Following a change in line-up and musical direction in 1972, the band experimented with elements of jazz fusion on Caravanserai (1972), Welcome (1973), and Borboletta (1974). The band reached a new peak of critical and commercial success with their eighteenth album, Supernatural (1999), which included the Billboard Hot 100-number one singles "Smooth" (featuring Rob Thomas) and "Maria Maria" (featuring The Product G&B). The album peaked atop the charts in eleven countries, and sold 12million copies domestically. In 2014, the "classic" line-up reunited for Santana IV (2016) and the group continue to perform and record.
In 1966, Carlos Santana discovered San Francisco's hippie and counterculture movement and found himself "wanting to be part of this new wave."[15] Later that year, he began to assemble his own band, the first line-up of which included Sergio "Gus" Rodriguez on bass, Danny Haro on drums, and Michael Carabello on percussion. In January 1967, the four were granted an audition spot for concert promoter Bill Graham at the Fillmore Auditorium on a bill with the Paul Butterfield Blues Band and the Charles Lloyd Quartet, and named themselves the Santana Blues Band.[16] Within a month, the group expanded with the addition of Tom Fraser on guitar and vocals, who also brought in Gregg Rolie on organ and vocals.[15] The band stalled for several weeks, however, after Carlos was hospitalised with tuberculosis. In June 1967, Graham fired the group from performing at the Fillmore after some members turned up late for a gig supporting The Who and Loading Zone. The incident drove Carlos to bring in new and committed musicians, keeping Rolie with him.[15] By the year's end, the band adopted the shorter name of Santana. Until early 1969, the band were joined by Marcus Malone on percussion, who left the group after being convicted of manslaughter.[15]
In late 1968, the group secured a record deal with Columbia Records, following a successful audition opening for the Grateful Dead. The band had caught the interest of Columbia and Atlantic Records, and an audition was organised for both labels, but Carlos refused to perform for Atlantic as he wanted to be on the same label as Miles Davis and Bob Dylan.[17] In December, Santana performed a series of concerts at the Fillmore that were recorded for a proposed live album. Biographer Simon Leng said it marked Santana moving away from its blues and R&B roots towards the "Santana sound" with the addition of Afro-Cuban and jazz numbers into their sets.[18] After several line-up changes, the group finally stabilised in May 1969 with Santana, Rolie, Carabello, David Brown on bass, Michael Shrieve on drums, and Jose "Chepito" Areas on percussion, which became known as the "classic" line-up.[19]
Santana rose to prominence following their appearance at Woodstock
The band recorded their debut album, Santana, in San Francisco in May 1969. It was their third go at recording an album, after previous attempts failed to produce results they wanted. The sessions featured Alberto Gianquinto on piano, who also helped with the arrangements of the tracks. He quickly noticed the group's main problem: the solo spots were too long.[20] Graham agreed, and advised that the band needed to cut the lengthy jams and begin constructing songs. He also got the band to listen to Willie Bobo's version of "Evil Ways", and suggested they record their own version.[20] With the album recorded, Graham arranged for Santana to tour the Midwest as openers for Crosby, Stills and Nash, which expanded the group's profile outside the West Coast.[21] Around this time, Graham had been asked to help organise the upcoming Woodstock Festival, agreed to promote it on the condition that Santana would be added to the bill. Graham persisted, and the band were assigned a 45-minute set in the afternoon of August 16, the second day, for $2,500.[22] The performance launched the group to international fame, and Santana, released on August 30, peaked at No. 4 on the US Billboard 200. The first single, "Jingo", was followed by "Evil Ways", which peaked at No. 9 on the BillboardHot 100. In October 1969, Graham had Santana perform at the Gold Rush rock music festival and on The Ed Sullivan Show, further increasing the group's nationwide exposure.[21][23]
In April 1970, Santana returned to the studio to record its second album, Abraxas.[24] The album, highlighted by a reworking of "Black Magic Woman" by Fleetwood Mac that peaked at No. 4 in the US Billboard Hot 100, was released in September 1970 and rose to number 1 on the US Billboard 200.
By 1971, the group were still struggling to maintain a strong musical direction.[19] From January to July they recorded Santana III. Released in September 1971, the album also reached number 1 on the US Billboard 200. At the peak of the band's popularity, the album was the last to feature its classic Woodstock era line-up. Santana explained that there was a lot of unnecessary internal resentment and that managerial problems contributed to the problem, leading to Graham's dismissal.[19] That year, they performed at a concert in Accra to commemorate Ghana's 14th Independence Day. The concert was filmed and released in theaters as Soul to Soul.[25] Matters came to a head shortly before the Santana III tour in September 1971 began, when Carlos wanted Carabello to leave the group, otherwise he would. The band started the tour without Carlos, performing amidst shouts from the audience for the guitarist. After several gigs, Carlos reunited with the band to find Carabello, Areas, and manager/promoter Stan Marcum had quit, leaving the band to perform without percussionists. James "Mingo" Lewis was quickly brought in as a temporary replacement after he saw the band live and offered his services.[26] Santana's gig in Lima, Peru in December 1971 brought further trouble, as the outbreak of violence resulted in their equipment being confiscated and the band deported from the country. The incident was a wake-up call for Carlos, who was determined to "bring the madness to an end."[26]
In 1972, Santana had been increasingly influenced by the music of Miles Davis, John Coltrane, and Joe Zawinul, who had explored jazz fusion by this time.[19] The fourth album, Caravanserai (1972), marked a number of line-up changes; bassist David Brown left in 1971 before recording started and was replaced by Doug Rauch and Tom Rutley. Carabello was replaced with two percussionists, Armando Peraza and Mingo Lewis. Rolie was replaced by Tom Coster on a few songs. Caravanserai debuted at number 8 in the US.
1973–1979: Experimentation and consolidation
Carlos Santana in 1973
13 months after Caravanserai, Santana released Welcome. Welcome was the first of four consecutive albums to achieve gold certification, as opposed to the previous four, which all at least reached platinum status. The album peaked at number 25 on the Billboard 200, the lowest of the band's career so far. The next few albums contained a more experimental style than their previous work, beginning with Borboletta, which fared arguably worse than its predecessor, despite climbing five spots higher on the Billboard album charts in the US.
The group's 1976 release, Amigos, was far more successful. Reaching number 10 on the US charts, and also hitting the top 10 in France, Australia, New Zealand, Austria and the Netherlands, it was a return to the success of their early albums. Festival, did not obtain the same newfound success, but was followed by another successful album, Moonflower, released in 1977. The album was possibly the most successful since Santana III, achieving 2× platinum in the US, and being the first album since 1974's Borboletta, to break the top 10 in the UK. It was characterized by a stylistic shift for the band, as it contained heavier influences from the more conventional sound of the group's early work, while still maintaining the experimental sound of their last few albums.
Their next two releases, Inner Secrets and Marathon, released in 1978 and '79, respectively, were a further musical shift for the band, moving away from the Latin-fused rock music that had characterized their work in the late 1960s and the majority of the '70s, to move towards a more album-oriented, conventional rock sound. These albums, however, fared poorly commercially, although both achieved gold status in the US.
1980–1997: Commercial decline and seven-year hiatus
The 1980s started relatively brightly for Santana, with 1981's platinum-selling Zebop!, which also reached the top 20 in several countries, and continued the more conventional rock sound. The following year, Shangó was released; this album marked a steep decline in the band's commercial fortunes, although it still achieved gold status.
The group waited another three years to release the follow-up, the longest break for them so far. 1985's Beyond Appearances was a commercial failure, and their first album not to achieve gold certification. Their following three releases all continued this commercial decline, with the last of these failing to break the Billboard top 100. In the midst of this commercial pitfall, the band stopped recording material for an unprecedented seven years but continued to tour.
1998–2001: Supernatural and the Rock and Roll Hall of Fame
In 1998, Santana was inducted into the Rock and Roll Hall of Fame. The following year, their album Supernatural (1999) debuted at number 19 on the Billboard 200 and reached No. 1 after eighteen weeks. Also reaching No. 1 were two singles: "Smooth", recorded with Rob Thomas, and "Maria Maria" featuring The Product G&B. The album was certified platinum 15 times by the RIAA and sold 30million copies worldwide.[citation needed] Santana's previous number one album had been Santana III in 1971. According to Guinness World Records, this is the longest gap between number one albums.
The follow-up to Supernatural came three years later and was highly anticipated by international media and fans alike. On October 22, 2002, Shaman was released worldwide. Although it initially sold briskly (298,973 copies in the US in its first week) and debuted at number 1 on the Billboard 200, the album's appeal quickly wore off and it soon slid down the charts. Despite this, it went on to sell 2× platinum in the US, and achieved platinum status in several other countries including Australia. The first single released from the album, "The Game of Love", which featured vocals from Michelle Branch, debuted at number 5 on the Hot 100. The album's next four singles failed to chart in most countries, but the final single, "Why Don't You & I", featuring the vocals of Alex Band, reached number 8 on the Hot 100. Musically, the album was a return to a more conventional sound for the group, with a mainly Latin rock-based sound.
With their renewed appeal worn off, another three-year wait saw the release of 2005's All That I Am. The album debuted at number 2 on the Billboard 200 but fared worse internationally, and quickly lost appeal. The album, a continuation of the Latin-rock influenced sound of Shaman, achieved gold certification in the US. A five-year break from recording saw the release of another studio album, Guitar Heaven (2010). Musically it was a drastic change for the band, with a far heavier sound at its core and strong heavy metal influences. It debuted at number 5 on the Billboard 200 but marked another decline for the band, failing to achieve gold status.
In 2012 the group released Shape Shifter, which returned to the conventional Latin rock sound and was completely album-oriented, as no singles were released from it. It debuted at number 16 on the Billboard 200.
2013–2020: Reunion of the classic line-up, Corazón, Santana IV, and Africa Speaks
On 2 February 2013, Carlos Santana confirmed that he would reunite his classic line-up, most of whom played Woodstock with him in 1969. Santana stated that he was reuniting the group with the intention of recording new music. Confirmed for the reunion were Neal Schon, who was in the band in the early 1970s where he traded lead guitar work with Santana before leaving with founding Santana singer-organist Gregg Rolie in 1973 to form Journey; drummer Mike Shrieve and percussionist Mike Carabello. Santana said of Rolie, who played with Ringo Starr's All-Starr Band for the last two years, "I'm pretty sure Gregg's going to do it." In February 2013, Rolie told Radio.com, "it's (the reunion) just a matter of putting it together and going and doing it. I would do it. I think it's a great idea. People would love it. It could be great!"[27]
In the meantime, on 6 May 2014 Santana released a new studio album entitled Corazón and on 9 September 2014, Corazón – Live from Mexico: Live It to Believe It, a new live album (on CD, DVD and Blu-ray) of their show on 14 December 2013 in Guadalajara, Mexico.[28]
On 15 April 2016, Santana released Santana IV, the wildly anticipated studio album that reunited the early 1970s classic lineup of Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, lead vocals), Neal Schon (guitar, vocals), Michael Carabello (percussion) and Michael Shrieve (drums). The album marked the first time in 45 years – since 1971's multi-platinum classic Santana III – that the quintet had recorded together.[29]
The origins for the reunion go back several years, when Schon suggested that he and Carlos Santana record together. Santana liked the idea but went one better, proposing that they recruit Rolie, Shrieve and Carabello for what would be called "Santana IV". After initial writing sessions and rehearsals took place in 2013, the group recorded throughout 2014 and 2015, amassing 16 new tracks that combined all their signature elements – Afro-Latin rhythms, soaring vocals, electrifying blues-psychedelic guitar solos, and irrepressible jubilant percussion work.
About the "Santana IV" team, Santana stated: "It was magical, we didn't have to try to force the vibe – it was immense. From there, we then needed to come up with a balance of songs and jams that people would immediately identify as Santana."[30]
Santana IV features 16 all-new tracks written and produced by the band. Joining the core "Santana IV" band in the studio are current Santana members Karl Perazzo (percussion) and Benny Rietveld (bass), with vocalist Ronald Isley guesting on two cuts.
The first single from Santana IV, entitled "Anywhere You Want to Go", was released on 5 February 2016.[31]
On 21 October 2016, Santana released Santana IV: Live at the House of Blues Las Vegas on Eagle Rock Entertainment, a new (151 minutes) live album (on DVD/Blu-ray/2CD) of their concert on 21 March 2016 at House of Blues in Mandalay Bay Resort and Casino on the Las Vegas Strip in Nevada.
In early January 2019, Santana signed with Concord Records[32] and on 25 January, they released In Search of Mona Lisa, a new (5-track) EP.[33] The day before, they also released a video for new single, "Do You Remember Me."[34] In March 2019, the band announced plans to release on June 7, 2019, Africa Speaks, their new full-length album produced by Rick Rubin.[35]
2019 marked the 20th anniversary of Carlos Santana's album Supernatural and the 50th anniversary of his performance at Woodstock. Santana headlined a multi-year residency at House of Blues. The band was expected to headline at both Woodstock 50 (which was cancelled)[36] and Bethel Woods' half-centennial celebration in Bethel, NY, in August 2019.[37] The band toured in support of the latest album, from April to November 2019.[38]
2021-present: Blessings and Miracles
On 18 and 20 August 2021, "Move" and "She's Fire", the first and second singles taken from Santana's (then) forthcoming new album Blessings and Miracles, were released, and it was announced that the album would be released on 15 October 2021 via BMG Entertainment.
In addition to Carlos Santana, the band's classic lineup of the band's early success included the following members.[19] It was this lineup that was inducted into the Rock and Roll Hall of Fame in 1998.[13]
Carlos Humberto Santana Barragán is an American guitarist, best known as a founding member of the rock band Santana. Born and raised in Mexico where he developed his musical background, he rose to fame in the late 1960s and early 1970s in the United States with Santana, which pioneered a fusion of rock and roll and Latin American jazz. Its sound featured his melodic, blues-based lines set against Latin American and African rhythms played on percussion instruments not generally heard in rock, such as timbales and congas. He experienced a resurgence of popularity and critical acclaim in the late 1990s.
Santana is the debut studio album by American Latin rock band Santana. It was released on August 22, 1969. Over half of the album's length is composed of instrumental music, recorded by what was originally a purely free-form jam band. At the suggestion of manager Bill Graham, the band took to writing more conventional songs for more impact, but managed to retain the essence of improvisation in the music.
Gregg Alan Rolie is an American keyboardist, singer and songwriter. Rolie served as lead singer of the bands Santana and Journey – both of which he co-founded. He also helmed rock group The Storm, performed in Ringo Starr & His All-Starr Band until 2021, and since 2001 with his Gregg Rolie Band. Rolie is a two-time inductee of the Rock and Roll Hall of Fame, having been inducted both as a member of Santana in 1998 and as a member of Journey in 2017.
Michael Shrieve is an American drummer, percussionist, and composer. He is best known as the drummer of the rock band Santana, playing on the band's first seven albums from 1969 to 1974. At age 20, Shrieve was the second youngest musician to perform at Woodstock. His drum solo during "Soul Sacrifice" in the Woodstock film has been described as "electrifying", although he considers his solo during the same piece in 1970 at Tanglewood the superior performance.
Santana is the third studio album by the American rock band Santana. The band's second self-titled album, it is often referred to as III or Santana III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand, after its album cover image. It was the third and last album by the Woodstock-era lineup, until their reunion on Santana IV in 2016. It was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz fusion and Latin music. The album also marked the addition of 16-year-old guitarist Neal Schon to the group.
Caravanserai is the fourth studio album by American rock band Santana, released on October 11, 1972. The album marked a period of transition for Santana as it was the band's last to feature several key early members, while shifting in a more instrumental, progressive jazz fusion direction. It sold in fewer quantities than the band's previous chart-topping albums, stalling at No. 8 on the Billboard LPs chart, but has been critically acclaimed.
José Octavio "Chepito" Areas Dávila is a Nicaraguan percussionist best known for having played timbales and Conga drums in the Latin rock group Santana in 1969–1977 and 1987–1989.
Borboletta is the sixth studio album by the American Latin rock band Santana. It is one of their jazz-funk-fusion oriented albums, along with Caravanserai (1972), and Welcome (1973). Non-band albums by Carlos Santana in this style also include Love Devotion Surrender (1973) with John McLaughlin and Illuminations (1974) with Alice Coltrane, Jack DeJohnette and Jules Broussard. The guitarist leaves much room to percussion, saxophone and keyboards to set moods, as well as lengthy solos by himself and vocals. The record was released in a metallic blue sleeve displaying a butterfly, an allusion to the album Butterfly Dreams (1973) by Brazilian musician Flora Purim and her husband Airto Moreira, whose contributions deeply influenced the sound of Borboletta. In Portuguese, borboleta means "butterfly".
"Soul Sacrifice" is an instrumental composed and recorded by the American rock group Santana. Identified as one of the highlights of the 1969 Woodstock festival and documentary film, "Soul Sacrifice" features extended guitar passages by Carlos Santana and a percussion section with a solo by drummer Michael Shrieve.
The Essential Santana is a compilation album by Santana, released on 22 October 2002. The collection is part of a series of Essential sets released by Columbia Records.
"No One to Depend On" is a song by Latin rock band Santana, from their 1971 album, Santana III. The main melody of the song is taken from "Spanish Grease", first recorded by Willie Bobo in 1965. It was written by Mike Carabello, Coke Escovedo, and Gregg Rolie.
The discography of the rock band Santana formed by the Mexican-American rock guitarist Carlos Santana consists of 26 studio albums, 8 live albums, 61 singles, and 23 compilation albums.
Santana IV is the twenty-fourth studio album by American rock band Santana, released in April 2016.
The Caravanserai Tour was a series of performances by American Latin rock band Santana in support of their album Caravanserai during 1972 and 1973. It started on September 4, 1972, at the Erie Canal Soda Pop Festival in Griffin, Indiana, and ended on October 21, 1973 at Ginasio Municipal Novo in Brasília, Brazil. This tour could be considered to be the group's most eclectic tour at this point, as the band did concerts at every continent except Africa and Antarctica, including one of the first, if not the first, tours of Latin America by a major American rock act.
The Welcome Tour was a concert tour by Santana promoting their album, Welcome. The tour began on November 13, 1973 at Colston Hall in Bristol, England and ended on October 29, 1974 at the William P. Cole, Jr. Student Activities Building in College Park, Maryland.
The Supernatural Now Tour was a concert tour by American rock band Santana, commemorating the 20th anniversary of their pivotal 1999 album Supernatural and their appearance at the Woodstock festival in 1969. The tour also supports their most recent album, Africa Speaks.
The Spirits Dancing in the Flesh Tour was the twenty-fourth concert tour by Santana in 1990, supporting the Spirits Dancing in the Flesh album.
Santana Latin American Tour 2005 was a Latin American concert tour by American rock band Santana in 2005.
↑ Fletcher, Amy L. (2012). "Acid Rock". In Debolt, Abbe A.; Baugess, James S. (eds.). The Guide to United States Popular Culture. Vol.1: A–M. Popular Press. pp.7–8. ISBN978-0-313-32944-9.
↑ Pacini Hernández, Deborah (Spring 2000). "A Tale of Two Cities: A Comparative Analysis of Los Angeles Chicano and Nuyorican Engagement with Rock and Roll". Centro Journal. 11 (2): 79.
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