Love" was released as single in both the UK and US on 4 March 1996,the first time the song was publicly aired was on 22 November 1995,when the American television network,the American Broadcasting Company (ABC) aired the second episode of The Beatles Anthology. The single debuted on the British charts on 16 March 1996 at number 4,selling 50,000 copies in its first week.[10] The single's chart performance was subsequently hindered by BBC Radio 1's exclusion of "Real Love" from its playlist. Reuters,which described Radio 1 as "the biggest pop music station in Britain",reported that the station had declared:"It's not what our listeners want to hear... We are a contemporary music station."[11]
Beatles spokesman Geoff Baker responded by saying that the band's response was "Indignation. Shock and surprise. We carried out research after the Anthology was launched and this revealed that 41% of the buyers were teenagers."[12] The station's actions contrasted strongly with what had occurred at the launch of "Free as a Bird" the year before,when Radio 1 became the first station to play the song on British airwaves. The exclusion of "Real Love" provoked a fierce reaction from fans also,and elicited comment from two members of parliament (MPs). Conservative MP Harry Greenway called the action censorship,and urged the station to reverse what he called a ban.[11]
McCartney wrote an 800-word article for British newspaper The Daily Mirror about the alleged ban,in which he stated:"the Beatles don't need our new single,'Real Love',to be a hit. It's not as if our careers depend on it …It's very heartening to know that,while the kindergarten kings of Radio 1 may think the Beatles are too old to come out to play,a lot of younger British bands don't seem to share that view. I'm forever reading how bands like Oasis are openly crediting the Beatles as inspiration,and I'm pleased that I can hear the Beatles in a lot of the music around today." The letter was published on 9 March,the day after Radio 1 announced the "ban".[13]
The station's controller,Matthew Bannister,denied that the failure to include "Real Love" was a ban,saying that it merely meant that the song had not been included on the playlist of each week's 60 most regularly featured songs.[citation needed] As an act of goodwill,the station produced a "Golden Hour" dedicated to the group's music as well as music by bands influenced by the Beatles. This "Golden Hour" concluded with a playing of "Real Love".[14]
"Real Love" fell out of the British charts in seven weeks,never topping its initial position of number 4. In the US,the single entered the charts on 30 March,and peaked at number 11.[15] After four months,500,000 copies had been sold in the US.[10][16] The Beatles' compilation album Anthology 2,which included the song,eventually topped the British and American albums charts.[17][18]
John Lennon's solo versions appear on several Lennon compilations,the film Imagine:John Lennon,and also in a 2007 ad campaign for J. C. Penney.[19] On 6 November 2015,Apple Records released a new deluxe version of the 1 album in different editions and variations (known as 1+). Most of the tracks on 1 have been remixed from the original multi-track masters by Giles Martin. Martin and Jeff Lynne also remixed "Real Love" for the DVD and Blu-ray releases. The remix of "Real Love" cleans up Lennon's vocal further,and reinstates several deleted elements originally recorded in 1995,such as lead guitar phrases and drum fills,as well as making the harpsichord and harmonium more prominent in the mix.
Lyrics and melody
The song's lyrics have been interpreted by one reviewer to be conveying the message that "love is the answer to loneliness" and "that connection is the antidote to unreality."[20]
The song was sped up 12% from the demo,apparently to "effect the... snappy tempo" as Alan W. Pollack has speculated. The tune is nearly completely pentatonic,comprising primarily the notes E,F♯,G♯,B and C♯. The refrain is higher than the verse;while the verse covers a full octave,the refrain,at its peak,is a fifth higher.[21][unreliable source?]
The instrumental intro is four measures long,and the verse and refrain are eight measures. The introduction occurs in parallel E minor[22] with the main thrust of the song being in E major,although in the recording the song is in E ♭ minor and the main thrust in E ♭ major as it was sped up from its original speed. There are several other occasions where Lennon moves to a chord from the parallel minor,e.g. in the chorus where the progression moves from a major tonic (I) chord to a minor subdominant (iv) chord. The move to minor harmony happens on the words 'alone' and 'afraid'. This combination of lyrics and harmony turning at the same point is a common Beatles device,and helps give the song a wistful feeling. The outro largely comprises the last half of the refrain repeated seven times,slowly fading out.[21]
Recorded at EMI Studios,London,on 26 May and 1 June 1966. A new remix with a previously unreleased "marching" introduction with the sound effects mixed higher in volume throughout.
Recorded at EMI Studios,London,on 16 June 1966. This is a combination of take 7 (a mono mix of the basic track with McCartney's guide vocal) with a 1995 stereo remix of the harmony vocals as overdubbed onto take 13 superimposed at the end.
In 2014, English singer-songwriter Tom Odell released a cover version of the song. It was released on 6 November 2014 in the United Kingdom as a digital download through Sony. The song was selected as the soundtrack to the John Lewis2014 Christmas advertisement and was later included on the "Spending All My Christmas With You" EP released in 2016.
Chart performance
On 9 November 2014 (week ending 15 November 2014), "Real Love" debuted at number 21 in the UK Singles Chart with only 3 days of sales, and then reached a new peak of number 7 the following week.
"Get Back" is a song recorded by the English rock band the Beatles and Billy Preston, written by Paul McCartney, and credited to the Lennon–McCartney partnership. It was originally released as a single on 11 April 1969 and credited to "The Beatles with Billy Preston". The song is one of the few examples of John Lennon featuring prominently as lead guitarist. The album version of this song contains a different mix that features a studio chat between Paul McCartney and John Lennon at the beginning, which lasts for 20 seconds before the song begins, also omitting the coda featured in the single version, and with a final dialogue taken from the Beatles' rooftop concert. This version became the closing track of Let It Be (1970), which was released just after the group split up. The single version was later issued on the compilation albums 1967–1970, 20 Greatest Hits, Past Masters, and 1.
The Beatles Anthology is a multimedia retrospective project consisting of a television documentary, a three-volume set of double albums, and a book describing the history of the Beatles. Beatles members Paul McCartney, George Harrison and Ringo Starr participated in the making of the works, which are sometimes referred to collectively as the Anthology project, while John Lennon appears in archival interviews.
"Let It Be" is a song by the English rock band the Beatles, released on 6 March 1970 as a single, and as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership. The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared with the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.
Anthology 1 is a compilation album by the Beatles, released on 20 November 1995 by Apple Records as part of The Beatles Anthology series. It features rarities, outtakes and live performances from the period 1958–64, including songs with original bass player Stuart Sutcliffe and drummer Pete Best. It is the first in a trilogy of albums with Anthology 2 and Anthology 3, all of which tie in with the televised special The Beatles Anthology. It contains "Free as a Bird", the first new Beatles song in 25 years, which was released as a single two weeks after Anthology 1.
Anthology 2 is a compilation album by the Beatles, released on 18 March 1996 by Apple Records as part of The Beatles Anthology series. It features rarities, outtakes and live performances from the 1965 sessions for Help! until the sessions immediately prior to their trip to India in February 1968. It is the second in a trilogy of albums with Anthology 1 and Anthology 3, all of which tie in with the televised special The Beatles Anthology. The opening track is "Real Love", the second of the two recordings that reunited the Beatles for the first time since the band's break-up. Like its predecessor, the album topped the Billboard 200 album chart and has been certified 4× Platinum by the RIAA.
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"Love Me Do" is the debut single by the English rock band the Beatles, backed by "P.S. I Love You". When the single was originally released in the United Kingdom on 5 October 1962, it peaked at number 17. It was released in the United States in 1964 and topped the nation's song chart. Re-released in 1982 as part of EMI's Beatles 20th anniversary, it re-entered the UK charts and peaked at number 4. "Love Me Do" also topped the charts in Australia and New Zealand.
"Paperback Writer" is a song by the English rock band the Beatles. Written primarily by Paul McCartney and credited to the Lennon–McCartney partnership, the song was released as the A-side of their eleventh single in May 1966. It topped singles charts in the United Kingdom, the United States, Ireland, West Germany, Australia, New Zealand and Norway. On the US Billboard Hot 100, the song was at number one for two non-consecutive weeks, being interrupted by Frank Sinatra's "Strangers in the Night".
Flaming Pie is the tenth solo studio album by English musician Paul McCartney, released on 5 May 1997 by Parlophone in the UK and Capitol Records in the US. His first studio album in over four years, it was mostly recorded after McCartney's involvement in the highly successful Beatles Anthology project. The album was recorded in several locations over two years, between 1995 and 1997, featuring two songs dating from 1992.
"Oh! Darling" is a song by the English rock band the Beatles, appearing as the fourth song on the 1969 album Abbey Road. It was composed by Paul McCartney. Its working title was "Oh! Darling ". Although not issued as a single in either the United Kingdom or the United States, a regional subsidiary of Capitol successfully edited it as a single in Central America, having "Maxwell's Silver Hammer" as its B-side. It was also issued as a single in Portugal. Apple Records released "Oh! Darling" in Japan with "Here Comes the Sun" in June 1970.
"I Feel Fine" is a song by the English rock band the Beatles that was released in November 1964 as the A-side of their eighth single. It was written by John Lennon and credited to the Lennon–McCartney partnership. The recording includes one of the earliest uses of guitar feedback in popular music.
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